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      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai Brush Drawing I</image:title>
      <image:caption>Maurice Merleau-Ponty: When I begin to reflect my reflection bears upon an unreflective experience; moreover my reflection cannot be unaware of itself as an event, and so it appears to itself in the light of a truly creative act, of a changed structure of consciousness, and yet it has to recognize, as having priority over its own operations, the world which is given to the subject because the subject is given to himself.</image:caption>
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      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai Brush Drawing II</image:title>
      <image:caption>Cennino Cennini: CHAP. 11.–How to draw with a leaden style. It is possible also to draw on parchment without bone-dust with a style of lead; that is, with two parts of lead, and one of tin, well beaten with a hammer.</image:caption>
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      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai’s Educational Book I</image:title>
      <image:caption>Maurice Merleau-Ponty: The real has to be described, not constructed or formed. Which means that I cannot put perception into the same category as the syntheses represented by judgements, acts or predications.</image:caption>
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      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai’s Educational Book II</image:title>
      <image:caption>Cennino Cennini: CHAP. 12. How, when drawing with a leaden style, an error may be corrected. You may draw on paper also with the above mentioned leaden style,' either with or without bone dust; and if at any time you make an error, or you wish to remove any marks made by the leaden style, take a little crumb of bread, rub it over the paper, and efface whatever you please. And on this kind of paper, in the same manner, you may shade with ink, or colours, or clothlet tints (pezzuole), with the before mentioned vehicle.</image:caption>
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      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai’s Educational Book III</image:title>
      <image:caption>Maurice Merleau-Ponty: My field of perception is constantly filled with a play of colours, noises and fleeting tactile sensations which I cannot relate precisely to the context of my clearly perceived world, yet which I nevertheless immediately ‘place’ in the world, without ever confusing them with my daydreams.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465725789946-R1DLTCJ32SA3PGGRXL8E/hokusai04.png</image:loc>
      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai’s Educational Book IV</image:title>
      <image:caption>Cennino Cennini: CHAP. 13.–How drawing with the pen should be practised. When you have practised drawing in this manner one year, either more or less, according to the pleasure you take in it, you may sometimes draw on paper with a fine-pointed pen.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465725792738-IALPR5BITEJ629R88KPB/hokusai05.png</image:loc>
      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai’s Manga I</image:title>
      <image:caption>Maurice Merleau-Ponty: Equally constantly I weave dreams round things. I imagine people and things whose presence is not incompatible with the context, yet who are not in fact involved in it: they are ahead of reality, in the realm of the imaginary.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465725796553-Q2ZIRACIUXP7TT75ALCG/hokusai06.png</image:loc>
      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai’s Manga II</image:title>
      <image:caption>Cennino Cennini: Draw lightly, working up your lights and your half-lights and your shades gradually, retouching many lines with your pen. And if you would have your drawing more highly finished use a little water-colour, as before directed, with a blunt-pointed mineever brush.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465725798359-F1BU1BPS5RY4C1JWHVV7/hokusai07.png</image:loc>
      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai’s Manga III</image:title>
      <image:caption>Maurice Merleau-Ponty: If the reality of my perception were based solely on the intrinsic coherence of ‘representations’, it ought to be for ever hesitant and, being wrapped up in my conjectures on probabilities.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465725799818-BYCM9GDKO6BLTU4NHI7A/hokusai08.png</image:loc>
      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai’s Manga IV</image:title>
      <image:caption>Cennino Cennini: Do you know what will be the consequence of this practice of drawing with the pen ? It will make you expert, skilfull, and capable of making original designs.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465725801145-VL7UQ3ERK8GAPJYU68GH/hokusai09.png</image:loc>
      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai’s Manga V</image:title>
      <image:caption>Maurice Merleau-Ponty: I ought to be ceaselessly taking apart misleading synthesis, and reinstating in reality stray phenomena which I had excluded in the first place. But this does not happen.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465725802749-YDXDN9NYU28LXU8FB867/hokusai10.png</image:loc>
      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai’s Manga VI</image:title>
      <image:caption>Cennino Cennini: CHAP. 14.–How to make a pen for the purpose of drawing. If you would know how to make a pen of a goosequill, take a firm quill, place it on the two fingers of the left hand, the under side of the quill upwards; take a good sharp penknife, and cut away about the width of a finger along the length of the quill, and cut it drawing the penknife towards you, taking care that the cut should be even and in the middle of the pen.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465725803551-ACEVR9YW8JHSDHBED6KD/hokusai11.png</image:loc>
      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai’s Manga VII</image:title>
      <image:caption>Katsushika Hokusai (1760 – 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Hokusai is best known as author of several woodblock print series.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465725804377-7FF81GRFF12FWGW6JL92/hokusai12.png</image:loc>
      <image:title>lectures-2015-2017 - 6th Lecture 2016 »The Moments of Participating« - Hokusai’s Manga VIII</image:title>
      <image:caption>About: Katsushika Hokusai, Ryakuga haya-oshie, Quick Guide to Drawing, 1 volume 1812 In one of his educational book, Hokusai taught student to “evolve pictorial forms out of calligraphic pictograms.” The other interesting example in this book is the technique of using circles and straight lines drafting the shape. Here we can see the “rudimentary kind of cubism avant la letter“.</image:caption>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2015-2017/2016/6/4/5th-lecture-2016-the-spectacle-of-the-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465060284219-S7WYBEPGCTPGMQU3UEDK/cousin01.jpg</image:loc>
      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger I</image:title>
      <image:caption>Jean Cousin the Younger (1522-1593), Livre de Portraiture (published in Paris 1608) Jean Cousin the Younger was born in Sens, France around 1522, the son of the famous painter and sculptor Jean Cousin the Elder (ca. 1490–ca. 1560) who was often compared to his noted contemporary, Albrecht Dürer. Having trained to become an artist under his father, Jean the Younger showed as much talent as his father, and their work is nearly indistinguishable even to the expert. Just before his death, Jean the Elder published his noted work Livre de Perspective in 1560 in which he noted that his son would soon be publishing a companion entitled, Livre de Pourtraicture.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465060284472-07QZJ963HK61BTMESC36/cousin02.jpg</image:loc>
      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger II</image:title>
      <image:caption>Maurice Merleau-Ponty: It is true that the act of relating is nothing if divorced from the spectacle of the world in which relations are found; the unity of consciousness in Kant is achieved simultaneously with that of the world.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465060285190-54RP7KZXQ91728MQUD7L/cousin03.jpg</image:loc>
      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger III</image:title>
      <image:caption>Cennino Cennini: CHAP. 9.–How to arrange the light, and give chiaroscuro and proper relief to your figures. If by accident it should happen, that when drawing or copying in chapels, or colouring in other unfavourable places, you cannot have the light on your left hand, or in your usual manner, be sure to give relief to your figures or design according to the arrangement of the windows which you find in these places, which have to give you light, and thus accommodating yourself to the light on which side soever it may be, give the proper lights and shadows.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465060285649-52PFDYTP2CF63NZ9ZQQZ/cousin04.jpg</image:loc>
      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger IV</image:title>
      <image:caption>Maurice Merleau-Ponty: In Descartes methodical doubt does not deprive us of anything, since the whole world, at least in so far as we experience it, is reinstated in the Cogito, enjoying equal certainty, and simply labelled ‘thought of . . . But the relations between subject and world are not strictly bilateral: if they were, the certainty of the world would, in Descartes, be immediately given with that of the Cogito, and Kant would not have talked about his ‘Copernican revolution’.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465060286385-2229SX1NN9R92FW9VN9A/cousin05.jpg</image:loc>
      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger V</image:title>
      <image:caption>Cennino Cennini: Or if it were to happen that the light should enter or shine right opposite or full in your face, make your lights and shades accordingly; or if the light should be favourable at a window larger than the others in the above-mentioned places, adopt always the best light, and try to understand and follow it carefully, because, wanting this, your work would be without relief, a foolish thing, without mastery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465060287192-1933ZKZJCIC3EUEE5HNL/cousin06.jpg</image:loc>
      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger VI</image:title>
      <image:caption>Maurice Merleau-Ponty: Analytical reflection starts from our experience of the world and goes back to the subject as to a condition of possibility distinct from that experience, revealing the all-embracing synthesis as that without which there would be no world. To this extent it ceases to remain part of our experience and offers, in place of an account, a reconstruction.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465060289239-N58TR0QZ15LS29UVPIAI/cousin07.jpg</image:loc>
      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger VII</image:title>
      <image:caption>Cennino Cennini: CHAP. 10.–The manner and process of drawing on parchment and on paper, and how to shade with water-colours. Let us return to our subject. You may also draw upon parchment, and paper made of cotton.</image:caption>
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      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger VIII</image:title>
      <image:caption>Maurice Merleau-Ponty: It is understandable, in view of this, that Husserl, having accused Kant of adopting a ‘faculty psychologism’ (Logische Untersuchungen, Prolegomena zur reinen Logik, p. 93.), should have urged, in place of a noetic analysis which bases the world on the synthesizing activity of the subject, his own ‘noematic reflection’ which remains within the object and, instead of begetting it, brings to light it is fundamental unity.</image:caption>
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      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger IX</image:title>
      <image:caption>Cennino Cennini: On parchment you may draw or sketch with the above named style, first rubbing and spreading some of the powdered bone-dust over the parchment, scattered thinly and brushed off with a hare's foot, and powdered like writing-powder or resin (i.e. pounce, or powdered resin).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465060297524-KJLWA6Y9X92PD92A5KA8/cousin11.jpg</image:loc>
      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger X</image:title>
      <image:caption>Maurice Merleau-Ponty: The world is there before any possible analysis of mine, and it would be artificial to make it the outcome of a series of syntheses which link, in the first place sensations, then aspects of the object corresponding to different perspectives, when both are nothing but products of analysis, with no sort of prior reality.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465060298870-A3SSPOTRTD4AEIK6GM6Y/cousin12.jpg</image:loc>
      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger XI</image:title>
      <image:caption>Cennino Cennini: If you like, when you have completed your drawing with the style, in order to make it clearer, you may fix the outlines and necessary touches with ink, then shade the folds with water-colour made of ink, that is, water about as much as a nutshell will hold, into which are put two drops of ink, and shade with a brush made of tails of the minever, blunt and nearly always dry.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465060300226-J29DX1ICEX05M61GYOSD/cousin13.jpg</image:loc>
      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger XII</image:title>
      <image:caption>Maurice Merleau-Ponty: Analytical reflection believes that it can trace back the course followed by a prior constituting act and arrive, in the ‘inner man’—to use Saint Augustine’s expression—at a constituting power which has always been identical with that inner self. Thus reflection is carried off by itself and installs itself in an impregnable subjectivity, as yet untouched by being and time. But this is very ingenuous, or at least it is an incomplete form of reflection which loses sight of its own beginning.</image:caption>
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      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger XIII</image:title>
      <image:caption>Cennino Cennini: And then, according to the shades required, you must blacken the water with a few drops of ink. In the same manner you may shade with colours and clothlet tints (Bits of rag were stained with transparent pigments to be extracted in water as required /pezzuole), such as miniature painters use; mix your colours with gum, or with the clear or albumen of an egg well beaten and liquefied.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465060309031-PKS9E6R3C5HBY3X9JUA4/cousin15.jpg</image:loc>
      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger XIV</image:title>
      <image:caption>the spectacle of the world when drawing the relation between subject and the world because, wanting this, your work would be a foolish thing it ceases to remain part of our experience Let us return to our subject in place of a noetic analysis* you may draw or sketch with powdered bone-dust the object corresponding to different perspectives When you have completed you drawing identical with that inner self mix your colours with the clear of an egg</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465060304615-T3A9W0HB2CCSG1I3UVZT/cousin16.jpg</image:loc>
      <image:title>lectures-2015-2017 - 5th Lecture 2016 »The Spectacle of the World« - Jean Cousin the Younger XV</image:title>
      <image:caption>* „In a peak experience, the presence of divinity became almost palpable and I knew that life in the universe was not just an accident based on random processes. The knowledge came to me directly — noetically. It was not a matter of discursive reasoning or logical abstraction. It was an experiential cognition.“ Edgar Dean „Ed“ Mitchell (1930 – 2016); as the Lunar Module Pilot of Apollo 14, he spent nine hours working on the lunar surface, making him the sixth person to walk on the Moon.</image:caption>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2015-2017/2016/5/29/4th-lecture-2016-an-own-perspective</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1464534869166-5JJUFMOJB5BN7ZBJ45D6/italian-drawings01.jpg</image:loc>
      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Michelangelo Buonarroti, Bust of a Youth</image:title>
      <image:caption>Maurice Merleau-Ponty: I am, not a ‘living creature’ nor even a ‘man’, nor again even ‘a consciousness’ endowed with all the characteristics which zoology, social anatomy or inductive psychology recognize in these various products of the natural or historical process—I am the absolute source, my existence does not stem from my antecedents, from my physical and social environment; instead it moves out towards them and sustains them, for I alone bring into being for myself (and therefore into being in the only sense that the word can have for me) the tradition which I elect to carry on, or the horizon whose distance from me would be abolished—since that distance is not one of its properties—if I were not there to scan it with my gaze. (Pict.:Michelangelo Buonarroti, Bust of a Youth, ca. 1530, Black chalk on tan paper</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1464534870007-XITR9VLJAA2P89COT4OK/italian-drawings02.jpg</image:loc>
      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Style of Altichiero of Zevio, The Coronation of the Virgin</image:title>
      <image:caption>Cennino Cennini: CHAP. 5.-In what manner to begin drawing on a small panel, and how to prepare it. As has been said, it is necessary that you should have the habit of beginning to draw correctly. First, have a small panel of boxwood a hand length wide each way, well smoothed and clean,-that is to say, washed with clean water, rubbed and polished with sepia (bone of the cuttle-fish), which the goldsmith uses for marking. (Pict.: Style of Altichiero (II) of Zevio, Italian, ca. 1320 - ca. 1385, The Coronation of the Virgin)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1464534875574-749VQNNJU78NE2M1GM8U/italian-drawings03.jpg</image:loc>
      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Vittore Carpaccio, Two Standing Egyptian Women</image:title>
      <image:caption>Maurice Merleau-Ponty: Scientific points of view, according to which my existence is a moment of the world’s, are always both naïve and at the same time dishonest, because they take for granted, without explicitly mentioning, it, the other point of view, namely that of consciousness, through which from the outset a world forms itself round me and begins to exist for me. (Pict.:Vittore Carpaccio, Italian, 1460/66–1525/26, Two Standing Egyptian Women, pen and dark brown ink, brush and pale gray-brown wash heightened with white gouache over black chalk, 23.2 x 12.1 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1464534872443-QCOPSVURLO770MZUSNS8/italian-drawings04.jpg</image:loc>
      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Marcantonio Raimondi, after Albrecht Duerer</image:title>
      <image:caption>Cennino Cennini: When this panel is quite dry, take a sufficient quantity of bones well ground for two hours, and the finer they are ground, the better they will be. Then collect the powder, and put it into dry paper; and when you want to prime the panel, take less than half the size of a bean of this bone-dust or less, mix it up with saliva, and before it is dry spread it with the finger over the surface of the panel, and before it dries, hold the panel in the left band, and with the tip of the forefinger of the right band, beat upon the panel until you see that it is quite dry, and that the bone-dust is spread all over it equally. (Pict.: Marcantonio Raimondi, Italian, 1470/80–1527/34, after Albrecht Duerer, German, 1471–1528, Adam, c. 1501-08. Pen and brown ink on light tan laid paper, 19.5 x 10.9 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1464534878289-EXNWF9L6FBC9V22XN2WB/italian-drawings05.jpg</image:loc>
      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Domenico Campagnola, Legendary or Mythological Scene</image:title>
      <image:caption>Maurice Merleau-Ponty: To return to things themselves is to return to that world which precedes knowledge, of which knowledge always speaks, and in relation to which every scientific schematization is an abstract and derivative sign-language, as is geography in relation to the country-side in which we have learnt beforehand what a forest, a prairie or a river is. (Pict.: Domenico Campagnola, Italian, 1500–1564, Legendary or Mythological Scene, c. 1520. Pen and brown ink with brush and brown wash, 22.2 x 24.1 cm)</image:caption>
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      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Baccio Bandinelli, Sketches of a Standing Male Nude</image:title>
      <image:caption>Cennino Cennini: CHAP. 6.–How drawing can be done on several kinds of panels. A tablet of old figwood is suitable (buona la tavoletta del figaro ben vecchio); also certain tablets used by merchants which are made of parchment prepared with gesso coated with white lead and oil, using the bone-dust as I have said. (Pict.: Baccio Bandinelli, Italian, 1493–1560, Sketches of a Standing Male Nude, Seated Male Nude, and Bust of a Woman, pen and brown ink on laid paper, 33.2 x 23.9 cm)</image:caption>
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      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Domenico Beccafumi, Head of a Putto</image:title>
      <image:caption>Maurice Merleau-Ponty: This move is absolutely distinct from the idealist return to consciousness, and the demand for a pure description excludes equally the procedure of analytical reflection on the one hand, and that of scientific explanation on the other. (Pict.: Domenico Beccafumi, Italian, 1484 - 1551, Head of a Putto, 1527–1537. Brush and oil paint on brown laid paper, 20.7 x 17.4 cm)</image:caption>
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      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Domenico Beccafumi, Head of a Woman</image:title>
      <image:caption>Cennino Cennini: CHAP. 7.–What kind of bones are proper for priming panels. You must now know what bones are proper. For this purpose take the bones of the thighs and wings of fowls or capons; and the older they are the better. When you find them under the table, put them in the fire, and when you see they are become whiter than ashes, take them out, and grind them well on a porphyry slab, and use it as I say above. (Pict.: Domenico Beccafumi, Italian, 1484 - 1551, Head of a Woman, ca. 1529-1535. Brush and oil paint on brown laid paper,22.7 x 16.3 cm)</image:caption>
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      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Parmigianino, Torso of a man in armor</image:title>
      <image:caption>Maurice Merleau-Ponty: Descartes and particularly Kant detached the subject, or consciousness, by showing that I could not possibly apprehend anything as existing unless I first of all experienced myself as existing in the act of apprehending it. They presented consciousness, the absolute certainty of my existence for myself, as the condition of there being anything at all; and the act of relating as the basis of relatedness. (Pict.: Parmigianino, Italian, 1503–1540, Torso of a man in armor, pen and brown ink, brown wash, highlighted with white ink on pink prepared paper, 21.1 x 10.6 cm)</image:caption>
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      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Battista Franco, Dead Christ supported by an Angel</image:title>
      <image:caption>Cennino Cennini: CHAP. 8.–In what manner you should begin to draw with a style, and with what light The bones also of the leg and shoulder of mutton are good, burnt as before directed. Then take a style of silver or brass, or anything else provided the point is silver, sufficiently fine (sharp) and polished and good. Then, to acquire command of hand in using the style, begin to draw with it from a copy as freely as you can, and so lightly that you can scarcely see what you have begun to do, deepening your strokes little by little, and going over them repeatedly to make the shadows. Where you would make it darkest go over it many times; and, on the contrary, make but few touches on the lights. (Pict.: Battista Franco, Italian, ca. 1510 - d. 1561, Dead Christ supported by an Angel, pen and brown ink on cream laid paper, 16.7 x 11.9 cm)</image:caption>
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      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Pordenone, Standing Saint Roch</image:title>
      <image:caption>Cennino Cennini: CHAP. 8.–In what manner you should begin to draw with a style, and with what light The bones also of the leg and shoulder of mutton are good, burnt as before directed. Then take a style of silver or brass, or anything else provided the point is silver, sufficiently fine (sharp) and polished and good. Then, to acquire command of hand in using the style, begin to draw with it from a copy as freely as you can, and so lightly that you can scarcely see what you have begun to do, deepening your strokes little by little, and going over them repeatedly to make the shadows. Where you would make it darkest go over it many times; and, on the contrary, make but few touches on the lights. And you must be guided by the light of the sun, and the light of your eye, and your hand; and without these three things you can do nothing properly. Contrive always when you draw that the light is softened, and that the sun strikes on your left hand; and in this manner you should begin to practise drawing only a short time every day, that you may not become vexed or weary. (Pict.: Pordenone (Giovanni Antonio de Sacchis), Italian, 1483/4–1539, Standing Saint Roch, ca. 1525–26, red chalk on cream laid paper, squared in red chalk, 26.3 x 15.6 cm)</image:caption>
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      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Giacomo Francia, Cleopatra</image:title>
      <image:caption>I am the absolute source the horizon to scan with my gaze – the habit of beginning – Scientific points of view are always both naive and at the same time dishonest – take a sufficient quantity of bones well ground for two hours – mix it up with salvia   (Pict.: Giacomo Francia, Italian, before 1486 - 1557, Cleopatra, pen and brown ink, with border in darker brown ink, 26.1 x 18.5 cm)</image:caption>
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      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Luca Cambiaso, The Stigmatization of St. Francis</image:title>
      <image:caption>return to things themselves – made of parchment prepared with gesso – You must now know what bones are proper – the bases of relatedness   (Pict.: Luca Cambiaso, Italian, 1527–1585, The Stigmatization of St. Francis, pen and brown ink and brush and brown wash, 33.3 x 24.9 cm)</image:caption>
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      <image:title>lectures-2015-2017 - 4th Lecture 2016 »An own Perspective« - Luca Cambiaso, Female figure holding an oblong object</image:title>
      <image:caption>begin to draw so lightly that you can scarcely see what you do your strokes little by little the light of the sun and the light of your eye and your hand you should begin to practise drawing only a short time every day that you may not become vexed or weary (Pict.: Luca Cambiaso, Italian, 1527–1585, Female figure holding an oblong object (Fortitude), pen and iron gall ink, 40 x 22.6 cm)</image:caption>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2015-2017/2016/5/22/3rd-lecture-2016-our-own-styl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921881686-2Z4MA8O5C5332ME34596/Lomazzo19.jpg</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura I</image:title>
      <image:caption>Gian Paolo Lomazzo (26 April 1538 – 27 January 1592; his first name is sometimes also given as "Giovan" or "Giovanni") was an Italian painter, best remembered for his writings on art theory , belonging to the second generation that produced Mannerism in Italian art and architecture.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921840642-C3GC6UBJNNA9C1OVS8A3/Lomazzo03.png</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura II</image:title>
      <image:caption>Paolo Lomazzo, Trattao dell’arte della Pittura, Milano 1584, translated by Richard Haydocke (1570 - 1642)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921870585-Y7RXRF8WO1WYJ6VICQ0U/Lomazzo13.png</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura III</image:title>
      <image:caption>The Division of the Work (1.1) There is a two-fold proceeding in all arts and sciences: The one is called the order of nature, and the other of teaching. Nature proceeded ordinarily, beginning with the imperfect, as the particulars, and ending with the perfect, as the universals.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921858755-ZN3RJU8FFMP2ZOBJI99F/Lomazzo09.png</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura IV</image:title>
      <image:caption>(1.2) Now if in searching out the nature of things, our understanding shall proceed after that order, by which they are brought forth by nature, doubtless it will be the most absolute and ready method that can be imagined.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921858327-2SWP1MQSDRZ7GE9ZCUNI/Lomazzo10.jpg</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura V</image:title>
      <image:caption>(1.3) For we begin to know things by their first and immediate principles, which are well known unto us, not by mere idea, as separated from the particulars – (as some think) nor by bare imagination, as if they were seated only in our understanding (as others would have it) but as they do actually occur to the forming of the particulars which are subject to our sense, and may be pointed at with our finger.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921864371-RMYMO78YCI4A3TYTX5RR/Lomazzo11.jpg</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura VI</image:title>
      <image:caption>(1.4) And this is the most certain way of knowing, amongst all the rest: It is evident then that our understanding beginning his operations from the particular, beginneth to know them by their matter and form which are their first and immediate principles, being neither really abstracted from the particulars, not yet by mere conceit placed in our understanding, as in a subject, but do actually occur to the making of a compound.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921864305-7FO13M7AOIR203E3ANJY/Lomazzo12.png</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura VII</image:title>
      <image:caption>(1.5) SupposePeter or John: and may be sensible demonstrated to be in Peter or John; then the which what proof can be more evident? being drawn from the things before our eyes.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921873297-NXR327DSRAJAKASZJ3P7/Lomazzo14.png</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura VIII</image:title>
      <image:caption>(1.6) And this is not only my opinion but Aristotle also, who wrote, that the first principles may be proved by sense: meaning that the sensible proof is more certain than the intellectual; whence a thing may then be said to be known by nature, when it is of such a nature, that it may be seen and perceived by the other senses.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921876742-DQLO8KJUZ8AIO2H0VSL3/Lomazzo17.png</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura IX</image:title>
      <image:caption>(1.7) And this is the reason why Aristotle in the beginning of his Physics said; that the particulars may be known by their own nature: all which if we could comprehend within our understanding, we should be most wise: but it is impossible, that whereas they are infinite in possibility, they should be comprehended of that which is finite in act.</image:caption>
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      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura X</image:title>
      <image:caption>(1.8) Wherefore although some heavenly creature, perchance, may be capable of the understanding of all those particulars, which are actually created, yet notwithstanding because there are not so many particulars actually in the world, but that there might be a greater number created, (in so much as they whole depend upon the will of God in his providence) therefore this possibility, or (to speak more plainly) all the particulars already created and made, together with those which shall be made, and brought into the world, may be known only unto God by his prescience.</image:caption>
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      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura XI</image:title>
      <image:caption>(1.9) And this Aristotle in part affirmed when he said that the particulars then may be known of their own nature, meaning, perchance, to the first mover of nature, which is God.</image:caption>
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      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura XII</image:title>
      <image:caption>(1.10) The particulars then may be known of their own nature: Because look how much actuality they have (as the philosophers speak) so much ability they have to know: but they have an actual being; Therefore there matter is not mere possibility, but is brought into Act, by their form, which do not rest idly in the matter, but is occupied in bringing it forth into Act.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921848690-9Q94LHSQVIF6Q6EKWLPP/Lomazzo07.jpg</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura XIII</image:title>
      <image:caption>(1.11) And look what is said of individual substance, is likewise meant of individual Accidents. It is evident therefore if we do not understand the particulars, it is not because they cannot be understood of their own nature, but by reason of our own defect: because we cannot comprehend the infinite multitude of them.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921834582-LK2ZA5WLKW46UFBE4V86/Lomazzo01.png</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura XIV</image:title>
      <image:caption>(1.12) Wherefore our understanding ought not know things by the order of nature, seeing it cannot comprehend all the particulars, which are infinite. But it must begin with the order of Teaching, whereof it is capable.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921850967-X1E6TPJ0ST4M2YI2DGLR/Lomazzo08.jpg</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura XV</image:title>
      <image:caption>(1.13) This method then proceeding from the universals to the particulars, may easily understood of us, because our understanding is of that nature that is properly understands universals , in so much as the power of our mind is spiritual, and therefore willingly embraced universal things separated from their matter, and made (after a sort) spiritual by the help of the active understanding.</image:caption>
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      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura XVI</image:title>
      <image:caption>(1.14) Whereupon I proposing to handle the art of painting in this present discourse, mean to follow the order of Teaching.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921846102-POH0UA2VCGUVZGUAYD01/Lomazzo06.jpg</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura XVII</image:title>
      <image:caption>(1.15) And because I might purchase, commit an absurdity, if in ripping it up to high I should begin to define unto the reader what manner of thing quality is, and how many kinds thereof thereby; to teach him what Habitus and Dispositio, what forma and figura is; and how painting by diverse confederations is comprehended under that species of Quality (which appertained rather to a Logician or a Philosopher as to a Painter).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921879397-URUK3DP9NFWOC7JE5UU8/Lomazzo18.png</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura XVIII</image:title>
      <image:caption>(1.16) Therefore I (observing Horaces precept, who would not have a man begin the history of the Trojan War at the two eggs of Leda, that is, that in handling a matter he ought not to take the beginning too far of from the present matter in hand) means first to begin with the definition of painting, which is the first, most general, and immediate principle, as most properly offering itself to our confederation:</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463921874070-MT84CZVMESZI7F2DLL4E/Lomazzo15.jpg</image:loc>
      <image:title>lectures-2015-2017 - 3rd Lecture 2016 »Our own Styl« - Trattao dell’arte della Pittura XIX</image:title>
      <image:caption>(1.17) Wherein afterwards I propose to show the true genus thereof, which is the first part of the definition, and consequently all the differences occurring to the same, for the restraining of the genus which is a species of quality called Arte, and makes the most special kind of quality called painting: And because the differences which make painting a particular and distinct Arte from all others are few: viz. –    Proportion, –    Motion, –    Colour, –    Light &amp; Perspective.</image:caption>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2015-2017/2016/5/1/2nd-lecture-2016-constitution-of-intentionality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
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      <image:title>lectures-2015-2017 - 2nd Lecture 2016 »Constitution of Intentionality« - 14th Century, Mandrake Man</image:title>
      <image:caption>Maurice Merleau-Ponty, Phenomenology of Perception 2.1 Merleau-Ponty: It has been long on the way, and its adherents have discovered it in every quarter, certainly in Hegel and Kierkegaard, but equally in Marx, Nietzsche and Freud. A purely linguistic examination of the texts in question would yield no proof; we find in texts only what we put into them, and if ever any kind of history has suggested the interpretations which should be put on it, it is the history of philosophy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462115278210-73SQMM3OGRVYPO4PIAPF/1494%E2%80%93Ketham%2C-Johannes-02.png</image:loc>
      <image:title>lectures-2015-2017 - 2nd Lecture 2016 »Constitution of Intentionality« - 1494 Johannes de Ketham, Fasiculo de medicina</image:title>
      <image:caption>2.2 Merleau-Ponty: We shall find in ourselves, and nowhere else, the unity and true meaning of phenomenology. It is less a question of counting up quotations than of determining and expressing in concrete form this phenomenology for ourselves which has given a number of present-day readers the impression, on reading Husserl or Heidegger, not so much of encountering a new philosophy as of recognizing what they had been waiting for.</image:caption>
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      <image:title>lectures-2015-2017 - 2nd Lecture 2016 »Constitution of Intentionality« - 1512, Hieronymus Brunschwig, Liber de arte distillandi de compositis</image:title>
      <image:caption>2.3 Merleau-Ponty: Phenomenology is accessible only through a phenomenological method. Let us, therefore, try systematically to bring together the celebrated phenomenological themes as they have grown spontaneously together in life. Perhaps we shall then understand why phenomenology has for so long remained at an initial stage, as a problem to be solved and a hope to be realized. It is a matter of describing, not of explaining or analyzing.</image:caption>
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      <image:title>lectures-2015-2017 - 2nd Lecture 2016 »Constitution of Intentionality« - 1528 Hans von Gersdorff, Feldtbuch der Wundartzney, newlich getruckt und gebessert</image:title>
      <image:caption>2.4 Merleau-Ponty: Husserl’s first directive to phenomenology, in its early stages, to be a ‘descriptive psychology’, or to return to the ‘things themselves’, is from the start a foreswearing of science. I am not the outcome or the meeting-point of numerous causal agencies which determine my bodily or psychological make-up. I cannot conceive myself as nothing but a bit of the world, a mere object of biological, psychological or sociological investigation. I cannot shut myself up within the realm of science.</image:caption>
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      <image:title>lectures-2015-2017 - 2nd Lecture 2016 »Constitution of Intentionality« - 1528 Hans von Gersdorff, Feldtbuch der Wundartzney</image:title>
      <image:caption>2.5 Merleau-Ponty: All my knowledge of the world, even my scientific knowledge, is gained from my own particular point of view, or from some experience of the world without which the symbols of science would be meaningless. The whole universe of science is built upon the world as directly experienced, and if we want to subject science itself to rigorous scrutiny and arrive at a precise assessment of its meaning and scope, we must begin by reawakening the basic experience of the world of which science is the second-order expression.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462115285798-O2UC357WS2NQGY7S1NSW/SS2016-02-01collage01b.jpg</image:loc>
      <image:title>lectures-2015-2017 - 2nd Lecture 2016 »Constitution of Intentionality« - Collage of Intentional Perception</image:title>
      <image:caption>2.6 Merleau-Ponty: Science has not and never will have, by its nature, the same significance qua form of being as the world which we perceive, for the simple reason that it is a rationale or explanation of that world.</image:caption>
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      <image:title>lectures-2015-2017 - 2nd Lecture 2016 »Constitution of Intentionality« - 14th Century, Mandrake Woman</image:title>
      <image:caption>2.1 Cennini: CHAP. 2.–How some persons study the arts from nobleness of mind, and some for gain.  It is the impulse of a hoble mind which moves some towards this art, pleasing to them through their natural love. The intellect delights in invention; and nature alone draws them, without any guidance from a master, through nobleness of mind; and thus delighting themselves, they next wish to find a master, and with him they place themselves in love of obedience, being in servitude that they may carry their art to perfection.</image:caption>
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      <image:title>lectures-2015-2017 - 2nd Lecture 2016 »Constitution of Intentionality« - 1501 Magnus Hundt, Antropologium de hominis dignitate</image:title>
      <image:caption>2.2 Cennini: There are some who follow the arts from poverty and necessity, also for gain, and for love of the art; but those who pursue them from love of the art and true nobleness of mind are to be commended above all others.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462117053905-0CY96BYZ9PNX5ZTZ6K0C/1512-Brunschwig%2C-Hieronymus-02.png</image:loc>
      <image:title>lectures-2015-2017 - 2nd Lecture 2016 »Constitution of Intentionality« - 1512, Hieronymus Brunschwig, Liber de arte distillandi de compositis</image:title>
      <image:caption>2.3 Cennini: CHAP. 3.-What to do in the beginning of the pursuit of art. Now then, you of noble mind, who are lovers of this good, come at once to art and adorn yourselves with this vesture,-namely, love, reverence, obedience, and perseverance. And as soon as thou canst, begin to put thyself under the guidance of the master to learn, and delay as long as thou mayest thy parting from the master.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462115280903-I9TP156CEQB3Q22IDWET/1528%E2%80%93Gersdorff%2C-Hans-von-02.png</image:loc>
      <image:title>lectures-2015-2017 - 2nd Lecture 2016 »Constitution of Intentionality« - 1528 Hans von Gersdorff, Feldtbuch der Wundartzney</image:title>
      <image:caption>2.4 Cennini: CHAP. 4.-How the rule shows into what parts and members the arts are divided. The foundation of the art and the beginning of all these labours of the hand is drawing and colouring.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462115283088-YRFU8OXX2C7NNATDQ9JB/1528%E2%80%93Gersdorff%2C-Hans-von-04.png</image:loc>
      <image:title>lectures-2015-2017 - 2nd Lecture 2016 »Constitution of Intentionality« - 1528 Hans von Gersdorff, Feldtbuch der Wundartzney</image:title>
      <image:caption>2.5 Cennini: To these two parts these things are necessary; namely, to know how to grind colours; to use glue; to fasten the cloth on the panel; to prime with gesso, to scrape and smooth the gesso; to make relievos in gesso; to put on bole; to gild; to burnish ; to temper colours; to lay on ground colours; to trace by dusting powder; to engrave by lines and by stamps; to carve; to colour; to adorn and to varnish pictures.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462115287022-8XB2Y4FWNN7E889CCBBW/SS2016-02-01collage01c.jpg</image:loc>
      <image:title>lectures-2015-2017 - 2nd Lecture 2016 »Constitution of Intentionality« - Collage of Intentional Perception</image:title>
      <image:caption>2.6 Cennini: To paint on walls it is necessary to wet them; to cover them with mortar; to embellish them; to polish (smooth) them; to design, to colour in fresco and finish in secco; to temper the colours; adorn and retouch. And this is the rule of the above-named grades, as to which, with that little knowledge which I have learned, I will explain step by step.</image:caption>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2015-2017/2016/5/1/1st-lecture-2016-the-intentional-space-of-drawing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111218719-2FVUKO0JFY0GUXMXCFNI/Odoardo-Fialetti-01.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Odoardo Fialetti, per disegnare tutte le parti 01</image:title>
      <image:caption>Odoardo Fialetti (1573 - 1638) was an Italian painter and printmaker during the late Renaissance. The Bolognese artist is a fascinating figure upon which curiously little work has been done. Though he is a rarely discussed pupil of Tintoretto, Fialetti’s oeuvre is vast (some 55 known paintings and approximately 450 prints) and incredibly diverse.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111215299-XOADQC9TSSI4LB4O7O1T/Odoardo-Fialetti-02.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Odoardo Fialetti, per disegnare tutte le parti 02</image:title>
      <image:caption>His work encompasses religious subjects, portraits, books on drawing and sport, maps, and illustration for treatises on city defences, literary texts, and anatomy.  His work was influential for several hundred years after his death, not only in Venice and northern Italy, but also in France where his designs were used as decoration on faïence produced at Nevers, and England, where his paintings were much admired at court.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111917892-74WL2U03DQF6T8MHKRZP/Odoardo-Fialetti-anatomia.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Odoardo Fialetti, per disegnare tutte le parti 03</image:title>
      <image:caption>In the realm of science, Fialetti’s influence can be deduced from his drawings of curiously animated cadavers in detailed landscapes to those of future generations of anatomists and illustrators throughout Europe.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111218709-XAVV9P551NKVAUDCXA1F/Odoardo-Fialetti-10.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Odoardo Fialetti, per disegnare tutte le parti 04</image:title>
      <image:caption>Fialetti’s close association with Sir Henry Wotton, and the careful copy of his drawing book made by Alexander Browne in the mid-seventeenth century, attest to his impact on the formation of an Italianate sensibility in the appreciation of the visual arts in Early Modern England.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111220605-MFKCJIIDYB8ML63Z6D6C/Odoardo-Fialetti-11.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.1)</image:title>
      <image:caption>Maurice Merleau-Ponty, Phenomenology of Perception (Phénoménologie de la perception, Paris: Gallimard, 1945,trans., Colin Smith, London and New York: Routledge, 1962) 1.1 What is phenomenology? It may seem strange that this question has still to be asked half a century after the first works of Husserl. The fact remains that it has by no means been answered.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111223430-S52TNPKQLO43HCOAYVMO/Odoardo-Fialetti-17.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.2)</image:title>
      <image:caption>1.2 Phenomenology is the study of essences; and according to it, all problems amount to finding definitions of essences: the essence of perception, or the essence of consciousness, for example.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111228027-Z0KW21RE5NRXXUMBAEK1/Odoardo-Fialetti-23.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.3)</image:title>
      <image:caption>1.3 But phenomenology is also a philosophy which puts essences back into existence, and does not expect to arrive at an understanding of man and the world from any starting point other than that of their ‘facticity’.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111234578-0WA8KLXCBS40K36387AW/Odoardo-Fialetti-28.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.5)</image:title>
      <image:caption>1.5 It is the search for a philosophy which shall be a ‘rigorous science’, but it also offers an account of space, time and the world as we ‘live’ them. It tries to give a direct description of our experience as it is, without taking account of its psychological origin and the causal explanations which the scientist, the historian or the sociologist may be able to provide. Yet Husserl in his last works mentions a ‘genetic phenomenology’ (Méditations cartésiennes, pp. 120 ff.), and even a ‘constructive phenomenology’ (See the unpublished 6th Méditation cartésienne, edited by Eugen Fink, to which G. Berger has kindly referred us).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111237673-AEM7J0G76BHTIE8MLM5P/Odoardo-Fialetti-31.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.6)</image:title>
      <image:caption>1.6 One may try to do away with these contradictions by making a distinction between Husserl’s and Heidegger’s phenomenologies; yet the whole of ‘Sein und Zeit’ springs from an indication given by Husserl and amounts to no more than an explicit account of the ‘natürlicher Weltbegriff’ or the ‘Lebenswelt’ which Husserl, towards the end of his life, identified as the central theme of phenomenology, with the result that the contradiction reappears in Husserl’s own philosophy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111241898-OJ8IH0FZN3Z45G1R3RXX/Odoardo-Fialetti-35.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.7)</image:title>
      <image:caption>1.7 The reader pressed for time will be inclined to give up the idea of covering a doctrine which says everything, and will wonder whether a philosophy which cannot define its scope deserves all the discussion which has gone on around it, and whether he is not faced rather by a myth or a fashion.</image:caption>
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      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.8)</image:title>
      <image:caption>1.8 Even if this were the case, there would still be a need to understand the prestige of the myth and the origin of the fashion, and the opinion of the responsible philosopher must be that phenomenology can be practised and identified as a manner or style of thinking, that it existed as a movement before arriving at complete awareness of itself as a philosophy.</image:caption>
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      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Cennino Cennini, The Book of the Art (CC1.1)</image:title>
      <image:caption>1.1 Made and composed by Cennino da Colle, in the reverence of God, and of the Virgin Mary, and of St. Eustachius, and of St. Francis, and of St. John the Baptist, and of St. Anthony of Padua, and generally of all the saints of God, and in the reverence of Giotto, of Taddeo, and of Agnolo the master of Cennino, and for the utility and good and advantage of those who would attain perfection in the art.</image:caption>
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      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Cennino Cennini, The Book of the Art (CC1.2)</image:title>
      <image:caption>1.2 CHAP. 1–In the beginning, when the omnipotent God created the heaven and the earth, above all living creatures and plants for food, he created man and woman after his own image, endowing them with all virtues.  Afterwards came misfortune, through the envy of Lucifer towards Adam; who with malice and subtlety induced him to sin against the commandment of God, that is, first Eve, and then Eve deceived Adam; and God was angered against Adam, and caused him and his companion to be driven by an angel out of Paradise, saying to them, "Because you have dis-­obeyed the commandment which God gave to you, by your labour and exertions shall you support your­ selves."</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111229726-AC3LIYQGENQ79HIKM307/Odoardo-Fialetti-24.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Cennino Cennini, The Book of the Art (CC1.3)</image:title>
      <image:caption>1.3 Then Adam, knowing the sin he had committed, and being nobly endowed by God, as the root and origin and father of us all, discovered by his wisdom that it was necessary to find a way to live by his own manual exertions, and thus he began by digging and Eve by spinning. Afterwards be carried on many necessary arts, different each from the other, and each more scientific than the other; for they could not be all equally so.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111236740-ZAW317Q7ESV9D3Q0BTMG/Odoardo-Fialetti-30.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Cennino Cennini, The Book of the Art (CC1.5)</image:title>
      <image:caption>1.5 And well does it deserve to be placed in the rank next to science, and to be crowned by Poetry: and for this reason, that the poet, by the help of science, becomes worthy, and free, and able to compose and bind together, or not, at pleasure. So to the painter liberty is given to compose a figure, either upright or sitting, or half man, half horse, as he pleases, according to his fancy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111239759-3ASEHBBOTL1HDO3UFML7/Odoardo-Fialetti-34.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Cennino Cennini, The Book of the Art (CC1.6)</image:title>
      <image:caption>1.6 Therefore, whether through great reverence or love, let all those persons who feel in themselves any kind or manner of knowledge, or power to help and adorn these principal sciences with some jewel, put themselves forward without any bashfulness, offering to the above-named sciences this little knowledge which God has given them.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111242399-30G3S73T2XF2910QNOWK/Odoardo-Fialetti-37.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Cennino Cennini, The Book of the Art (CC1.7)</image:title>
      <image:caption>1.7 A humble working member then of the art of painting, I, Cennino, born of Drea Cennino of the Colle de Valdelsa, was instructed in these arts for twelve years by Agnolo, son of Taddeo of Florence, my master, who learned the art from Taddeo his father, who was the godson of Giotto, and was his disciple for twenty-four years.  This Giotto changed the art of painting from the Greek to the Latin (manner), and brought it to the modern (style); and he possessed more perfect art than ever any one else had had.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111247365-K1KW4O94FESO6KDZ4ET2/Odoardo-Fialetti-40.jpg</image:loc>
      <image:title>lectures-2015-2017 - 1st Lecture 2016 »The Intentional Space of Drawing« - Cennino Cennini, The Book of the Art (CC1.8)</image:title>
      <image:caption>1.8 In order to assist all those who would approach this art, I shall take note of all that was taught me by my master Agnolo, and of that which I have proved with my own hand; invoking first the high omnipotent God,-that is to say, the Father, Son, and Holy Spirit; secondly, that most delightful advocate of all sinners the Virgin Mary, and St. Luke the Evangelist, the first Christian painter, and my advocate St. Eustachius, and generally all the saints, male and female, of Paradise.</image:caption>
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  </url>
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    <loc>https://www.tomasocarnetto.com/lectures-2015-2017/2015/12/13/8th-lecture-20152016-deformation-of-inter-position</loc>
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      <image:title>lectures-2015-2017 - 8th Lecture 2015/2016 »Deformation of Inter-Position«</image:title>
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  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2015-2017/2015/12/6/7th-lecture-20152016-summary-from-understanding-to-creation</loc>
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      <image:title>lectures-2015-2017 - 7th Lecture 2015/2016 »Summary – from Understanding to Creation«</image:title>
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      <image:title>lectures-2015-2017 - 7th Lecture 2015/2016 »Summary – from Understanding to Creation«</image:title>
      <image:caption>He was taken to Tripolitania shortly after this region was captured by Italy in the Italo-Turkish War</image:caption>
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    <loc>https://www.tomasocarnetto.com/lectures-2015-2017/2015/11/29/6th-lecture-20152016-the-inter-position-of-history</loc>
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  <url>
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    <lastmod>2024-10-02</lastmod>
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    <loc>https://www.tomasocarnetto.com/work-2016-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1494169022748-87FGCDNCBENE2DVZ3G5H/lectures-summer-2014-075.jpg</image:loc>
      <image:title>work-2016-2017</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2016-2017/2017/1/7/work2017-no2-the-miracle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721521907-DW0Y5COSL2KSAZSTW4EK/lisa-I-remember-your-face-very-well.jpg</image:loc>
      <image:title>work-2016-2017 - Work2017, No.2 »The Miracle«</image:title>
      <image:caption>believe me, Lisa, I remember your face very well</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2016-2017/http/wwwtomasocarnettocom/working-blog/2017/1/7/work-2017-no1-the-portrait-of-a-lady</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721568146-KYDMMY5NJSOG6O03M0IM/02portrait-1.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2017, No.1 »The Portrait of a Lady«</image:title>
      <image:caption>portrait of a lady I which I have met in Milano</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2016-2017/2016/9/16/work-2016-no5-manifest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1474022856363-FTG80JDBBRXJKTW58VAV/manifest03.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.5 »Manifest« - Mainfest 02</image:title>
      <image:caption>»Eidos originally designated the outward, visible appearance of an object; Plato, however, uses the word to mean the abstract, universal essence of that object: the "chaliceness" of the chalice is the eidos.«</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1474022858286-W4FPRE3F7XQEP4C2TD1Z/manifest06.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.5 »Manifest« - Manifest 05</image:title>
      <image:caption>»The "frame" metaphor in Heidegger's concept of "enframing" corresponds to these "boxes," but for Heidegger, all of us have a tendency to think in this way.«</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1474022862980-RGXUWO171LGSQNY5KPI2/manifest08.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.5 »Manifest« - Manifest 07</image:title>
      <image:caption>»We should think of "nature" here in the broadest sense, as the entire realm of the non-human--but also including such things as our physical bodies, over which we have only limited control.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1474022867244-93D9HYXUH31QOZRKAW1S/manifest10.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.5 »Manifest« - Manifest 09</image:title>
      <image:caption>»When Heidegger states that "the essence of technology is by no means anything technological," he means that technology's driving force is not located in machines themselves, nor even in the various human activities that are associated with modern modes of production.«</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1474022868650-ADFKDLL8GYK4IMDV03IZ/manifest12.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.5 »Manifest« - Manifest 11</image:title>
      <image:caption>»Heidegger's argument, however, is more far-reaching. He claims that enframing stems from the human drive for a "precise" and "scientific" knowledge of the world.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2016-2017/2016/6/7/work-2016-no4-desire-path-studies-for-painting-i</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465245378965-TAQMU03HCWCXBHRB76WD/work2016-06-06-01.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.4 »Desire Path, Studies for Painting I« - Desire Lines I, Cover</image:title>
      <image:caption>The Sandman is a figure within a fairytale told by Hans Christian Andersen. The Sandman is said to sprinkle sand or dust on or into the eyes of the child at night to bring on dreams and sleep.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465245382789-XZS96ZOMN4X73CCHO7JD/work2016-06-06-02.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.4 »Desire Path, Studies for Painting I« - Desire Lines II, Ole-Luk-Oie</image:title>
      <image:caption>„There is nobody in the world who knows so many stories as Ole-Luk-Oie, or who can relate them so nicely.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465245382971-8U3J6KAG4XXJ0LWZOTH2/work2016-06-06-03.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.4 »Desire Path, Studies for Painting I« - Desire Lines III, He Walks in his Socks</image:title>
      <image:caption>In the evening, while the children are seated at the table or in their little chairs, he comes up the stairs very softly, for he walks in his socks, then he opens the doors without the slightest noise, and throws a small quantity of very fine dust into their eyes, just enough to prevent them from keeping them open, and so they do not see him.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465245387548-6YTLKE43K6H8519DNQYF/work2016-06-06-04.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.4 »Desire Path, Studies for Painting I« - Desire Lines IV, The Pretty Stories</image:title>
      <image:caption>Then he creeps behind them, and blows softly upon their necks, till their heads begin to droop. Ole-Luk-Oie does not wish to hurt them, for he is very fond of children, and only wants them to be quiet so that he may relate them pretty stories, and they are never quiet until they are in bed and asleep.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465245387890-NF33VPTMYUOW2QYE97YK/work2016-06-06-05.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.4 »Desire Path, Studies for Painting I« - Desire Lines V, It Changes from Green to Red</image:title>
      <image:caption>As soon as they are asleep, Ole-Luk-Oie seats himself upon the bed. He is nicely dressed; his coat is made of silken fabric; it is impossible to say of what color, for it changes from green to red, and from red to blue as he turns from side to side.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465245390141-39L601WQG307MH3XAW3C/work2016-06-06-06.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.4 »Desire Path, Studies for Painting I« - Desire Lines VI, The Whole Night</image:title>
      <image:caption>Under each arm he carries an umbrella; one of them, with pictures on the inside, he spreads over the good children, and then they dream the most beautiful stories the whole night.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465245397666-LI6AEX0LAR0V9VMWMLYQ/work2016-06-06-07.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.4 »Desire Path, Studies for Painting I« - Desire Lines VII, They sleep Heavily</image:title>
      <image:caption>The other umbrella has no pictures, and this he holds over the naughty children so that they sleep heavily, and wake in the morning without having dreams at all.“ Hans Christian Andersen, Ole Lukøje, 1841</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465245392201-1WPVL678BKJJ10U5FZTX/work2016-06-06-08.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.4 »Desire Path, Studies for Painting I« - Desire Lines VIII, He had lost Control</image:title>
      <image:caption>I met my father on my way to the bathroom early in the morning. He looked like I had never seen him before. He looked as if he had lost control. He was staring at my feet but in a way as if they were something different, not feet, maybe two moving but separately existing armadillos.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465245394888-7Z20E61H7P58VJ00UZI5/work2016-06-06-09.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.4 »Desire Path, Studies for Painting I« - Desire Lines IX, On a Sunday Morning</image:title>
      <image:caption>My father never lost control. It was on a Sunday morning, approximately one year before he died.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465245397654-HAJWKRVDLH1KX6JCRT7Y/work2016-06-06-10.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.4 »Desire Path, Studies for Painting I« - Desire Lines X, In Front of Each Other</image:title>
      <image:caption>We stood in front of each other and he started to speak to me in a way like that he never had spoken to me before, as if I were someone else.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2016-2017/2016/5/1/work-2016-no3-by-the-way</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462115286612-A30DSECSH3RCEK1OYA0A/SS2016-02-01collage01.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.3 »By the Way...« - Collage of Intentional Perception / Instance</image:title>
      <image:caption>Let me give you a noteworthy instance. lt can happen that violence over-reaches the bounds of the taboo in some way. lt seems – it may seem – that once the law has become powerless there is nothing to keep violence firmly within bounds in the future.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462115288059-OH02PR6GP4TQNU6FUK2I/SS2016-02-01collage02b.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.3 »By the Way...« - Collage of Intentional Perception / Taboo</image:title>
      <image:caption>Basically death contravenes the taboo against the violence which is supposedly its cause. Most frequently the subsequent sense of rupture brings in its wake a minor disturbance which funeral rites and festivities with their ordered ritual, setting bounds to disorderly urges, are able to absorb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462115293884-UV3HU287VWU63FIV9PJQ/SS2016-02-01collage02.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.3 »By the Way...« - Collage of Intentional Perception / Guarantee</image:title>
      <image:caption>But if death prevails over a sovereign whose exalted position might seem to be a guarantee against it, that sense of rupture gets the upper hand and disorder knows no bounds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462115290536-FQGOX3XUR4ZXZK4XKPFT/SS2016-02-01collage03.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.3 »By the Way...« - Collage of Intentional Perception / Behaviour</image:title>
      <image:caption>Caillois has described the behaviour of certain oceanic peoples.  "When social and natural life" he says "are summed up in the sacred person of a king, the hour of his death deter­mines the critical instant and looses ritual licence. This licence corresponds closely with the importance of the cata­strophe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462115292860-O0OU4ACM6023QDYEX2L5/SS2016-02-01collage03b.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.3 »By the Way...« - Collage of Intentional Perception / Sacrilege</image:title>
      <image:caption>The sacrilege has a social nature. It is committed at the expense of the kingship, the hierarchy and the established powers. No hint of resistance is ever offered to the frenzy of the people. This is considered as necessary as obedience to the dead man was.  In the Sandwich lslands the people on learning of the king's death commit all the acts looked on as criminal in ordinary times: they set buildings on fire, they loot and they murder, while women are expected to prostitute themselves publically ...</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462115297018-SP1BUQ6CH53OF4TQ54L2/SS2016-02-01collage04.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.3 »By the Way...« - Collage of Intentional Perception / Consequences</image:title>
      <image:caption>In the Fiji lslands the consequences are even more clearly defined. The death of the chief gives the signal for pillage, subject tribes invade the capital and indulge in every form of brigandage and depredation.“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462115298298-ZF3O28SANJ3126JNEE2K/SS2016-02-01collage04b.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.3 »By the Way...« - Collage of Intentional Perception / Transgression</image:title>
      <image:caption>George Bataille, Transgression</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2016-2017/2016/4/12/work-2016-no2-the-goat-path-chapter-one</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460490423934-UUIWL2RVVA9RBVHVT0B7/wordfield2016-01a.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.2 »The Goat Path, Chapter One« - The Goat Path, figure I</image:title>
      <image:caption>Correlations between me (my body) and others, related to the question which path should we choose (to come closer or being separated) – principal scheme –</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460490424474-5W7KH77O2G7TE7HY16LT/wordfield2016-01b.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.2 »The Goat Path, Chapter One« - The Goat Path, figure II</image:title>
      <image:caption>A goat path (also known as a desire line, social trail or bootleg trail) can be a path created as a consequence of erosion caused by human or animal foot-fall or traffic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460490427079-IN83OEDI5R39ECDJGQAB/wordfield2016-02-07.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.2 »The Goat Path, Chapter One« - The Goat Path, figure III</image:title>
      <image:caption>The goat path usually represents the shortest or most easily navigated route between an origin and destination.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460490427513-Z7X6ISE37SP2QAW4Z0QI/wordfield2016-02-13.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.2 »The Goat Path, Chapter One« - The Goat Path, figure IV</image:title>
      <image:caption>Width and erosion severity can be indicators of how much traffic a path receives. Goat paths emerge as shortcuts where constructed ways take a circuitous route, have gaps, or are non-existent.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460490429534-UD80OXMHSIEXWGZ4B5LF/wordfield2016-02-14.jpg</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.2 »The Goat Path, Chapter One« - The Goat Path, figure V</image:title>
      <image:caption>»From sunrise to sunset, I was in the forest, sometimes far from the house, with my goat who watched me as a mother does a child. All the animals in the forest became my friends, even dangerous and poisonous ones. Thanks to my goat-mother and my Indian nurse, I have always enjoyed the trust of animals--a precious gift. I still love animals infinitely more than human beings.« Diego Rivera, My Art, My Life</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2016-2017/2016/3/11/9ob5oeja4kip3qhjlc819kzkhp973w</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460457108723-60T3EEYETA64C77COCAC/wordfield2016-01-disp-c.png</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.1 »The Goat Path, Preface« - disposition I</image:title>
      <image:caption>disposition for a stage space (in correlation between bodies on fields of sequential lineations)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460457112931-EZ6RXQ7IK1GJ9UQI9LIJ/wordfield2016-01-disp-c1.png</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.1 »The Goat Path, Preface« - disposition I.I</image:title>
      <image:caption>correlation between bodies / moving deeper into the cloth of coloured description</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460457111960-S9GL9Y6450V324J9YA63/wordfield2016-01-disp-c2.png</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.1 »The Goat Path, Preface« - disposition I.II</image:title>
      <image:caption>correlation between bodies / try to escape</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460457116989-XVQC7YVBET4TOZCLXXJQ/wordfield2016-01-disp-c4.png</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.1 »The Goat Path, Preface« - disposition I.IV</image:title>
      <image:caption>correlation between bodies / thrown into a world of bones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460458095455-7F2WPKM3RTQEF2SDHP7Y/wordfield2016-01-disp-c3.png</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.1 »The Goat Path, Preface« - disposition I.III</image:title>
      <image:caption>correlation between bodies / follow the rules of decency</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460457119141-23PRGYF6M4SA6ONB66BM/wordfield2016-01-disp-c5.png</image:loc>
      <image:title>work-2016-2017 - Work 2016, No.1 »The Goat Path, Preface« - disposition I.V</image:title>
      <image:caption>correlation between bodies / no, no, Jim, you're kidding me</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notations</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-01-07</lastmod>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notations/2016/6/6/notation-2016-no6-centre-pompidou</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465242343843-CUT7KTI6E2A1JPFO6PGU/centre-pompidou02.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.6 »Centre Pompidou«</image:title>
      <image:caption>»As an architect you are a builder. You are of course more than a builder. You need to be a militant, you have to be a poet, you have to be a visionary, you have to be an artist. But certainly you have to be a builder. Everything starts from there.« Renzo Piano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465242343017-HR0EBER19CCLS2DHCVT2/centre-pompidou01.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.6 »Centre Pompidou«</image:title>
      <image:caption>»One of the great beauties of architecture is that each time, it is like life starting all over again.« Renzo Piano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465242346200-KLCBFCZA416S848BBSK9/centre-pompidou03.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.6 »Centre Pompidou«</image:title>
      <image:caption>»Architects spend an entire life with this unreasonable idea that you can fight against gravity.« Renzo Piano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465242346400-78EU145DL9MBYK2LTEC8/centre-pompidou04.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.6 »Centre Pompidou«</image:title>
      <image:caption>»Light has not just intensity, but also a vibration, which is capable of roughening a smooth material, of giving a three-dimensional quality to a flat surface.« Renzo Piano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465242348853-V10MWN3G4V9WAX3P9TJO/centre-pompidou05.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.6 »Centre Pompidou«</image:title>
      <image:caption>»If you have total freedom, then you are in trouble. It's much better when you have some obligation, some discipline, some rules. When you have no rules, then you start to build your own rules.« Renzo Piano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465242350850-AZXBD3JXXCX1EAULLFFN/centre-pompidou06.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.6 »Centre Pompidou«</image:title>
      <image:caption>»Architects have to dream, we have to search for our Atlantises, to be explorers, adventurers, and yet to build responsibly and well.« Renzo Piano</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notations/2016/5/22/notation-2016-no5-anselm-kiefer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942436848-K11QTN0F20NLRHJ5LM28/centre-kiefer15.JPG</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer</image:title>
      <image:caption>Anselm Kiefer (born 1945) is a German painter and sculptor. In 1999 the Japan Art Association awarded him the Praemium Imperiale for his lifetime achievements. In the explanatory statement it reads: » Only a few contemporary artists have such a pronounced sense of art's duty to engage the past and the ethical questions of the present, and are in the position to express the possibility of the absolution of guilt through human effort.«</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942423695-I4VG2T8IYXGX6OUWMP3W/centre-kiefer07.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou IX</image:title>
      <image:caption>Anselm Kiefer is a German Painter, Sculptor, Photographer, and Installation Artist, he is considered as one of the movement of Neo-Expressionism.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942425997-74RP1WME6EJ7JZ154OC1/centre-kiefer08.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou X</image:title>
      <image:caption>Anselm Kiefer's monumental, often confrontational canvases were groundbreaking at a time when painting was considered all but dead as a medium.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942425677-QUSHHZ3V9Z7WB1QC1HYZ/centre-kiefer09.JPG</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou XI</image:title>
      <image:caption>The artist is most known for his subject matter dealing with German history and myth, particularly as it relates to the Holocaust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942427703-N77BWNU9XYAB6JZQU3PZ/centre-kiefer10.JPG</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou XII</image:title>
      <image:caption>These works forced his contemporaries to deal with Germany's past in an era when acknowledgment of Nazism was taboo. Kiefer incorporates heavy impasto and uncommon materials into his pieces, such as lead, glass shards, dried flowers, and strands of hay, many of which reference various aspects of history and myth, German and otherwise.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942428336-EAGW7MW0OSAXR0243P6E/centre-kiefer11.JPG</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou XIII</image:title>
      <image:caption>Influenced by his contemporaries Joseph Beuys and Georg Baselitz, as well as by postwar tendencies in Abstract Expressionism and Conceptual art, Kiefer is considered part of the Neo-Expressionist movement, which diverged from Minimalism and abstraction to develop new representational and symbolic languages.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942432008-CGLCNMPG3UD7EZ8E6MY1/centre-kiefer12.JPG</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou XIV</image:title>
      <image:caption>Anselm Kiefer is a history painter in a traditional sense. His art often deals with themes related to German history and national identity, including Norse legend, Wagnerian opera, and the Holocaust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942432507-QMX4H5PLCPV3AUKXSGW9/centre-kiefer13.JPG</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou XV</image:title>
      <image:caption>The relation to the Holocaust was an attempt to bring the Nazi period to the forefront of national and international conversations, often causing controversy in Germany.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942439736-AFQIU90R4E1V6SLY1L00/centre-kiefer16.JPG</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou XVI</image:title>
      <image:caption>Kiefer's repertoire of imagery is wide ranging, incorporating representational and symbolic motifs, such as sigils, occult icons, architectural interiors, and landscape elements to provoke an emotional and psychological effect on the viewer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942439881-BXDU846K8Z50H0P6794B/centre-kiefer17.JPG</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou XVII</image:title>
      <image:caption>Many of his themes makes direct references to aspects of Germany's past, such as the forests that evoke famous battles or the fairytales of the Grimm Brothers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942434822-H5HQ44JVSNU66T74NHOJ/centre-kiefer14.JPG</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou, Paris I</image:title>
      <image:caption>From December 2015 to April 2016 the Centre Pompidou had staged a retrospective of Anselm Kiefer’s work, the first in France for 30 years.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942401223-WVZFE2JL31DKSLEV0F8Q/centre-kiefer00.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou II</image:title>
      <image:caption>The exhibition consisted of close to 150 works, with a selection of approximately 60 paintings, including iconic works from the 1970s and ‘80s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942401867-HEQJFEZ74ENLYKKKWGGB/centre-kiefer01.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou III</image:title>
      <image:caption>»Kiefer’s Paris Retrospective Is Testament to the Regenerative Power of Art – « Emily Nathan, artsy.net, 2015  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942405236-N6IZCGHU94Y97V69N3VB/centre-kiefer02.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou IV</image:title>
      <image:caption>»Like all those of his generation struggling with their parents’ Nazi pasts, Kiefer was unsure of his responsibility as a German artist—but a room full of massive architectural paintings from the 1980s marks the reintroduction of history into his work.«</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942407513-PVL5ONXVJ3UD9N9W3STE/centre-kiefer03.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou V</image:title>
      <image:caption>»Because most Nazi buildings were leveled by the Allied bombings, Germany lacked ruins—an absence that aided the country in its will to forget.«</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942419799-ZGWQQ8B3VCS3J17M8IUA/centre-kiefer04.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou VI</image:title>
      <image:caption>»Kiefer addressed these omissions by imagining the destroyed Neo-Classical edifices built by Nazi architects like Albert Speer as ruins.«</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942416090-PAOVK91FON5GOYOA75ET/centre-kiefer06.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.5 »Anselm Kiefer at Centre Pompidou« - Anselm Kiefer at Centre Pompidou VIII</image:title>
      <image:caption>»The sumptuous Innenraum [Interior] (1981) envisions the empty interior of the New Reich Chancellery as both gold-tinged and deeply scarred, its water-stained walls seeming to sag with the weight of history.«</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notations/2016/5/5/notation-2016-no4-my-body-is-delighted</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notations/2016/5/1/notation-2016-no2-the-mandrake</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462119451399-LSX7TX4O8WBRR752WQKA/alle-Teile-und-Gliedma%C3%9Fen-1.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.3 »The Mandrake« - Mandrake – Beliefs and Practices I</image:title>
      <image:caption>Many superstitious beliefs and practices are connected with temporary blindness and the perception of foreign sounds which remembers at a vivid voice: Close your eyes and listen to the whisper of the wind in the trees or murmur of the roots under the ground.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462119451104-5QK2E162Q4IDYLWDJ7U4/alle-Teile-und-Gliedma%C3%9Fen-2.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.3 »The Mandrake« - Mandrake – Beliefs and Practices II</image:title>
      <image:caption>Reports of the effects of consumption of mandrake are blurred vision, dilation of the pupils, dryness of the mouth, difficulty in urinating, dizziness, headache, vomiting, blushing and a rapid heart rate as well as hyperactivity and hallucinations.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462119452082-R7MNYAXIK3C9UW03VPMW/alle-Teile-und-Gliedma%C3%9Fen-3.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.3 »The Mandrake« - Mandrake – the Bible , Genesis 30:14,15</image:title>
      <image:caption>„And Reuben went in the days of wheat harvest, and found mandrakes in the field, and brought them unto his mother Leah. Then Rachel said to Leah, Give me, I pray thee, of thy son's mandrakes. And she said unto her, Is it a small matter that thou hast taken my husband? and wouldest thou take away my son's mandrakes also? And Rachel said, Therefore he shall lie with thee to night for thy son's mandrakes."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462119455107-QZ1X6Z1VVSIPTU9IBEKK/alle-Teile-und-Gliedma%C3%9Fen-3b.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.3 »The Mandrake« - Mandrake – the Bible , Genesis 30:16</image:title>
      <image:caption>"And Jacob came out of the field in the evening, and Leah went out to meet him, and said, Thou must come in unto me; for surely I have hired thee with my son's mandrakes. And he lay with her that night.“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462119453077-876JAQ5JCA7CQPFM3NT4/alle-Teile-und-Gliedma%C3%9Fen-4.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.3 »The Mandrake« - Pulling the Mandrakes</image:title>
      <image:caption>Josephus (circa 37–100 AD) of Jerusalem gives the practical directions for pulling the mandrakes up: „A furrow must be dug around the root until its lower part is exposed, then a dog is tied to it, after which the person tying the dog must get away. The dog then endeavours to follow him, and so easily pulls up the root, but dies suddenly instead of his master. After this, the root can be handled without fear.“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462119454372-NLNTXMT7BZ3O0MF21D1Q/alle-Teile-und-Gliedma%C3%9Fen-4b.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.3 »The Mandrake« - "Let's hang ourselves immediately!"</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notations/2016/4/12/2nd-notation-2016-paris-street-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459375548-XEVABOWYNEFDCT6912GO/2016-03-Paris-street-art00.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.2  »Paris Street Art« - Paris Street Art</image:title>
      <image:caption>March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, left figure</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459373288-24WKB8GMC5BIV7OMGJ8T/2016-03-Paris-street-art01.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.2  »Paris Street Art« - Paris Street Art</image:title>
      <image:caption>March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, both figures</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459375286-PZB4CR81BXT13IZYHW44/2016-03-Paris-street-art02.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.2  »Paris Street Art« - Paris Street Art</image:title>
      <image:caption>March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, face and moving lines (of typography)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459377343-NDYC63ZK69D7XJ8I74KO/2016-03-Paris-street-art03.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.2  »Paris Street Art« - Paris Street Art</image:title>
      <image:caption>March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, Clodia and Lorelei (edit or remove)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459380961-4DWFTZXMIYH8ZLDYS4GF/2016-03-Paris-street-art04.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.2  »Paris Street Art« - Paris Street Art</image:title>
      <image:caption>March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459378926-FGGHS6CVOEVOXZKMCMFI/2016-03-Paris-street-art04a.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.2  »Paris Street Art« - Paris Street Art</image:title>
      <image:caption>March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask detail I</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459380737-PJ2RC3QDPLPC6AA2YRSA/2016-03-Paris-street-art04b.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.2  »Paris Street Art« - Paris Street Art</image:title>
      <image:caption>March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask detail II</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459383008-SWERWELO2WEGQZRMHNWI/2016-03-Paris-street-art04c.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.2  »Paris Street Art« - Paris Street Art</image:title>
      <image:caption>March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask detail III</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459383149-U8ZCNIGEATTUIHDIVEQV/2016-03-Paris-street-art04d.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.2  »Paris Street Art« - Paris Street Art</image:title>
      <image:caption>March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask detail IV</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459387697-NI5XJLTHJUQZK3Z5E8Z1/2016-03-Paris-street-art04e.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.2  »Paris Street Art« - Paris Street Art</image:title>
      <image:caption>March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask detail V</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459384464-6YJW11B4FVHB5LCXDDZS/2016-03-Paris-street-art04f.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.2  »Paris Street Art« - Paris Street Art</image:title>
      <image:caption>March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask detail VI</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notations/2016/4/12/perceptual-identity-of-street-and-stage-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460781803-MW383RLS4BH6B2K8DPS9/2016-03-Paris01.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.1 »Perceptual-Identity of Street and Stage« - Perceptual-Identity of Street and Stage II</image:title>
      <image:caption>What we see is the simultaneity of perception – fixed on a stage (the stage of remembrance).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460781692-5EPP2OMY3LSGFT92O38Q/2016-03-Paris02.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.1 »Perceptual-Identity of Street and Stage« - Perceptual-Identity of Street and Stage III</image:title>
      <image:caption>The aim is to fix the moving simultaneity as a line in the presence (a line which is constantly available). The fixing should be done as a poetical construction, i.e. as a poem or a notation of lyrical order.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460784489-2M0B0HNU2G5S8YUYNQCK/2016-03-Paris03.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.1 »Perceptual-Identity of Street and Stage« - Perceptual-Identity of Street and Stage VI</image:title>
      <image:caption>Reading is to put the vivid movement back into our perception. This is Moving Poetry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460783988-JE5NY3KWJO50GMX0UT8Z/2016-03-Paris04.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.1 »Perceptual-Identity of Street and Stage« - Perceptual-Identity of Street and Stage I</image:title>
      <image:caption>The perceptual-identity of a street and a stage (for example, the street corner Rue Rue André Mazet / Saint-André des Arts) while you are watching out of a coffee shop window what happens outside...</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460785616-99TBGB0QWKIBO8174WCZ/2016-03-Paris05.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.1 »Perceptual-Identity of Street and Stage« - Perceptual-Identity of Street and Stage V</image:title>
      <image:caption>Lineation dictates when a line of poetry stops and a new lines begins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460786789-F5LHPNYHOVFKHGDH46BH/2016-03-Paris06.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.1 »Perceptual-Identity of Street and Stage« - Perceptual-Identity of Street and Stage VI</image:title>
      <image:caption>Lineation also dictates when the walk along the line has to be stopped and when the participant has to jump to another lines (directly to one of the crossing points, he has to decide which he will choose).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460787935-7LPNOZBPCN45BN84JIWZ/2016-03-Paris07.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.1 »Perceptual-Identity of Street and Stage« - Perceptual-Identity of Street and Stage VII</image:title>
      <image:caption>»Two roads diverged in a wood, and I - I took the one less traveled by, And that has made all the difference.«  The Road Not Taken by Robert Frost</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460789641-XUBOXJZ5AMNBQBMM6FR0/2016-03-Paris08.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.1 »Perceptual-Identity of Street and Stage« - Perceptual-Identity of Street and Stage VIII</image:title>
      <image:caption>The poem moves from lineation to lineation, the poetry itself is moving us in a physical sense, while we are reading. Moving poetry is, to move and to be moved by reading, with no other aim than to stay in movement.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460794730-DNB6B8ZAKW4NE72L9PDC/2016-03-Paris09.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.1 »Perceptual-Identity of Street and Stage« - Perceptual-Identity of Street and Stage IX</image:title>
      <image:caption>We are reading what happens on stage: on the stage of our mind as well as on the stage of the streets, the rooms, the spaces between the interacting people, things, and thoughts...</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460793233-XUG4E2SA1XU29671UGBF/2016-03-Paris10.jpg</image:loc>
      <image:title>work-2016 - Notation 2016, No.1 »Perceptual-Identity of Street and Stage« - Leaving the Audience Room</image:title>
      <image:caption>»At twenty I tried to die And get back, back, back to you.  I thought even the bones would do.  But they pulled me out of the sack, And they stuck me together with glue.«  Daddy by Sylvia Plath</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notations/category/DrawingTC</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519230173981-DE6Z9CMYFEAYPZ3FAF0D/seyyal-tomaso-carnetto01.jpg</image:loc>
      <image:title>work-2018</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2018/2018/5/7/phnomen-der-ablsse-phenomenon-of-outflows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727982200-QD7JPTJDLPC0PVJ592FF/109-woraus-sich-allerlei.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows - Verschiebungen / shiftings</image:title>
      <image:caption>woraus sich allerlei Verschiebungen der innerhalb und außerhalb des Körpers verteilten Sinnesorgane ergeben from this a lot of shiftings of the sensory-organs allocated inside and outside the body will be caused</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727982431-95NYV6OQMWYYZM00GN0J/110-wie-es-geschah.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows - unabweisbares Verlangen / ineluctable longing</image:title>
      <image:caption>wie es geschah als wir auf der Couch saßen und ein unabweisbares Verlangen Dich zu berühren mich überkam as it happened as we were sitting on the couch and an ineluctable longing overwhelmed me to touch you</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727982960-140GVRJS3LLXFJ3Z38EE/111-ja-da.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows - das Prinzip / the principle</image:title>
      <image:caption>ja da ließ sich das Prinzip der Verschiebung deutlich beobachten yes there the principle of shifting clearly could be observed</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727983778-YS0UU98LKNJY3KOQCY3K/112-ein-phaenomen.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows - Zeitstruktur / structure of time</image:title>
      <image:caption>ein Phänomen das Bewegung / Berührung deren unausgesetzte Wiederholung und die Zeitstruktur die diese einschließt gleichermaßen betrifft a phenomenon which affects both the movement / touch, their incessantly repetitions and the structure of time which includes these</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727983729-SI3JE8YO2BXGXSONE6CF/113-eine-Sprecher.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows - Anweisungen / advices</image:title>
      <image:caption>eine Sprecher / Sprecher wies darauf hin (tatsächlich war's eine weibliche Stimme) dass diese Anweisungen nicht allzu ernst genommen werden sollten a speaker / speaker hinted (in fact it was a female voice) that one should not take these advices too seriously</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727984666-OZMAFR5VV4S1X1GMPDT2/114-ein-unsinniger-Hinweis.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows - dasselbe Problem  / the same problem</image:title>
      <image:caption>ein unsinniger Hinweis unschwer ist zu erkennen dass auch die Stimme dasselbe Problem aufwirft das der Mittelpunktverschiebung a pointless hint not difficult to realize that also the voice shows the same problem those of middle-point-shifting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727984608-JTXJKMBALU5A46H09V0Q/115-auch-die.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows - Absonderungen / secretions</image:title>
      <image:caption>auch die aus der Verschiebung resultierenden Absonderungen oder Ausflüsse als wär's aus dem Körperinneren ausgetreten also the secretions or outflows caused by the shiftings as if it would have been leaked from the inner of the body</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727985542-CCWD7KXPMDGP0FZNQ3Y3/116-a-solange-wir.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows - Körpermittelpunkt / middle-point of the body</image:title>
      <image:caption>solange wir den Körpermittelpunkt nicht identifizieren geschieht es leicht dass wir nicht wissen was wir tun as long as we do not identify the middle-point of the body it happens easily that we do not know what we are doing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727985824-7NQBLCCENFKPULMEXPCK/116-b-eine-unmaessige.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows - Vermischung / mingling</image:title>
      <image:caption>eine unmäßige Vermischung der Organe an immoderate mingling of the organs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727986032-SX07A92TNC5K7SG9ZG8T/117-was-jeden-betrifft.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows - der Autor / the author</image:title>
      <image:caption>was jeden betrifft auch wenn er hier der Autor als junger Mann angesprochen wird what everyone affects also if in this case the author as a young man is addressed</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727986909-YEYVIGSY7JN9W277X6L0/118-a-wir-tasten.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows - Magen / stomach</image:title>
      <image:caption>wir tasten entlang der Ausdehnung (des Magens) finden aber nicht wonach wir suchen we grope along the extension (of the stomach) but do not find what we are looking for</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727986900-2L4M2A0ST93J6XU833KR/118-b-offensichtlich.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows</image:title>
      <image:caption>offensichtlich weiß er nicht was er tut obviously he does not know what he’s doing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727988618-JAJRC5641BR78LYWL3XW/119-bewegen-uns.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows - zum Geschlecht / the genital</image:title>
      <image:caption>bewegen uns mit zwei Fingern rotierend hinab bis zum Geschlecht moving ourselves rotating with two fingers down to the genital</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727988779-I2H0WG6WPVSD4527MJRK/120-beschreiben.jpg</image:loc>
      <image:title>work-2018 - Phänomen der Ablüsse / phenomenon of outflows - Hilflosigkeit / helplessness</image:title>
      <image:caption>beschreiben zuletzt als äußerstes Zeichen der Hilflosigkeit einen Halbkreis mit linkem Arm describe at last as a maximum sign of helplessness with left arm a half circle</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2018/2018/4/29/fasriger-berwurf-fibrous-throw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017935249-E9FY79ZYLUDDG10FC5ER/97-a-die-Geschichte.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw - mangelnder Kondition / lack of condition</image:title>
      <image:caption>die Geschichte beginnt mit der Umrundung des Sportplatz der ich aufgrund mangelnder Kondition nicht gewachsen war the story starts with a circumnavigation around the sporting field which I could not be up to because of a lack of condition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017935804-POOZPINA80BS09BLI4QA/98-a-deutlich-zu-erkennen.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw - faseriger Überwurf / fibrous throw</image:title>
      <image:caption>deutlich zu erkennen am faserigen Überwurf den ich mir zum Schutz vor der Kälte um die Brust schlang pretty good to realize by the fibrous throw which I twined around my chest to be protected from the cold</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017936456-ZPH9UWYNYGFU6N3K2N8G/98-b-ich-wuerde-nicht-sagen.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw - gegenseitig / mutually</image:title>
      <image:caption>ich würde nicht sagen dass die Abwendung gegenseitig erfolgte I would not say that the averting took place mutually</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017937204-P2OYOO0GW0SVNHMB2XRJ/99-noch-am-zweiten-Maerz.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw - eisige Kälte / freezing</image:title>
      <image:caption>noch am zweiten März herrschte eisige Kälte on the second of March it was still freezing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017937901-40KSWFB429YUVU5MRSL6/100-wir-lagen-dicht-beieinander.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw - dicht beieinander / cheek by jowl</image:title>
      <image:caption>wir lagen dicht beieinander und ich erzählte die Geschichte von dem der nein sagen muss we lay cheek by jowl and I told you the story about the one who must say no</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017939809-D96VTSRLCBVNQB78SCCO/101-nur-einer-brauchts-zu-sein.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw - nur einer / only one</image:title>
      <image:caption>nur einer braucht's zu sein der nein sagt nur ein einziger only one is needed who says no only one</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017939809-P1ET9WH25L19YSHHOSF5/102-a-waehrend-ich-erzaehlte.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw - wackeln / waggling</image:title>
      <image:caption>während ich erzählte erkannte ich sie an meiner wackelnden Fußspitzen wieder while I was telling I recognized her again by the waggling tip of my foot</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017941459-IIM79PDK91I8PFURUX1Z/102-b-das-gruene-Kleid.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw</image:title>
      <image:caption>das grüne Kleid offenbart ihre Angst the green dress reveals her fear</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017942154-FF4C8MY0LUQ7K6811R2Q/103-ich-bin-der.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw - abseits / at the side</image:title>
      <image:caption>ich bin der mit den abstehenden Ohren der abseits steht den die kleine Prinzessin umarmt hat I am the one with protruding ears who is standing at the side the one who was hugged by the little princess</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017945647-7A4378GPELOXC7PQKE1A/104-a-also-der-Zeichner.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw - der Zeichner / the draftsman</image:title>
      <image:caption>also der Zeichner sagte ich ihr was nicht sie noch irgend ein anderer zu verantworten habe – fortgesetzt ins Leere gegriffen thus the draftsman I told her neither she is not responsible for that nor anybody else – ongoing grabbed into nothingness</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017947342-XR8D8VKI199V9PQ7GO95/105-im-Detail-betrachtet.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw - Blindheit / blindness</image:title>
      <image:caption>im Detail betrachtet geht es immer um eine Blindheit bei der wir auf dem einem Auge sehend bleiben dem wir nicht vertrauen observed in detail it is always about a blindness by which we stay seeing with the one eye the one we do not trust</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017948273-4AQW5W1J0WST3ONA6DQ6/106-um-das-zu-verstehen.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw</image:title>
      <image:caption>um das zu verstehen muss man schon ziemlich dicht ran gehen to understand this ones has to come very close</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525019673500-NM3PCH4HN63I4GNREU56/107-a-und-mich-mit.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw - Mittelpunkt / middle-point</image:title>
      <image:caption>und mich mit offener Handfläche zum Mittelpunkt hin tasten and myself with open palm groping towards the middle-point</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525019675599-PCFLETCSX3SQT7Y8LHQM/108-der-Mittelpunkt-selbst.jpg</image:loc>
      <image:title>work-2018 - fasriger Überwurf / fibrous throw</image:title>
      <image:caption>der Mittelpunkt selbst besteht aus verschiedenen Schichten oder Lineationen the middle-point itself consist of different levels or lineations</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2018/2018/3/31/deiner-zunge-spitze-tip-of-your-tongue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484543199-YAYJL2UFO2U32H71VE41/85-an-der-Funktion.jpg</image:loc>
      <image:title>work-2018 - Lebensblase / life-blister - linke Niere / left kidney</image:title>
      <image:caption>an der Funktion der linken Niere gemessen measured by the function of the left kidney</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484544374-7EXHCXH4M7YFFSAPCSLL/86-oder-die-vom-Geschmack.jpg</image:loc>
      <image:title>work-2018 - Lebensblase / life-blister - Schlehen / sloes</image:title>
      <image:caption>oder die vom Geschmack der Schlehen angeregte Gehirntätigkeit or the activity of the brain provoked by the taste of sloes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484546200-0KEDKP8QRYY3BGT64DUB/87-folglich-habe-ich-mir.jpg</image:loc>
      <image:title>work-2018 - Lebensblase / life-blister - ja, ja, ja / yes, yes, yes</image:title>
      <image:caption>folglich habe ich mir selbst Nicolaila, alle Organe angezeigt die ja gesagt haben ja, ja, ja thus I pointed out to me Nicolaila all the organs which have said yes, yes, yes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484547799-MV9VOMMPOAEYI59OAB1L/88-dabei-den-Mund.jpg</image:loc>
      <image:title>work-2018 - Lebensblase / life-blister - Lippen / lips</image:title>
      <image:caption>dabei den Mund weit aufgerissen so weit dass Lippen und Zungenspitze sich verdoppelt haben opened the mouth wide by this this far that lips and the tip of the tongue have become double</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484549102-XHX79N8NMF9X5LUEQ5JF/89-so-meiner-Organe.jpg</image:loc>
      <image:title>work-2018 - Lebensblase / life-blister - enthoben / deposed</image:title>
      <image:caption>so meiner Organe minutenweise enthoben sagte mir Wilfried ich sei ganz leicht geworden so for minutes deposed from my organs Wilfried said to me that I became quite light weighted</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484549760-YRKOXEESYRHS2QBZVF2N/90-nein-nicht-ich.jpg</image:loc>
      <image:title>work-2018 - Lebensblase / life-blister - nicht Ich / not me</image:title>
      <image:caption>nein nicht Ich vielmehr die Grenze an der die halbierte Leber und der himmelblaue Bergsee sich ineinander verschoben no not me but the border on which the halved liver and the heaven-blue mountain lake shifted into each other</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484552257-GSAO1U0IOVPLZPYM26CT/91-oder-das-stumme.jpg</image:loc>
      <image:title>work-2018 - Lebensblase / life-blister - stummes Lächeln / silent smile</image:title>
      <image:caption>oder das stumme Lächeln der kleinen Isabella (ach ja meiner Tochter) das mir zwischen den Zahnreihen ausgebrochen ist or the silent smile of little Isabella (oh yes my daughter) that breaks out from the row of my teeth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484551787-X0HWDTI4XN4D0E4JW0Z9/92-er-blutet-aus-jedem-Teil.jpg</image:loc>
      <image:title>work-2018 - Lebensblase / life-blister - er blutet / he is bleeding</image:title>
      <image:caption>er blutet aus jedem Teil des Körpers nicht unbedingt der Preis den ich zu zahlen habe aber doch eine gegebene Möglichkeit he is bleeding from every part of the body not the price which I have to pay inevitable but a given possibility</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484553497-0V3L5HK00X6TMOT954QU/93-das-alleine.jpg</image:loc>
      <image:title>work-2018 - Lebensblase / life-blister - nicht nur die Kälte / not only the cold</image:title>
      <image:caption>das alleine (nicht nur die Kälte) ist der Grund warum ich versuche die Hoden möglichst dicht am Körper zu halten alone that (not only the cold) is the reason why I try to hold my testicles as close to my body as possible</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484554916-FXSDLEOYKYY7PZZI39IO/94-darauf-muss-ich.jpg</image:loc>
      <image:title>work-2018 - Lebensblase / life-blister - das ganze Unglück / the whole misfortune</image:title>
      <image:caption>ich muss darauf zurück kommen – im Ablecken der Götterspeise vergessen wir das ganze Unglück I have to come back to that – by licking up the Jell-O we forget the whole misfortune</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484556600-QJM9DVOFDW4J1Y89QRVM/95-offensichtlich.jpg</image:loc>
      <image:title>work-2018 - Lebensblase / life-blister - fataler Irrglaube / dire misbelief</image:title>
      <image:caption>offensichtlich ein fataler Irrglaube wie sich im eitergelben Auswurf der Lebensblase zeigt obviously a dire misbelief as seen in the pus-yellow sputum of the life-blister</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484558646-QHW8EJCAYDAWHAP9PZJ0/96-aus-dieser-nun.jpg</image:loc>
      <image:title>work-2018 - Lebensblase / life-blister - schaumgeboren / foam-born</image:title>
      <image:caption>aus dieser nun – der Lebensblase – steigt schaumgeboren die Jungfrau empor now out of this – the life-blister – a maiden will rise up foam-born</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2018/2018/3/20/herzmuskel-maschine-myocardial-machine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547405398-K10HBT8Q3ED3BBAFNEB8/73-betrachtete-eingehend.jpg</image:loc>
      <image:title>work-2018 - Herzmuskel-Maschine / myocardial-machine - Übergang / passage</image:title>
      <image:caption>betrachtete eingehend den Übergang wie er sich im rechten Winkel zwischen der grob gefügten Mauer und den Deckenbalken bildet intensively looked at the passage as it is build together in the right angle between the roughly joined wall and the ceilings beams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547405360-I14DBS7T437NK6MRWM78/74-hat-schliesslich.jpg</image:loc>
      <image:title>work-2018 - Herzmuskel-Maschine / myocardial-machine - verdunkelte Grenze / darkened border</image:title>
      <image:caption>hat schließlich ihren Blick abgewendet hin auf die in verdunkelter Grenze gefasste Zeichnung had finally turned away her view from the drawing framed in a darkened border</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547407571-WCSF2323I7XCQ7W5POU7/75-wie-streng-sie-aussieht.jpg</image:loc>
      <image:title>work-2018 - Herzmuskel-Maschine / myocardial-machine - kleiner König II / little king II</image:title>
      <image:caption>wie streng sie aussieht auf dieser Zeichnung und erst jetzt den kleinen König entdeckt der ihr in großen Tränen über die Wange rinnt how seriously she is looking at this drawing and only now discovers the little king who trickles along her cheek in big tears</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547407307-27YM3DVMDE375PQJCT3V/76-einer-halben-Drehung.jpg</image:loc>
      <image:title>work-2018 - Herzmuskel-Maschine / myocardial-machine - sich selbst / herself</image:title>
      <image:caption>einer halben Drehung folgend wie sie ins Blau hinein glitt erkennt sie sich kaum wieder following a half turn-around like she slides into the blue she hardly recognizes herself</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547408661-2ETI64Q9K867THQZQJLL/77-ist-der-Uebergang.jpg</image:loc>
      <image:title>work-2018 - Herzmuskel-Maschine / myocardial-machine - Maschinencode I / machine code I</image:title>
      <image:caption>ist der Übergang zum Maschinencode des in Worten Sagbaren it’s the crossing towards the machine code of what can be said with words</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547409415-9NVRAAIVTQQUEWME96V3/78-wie-er-der-Code.jpg</image:loc>
      <image:title>work-2018 - Herzmuskel-Maschine / myocardial-machine - verschwommen / blurred</image:title>
      <image:caption>wie er der Code vor unseren Augen verschwimmt like he the code becomes blurred in our eyes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547414724-P5NQ6IZ9PI40GAL2GGBD/79-sie-sich-das-in-Worten.jpg</image:loc>
      <image:title>work-2018 - Herzmuskel-Maschine / myocardial-machine - Topologien / topologies</image:title>
      <image:caption>sie sich das in Worten Sagbare tatsächlich aus körperimmanenten Topologien zueinander fügt she combined for herself what can be actually said in words from body-immanently topologies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547414694-3NX11CMTAQJ1DE8SH3X6/80-wozu-ich-nur.jpg</image:loc>
      <image:title>work-2018 - Herzmuskel-Maschine / myocardial-machine - linker Fuß / left foot</image:title>
      <image:caption>wozu ich nur meine linken Fuß hin zu Dir auszustrecken brauche for this I only have to stretch out my left foot towards you</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547416027-TYX1YRXG71H577A30L0Y/81-als-wir-die-Treppe.jpg</image:loc>
      <image:title>work-2018 - Herzmuskel-Maschine / myocardial-machine - die Treppe hinab / down the staircase</image:title>
      <image:caption>als wir die Treppe hinab gingen habe ich den linken Fuß nach Dir ausgestreckt as we climbed down the staircase I stretched out my left feet at you</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547419351-H61O55UIYW768HGJATSM/82-ich-sagte-mir.jpg</image:loc>
      <image:title>work-2018 - Herzmuskel-Maschine / myocardial-machine</image:title>
      <image:caption>ich sagte mir diese Maschine ist die Orion-Maschine I said to myself this machine is the Orion-machine</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547420327-NO4ITCCJTX44NS44YJGT/83-in-der-Art.jpg</image:loc>
      <image:title>work-2018 - Herzmuskel-Maschine / myocardial-machine - Herzmuskel / myocardial</image:title>
      <image:caption>in der Art wie Arme Beine Brüste und Herzmuskel ein offenes Gezweig bilden in the way like arms legs breasts and myocardial let emerge open branches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547421266-B488KN9B8PZUOP418PHB/84-also-in-der-Art-wie-sie.jpg</image:loc>
      <image:title>work-2018 - Herzmuskel-Maschine / myocardial-machine - Porträt des Künstlers / portrait of the artist</image:title>
      <image:caption>also in der Art wie das Porträt des Künstlers entsteht therefore in the way like the portrait of the artist is emerging</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547421907-7G4Z3XTFOETPZDIBVX71/84-b-Selbstportrait.jpg</image:loc>
      <image:title>work-2018 - Herzmuskel-Maschine / myocardial-machine</image:title>
      <image:caption>Selbstportrait als ein alternder Künstler self-portrait as an aging artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2018/2018/3/13/schmetterlingsflgel-butterfly-wings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967865762-WJDKK16JS9JZ72RWPIHE/61-Kameradschaft.jpg</image:loc>
      <image:title>work-2018 - Schmetterlingsflügel / butterfly wings - Kameradschaft / camaraderie</image:title>
      <image:caption>Kameradschaft in der Art dass wir einander nicht unterscheiden konnten camaraderie in the way that we couldn’t differentiate each other</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967865548-WB2V3GUNETAASPQKZR3T/62-neige-mich.jpg</image:loc>
      <image:title>work-2018 - Schmetterlingsflügel / butterfly wings - mein rechtes Auge / my right eye</image:title>
      <image:caption>neige mich den Göttern zu, dass mir's rechte Auge übergelaufen ist incline myself towards the Gods that my right eye is flowing over</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967866674-7Y3NP1M79JTWSH9SLZX9/63-hab-blind-ins-Rever.jpg</image:loc>
      <image:title>work-2018 - Schmetterlingsflügel / butterfly wings - trage Gott / carrying God</image:title>
      <image:caption>hab blind ins Revers gegriffen – trage Gott in der Manteltasche spazieren grabbed half blind into the lapel – carrying God for a walk in the pocket of my coat</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967867551-PZWBGVU6VGB6V2SSDM8U/64-was-in-Folge-geschah.jpg</image:loc>
      <image:title>work-2018 - Schmetterlingsflügel / butterfly wings - unwillkürlich fortsehen / involuntarily turn away</image:title>
      <image:caption>was in Folge geschah kann ich unmöglich beschreiben ich musste unwillkürlich fortsehen impossible to describe what happened next involuntarily I must turn away from what I saw  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967868850-4EHFQRTDV281N2NJ003T/64b-aufs-Gesicht.jpg</image:loc>
      <image:title>work-2018 - Schmetterlingsflügel / butterfly wings</image:title>
      <image:caption>aufs Gesicht konzentriert concentrated on the face</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967869126-SGBMW9F9QJDVERXMT6Y1/65-die-Frau.jpg</image:loc>
      <image:title>work-2018 - Schmetterlingsflügel / butterfly wings - neben mir / beside my</image:title>
      <image:caption>die Frau die ich neben mir liegen sah war nicht die meine ich wollte sie unter keinen Umständen berühren the woman I saw lying beside my was not mine I did not want to touch her under no circumstances  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967869924-QZ31G0Y8SA9Y0LSYX0V9/66-du-wirst-verstehen.jpg</image:loc>
      <image:title>work-2018 - Schmetterlingsflügel / butterfly wings</image:title>
      <image:caption>du wirst verstehen – zog meine Hand mit Schrecken zurück you will understand – pulled away my hand with fear</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967870882-T604K5WOCR663I46JO8H/67-habe-dabei-den-Schmetterling.jpg</image:loc>
      <image:title>work-2018 - Schmetterlingsflügel / butterfly wings - Schmetterlingsflügel /</image:title>
      <image:caption>habe dabei den Schmetterlingsflügel nur flüchtig gestreift while this I only brushed fleetingly the butterfly wings</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967871656-15EYE0IWJ2Q5AIEQ05F1/68-in-der-Bewegung.jpg</image:loc>
      <image:title>work-2018 - Schmetterlingsflügel / butterfly wings - ihr Gesicht / her face</image:title>
      <image:caption>in der Bewegung erkannte ich ihr Gesicht – jedoch nur zur Hälfte within the movement I recognized her face – but only half</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967872361-IWKYBCGZ0AYE2F8X9WK4/69-eine-Reihe-anderer.jpg</image:loc>
      <image:title>work-2018 - Schmetterlingsflügel / butterfly wings</image:title>
      <image:caption>eine Reihe anderer Gesichter erschien a row of other faces appeared</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967873350-9GGQ82K3QI2Y0TL3VGHY/70-ich-weiss-nicht.jpg</image:loc>
      <image:title>work-2018 - Schmetterlingsflügel / butterfly wings - woran / by what</image:title>
      <image:caption>ich weiß nicht woran ich sie erkannte I don’t know by what I recognized her</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967892649-UHOTQ3ZIYNSMRSNE86LH/71-aller-erschienen-sie-mir-fremd.jpg</image:loc>
      <image:title>work-2018 - Schmetterlingsflügel / butterfly wings - Schattenspiel / shadow play</image:title>
      <image:caption>alle erschienen sie mir fremd wie in einem sich überlagernden Schattenspiel they all seemed foreign to me like in an overlapping shadow play</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2018/2018/3/11/himmelsblase-heaven-bubble</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782327800-OYM8HY3A1C38G88CHLR9/49-derweil-halte-ich.jpg</image:loc>
      <image:title>work-2018 - Himmelsblase / heaven's-bubble - der tote Hase / the dead rabbit</image:title>
      <image:caption>derweil halte ich den toten Hasen fest mit einer Hand meanwhile I am keeping the dead rabbit only with one hand</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782328206-CX2977UHA4WYC8YTBTS5/50-spaeter-liegt-er.jpg</image:loc>
      <image:title>work-2018 - Himmelsblase / heaven's-bubble - später / later</image:title>
      <image:caption>später liegt er ganz alleine in seinem Bett und lauscht auf das Klagen der rammelnden Gemeinde later he lies lonely in his bed and listens to the complaint of the mating parish</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782328996-431KNDNZREI1MQBE8KDX/51-Portrait.jpg</image:loc>
      <image:title>work-2018 - Himmelsblase / heaven's-bubble - Portrait</image:title>
      <image:caption>Portrait das zurückreicht in die Zeit und über jeden Zeitwinkel hinaus portrait that reaches back in time and beyond every time angle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782330598-9QS2NQ6BQR6QE0PC8YYS/52-irgend-ein-Gefuehl.jpg</image:loc>
      <image:title>work-2018 - Himmelsblase / heaven's-bubble - nicht valide / not valid</image:title>
      <image:caption>irgend ein Gefühl das sich nicht als valide erwies riss mich aus dem Schlaf any feeling recognizable as not valid tore my out of sleep</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782330947-EA884617DMFTRYX3Y6BG/53-irgend-etwas-hindert-es.jpg</image:loc>
      <image:title>work-2018 - Himmelsblase / heaven's-bubble - etwas / something</image:title>
      <image:caption>irgend etwas hindert's doch dass ich spüre was du sagst sagt sie there is something that makes it impossible I may feel what you are saying she says</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782331685-5CVFAO3AHVKAB0E59IMV/54-stelle-fest.jpg</image:loc>
      <image:title>work-2018 - Himmelsblase / heaven's-bubble - wer stellt fest? / who ascertains?</image:title>
      <image:caption>stelle fest dass er eingeschlafen ist der ich bin wer nun frage ich mich ist der der feststellt ascertain that he fell into sleep the one who I am who I’m asking myself is the one who ascertains</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782332498-G3YSDLQE804SFDHESAS0/55-die-schoensten-Blumen.jpg</image:loc>
      <image:title>work-2018 - Himmelsblase / heaven's-bubble - Nicolais Garten / Nicolais garden</image:title>
      <image:caption>die schönsten Blumen wachsen in Nicolais Garten the prettiest flowers are growing in Nicolais garden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782333011-FH8JCF9WHVLUMZ0ARHZ0/56-das-Datum-ist-violett.jpg</image:loc>
      <image:title>work-2018 - Himmelsblase / heaven's-bubble - Tagtraum / daydream</image:title>
      <image:caption>das Datum ist violett und gelb an einer Ecke aus dem Tagtraum gerissen the date is violet and yellow  at one edge torn out of the daydream</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782334463-RJRXA33UY7Z0W23XOJ5K/57-in-der-Himmelsblase.jpg</image:loc>
      <image:title>work-2018 - Himmelsblase / heaven's-bubble - Vergnügen / enjoyment</image:title>
      <image:caption>in der Himmelsblase strampelt sie vor Vergnügen mit den Beinen within the heaven's-bubble she kicks with the legs for enjoyment</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782334942-2AXMK0BJJWXLS14BPFID/58-version+2+%28did+I+told+you%2C+I+live+in+the+woods%29.jpg</image:loc>
      <image:title>work-2018 - Himmelsblase / heaven's-bubble - hohe Fichten / high spruces</image:title>
      <image:caption>hatte mich im Wald zwischen den hohen Fichten verloren als Pan mein Hand ergriff had lost myself in the woods between the high spruces when Pan grasped my hand</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782338492-59FA486WEP2KHLV5D4US/59-mit-geschlossenen-Augen.jpg</image:loc>
      <image:title>work-2018 - Himmelsblase / heaven's-bubble - ich träumte / I dreamed</image:title>
      <image:caption>mit geschlossenen Augen träume ich davon Benedetta in meinen Armen zu halten with my eyes closed I dreamed to hold Benedetta in my arms</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782338415-UWICF6T8RHSH03OICZBX/60-natuerlich-bestand-der-Wald.jpg</image:loc>
      <image:title>work-2018 - Himmelsblase / heaven's-bubble - Lack und Metall /  lacquer and metal</image:title>
      <image:caption>ganz sicher bestand der Wald aus Holz zudem aus Lack und Metall for sure the woods consist of wood but also of lacquer and metal</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2018/2018/2/26/versteckt-hidden</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673374745-U5PEYFWMJ5M2HBQ0THJP/37-in-jeder-Hinsicht.jpg</image:loc>
      <image:title>work-2018 - versteckt / hidden - unsortiert / unsorted</image:title>
      <image:caption>in jeder Hinsicht unsortiert und nicht weil's nur zufällig durcheinander geraten wäre unsorted in every sense and not only because it would be muddled up by chance</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673376148-3C9SDIA6CFKUL3QD9SA0/39-Du-musst-nicht.jpg</image:loc>
      <image:title>work-2018 - versteckt / hidden - Tränen / tears</image:title>
      <image:caption>Du musst nicht versuchen Deine Tränen zurück zu halten you don’t have to try to keep your tears back  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673374903-JS4978AWUQCGSR9NLXHI/38-Seyyal-ich.jpg</image:loc>
      <image:title>work-2018 - versteckt / hidden - innerlich / inside me</image:title>
      <image:caption>Beryl, ich verblute innerlich Beryl, inside me I am bleeding to death</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673376337-G6BU6N98M0DBI254M1J8/40-ueber-dem-versuch.jpg</image:loc>
      <image:title>work-2018 - versteckt / hidden - eingeschlafen / fell asleep</image:title>
      <image:caption>über dem Versuch ist er eingeschlafen in the attempt he fell asleep</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673385886-ZD4YTWPSCXNV88Y1ZL5V/48-Lisa-liest.jpg</image:loc>
      <image:title>work-2018 - versteckt / hidden</image:title>
      <image:caption>Lisa liest mir vor Lisa is reading to me  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673377250-1BGKJQC4AY9YRHFKB52U/41-ganz-unwillkuerlich.jpg</image:loc>
      <image:title>work-2018 - versteckt / hidden - unwillkürlich / involuntary</image:title>
      <image:caption>ganz unwillkürlich eingeschlafen involuntary falling into sleep</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673380031-1F0AW3GU91TDR9KEPIHT/42-Atmen-Atmen.jpg</image:loc>
      <image:title>work-2018 - versteckt / hidden - Atmen / breathing</image:title>
      <image:caption>Atmen, Atmen sagt er sich im Schlaf ist der Text unserer Wirklichkeit breathing, breathing he tells himself while sleeping is the text of our reality</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673379616-9L9WTSS0OBRDA05GE770/43-wieder-und-wieder.jpg</image:loc>
      <image:title>work-2018 - versteckt / hidden - halbnackt / almost naked</image:title>
      <image:caption>wieder und wieder sah ich mich halbnackt mit nur einem Bein die Treppe hinab steigen again and again I saw myself almost naked with only one leg walking down the staircase</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673381202-X041CUE3JSVAMFJZY4HN/44-nein-das-wollte-ich-nicht.jpg</image:loc>
      <image:title>work-2018 - versteckt / hidden - nein! / no!</image:title>
      <image:caption>nein! das wollte ich nicht sehen auf gar keinen Fall no! I didn't want to see this no way  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673381838-WAHVKJBCYC0OOSYW751Y/45-Portrait-dessen01.jpg</image:loc>
      <image:title>work-2018 - versteckt / hidden - „Schau hin!“ / „Look at!“</image:title>
      <image:caption>Portrait dessen, der nicht sehen will (I) „Schau hin!“ sage ich mir portrait of the one who doesn't want to see (I) „Look at!“ I say to myself</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673383988-ZIGJM3OVAO5BX5OJ9RNO/46-Portrait-dessen02.jpg</image:loc>
      <image:title>work-2018 - versteckt / hidden - Deine Nase / your nose</image:title>
      <image:caption>Portrait dessen, der nicht sehen will (II) „Steck Deine Nase ins frische Gras!“ portrait of the one who doesn't want to see (II) „Put your nose into the fresh grass!"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673385007-3OQFG9V5BXX0SE6N1XL3/47-Portrait-dessen03.jpg</image:loc>
      <image:title>work-2018 - versteckt / hidden - saure Drops / acid drops</image:title>
      <image:caption>Portrait dessen, der nicht sehen will (III) „Nimm die sauren Drops aus Deinen Nasenlöchern!“ portrait of the one who doesn't want to see (III) „Take the acid drops out of your nostrils!“</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2018/2018/2/20/beruehrt-touched</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152914028-QSLCRG63RYQZIYSHR4FB/25-als-ich-traurig.jpg</image:loc>
      <image:title>work-2018 - berührt / touched - traurig / sadly</image:title>
      <image:caption>als ich traurig neben dir saß as I sat sadly by your side</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152914455-YKD0E5X772YQJPMH1GEK/26-mich-dir-voller.jpg</image:loc>
      <image:title>work-2018 - berührt / touched - Sehnsucht / longing</image:title>
      <image:caption>mich Dir voller Sehnsucht zugewendet habe had turned towards you full of longing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152914980-9217ST1CQ29NPM8FIHOD/27-mich-Dich.jpg</image:loc>
      <image:title>work-2018 - berührt / touched - mich Dich ich / me you I</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152915122-OGVVWL8D676P8AYT1WHN/28-etwas-beruehrt.jpg</image:loc>
      <image:title>work-2018 - berührt / touched - etwas berührt / something touched</image:title>
      <image:caption>etwas berührt was mir mit Dir verbunden erschien something touched that seemed to me connected to you</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229577791-Q9KZ173I6XEUTT5Y2UM7/29-ja-beruehrt.jpg</image:loc>
      <image:title>work-2018 - berührt / touched - ja, berührt  / yes, touched</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229652949-5J8D72HONOX3GLCPKS28/30-ich-versuchte-Dir.jpg</image:loc>
      <image:title>work-2018 - berührt / touched - ich versuchte / I tried</image:title>
      <image:caption>ich versuchte Dir etwas in mir zu zeigen was ich nicht beschreiben kann I tried to show you something inside me which I cannot describe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152917019-TLXJ6JWXRM0JZIXW1CLB/31-ja-ich-hab-es.jpg</image:loc>
      <image:title>work-2018 - berührt / touched - ja / yes</image:title>
      <image:caption>ja - ich hab's versucht yes – I’ve tried</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229685901-LH2BNCFV0HEAKLNZGEIJ/32-Du-hast-den-gesammten.jpg</image:loc>
      <image:title>work-2018 - berührt / touched - verloren / lost</image:title>
      <image:caption>Du hast den gesamten Text Deines Verlangens verloren darum hab ich mich wieder verloren gefühlt you have lost the whole text   of your yearning that’s why I felt lost again  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229713344-LF0EB1H4DDM3YLF8ZPZE/33-ja-das-ist-der.jpg</image:loc>
      <image:title>work-2018 - berührt / touched - ja / yes</image:title>
      <image:caption>ja - das ist der Grund yes – that’s the reason</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152918178-1OZRBOTOBHQIP7CSXELK/34-ja-das-ist-es-was.jpg</image:loc>
      <image:title>work-2018 - berührt / touched - das ist's / that's it</image:title>
      <image:caption>ja – das ist's was ich fühle yes – that's it what I am feeling</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229744515-MGNQU1Q9AU231UK3VOMA/35-entlang-der-Wirbelsaeule.jpg</image:loc>
      <image:title>work-2018 - berührt / touched - Steißbein / tailbone</image:title>
      <image:caption>entlang der Wirbelsäule bis zum Steißbein hinab along the spine down to the tailbone</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229608091-F3AS4T5O14DAAZUHTEKP/36-was-ein-erhebliches.jpg</image:loc>
      <image:title>work-2018 - berührt / touched - Durcheinander / confusion</image:title>
      <image:caption>was ein erhebliches Durcheinander verursacht which causes a significant confusion</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2018/2018/2/20/deine-lippen-your-lips</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152908745-NJIH25GCXEKQWVI38NPS/13-die-inneren-Organe.jpg</image:loc>
      <image:title>work-2018 - Deine Lippen / Your Lips - Topos</image:title>
      <image:caption>die inneren Organe tragen etwas bei zum äußeren Topos the inner organs are adding something to the external topos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229213001-YJYOX3O7KRUF6BHLJ2SP/14-wartet-mit-halb-geoeffnetem-Mund.jpg</image:loc>
      <image:title>work-2018 - Deine Lippen / Your Lips - wartet / is waiting</image:title>
      <image:caption>wartet mit halb geöffnetem Mund auf eine Nachricht von Beryl is waiting with half opened mouth for news about Beryl</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229241494-CQCCFB3E26SB625W576K/15-jemand-denkt-mich.jpg</image:loc>
      <image:title>work-2018 - Deine Lippen / Your Lips - jemand / someone</image:title>
      <image:caption>jemand denkt mich - hast Du gesagt someone is thinking me – you said</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229301490-N6XG84EHLUYNN2BQ5DGD/16-der-der-weiss-wohin.jpg</image:loc>
      <image:title>work-2018 - Deine Lippen / Your Lips - der / the one</image:title>
      <image:caption>der der weiß wohin es geht führt den der es nicht weiß the one who knows where to go leads the one who does not know</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229342224-AHHA24LYDEF06JZ5X0AX/17-schliesst-die-Lippen.jpg</image:loc>
      <image:title>work-2018 - Deine Lippen / Your Lips - schließt / closes</image:title>
      <image:caption>schließt ihre Lippen um die Lippen closes her lips around the lips</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229376195-XZB02WC76XUPWIH0LYMN/18-und-dabei-die-Augen.jpg</image:loc>
      <image:title>work-2018 - Deine Lippen / Your Lips - währenddessen / meanwhile</image:title>
      <image:caption>und während dessen die Augen weit aufgerissen and meanwhile tear open the eyes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229403033-ZJ4QPQRDHOG4FNUAFVOA/19-eine-gewisse-Form.jpg</image:loc>
      <image:title>work-2018 - Deine Lippen / Your Lips - Selbstmitleid / self-pity</image:title>
      <image:caption>eine gewisse Form von Selbstmitleid die sich da gezeigt hat a special kind of self-pity that has shown itself here</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229430741-QW5UC6KQK6CQYDZU5X4D/20-da-ihm.jpg</image:loc>
      <image:title>work-2018 - Deine Lippen / Your Lips - eine Frage / a question</image:title>
      <image:caption>da ihm wie er behauptet schwer eine Frage auf den Schultern lastet because as he claims a question like a heavy burden rests on his shoulders</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229482641-5LNUJUMNEHCKMNQOTCRU/21-ein-Gedanke.jpg</image:loc>
      <image:title>work-2018 - Deine Lippen / Your Lips - ein Gedanke / a thought</image:title>
      <image:caption>ein Gedanke der die Leere umschließt – wie soll der überleben? a thought which encloses the emptiness – how could he survive?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152912321-0W85MO1CM13H4CFKJC3Z/22-die-in-mir-herrschende.jpg</image:loc>
      <image:title>work-2018 - Deine Lippen / Your Lips - ausmerzen / eradicating</image:title>
      <image:caption>die in mir herrschende Furcht ausmerzen (Tomasino liegt in seinem Bett) eradicating the fear that reigns inside me (Tomasino lies in his bed)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229509018-JIVU1JATMO6WOPRCX3P1/23-schau-nicht-so.jpg</image:loc>
      <image:title>work-2018 - Deine Lippen / Your Lips - ängstlich / scared</image:title>
      <image:caption>schau nicht so ängstlich don't look so scared</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229532952-UF5ES9G984LXJWC1BQ0V/24-habe-meine-feuerrot.jpg</image:loc>
      <image:title>work-2018 - Deine Lippen / Your Lips - feuerrot / fire-red</image:title>
      <image:caption>habe meine feuerrot angemalten Lippen fest aufeinander gepresst have strongly compressed my fire-red painted lips</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/work-2018/2018/2/19/cross-through</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519228894681-GRXPX4PLRXUH7D0WSYEZ/01-was-ich-sagen-wollte.jpg</image:loc>
      <image:title>work-2018 - durchkreuze / cross through - was ich sagen wollte / what I want to say</image:title>
      <image:caption>was ich sagen wollte aber nicht sagen konnte wie sehr Du mir fehlst wie sehr what I want to say but wasn’t able to say it how much I miss you how much  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519228943170-YOT6FO9V02N8JWCGVMV4/02-Grammatik-der.jpg</image:loc>
      <image:title>work-2018 - durchkreuze / cross through - Grammatik / Grammar</image:title>
      <image:caption>Grammatik der inneren Organe Grammar of the internal organs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1518973574609-AM50TYTP3ZWIGDV3FYP9/03-leckt-die-Goetterspeise.jpg</image:loc>
      <image:title>work-2018 - durchkreuze / cross through - zwischen ihren Lippen / between her lips</image:title>
      <image:caption>zwischen ihren Lippen leckt er die Götterspeise ab between her lips he licks off the Jell-O  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1518973574431-H2OY0K1K4R56UKB9U1IV/04-etwas-tritt-aus.jpg</image:loc>
      <image:title>work-2018 - durchkreuze / cross through - etwas / something</image:title>
      <image:caption>etwas tritt aus Harnröhre und Anus aus something leaks out of urethra and anus</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229008310-7JW3UQDXRYFVM7L2N75F/05-philosophische-Betrachtung.jpg</image:loc>
      <image:title>work-2018 - durchkreuze / cross through - philosophische Betrachtung / philosophical considerations</image:title>
      <image:caption>philosophische Betrachtung über das Verhältnis von Sexualität und Gottesglaube philosophical considerations about the relation between sexuality and belief in God</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229034556-W9O24FHNHF8DFA5Y41RR/06-war-nicht-obgleichs.jpg</image:loc>
      <image:title>work-2018 - durchkreuze / cross through - war nicht / it wasn't</image:title>
      <image:caption>war nicht obgleich’s so aussah für Dich ausgesucht although it seems so it wasn't chosen for you</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1518973578427-TMT6U4AYPITHK2XH390A/07-hat-eine-Person.jpg</image:loc>
      <image:title>work-2018 - durchkreuze / cross through - berührt / touched</image:title>
      <image:caption>hat eine Person des anderen Geschlechts berührt has touched a person of the other sex</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1518973580592-IHC944XAF0MAHIR8I5DG/08-oh-Gott-Du-hast-mich-gefragt.jpg</image:loc>
      <image:title>work-2018 - durchkreuze / cross through - oh Gott / oh God</image:title>
      <image:caption>oh Gott Du hast mich gefragt was los ist oh God you asked me what’s going on</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229090462-MYR0KTJ3YVY0MT8T5QT8/09-ist-auf-dem-einen-Auge.jpg</image:loc>
      <image:title>work-2018 - durchkreuze / cross through - = blind</image:title>
      <image:caption>= auf dem einen Auge blind der Sohn des kleinen Königs = blind on the one eye the son of the little king</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1518973581491-5COV9JSS8DOWQEZLN1CX/10-haelt-meinen-Kopf.jpg</image:loc>
      <image:title>work-2018 - durchkreuze / cross through - mein Kopf / my head</image:title>
      <image:caption>hält meinen Kopf in beiden Händen hold my head with both of her hands</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229129782-ME2JCCHAHH2V34D3TSUF/11-nur-eine-unabweisbare.jpg</image:loc>
      <image:title>work-2018 - durchkreuze / cross through - Sehnsucht / Longing</image:title>
      <image:caption>eine unabweisbare Sehnsucht an unavoidable longing  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229156770-MXEL7DMO739MCD1Y0ZMC/12-the-text-machine.jpg</image:loc>
      <image:title>work-2018 - durchkreuze / cross through - = orion</image:title>
      <image:caption>= orion die Text-Machine = orion the text-machine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-07-18</lastmod>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2018/eleventh-lecture-july9th-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909407898-6PPDZDT6DPA1FRY0KNOA/01-lines-of-the-linear-time-flow.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018 - horizontal lines</image:title>
      <image:caption>1 the horizontal lines of the linear time flow which we describe as „finiteness“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909407902-YQPLPTJWRQ2M2DVXML0A/02-lines-of-the-ideational-time.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018 - vertical lines</image:title>
      <image:caption>2 the vertical lines of the ideational time which we describe as „immortality“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531914270564-7Y9JSRQZQN7UAIV09XAY/03-a-lines-of-the-circling-time.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018 - curved lines</image:title>
      <image:caption>3a the curved lines of the circling time which we describe as „remembrance“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531914303133-ET45ET9TRGO42H4LM3YP/03-b.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018</image:title>
      <image:caption>3b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531914348027-ONUIN8VBQWLGRXRCHBEZ/03-c.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018</image:title>
      <image:caption>3c</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531914391596-GHT190NV5UGVAZTNYVWY/03-d.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018</image:title>
      <image:caption>3d</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909425326-EOS0GRFM4CEZ8DVRV6SF/04-lines-of-the-rhizomorph.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018 - interwoven horizontal and vertical lines</image:title>
      <image:caption>4 the interwoven horizontal and vertical lines of the rhizomorph time leaps which we describe as „narrative“ 5 in order to achieve immortality the finite time – moving in horizontal direction – must be adapted to a goal which exceeds the horizon to an infinite vertical</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909426992-3FU8F9BY9SHA7UDSSX98/06-build-by-the-lines.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018 - build by the lines between coordinates</image:title>
      <image:caption>6 actually the respective space of our reality is build by the lines between coordinates (according Jean-Luc Nancy the only thing we can call the truth) which do not own any horizontal or vertical orientation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909429864-59IG51POG6UFD7TS7MY4/07-a-the-rhizomorph.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018 - the rhizomorph structured topologies</image:title>
      <image:caption>7a we need the linear time flow to write and read the rhizomorph structured topologies of what can be read as the text of our narration</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909429865-GTMN42N55KT8FSX4MLY6/07-b.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018</image:title>
      <image:caption>7b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909437587-WJXZBCEMTN1NDU3651ZR/07-c.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018</image:title>
      <image:caption>7c</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909437587-U24HPQ63XJQ6YLIZKL5D/08-a-writing-and-reading.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018 - writing and reading</image:title>
      <image:caption>8a writing and reading means the way we perceive ourselves / in between the coordinates / hold by the coordinates / creating with our movements the lines of the horizontal or vertical orientation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909445924-1C9APH8KL9LRUHJ1MB4Y/08-b.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018</image:title>
      <image:caption>8b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909448422-GDMFCYPXZZ7LS4Q2RO0P/09-a-creating-whatever.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018 - creating whatever</image:title>
      <image:caption>9a writing and reading (or in other words: creating whatever) is the way we try to let our intentions become real</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909448978-R0GUKEEXRZENEAGG7594/09-b.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018</image:title>
      <image:caption>9b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909453925-W89FRMBZCDKUXKZ4HASK/10-a-making-something-readable.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018 - making something readable</image:title>
      <image:caption>10a writing is based on the functionality of making something readable and vice versa – so functionality is the tool to realize an intention within the linear time flow</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909457447-HJJ50H9FU65EJW2CNVOJ/10-b.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018</image:title>
      <image:caption>10b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909457455-9APMC8E19JZPGPVJQ6R5/10-c.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018</image:title>
      <image:caption>10c</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909462009-NY5SVHCHUA0QRUSAN9K5/11-a-functionality.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018 - functionality seems to be immortal per se</image:title>
      <image:caption>11a functionality does not possess any volume – so functionality for itself is / beyond living or dying / beyond the linear time flow or the rhizomorph time leaps – so functionality seems to be immortal per se</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909462909-IGXCJ5GOFAQ7C50VBM8U/11-b.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018</image:title>
      <image:caption>11b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909464043-K2SDHTLIJTXXE2U1K6VF/12-a-let-an-intention.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018 - let an intention become real</image:title>
      <image:caption>12a the difference between / funktion and / grammar – we can say: grammar is the general valid programm in order to let an intention become real – functionality is the variable usage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909474235-ICCWYFJFOL2LKOS7KIU8/12-b.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018</image:title>
      <image:caption>12b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909476455-68S7DN950P990NXTL8CU/12-c.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018</image:title>
      <image:caption>12c</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909482595-SLOQZT1C5V70JRZEOJ2L/12-d.jpg</image:loc>
      <image:title>lectures-2018 - notations / eleventh lecture / July 9th / 2018</image:title>
      <image:caption>12d</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2018/tenth-lecture-july2nd-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535247456-SCJV7EY6ENMOE9F2U22Q/01-0-question-about-a-phenomenon.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018 - question about a phenomenon</image:title>
      <image:caption>1.1 Topos / Object (= the object of the artistic exploration) = / object of daily use / space (or place) / person(s) the interacting of those – or already narratively manifested / notated in a cultural media: picture / literature / movie / theatre / music / dance and so on – both – the Topos / Object or its narrative manifestation / notation – are derived from a Meta-Theme; a question about a phenomenon / a process (of a social, political, economic, ecological, philosophical, religious or educational aspect / demand / problem)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535249262-O9EXDT9CTR5O2TRM0T1P/01-1a-noli-me-tangere.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018 - noli me tangere</image:title>
      <image:caption>1.2 in relation to this lecture – / the Topos / Object is: „The constellation / composition of the object’s elements (of the topology) in general and how the user / viewer interacts with them / constitutes itself!“ – which – regarding to the existential conditions of each of us – can be shown very clearly by the tension between the text / depicting of „the dead christ“ and „noli me tangere“ and the narrative / poetical constellations (for example by Garcia Lorca) which deconvolve in between</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535252293-MYOT5GOP09HGXI860U2K/01-1c.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>1.3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535252169-CYOULREZTOVSKKFLMTT6/01-1d.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>1.4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535254368-55XVM2YNW3KGBNKCCRHL/01-1e.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>1.5 – / the Meta-Theme is the question „How to teach art + design in an appropriate way according to the demands of our time!“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535254335-MD4WX22DH8F1BRJP3EZD/02-0a-elements-for-the-design-process.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>2.1 Structural Analysis (of the respective object / topos) / Impulses / will be fixed as / Coordinates / within which the / Volume (movement, colour, material) / will expand – the Structural Analysis delivers the elements for the design-process and the clues for the methodical proceeding to using the elements</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535257821-IWQB2J3OB6T5FZACQYGY/02-0c.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>2.3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535258178-2IJEAVOBA18OQHX7HH08/02-0d.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>2.4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535258659-YM6CIQ4W1QCOLBYD6RYH/02-0e.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018 - reveal the grammatical structure:</image:title>
      <image:caption>2.5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535261559-MY9LH00T8TIRD9A74XWN/02-1a-reveal-the-grammatical-structure.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>2.6 in relation to this lecture – / the Structural Analysis shows „There are only two possibilities to reveal the grammatical structure: – 1. extracting the coordinates from the two or three-dimensional object / topology by segmenting the angleand anchor-points and intersections and connecting them anew according the physiological or technical construction of the formation process of the object / the topos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535260893-LMEA5UB7YT1ASVZS6741/02-1b.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018 - turne into so called „word-fields"</image:title>
      <image:caption>2.7 – 2. extracting the coordinates and their already given connections from the grammatical construction of the written language / turned into so called „word-fields" / i.e. from the gestures and movements related to the grammatical structure of the human body as the primary language-tool“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535263968-0SSSB1NSBXHZUYYFFT6P/02-1c-turned-into-so-called-word-fields.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>2.8</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535267281-FD1IE3VBVTTY2957K3TN/02-1d.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>2.9</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535265036-C6JHNL163W2SN11JV0OE/03-0a-here-is-the-connection.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018 - movements / colours / materials</image:title>
      <image:caption>3.1 Intention = can only be defined by executing the process from exploring the grammatical coordinates in order to fill it with suitable volumes (movements, colours, materials) which leads involuntarily to the intentionality of the narrative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535267110-MZCKM2VTJLUI4CS7Y31J/03-0b.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>3.2 – so we must distinguish between / the collective intention and / the individual intention and by the same time we have to define / how both fields of intention are connected to the generally valid references and relations / how both types of intentions interact in the design process</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535270428-JWBDS9A4QNANBSIC0IHQ/03-0d.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>3.3 – from this now we are able to derive our individual / Theme / Core-Question</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535277472-V0QCRRVNZG5KWLY1IN5B/03-0i.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>3.4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535278223-ZKB29EQK7MSNP6MVJUDK/03-1a-to-write-notations.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018 - in order to be able to write notations</image:title>
      <image:caption>3.5 in relation to this lecture – „my intention (as the one who is giving this lecture) is divided into three aspects 1. to show you how the process of creating design or art works and by this 2. to show it to myself in order to be able 3. to write notations / narrative / text which are parts of the whole texture of inter-related events / adventures (in sense of the definition Giorgio Agamben has given to the term)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535279911-1W1GG21P3E7DGIDXGBUQ/03-1d.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018 - iteration and recursion</image:title>
      <image:caption>3.6 – notations / narrative / text are not only interwoven into the different structures of time but also brings forth the notated time-structure again and again by which we are able – within the linear readable time – to participate again at the events / the adventures in repetitions and differentiations effected by the re-occurrence of the physically shifted iteration and recursion“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535281189-AO22R46A79PPU5GP0T2H/04-0a-how-the-objectivization.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018 - how the objectivization should be manifested</image:title>
      <image:caption>4.1 Manifestation / Objectivization now we posses all the needed elements and informations to describe precisely how the objectivization should be manifested i.e. which object / topology (in its two or three-dimensional form / in its presentation within space and time) should be realized and how this has to be done – the object may be graphic-design, drawing, painting, photography, movies, interior-design, fashion-design and so on</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535283628-I8X4QINGAI5QZNGIOCHG/04-0b.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>4.2 – the object may be graphic-design, drawing, painting, photography, movies, interior-design, fashion-design and so on</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535286282-2N1RWSMCVY08M47XEOF9/04-0d.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>4.3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535285522-LTZ6MCLLGOG1PVJGN83G/04-1a-i-refer-both.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018 - I refer both to Structuralism as well as to Mannerism</image:title>
      <image:caption>4.4 in relation to this lecture – „What I am called upon to do because of my history (as part of the common history on all the different social, political and cultural levels) are so called panel paintings. – I refer both to Structuralism as well as to the Age of Mannerism – in its wide range of architecture / interior-design / fashion-design / sculpturing / drawing and painting.“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535299628-L5Y82SYQ54B9LHSKDN1M/04-1k.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>4.5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535301241-KT18G3MYRHNK0OECP18O/05-0a-possibilities-of-an-individual-language.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018 - Method</image:title>
      <image:caption>5.1 Method = how the intention by using of the results of the structural analysis is to be manifested / to transform into an object / topos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535302024-SGJBD6IAVCJWZHGS4S17/05-0b.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>5.2 – in order to use the visual / material elements which are the result of defining, separating and re-connecting the structural coordinates (i.e. to in order to realize the object / topos) a suitable method must be found individually</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535305975-9QEMNBSJ1IIMQPRCGQGG/05-0c.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>5.3 – / the methodical proceeding has to be derived from the exploration – of the grammar (construction of the shape) – of the volume bound in it – of materiality / by focussing on the instructions which are given by the performative dimension of the verbs and the descriptive material dimension of the adjectives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535306259-6R2BWSI3TE70MEZWMYGJ/05-0d.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>5.4 – by a method which is individually developed the possibilities of an individual language / expression is becoming more and more noticeable</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535309116-IGV47Y0DCN0EDPS9KLVU/05-1a-all-measurement-systems.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018 - all measurement-systems we are used to work with</image:title>
      <image:caption>5.5 in relation to this lecture – „The method I started to elaborate eight years ago is based on circle matrix which includes and combines all measurement-systems we are used to work with / average body dimension 180 to 180 cm (with sideways outstretched arms) / / constellations of the stars (for example Orion at the winter sky) / / space (cardinal directions / longitude and latitude) / / time (morning, midday, evening, night / hours of the day) / / 24 basic letters of the alphabet / / musical structure of the twelve tone system / / different colour-circles (for example according to Itten) /… “</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535315127-NWY80109672DMEXMPXTH/05-1c.jpg</image:loc>
      <image:title>lectures-2018 - notations / tenth lecture / July 2nd / 2018</image:title>
      <image:caption>5.6</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2018/ninth-lecture-june-25th-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532717295-0OGZPPCPSYUASN9TCPXZ/04b.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - Yes, make decisions!</image:title>
      <image:caption>1 Yes, make decisions! sure, but in what context? compared to what? – it seems that we need a comparison about what's right and what's wrong to be able to make a decision</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532727558-I1EVQQ661KGAID2CQFAR/05c.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - making decisions without values</image:title>
      <image:caption>2 designing is the art of making decisions without values of what is right or wrong as pre defined by the Euclidean classification system – otherwise we would only produce copies of what claims to be / the true / the beautiful / the good</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532709665-Y65QDQEZYVC7JGXIYUOC/03a-a-result-of-designing.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - a result of designing</image:title>
      <image:caption>3.1 this is the reason why we can not stick to any idea – a pre-given idea in the sense of a result of designing (what has to be achieved with the process of design) can not be anything else but a bad copy of a world imagined as a perfect one</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532713085-G5VV04HX115NQ6K1DZ84/03b.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>3.2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532717217-A9ULHLHXIU9LBMYOBJC3/04a-an-active-part-of-the-text-of-the-world.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - an active part of the text of the world</image:title>
      <image:caption>4.1 instead of fulfilling the idea of a perfect word the process of designing is a journey in order to discover how the world actually is constructed (in it's grammatical dimension) – / by this we will be an active part of the text of the world (as Badiou says: „…being an active part of the consequences of a local event“) – / by this we produce the sense of what we call reality („Try to make it real - compared to what?“)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532723915-NEMVPGBJD985XA84C30B/05a-we-do-not-need.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - we do not need a comparison of right or wrong</image:title>
      <image:caption>5.1 within the process of designing we do not need a comparison of right or wrong – what we need is the knowledge of how to proceed and of the possible relations in order to step ahead from one decision to the next</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532726074-W1ZC57P1J5QGRDJO5MMH/05b.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>5.2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532728057-UBJUZ7X5B6UQG57QA5EG/06a-the-necessity-of-the-text.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - the necessity of the text</image:title>
      <image:caption>6.1 every decision has its reason – the question is: is the reason given within functionality (whether we are aware of it or not) or is the reason to find within the necessity of / the text / the narrative / the language itself and by this / within the grammar?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532729048-2CTG0LALLT6UHYRNW0XY/06b.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>6.2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532738149-8EI324HQNTZFK7QXQGTX/07a-letting-our-perception-rule.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>7.1 what do we have to do to determine the difference? – Nothing else but to observe the perforations intersections and angle-points of the grammatical structure of the topology we can respectively identify</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532742843-2W9V66YBYICRNWNT6QMS/07b.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - how movements and colour can be related to each other?</image:title>
      <image:caption>7.2 then we have to trust this grammatical structure according to which every body (also ours) is build by letting our perception rule of how to connect the points of the structure: graphically fixed or simply in our memory that means the connections will be done by the involuntary movements of our bodily perception</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532742799-5XA0M82WERAXEY4SFHY6/08a-how-movements-and-colour.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - how movements and colour can be related to each other?</image:title>
      <image:caption>8.1 as soon as the points are connected and the geometrical construction is added by a volume of movements we are asked to decide: / how to proceed with the movements? / how movements and colour can be related to each other? / what colour to choose? / derived from what? / which shapes should become more concrete?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532747786-EIW5FEARW0OU0BKSR9XH/08b-the-primacy-of-the-expansion-of-colours.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - the primacy of the expansion of colours</image:title>
      <image:caption>8.2 we have also to decide / to continue with the primacy of elaboration the movements or / the primacy of elaboration the shapes or / the primacy of the expansion of colours</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532746768-J3RRLMGMYYJBN5M43HQV/09a-a-narrative-will-be-included.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - a narrative will be included</image:title>
      <image:caption>9.1 in any case a narrative will be included – explicit or implicit – in case of an explicit narrative inclusion we additionally have to decide / which narrative signs (of bodies, spaces, things) are to be found within the shapes?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532751770-FMGU5NPPWFQS9Z4HKB9S/09b-the-synapses.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - the synapses of the individual narrative</image:title>
      <image:caption>9.2 / which are the synapses of the individual narrative (synapses in terms of potential connections between the coordinates / perforations of the observed topology and the coordinates / perforations of personal experience) – / how to elaborate the shapes? maybe by delineating again and again until the narrative elements will occur?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532751191-6TYKLMU3KAAL09PZHLQ5/09c.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>9.3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532758426-2TFX9VYIYW40GW7I7UEQ/10a-how-the-personal-experience.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - how the personal experience is to be objectified?</image:title>
      <image:caption>10.1 also to define the needed reference we must make a lot of decisions: / how the personal experience is to be objectified intellectually? / according which referential object we have to proceed?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532758190-3A0IIQWKB9I819XQLWKR/10b.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>10.2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532760567-BO7KEE7WGK3FLWB3JOHQ/10c.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>10.3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532763887-G28R1A5YOTDW0X1XDM3T/11a-how-to-produce-a-topology.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - how to produce a topology</image:title>
      <image:caption>11.1 how is the reference object to be identified in its historical / scientific / sociological / political dimension? – how to produce a topology in which everything / grammar / volume / narrative is interwoven?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532763323-KW68SLESHVKRG53B56LZ/11b.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>11.2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532766975-G74R7MHTYIGRCQ3VTIM6/11c.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>11.3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532767428-1AWHWG2V3E3K0TYZZD2S/11d.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>11.4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532769358-D3Q4TVZQ3YNPC7XZKPG6/11e.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>11.5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532773538-DOQGBJ4KU353K98P14E7/11f.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>11.6</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532776832-D55ELFAUZ4OZEL7IAM86/12a-there-is-just-one-reality.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018 - there is just one reality: the incomparable real of the text</image:title>
      <image:caption>12.1 it seems that all the decisions will be made according functionality or narration – but actually functionality and narration are not comparable! – so our attempt to make it real - and the question given by this: "compared to what?" are telling us; there is just one reality: the incomparable real of the text / the texture / the narrative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532776683-8HCRLXMVR6F54HA0ESWM/12b.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>12.2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532781609-TQYA0QUKWFFPQ75HGY27/12c.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>12.3 functionality is not an alternative reality (it’s not a reality at all!) but a part of the method to make the text / the texture a reality</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532781036-TKLKHJCCT2VMHXYPJ34B/12d.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>12.4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532785043-FXXKZQ1OTY6KU5ZEK8O9/12e.jpg</image:loc>
      <image:title>lectures-2018 - notations / ninth lecture / June 25th / 2018</image:title>
      <image:caption>12.5</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2018/notations-eighth-lecture-june-11th-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895751868-KU721QEJ2JQ5YQ8VW5SS/02-the-body.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018 - the body of Christ is dead</image:title>
      <image:caption>1 about a reference that we can not hide from in contradiction to the reference of functionality we examined in the last lecture 2 the body of Christ is dead what’s left is the grammatical structure of becoming a vivid extension again and again inseparably connected to a text / texture / of our narrative our perception is constantly changing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528898490689-FFTK9GQ68MFD22PGLVCW/03-observe.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018 - we have to step back</image:title>
      <image:caption>3 so for a moment we have to step back to observe the structure of grammar and how the volume (in other words the vivid extension) is enclosed within</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528898528368-RRPFUAGWSLNNBJF07Q78/04-between-grammar.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018 - we are continuously switching</image:title>
      <image:caption>4 as you can see we are continuously switching between / grammar / volume and / narrative this is how the process of composition is taking place</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528898554307-VZR584B9PDTL1K7X7ZU6/05-de-construct.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018 - the elements of the respective topology</image:title>
      <image:caption>5 to find a reference for what we are doing it is undeniable needed to compose the elements of the respective topology anew – to do so first we have to / de-compose / de-construct the elements according to the grammatical rules</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895759601-DBHPVEWH8YNCX85BMZBD/06-perforations.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018 - composed by an „I“</image:title>
      <image:caption>6 so to discover our reference we must examine the co-ordinates / perforations of the grammatical structure which will lead us to the narrative / of the relation between ourselves and the world which is to be found as a text / texture composed by an „I“ (for example Hans Holbein the Younger) in relation to a „You“ (for example Jesus of Nazareth)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895760180-299B8KH9FXS1Y3DBKAU2/07-words-numbers.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018 - 1st the bodies / 2nd the names</image:title>
      <image:caption>7 the coordinates / perforations can only be extracted from only two topologies / 1st the bodies (natural as well as artificial ones) / 2nd the names (words, numbers and formulas which give an idea, how to count and name / the topological elements / the constellations / the respective topos)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895761138-1PANYX7SC05VBWE68PNM/08a-dissect.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018 - we must make decisions</image:title>
      <image:caption>8a in order to read the grammatical structure we must make decisions about the question how to / dissect the structure (from point to point) / arrange the dissected elements anew</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895763955-96ZXA1LD0DI9U9UOGYR6/08b.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018</image:title>
      <image:caption>8b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895766533-HQTMLNLIRR5V67L0FR53/09a-the-systematic.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018 - systematic of perceptual construction</image:title>
      <image:caption>9a to be able to work this way we must have a closer look at the systematic of our perceptual construction / the ability to identify the coordinates of the interactions between the different objects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895767204-6HH8BK2CINJK5KD0EALY/09b.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018</image:title>
      <image:caption>9b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895769881-DGFDM1ZXRRVRHPMKZWER/09f.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018</image:title>
      <image:caption>9c</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895773519-VPP0QNKJZUSB5HN640BX/10-in-order.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018 - to give a name to what happens</image:title>
      <image:caption>10 to perceive something generally means to transform the elements and their expectable movements into a score (row of signs / words / numbers) in order to give a name / formula to what happens – we never perceive a single topos but always a more or less complex topology (i.e. a grammatical combination of elements)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895774107-F8UIO7IJX6UAPSRYW1S5/11-the-shape.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018 - the shape consists of uncountable varieties</image:title>
      <image:caption>11 our perception is divided into / the undeniable truth of perforations / the multiplicity of shapes / the shape consists of uncountable varieties (beyond true or false) of the volume- / the colour- expansions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895780310-O36SIPVNAMC15YHM060U/12a-our.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018 - the most important question</image:title>
      <image:caption>12a the most important question in designing is not related to / the true / the beautiful / the good but much more to the reality of what we are perceiving</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895779964-U6EZWTUAG82GJXLBLPHD/12b.jpg</image:loc>
      <image:title>lectures-2018 - notations / eighth lecture / June 11th / 2018 - connections and knots of our notations</image:title>
      <image:caption>12b and how our perception is constantly changing with every repetition of what we are realizing (with every depicting) and by this the connections and knots of our notations are inter-woven into the texture</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2018/2018/6/4/notations-sevens-lecture-june-4th-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127872674-8N7WAVOWXLL42EX5I44I/00-the-field-of-grammar.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018 - we talked about a lot</image:title>
      <image:caption>1 there are three fields (interconnected) we have to be aware of in terms of any kind of designing (it may be so called artistic work or in terms of scientific or social design) – 1st the field of grammar (which we talked about a lot) – 2nd the field of volume (we can’t talk about it without the knowledge of grammar)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127874868-5D75QCASSOVWE23NCASY/01a-the-field.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018</image:title>
      <image:caption>1.1 – 3rd the field of intentions / relations / courses / history (like the subject takes its course from intention to history)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127876082-QOIN2ICTT6SUZWV57MIJ/01b.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018</image:title>
      <image:caption>1.2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127878416-S8E1ZJMG1931MXCDFLV0/01c.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018</image:title>
      <image:caption>1.3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127880069-HC2RP0RHWA9EXMRGH1EC/02a-involuntarily.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018 - the whole web / texture</image:title>
      <image:caption>2 if we combine these fields by directing the respective elements of each field to achieve a valid composition (of whatever kind) involuntarily the text / narration / notations / participation of what is (i.e. of the whole web / texture) will occur</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127886778-7ZB45YKUDI56Y0DOX478/03-individual.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018 - the whole texture</image:title>
      <image:caption>3 now let's take a closer look at the field of / intentions / relations / individual and common history – obviously our intension is focussed on social intercourse (or to say it from the perspective of designing there is a very natural desire of every author / artist / and so on to be published which has nothing to do with success fame or status it is much more about being a part of the whole texture by the text you have knotted)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127890683-9MJHEPLSGYCTJXQ3EYYW/04-knots.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018 - knots / which are creating an inextricable web</image:title>
      <image:caption>4 if you repeat the process of creating intersections by following the lines (which are building intersections by their way from point to point) by freehanded drawing knots / which are creating an inextricable web / will be the result – so we can say that the World Wide Web is an access to the two-dimensional surface of the multi-layered texture of our the presence and remembrance of our staging / for years we have seen how the Web will be adapted to the paradigm of a functionality that rules itself</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127890385-BIK5K3YKIFCOMCBC3I0T/05-the-pressure.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018 - the pressure of inner values</image:title>
      <image:caption>5.1 the functionalization of the www is a strategy that is very easy to observe it does not operate primarily with external restrictions but much more with the pressure of inner values of social intercourse – „In order to engage in social intercourse one must identify the other individual to be significant.“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127895590-1LEM0UDGHM9HKDICG29H/05b-significant.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018 - significant as a prototype</image:title>
      <image:caption>5.2 – significance is a value that results from competition be more significant means to be more successful – but success – in what way? be significant! but what is the function of being significant? significant as a prototype!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127895338-HSUFUHN7QJUFYBWB4YMV/06-a-more-or-less.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018 - a more or less perfect prototype</image:title>
      <image:caption>6 we have only one possibility of being immortal by becoming an ideal signifier / that means a more or less perfect prototype of power / beauty / health = social success / status = prototypical significance of functionality</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127898704-1TBFET98Q85YOYRP2UCI/07-the-meaning.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018 - to do / to be</image:title>
      <image:caption>7 let’s start with the pressure of functionality (or come back to it) in which everyone has its undeniable position / name / task (in relation to the ideal signifier / perfect prototype) and our desire is to find out the / the meaning of that to which we are forced / to do / to be</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127901335-1PYMWHU1VTF9ISG52L6L/08-into-some-kind.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018 - some kind of a point zero</image:title>
      <image:caption>8 by this let’s start to think about intercourse that we assume this kind of acting is beyond all functions but in fact it’s the core of it – I would say in the way we use to do it / just do it by being plugged in (into some kind of a point zero) we are constructing invisible threads around ourselves to ensure our position within the Euclidean grid of functionality</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127902435-0YZ74X40PVTB966PH665/09a-seducing.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018 - seducing the one which we pretend to love</image:title>
      <image:caption>9.1 every time by conquering / capturing / seducing the one which we pretend to love we fulfill the core of function: stay away from weakness and loneliness! proof to be / strong / beautiful / healthy to say it simple: to be the best choice so we have to decide / how to stick ourself into ourselves</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127908277-QIR5YKWKI21DYCILOH13/09b.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018</image:title>
      <image:caption>9.1</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127909987-KPTSVTXMEL6LTWGLWCIS/10a-to-become.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018 - take our course</image:title>
      <image:caption>10.1 so we see how social and any other kind of intercourses are deeply interwoven / 1500, „acquaintance by frequent or customary intercourse“ from converse (v.). / 1610s as „conversation, familiar discourse“ / 1749, „intimate intercourse, fellowship“ from inter- „between“ „communion“ / „converse“ / 1771 a euphemistic shortening of sexual intercourse with / intercourse in its sense „social contact and relations“ – so we can say to become significant we have to take our course</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127915826-V6XLSV1UV3E97DF85FBL/10b.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018</image:title>
      <image:caption>10.2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127915448-6VM7SETYZ2LJEZKEGYYQ/11a-I-am-here.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018 - in relation to ourselves</image:title>
      <image:caption>11.1 significant in the sense I am here in relation to you / seen from the position of the self (i.e. the position of designing) / of what we both are in relation to ourselves</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127917148-9M9TT0GP8LOLOB4BYNJH/11b.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018</image:title>
      <image:caption>11.2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127922581-XY1DB2ORJDMB6R4EN0VC/11c.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018</image:title>
      <image:caption>11.3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127930915-2SROMDEGG6TNZEGLKCD7/12a-by-writing.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018 - writing / reading your own text</image:title>
      <image:caption>12.1 your significance is not bounded on any prototypical functionality of being significant but only on your will and ability to move by yourself in order to create the composition of our common texture / the topological itself by writing / reading your own text</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127932007-Q8DKY272NU9J4Z460OR8/12b.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018</image:title>
      <image:caption>12.2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528127932475-99NTMEU0FHXJMQA0IKYG/12c.jpg</image:loc>
      <image:title>lectures-2018 - notations / seventh lecture / June 4th / 2018</image:title>
      <image:caption>12.3</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2018/2018/5/30/the-colour-of-the-name</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666529493-IK4D748NR9NTLT6D6P6V/01-colours+of+the+narrative.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - colours of the narrative</image:title>
      <image:caption>1 on my way back to Danton’s death / Georg Büchner / Lenz / walking on the head / along the highs of the woods the traces will involuntarily led to the colours of the narrative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666509608-QFKXG9Z5CVB7A5LXEP2N/02-stepping+down+the+stairway.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - stepping down the stairway</image:title>
      <image:caption>2 the head / the cold / the wind on her face the sound of her feet stepping down the stairway all this – and everything else – not only has its own colour it’s made of colours</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666546404-J7VWIYK5LQ69NX7705XJ/03b-in+relation+to+the+light.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - relation to the light I</image:title>
      <image:caption>3 the colour is caused by the movement of the material in relation to the light</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666556765-5SWCDM7X9JRHORBI8MCV/03a-in+relation+to+the+light.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - II</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666563161-JSLPOX9DZRB1D6NL9ZT5/3c-in+relation+to+the+light.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - III</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666564068-66H1NBSYX0570V756U0G/4-a-shifting-and-transitory-window.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - a shifting and transitory window</image:title>
      <image:caption>4 Marcel Proust tells in „Swann’s Way“: „Someone had indeed had the happy idea of giving me, to distract me on evenings when I seemed abnormally wretched, a magic lantern, which used to be set on top of my lamp while we waited for dinner-time to come; and, after the fashion of the master-builders and glass-painters of Gothic days, it substituted for the opaqueness of my walls an impalpable iridescence, supernatural phenomena of many colours, in which legends were depicted as on a shifting and transitory window.“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666566528-PVW8EEWZPXU579729IPZ/5a-an-inappropriate-extension.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - an inappropriate extension I</image:title>
      <image:caption>5 that something is coloured says it is swollen (from Old English geswollen / past participle of swellan) in the meaning of an inappropriate extension</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666571982-U3HTKTZ49S8M3GILQ7XM/5b-an-inappropriate-extension.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - II</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666576574-DT0ECZK58EQBOTHDE8EF/5c-an-inappropriate-extension.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - III</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666577227-ZHUXZ2JBUFSLNSU1TQX3/5d-an-inappropriate-extension.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - IV</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666578970-8GCC9YDDZ2YZQZQP4YG5/6a-by-following-the-colours.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - following the colours I</image:title>
      <image:caption>6 so every narrative is an inappropriate extension of what refuses its assigned coordinates by following the colours to become visible</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666582550-AYV8UGEP2BFZV6PPSWVN/6b-by-following-the-colours.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - II</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666583709-N5U1V8NTVR2E8ZN20CAJ/6c-by-following-the-colours.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - III</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666587895-7JGR5S0Z8AG3BYQ2K525/7a-nature-inserts-colour-into-the-grammar.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - nature inserts colour into the grammar I</image:title>
      <image:caption>7 in nature every colour is related to lust or danger this is the way we use colour too or vice versa „Life imitates Art far more than Art imitates Life“ / says Oscar Wilde in „The Decay Of Lying – An Observation“ / in other words: nature inserts colour into the grammar of evolution by adapting directly to the art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666594065-GZHLT308NKQ2Y81JMLK5/7b-nature-inserts-colour-into-the-grammar.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - II</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666593275-U5DC9TO2MWPBZD4JKBNZ/8a-untrue-things-is-the-proper-aim-of-art.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - "untrue things is the proper aim of Art" I</image:title>
      <image:caption>8a Oscar Wilde: „Art / never expresses anything but itself. / All bad art comes from returning to Life and Nature and elevating them into ideals. / Life imitates Art far more than Art imitates Life It follows as a corollary that external Nature also imitates Art / Lying, the telling of beautiful untrue things is the proper aim of Art.“</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666598561-TZJG2YK18AZS9X0W2QBA/8b-untrue-things-is-the-proper-aim-of-art.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - II</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666603933-AR8ALYNUG3965INK8I80/9a-something-else-we-cannot-name.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - something else we cannot name</image:title>
      <image:caption>8b The first and the last of all possible lies is colour – we assume there is a colour but in fact there is nothing but the reflection of something else we cannot name</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666607484-BLKFCTJKJSJ7BP1I2PQN/9b-something-else-we-cannot-name.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - only coordinates can be a subject of truth</image:title>
      <image:caption>9 Wilde is talking about the lie in relation to what is right or false in its very basic dimension of the position of the points or perforations / as we have learned; only the points / the perforations, / the coordinates can be a subject of truth (by the way: therefore sciences alway try to refer to the relationship of points in a mathematical way – no matter which subject should be researched and systematically defined) – but in terms of the truth of the perforations the lines in between and the volume / the movements / the colours / the materials (which bloats itself from line to line) are always a lie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666612983-E7JJTDLE32RLGKCEJINR/10-the-coordinates-can-be-a-subject-of-truth.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - art is an event of extending</image:title>
      <image:caption>10 so we see, neither colour nor narrative (which is not to be told without the volume (except the colour also the movement and the material of words)) own values that can be set as false or true (these values are only those of the mathematical dimension of the grammar) – rather art is an event of extending the present by writing signs and fulfill them with their respective volume</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666613707-CPTL0LXQEFLRSCYWOS9P/11-art-is-an-event-of-extending.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - in front of our eyes</image:title>
      <image:caption>11 an event (or incident) is something that’s taking place in front of our eyes (or better to say: in front of our face / recognizable by our senses) – incident = the relation between an edge (of the geometrical shape) / a line and one of its endpoints – incidence matrix = the incidence matrix of a graph is a matrix whose rows are indexed by vertices of the graph and whose columns are indexed by edges (seen from the logic of grammar; how the Euclidian static establishes within a topological space)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1527666616950-FAXIFBA0EB4G9PJIHTK3/12-captions-cutlines-from-words.jpg</image:loc>
      <image:title>lectures-2018 - notations / six lecture / May 28th / 2018 - a product which produces desire</image:title>
      <image:caption>12 all in all for to design an event / the process of design (whose result will be a product which produces desire / lust) we need the triad / the structure made of points and lines / the colour (and the related volumes of movement and material) / the names (captions / cutlines from words) – now we can think about giving a name to the subject / we are working on / to ourselves</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2018/2018/5/14/notations-fifth-lecture-may-15th-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302239907-AM31570N23M01F5KJ9OA/01a-the-concept.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018 - concept of Relational Art</image:title>
      <image:caption>1a our intention by making art / design is to produce desire / lust – to do so: define your own method / clarify the given conditions a concept of what is called Relational Art (also its social and cultural conditions) – written on a double-page A4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302240906-2R195YDQB81GNCFG79G9/01b-enlarging.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>1b enlarged, segmented and reassembled segments in a size of 594 x 840 mm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302246616-NUZEO6FJ2A2HM8WCGWHR/02a-following-the-traces.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018 - traces we have to follow</image:title>
      <image:caption>2a our desire / lust is to remain in the tense / the tension / between our intention and the object (of our intentionality) – this tension has to be ordered in rows according the compositorial rules of grammar and volume (extent, degree, scale, magnitude (importance, meaning, significance, signification, concern)) - these traces we have to follow in order to let the poetical narration of our intentional lust become real by itself</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302246283-XRW35VE187ASCM7JK16J/02b-following.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>2b / detail I</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302250034-717ADJVK01R4K9GFTGCJ/02c-following-the-traces.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>2c / detail II</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302250395-EDJ56E1PSIM747SJ2VWH/03-building-rows.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018 - building rows</image:title>
      <image:caption>3 in order to achieve our intention (remaining in-tension) we are building rows of the elements (of the materialized intentions) – every element consists of perforations / points connected by straight and curved lines (straight according the shortest way from point to pont / curved according the movement of the body / eyes / head / chest / arm / hand-wrist / fingers – i.e. defining the topological space by deconstructing the Euclidian space and arrange the elements anew by building rows in a size of 840 x 1188 mm</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302252027-FSSZA9NR9EIEPGTTMCP3/04-repeating-and-scaling.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018 - repeating and scaling the movement</image:title>
      <image:caption>4 about how we have succeeded or failed with our intentions (mostly combined with stupid rhetorical conclusions about the reasons and matching / not less stupid moral considerations) this is the way we have learned to read the rows in a rhetorical or moral sense in other words as a fable, parable or allegory but now we reject the pre-given task and instead of fulfilling we define our own episode by stepping into an open process of designing - repeating and scaling the movement</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302252617-NGXJYZ9JGFOOX4ZOODNF/05a-adding-volume-chiaroscuro.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018 - adding volume / chiaroscuro</image:title>
      <image:caption>5a every element is a body (no matter how big or small it may be) / a hull, fuselage, trunk, hulk, torso (substance, essence, texture, gut) an element within a space / a space recognized by the chiaroscuro / light and dark – adding volume / chiaroscuro</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302253873-3R9B2JRS3N7RLRGZN40U/05b-chiaroscuro-I.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>5b adding volume / chiaroscuro detail I</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302259731-N9MOLXJXMK1Q6MEGC27N/05c-chiaroscuro-II.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>5c adding volume / chiaroscuro detail II</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302270546-IK6HVVWE14X719G20XSV/05c-chiaroscuro-III.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>5d adding volume / chiaroscuro detail III</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302281323-W90WGC2LGEI0USOQXIFO/06-repeating.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018 - repeating and scaling / second version</image:title>
      <image:caption>6 repeating and scaling second version – as soon as we are forced to leave our well known intentions (those of the Euclidean space which strive for a perfect ordering system) we get afraid to fall back into a childish or cosmic chaos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302283130-17BUDW68C4XWB6934O3H/07a-draw.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>7a draw after the drawing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302287499-6YK53VUQWTHDHN8T62BQ/07b-according.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>7b detail I / figure</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302288530-75B8T8XAF2YEUABQZYBU/07c-according.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>7c detail II / interior</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302293590-881WE6FCCECQBUL6RJ9Y/07d-according.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>7d detail III / figure within interior</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302296736-S5RA6F4KTV3OE1I2LRT2/07e-according.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>7e detail IV / maybe a landscape</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302296320-QIB6R5TBD2NOED3MWQR0/08a-draw-after.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018 - draw after the drawing second version</image:title>
      <image:caption>8a draw after the drawing second version – art / design = to arrange the childish / cosmic chaos again and again anew according the compositorial necessity of our desire</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302297975-L0FJ22JBN0OJZ6XE18C9/08b-draw-after.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>8b second version / detail I</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302300883-NFJWXOM6LZX66HYGUF2X/08c-draw-after.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>8c second version / detail II</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302303437-Q2M8ZTDKFYDL7W8C2XML/09a-the-drawing-which.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018 - the drawing which I used</image:title>
      <image:caption>9a the drawing which I used to draw after the drawing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302303557-5BNK0733KJQVBC41VCMR/09b-the-drawing-detail.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>9b the drawing detail in chiaroscuro I</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302311353-WUK0195GWG1J5LHMNAUS/09c-the-drawing.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>9c the drawing detail in chiaroscuro II</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302310789-NPWMN2UNFI3QERZPM8T5/10a-facial-expression.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018 - facial expression in linear construction</image:title>
      <image:caption>10a facial expression in linear construction by using only charcoal and liquid glue or lacquer – what happens within the face? in relation between / torso / arms / hands / legs / feet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302316078-CA50QMJYJ0HQXQX8DAT4/10b-facial-expression.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>10b facial expression II</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302318768-5X7HSSKSAJFEIB985118/10c-facial-expression.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>10c facial expression III</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302318489-K5EK42JSG3KMS8PLX8Z6/10e-facial-expression.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>10d facial expression IV</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302324746-3HULY21PRN353W8CC1G2/11a-facial-expression.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018 - facial expression in chiaroscuro</image:title>
      <image:caption>11a facial expression in chiaroscuro by using charcoal liquid glue and paper collage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526306194100-7IX45V7ARGML21V94Q9V/face.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018</image:title>
      <image:caption>11b the face / the range of facial expressions which may change from one second to the other is inseparably colligated to our intentions / that we could fail / that we'll maybe successful</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302326096-WHDKLZSURWVQNAOI21PR/11c-facial-expression.jpg</image:loc>
      <image:title>lectures-2018 - notations / fifth lecture / May 15th / 2018 - how to proceed</image:title>
      <image:caption>11c facial expression in relation to the memory (when I was a student) – how to proceed? – intention is / to follow the traces (for example Georges Jacques Danton / Gerog Büchner / Lenz) / to finish all the needed studies (for to extend the relational space between Ungaretti / Saba / Garcia Lorca / Celan the spaces in-between in their dimension of grammar and volume as well as of sexuality, society and politics) until the end of July – „Indifferently he moved on; the way did not matter to him, up or down.“ Georg Büchner, Lenz</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2018/2018/5/7/notations-fourth-lecture-may-7th-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698742648-Z9SO723HMUY710EQ8WY5/01-follow-the-traces.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - follow the traces</image:title>
      <image:caption>1 follow the traces of what is between the one and the other thing – (every thing is made of the in-between between the points / perforations / coordinates (of the perforated nothingness)) – which are measured by the movement from one coordinate to the other by which the volume involuntarily occurs and will be visible and valid as a manifested movement for a longer or shorter period of time</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698747519-X2SRY96P6D3RANM7AZ1G/02-to-identify-the-coordinates.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - identify the coordinates</image:title>
      <image:caption>2 our first task is to identify the coordinates – the points / perforations / coordinates are always given – we have to make them visible – making the coordinates visible is identical with showing the basis of the grammatical structure and the associated rules of what we call truth identical with the unmovable positions of the identified coordinates / – (by the way: a truth without any sense)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698764539-HXT07X2N85OVDHKTLLVK/03-to-connect-the-coordinates-.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - connect the coordinates</image:title>
      <image:caption>3 our second task is to connect the coordinates according the grammatical rules / by straight lines / technical lines without any hint to a movement but only by construction finite row of densely crowded points – so we can say also the line claims truth (because every point of the row is doubtless needed to connect the coordinates)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698763995-5IU0ID3IE2C3CW3TQR5X/04-a-perforation-of-the-invisible.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - perforation of the invisible</image:title>
      <image:caption>4 you remember / what we said: the total black or the total white (of our sheet or the sky at night) is an inseparable connection of uncountable points seated unimaginable closely and that in some way every visible point is a perforation of the invisible / inseparable totality (of the nothingness in black/white)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698773306-7OOHO3HOXXGFUQP2OCC9/04-b.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018</image:title>
      <image:caption>write to perforate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698773089-AAXTPBOJPR0RGWUTRMIV/04-c.JPG</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018</image:title>
      <image:caption>write to define the volume</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698780274-78TPUZRJQDIJAHHS60JL/05-knowledge-of-grammatical-structure.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - knowledge of the grammatical structure</image:title>
      <image:caption>5 already for the first task we need the knowledge of the common grammatical structure i.e. the rules of the universal valid grammar (in the meaning of the Greek: [τέχνη] γραμματική [technē] grammatikē „[art/technique] of writing“) in order to identify the coordinates</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698779090-S8L7TSVW4VU7X0MTVTOI/06-movements-of-the-human-body.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - movements of the human body</image:title>
      <image:caption>6 „art/technique of writing“ is to be understood as the technique of identifying and combining the coordinates / perforations according the possible movements of the human body in order to create a notation (a score) which will produce sense: the text of our existence written and told by the movements – from one body to another (from the body / the bodies with the things / within the space)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698781230-6VK0EULAK538OJCZBCMQ/07-a-process-of-producing-a-sense.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - process of producing sense</image:title>
      <image:caption>7 in the / process of producing sense / the ext of our existence writing and reading take place in one – the sense which will be produced within this process is not meant to unveil a pre-given meaning by correctly defined coordinates (this will produce a common truth but neither an individual nor a collectively existential sense!)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698782672-ZOPLEBVZ1NXM7GRDADJW/07-b-text-of-our-existence.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - the text of our existence</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698786606-AC00267U99M7TUZP9ZMF/08-co-relations-between-thing-subject-and-observer.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - co-relations between the thing / the subject and the observer</image:title>
      <image:caption>8 the process starts with the already defined co-relations between the thing / the subject and the observer (you, me, we) the co-relations can only be realized by the determination of the coordinates / – for example the co-relation between a chair and the one who wants to sit down / the coordinates of the grammatical structure of sit-down fixed by the movement of the body – for example the co-relation between a pencil, a sheet and the one who wants to draw or write / – the coordinates of the grammatical structure of drawing or writing are fixed by the movement of the body</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698786939-L858H68KF6YAGQQ5XYZ1/09-defining-individual-rules.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - defining individual rules</image:title>
      <image:caption>9 the first task has to be performed by a precise observation and documentation of what we have observed (the co-relations between the thing / the subject / and the observer) – the second task has to be performed by defining individual rules of combining the observed coordinates according the universally valid grammar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698787856-CA380X30DJK80I65R15L/10-a-field-of-grammar.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - first the field of grammar</image:title>
      <image:caption>10 the observation will take place on two fields / levels: / first the field of grammar / structure / formal coordinates / second the field of pre-given intentions / meanings / history – the pre-given (or strived) intentions are inscribed in the mode of meaning and history into the things / the subject as well as into the one who observes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698790114-C5D37XKW11KGVVAW5P45/10-b-field-of-pre-given-intentions.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - second the field of pre-given intentions</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698794512-S6WQOM31N0WPS6E84TIU/11-interact-with-the-manifested-elements.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - interact with the manifested elements</image:title>
      <image:caption>11 so by fulfilling the second task (defining individual rules of combining the observed coordinates) the intentions / meanings / historical purposes will inevitable be erased on the surface of the things and the subjects / will be subdued a de-denotation or de-connotation / – but in the background of our perception they are still active as a set of references / now not decisive anymore but to be seen as possible parts of the text which we will write / design by following only the movements between the things by our ability to interact with the manifested elements (coordinates: shapes: volumes)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698794270-49OEQ6N2A14CUQ3A9L29/12-a-move-ourselves-in-relation-to.jpg</image:loc>
      <image:title>lectures-2018 - notations / fourth lecture / May 7th / 2018 - move ourselves in relation to</image:title>
      <image:caption>12 the rule of interacting with the manifested elements (coordinates: shapes: volumes) which is named „method“ we have to define according our personal way to move ourselves in relation to the universal valid grammar</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2018/2018/4/29/third-lecture-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015404826-5QEPC7T2Q7NC691KWUEC/lecture03-ss18-01.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018 - different strategies</image:title>
      <image:caption>we use different strategies to denude the grammatical structure in order to realize the signs of the alphabet are absolutely naked and the space between them equally empty</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015404435-QBBHG87AP5CPDN7VXTJH/lecture03-ss18-02.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018 - (wordfields I)</image:title>
      <image:caption>the signs are building rows of pure emptiness which we cannot bear in not one case</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015407619-OZ0127VGA8HMCKGTN65S/lecture03-ss18-03.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018 - name it (wordfields II)</image:title>
      <image:caption>the bare emptiness forces us to fill the space between in order to be able to name it to fill the nothingness with names</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015407734-9RTM3ENA22R84VXRHIYH/lecture03-ss18-04.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018 - pure nakedness</image:title>
      <image:caption>seeing both at the same time the pure nakedness of the grammatical structure and the names (inseparably interwoven with all the mater around us; the things – the spaces and the objects with which we are interacting) brings out pure sensuality</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015409720-64LI1Z4FCTFFTPCNNSBC/lecture03-ss18-05.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018 - score</image:title>
      <image:caption>in this sense (in the sense of meaning) every work of art or design is both; a material thing and a score to make the sensuality of our moving from one to another point come alive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015410366-4SXKOUJUN9ZMS9WFEY5Z/lecture03-ss18-06.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018 - between the points</image:title>
      <image:caption>as those who want to be imbued by the endless connections between the self (of all of us) and the subjective being (of each of us) we have to accept the pure emptiness within the grammatical space between one point and another</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015412722-AW03XPMMXRIS5E4P79UL/lecture03-ss18-07.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018 - ...</image:title>
      <image:caption>on the other hand only what is empty can be filled (oh my God! nothin but a ridiculous and useless calendar motto… we shouldn’t go on like this!)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015412804-ANMPXS4URCYVWIXNIIR6/lecture03-ss18-08.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018 - in-between</image:title>
      <image:caption>/ disconnect / divide the elements / points / perforations of the constellation of Orion (for example) in order to find the nothingness</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015414514-29CUKGYBLYSW7T49UBJC/lecture03-ss18-09.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018 - the truth lies within the points</image:title>
      <image:caption>the truth may lie within the points (by their undoubtable position to each other) but by the nothingness between the points we got the freedom to be independent of any sense</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015415585-F0BP5SN8DYJK3M6P8HJU/lecture03-ss18-10.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018 - our own volition</image:title>
      <image:caption>and so we did not got only the permission but much more the necessity to connect the perforated truth in order to create sense / sensuality (the affection of the senses we call aesthetics) only of your own volition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015416645-2BLVRPXBEWGOOL2NEOPE/lecture03-ss18-11.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018 - the same with names</image:title>
      <image:caption>and we do the same with our names with every denotation / connotation in relation to our subjective manifestation of truth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015417414-26PCBFK6U1U6LQ4SALWE/lecture03-ss18-12.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018 - sense / sensuality</image:title>
      <image:caption>so we see a name belongs to everything that is placed in a relation in order to produce a sense / sensuality</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015418767-DCISUKXXH7QL15AV02OT/lecture03-ss18-13.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018</image:title>
      <image:caption>so names / words / sentences are parts of a score / a text done by ourselves to design the sense of our physical existence</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015419296-2V6DC9S3RG16OY6AXHM7/lecture03-ss18-14.jpg</image:loc>
      <image:title>lectures-2018 - notations / third lecture / April 23rd / 2018</image:title>
      <image:caption>von Punkt zu Punkt – (beiderseits des Himmelsäquators) in der Nacht ein Liebender – Orion / der wie die Bogenschützen blind die Zeit in tausende Stiche zerteilt / dass er zugleich mit mir – der Sehnsucht erlag einen Namen zu tragen wüsste ich’s nicht besser hätte ich gedacht – dass Du mich gerufen hast</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/lectures-2018/2018/4/15/second-lecture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964391703-3JWLHL3Q623BK0952GHM/01.jpg</image:loc>
      <image:title>lectures-2018 - notations / second lecture / April 16th / 2018 - rising or breakdown</image:title>
      <image:caption>But why Orion rushes to withdraw from the sky? And why does the night shorten its course? Why the dawning day (proclaimed by the morning star) has increased his radiant light faster than usual from the lightened sparkling water? Is it the rising or the breakdown of Orion?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964391892-TRYER7NW1CL950CB54JW/02.jpg</image:loc>
      <image:title>lectures-2018 - notations / second lecture / April 16th / 2018 - pathways of physical presence</image:title>
      <image:caption>because of our being broken up from the night (the finished) + the day (just as lost) from one point to another (its reversal / pausing /): for only the selection of those who shine brighter are closer to us / touching each other, flowing towards each other, deeper in the pathways of our physical presence</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964392461-TV7MB99TWWAGJFOPB8T4/03.jpg</image:loc>
      <image:title>lectures-2018 - notations / second lecture / April 16th / 2018 - translation of punctuate</image:title>
      <image:caption>every truth is a point of perforation / punctuation punctuate / unterstreichen / interpunktieren / (mit Satzzeichen versehen)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964392748-OT8616617L3O9O745YF7/04.jpg</image:loc>
      <image:title>lectures-2018 - notations / second lecture / April 16th / 2018 - those who will</image:title>
      <image:caption>like love the archers / are blind the archers / are those who will / perforates / set points / show truth punctuate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964393416-2BTWS8VNFQCVQYFXO0RW/05.jpg</image:loc>
      <image:title>lectures-2018 - notations / second lecture / April 16th / 2018 - who moves</image:title>
      <image:caption>how to draw a line from one point to another point? the lover is the one / the singularity / who moves by himself</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964393686-A4CDC3DC25DHSGRALKBU/06.jpg</image:loc>
      <image:title>lectures-2018 - notations / second lecture / April 16th / 2018 - on heaven’s surface</image:title>
      <image:caption>just one always the same point / puncture but shifted in time by this space emerges / the grammatical structure arises: recognizable as Orion; a lifeless person on heaven’s surface (that's me!) punched in the pre-given truth of the divine space  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964394445-ZC3BCEGHR1LTKM3E8LNF/07.jpg</image:loc>
      <image:title>lectures-2018 - notations / second lecture / April 16th / 2018 - truth of the Gods</image:title>
      <image:caption>we assume this is the given reality / in time and space no chance to escape but forced to fulfill in order to stay as long as possible / within the truth of the Gods / within the favour of the Gods  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964394859-3G5XAB7KKPGF9TGMR82N/08.jpg</image:loc>
      <image:title>lectures-2018 - notations / second lecture / April 16th / 2018 - verbes / substantives / adjectives</image:title>
      <image:caption>to do so / to stay in truth and favour we have to stay in the movement which are conscripted by the names / verbes / substantives / adjectives given by the highest power but about the / truth / favour / names</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964395265-AVP913RPLPV4Y5GERHG2/09.jpg</image:loc>
      <image:title>lectures-2018 - notations / second lecture / April 16th / 2018 - the names</image:title>
      <image:caption>like love the archers are / blind instead of thinking about / the truth / the favour / the names  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964395758-HEZD2LWB63SMYJ3UYJJT/10.jpg</image:loc>
      <image:title>lectures-2018 - notations / second lecture / April 16th / 2018 - the infinite  inversion</image:title>
      <image:caption>they are throwing their arrowheads towards the heaven in order to learn that heavens surface is filled with an endless number of points (we only can recognize an endless number of the infinite  inversion from black to white / white to black; this is what the perforation sequentially shows) that every point of perforation is filled by the same truth we have to name anew again and again  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964396262-DKQSO0QMA926WOJERM0O/11.jpg</image:loc>
      <image:title>lectures-2018 - notations / second lecture / April 16th / 2018 - our movements of love</image:title>
      <image:caption>the event of giving every truth anew its name is what we call sense so we have to draw a line from point to point in order to define what can be named by our movements of love</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964397047-ET39FB1UJKHZ2P6NPLWT/12.jpg</image:loc>
      <image:title>lectures-2018 - notations / second lecture / April 16th / 2018 - maybe</image:title>
      <image:caption>the archers are    / the lovers / the poets             / the artists (otherwise they are something else…) maybe / the designers / the craftsmen anyhow all those / who are willing and able to move  / following the impulses of being moved by the unnamed truth towards a nameable sense</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/deconstruct</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-30</lastmod>
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  <url>
    <loc>https://www.tomasocarnetto.com/deconstruct/2021/8/30/jellyfish-swarm-i</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/deconstruct/ne-01</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2024-10-02</lastmod>
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      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624381261599-MJ6B7WSMPKJZF2AHQ3NT/2021-03-07a.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624381243289-DOSIYFVILJJCFHZJ4RBI/2021-03-06a.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624381238010-EZ7FL25IC7PWTS8Q4EIQ/2021-03-05a.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624381214948-Z6CZKDU3TYT58DYEO07W/2021-03-04a.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624381219439-8GH6WSG9YF2NG8O7B34I/2021-03-03a.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624381186940-21LH36ARQFPGHW20AXDZ/2021-03-02a.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
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      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624380881717-QRDDSMZIUAS0SHQ4YANQ/2021-03-06-b.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624380881178-4EZIBBX22TKHBI42DTD0/2021-03-06-a.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624380880225-1IJMUKJHHL5UY8GT1K32/2021-03-05-b.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624380879761-XC3ABJLCE2R1KIR8MEPX/2021-03-05-a.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624380879335-XXVZPR0HK4WOJXMUZXN2/2021-03-04-b.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624380878867-YA6LPRDQU5K7J9MJ2UT0/2021-03-04-a.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624380878215-AXG3FJWAW2TEH1F1Z9B9/2021-03-03-b.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624380877674-OAQB1LK6A5F8W8IZB1YD/2021-03-03-a.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624380877046-SKLB181DNSKCSKLOM6B2/2021-03-02-b.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624380876499-9AYZIJS39WOQ8LCTJZTN/2021-03-02-a.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624380875611-17T3ZD1F0FLK3N6EEZM2/2021-03-01-b.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1624380875592-B10KP7AD3I3XZJAUO1O6/2021-03-01-a.jpg</image:loc>
      <image:title>Deconstructing the Lists - Notations of the Event Segments-01</image:title>
    </image:image>
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  <url>
    <loc>https://www.tomasocarnetto.com/deconstruct/sr-01a</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/deconstruct/sr-01b</loc>
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    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1623430721625-M79X28PNN15W55XZBP90/mole-02.jpg</image:loc>
      <image:title>Deconstructing the Lists - 11. Juni 2021</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1623430724905-PJU2IZQ9926KYAQF1DMV/mole-03.jpg</image:loc>
      <image:title>Deconstructing the Lists - 11. Juni 2021</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1623430731546-GC5CGWYU1MLKB5HP5U7L/mole-05.jpg</image:loc>
      <image:title>Deconstructing the Lists - 11. Juni 2021</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1623430734447-OU80MRWWKASOEJ6RO8BZ/mole-06.jpg</image:loc>
      <image:title>Deconstructing the Lists - 11. Juni 2021</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1623430749585-5FJI3GXYZ179RQ56DA3M/mole-07.jpg</image:loc>
      <image:title>Deconstructing the Lists - 11. Juni 2021</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1623430746672-ED4P8BM72FTGST7ABCS5/Mole%27s+grave-02.jpg</image:loc>
      <image:title>Deconstructing the Lists - 11. Juni 2021</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1623430753853-181L163S4I9LIEFQUUW0/Mole%27s+grave.jpg</image:loc>
      <image:title>Deconstructing the Lists - 11. Juni 2021</image:title>
    </image:image>
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  <url>
    <loc>https://www.tomasocarnetto.com/deconstruct/2021/1/20/8-seltsame-objekte</loc>
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    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/deconstruct/2021/5/26/turntable</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/the-lovers-space</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-09</lastmod>
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  <url>
    <loc>https://www.tomasocarnetto.com/the-lovers-space/renata</loc>
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    <lastmod>2024-10-02</lastmod>
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  <url>
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    <lastmod>2024-10-02</lastmod>
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    <lastmod>2024-10-02</lastmod>
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  <url>
    <loc>https://www.tomasocarnetto.com/the-lovers-space/adam</loc>
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    <lastmod>2024-10-02</lastmod>
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  <url>
    <loc>https://www.tomasocarnetto.com/the-lovers-space/annemarie</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
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  <url>
    <loc>https://www.tomasocarnetto.com/the-lovers-space/vitus</loc>
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    <lastmod>2024-10-02</lastmod>
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  <url>
    <loc>https://www.tomasocarnetto.com/the-lovers-space/rita</loc>
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    <lastmod>2024-10-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1686289604092-KE691C8LNU0BO42R2NTV/Movement+of+the+Interact.jpg</image:loc>
      <image:title>The Lovers Space - Rita and her Husband's Killer - Movement of the Interaction</image:title>
      <image:caption>Now the figures follow the advice of how to interact according to the score, as given with the two tableaus of August 28, 2022 and April 21, 2023: August 28: imagine, stomp, tie, play, let go, grab. April 21: lead back, digest, turn, forgive, jump up, stroke. She will probably imagine that in the beginning (when the game begins) he will stomp his foot, tie her up, play with her, then let her go, only to immediately grab her again. He will drag her backstage and then lead her back. She will have to digest all this (as they say), turn to him, forgive him his rudeness (even if it was only in the game, for her pleasure), jump up and stroke his tearful face.</image:caption>
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  <url>
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    <lastmod>2024-10-02</lastmod>
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  <url>
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    <lastmod>2024-10-02</lastmod>
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  <url>
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    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
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  <url>
    <loc>https://www.tomasocarnetto.com/the-lovers-space/nicolas-day</loc>
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    <lastmod>2024-10-02</lastmod>
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  <url>
    <loc>https://www.tomasocarnetto.com/the-lovers-space/the-saints</loc>
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    <lastmod>2024-10-02</lastmod>
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  <url>
    <loc>https://www.tomasocarnetto.com/the-lovers-space/tableau01-02</loc>
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    <lastmod>2024-10-02</lastmod>
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      <image:title>The Lovers Space - 1st Episode: Fragments / Tableau 0.1/0.2</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1682777668608-MU5BUR6Z6VPB4OATYKDJ/tableau+0.1b.jpg</image:loc>
      <image:title>The Lovers Space - 1st Episode: Fragments / Tableau 0.1/0.2</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1682777701527-96I804C1O9AEYZRIAHAQ/tableau+0.2a.jpg</image:loc>
      <image:title>The Lovers Space - 1st Episode: Fragments / Tableau 0.1/0.2</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1682777730459-PEY2GVNHVHPX2UW7Q2VS/tableau+0.2b.jpg</image:loc>
      <image:title>The Lovers Space - 1st Episode: Fragments / Tableau 0.1/0.2</image:title>
    </image:image>
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  <url>
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  <url>
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    <lastmod>2026-02-27</lastmod>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. Juli 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689850729-3F6B3G602S301I005QLB/2023-07-11-2a-u%CC%88bersehen+-+heiligen+-+rufen+-+blu%CC%88hen+-+denken+-+pressen+-+spielen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. Juli 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689850581-MUNXLE863IFC4755PDOO/2023-07-11-2b-drehen+-+lehren+-+schneiden+-+aufwallen+-+beru%CC%88hren+-+zieh%E2%80%99n+-+danken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689648653-FHCBKVMCN9C2RIW3XU3H/2023-07-10-1a-beginnen+-+gie%C3%9Fen+-+umranden+-+setz%E2%80%99+-+stapeln+-+schlag%E2%80%99+um+-+folgen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689649197-NBOZHXRA26XS5X7MRA8O/2023-07-10-1b-verschieben+-+tragen+-+liebkosen+-+zeigen+-+verweisen+-+einkehren+-+hei%C3%9Fen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689670255-02STK43NUSCKY7FX0WIH/2023-07-10-2a-beginnen+-+gie%C3%9Fen+-+umranden+-+setz%E2%80%99+-+stapeln+-+schlag%E2%80%99+um+-+folgen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Juli 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689670587-7MQKAD1B2G7A69BHEEHG/2023-07-10-2b-verschieben+-+tragen+-+liebkosen+-+zeigen+-+verweisen+-+einkehren+-+hei%C3%9Fen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Juli 2023</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689489825-5Z09V6UV2HWCVV6EPUZW/2023-07-09-1a-ziemen+-+schlagen+-+eingehen+-+entziehen+-+klammert+-+ausstellen+-+wissen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689490364-FBIUPODP7VLPBJ76VYEY/2023-07-09-1b-stopfen+-+u%CC%88berspannen+-+u%CC%88bernachten+-+ergeben+-+stapeln+-+verschlie%C3%9Fen+-+aufnehmen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689515223-3G1UJLRJUT41FXDTVMIQ/2023-07-09-2a-ziemen+-+schlagen+-+eingehen+-+entziehen+-+klammert+-+ausstellen+-+wissen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689515547-VWGZ13P05DNQ43DPW6D5/2023-07-09-2b-stopfen+-+u%CC%88berspannen+-+u%CC%88bernachten+-+ergeben+-+stapeln+-+verschlie%C3%9Fen+-+aufnehmen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. Juli 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689346315-61YUK5RWY659C5NN1O1L/2023-07-08-1a-erscheinen+-+erstellen+-+eintreten+-+fu%CC%88llen+-+falten+-+glatt+schieben+-+gebu%CC%88hren+-+heran+ziehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689346261-JLSIWUTX82BVVRQX0IVE/2023-07-08-1b-schulden+-+ha%CC%88ngen+-+erkennen+-+vollfu%CC%88hrt+-+pressen+-+verlieren+-+u%CC%88brig+bleiben+-+duften+-+rollen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Juli 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689366647-61EZMTBAUBW56O8SRI7F/2023-07-08-2a-erscheinen+-+erstellen+-+eintreten+-+fu%CC%88llen+-+falten+-+glatt+schieben+-+gebu%CC%88hren+-+heran+ziehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689366664-G5MJHFZSCLRGJWX08OT2/2023-07-08-2b-schulden+-+ha%CC%88ngen+-+erkennen+-+vollfu%CC%88hrt+-+pressen+-+verlieren+-+u%CC%88brig+bleiben+-+duften+-+rollen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Juli 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689198109-YWX7KPDNSI6TQKREXFRV/2023-07-07-1a-auseinander+gerissen+-+veschatten+-+lang+ziehen+-+auszahlen+-+entspringen+-+umkehren+-+fu%CC%88llen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689203114-A3824PNY0VVXOBR3Z9FP/2023-07-07-1b-sinnen+-+dehnen+-+annehmen+-+schneiden+-+verbrennen+-+zerteilen+-+beru%CC%88hren+-+verdunkeln.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689223201-QDLB776OEF7QUBUH6643/2023-07-07-2a-auseinander+gerissen+-+veschatten+-+lang+ziehen+-+auszahlen+-+entspringen+-+umkehren+-+fu%CC%88llen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689689223002-OICUQU5Q98GLVFOJZVHM/2023-07-07-2b-sinnen+-+dehnen+-+annehmen+-+schneiden+-+verbrennen+-+zerteilen+-+beru%CC%88hren+-+verdunkeln.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Juli 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689676985514-MOCKO5AKAVHGRJGB3BT5/2023-07-06-1a-fa%CC%88llt+-+schleifen+-+zischen+-+atmen+-+bergen+-+scha%CC%88umen+-+heben+-+schlurfen+-+o%CC%88ffnen+-+schreiben+-+wussten+-+verbergen+-+wei%C3%9Ft.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689676985829-TM9LM7Z1ZD1CPXZVQCPY/2023-07-06-1b-rascheln+-+zeichnen+-+wischen+-+winkeln+-+gedreht+-+gefu%CC%88llt+-+verlaufen+-+gedra%CC%88ngt+-+verzogen+-+abschlecken+-+bieten+-+verlieren+-+lo%CC%88sen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Juli 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689677013050-27PIHLLGSHE3IUMLRO5Z/2023-07-06-2a-fa%CC%88llt+-+schleifen+-+zischen+-+atmen+-+bergen+-+scha%CC%88umen+-+heben+-+schlurfen+-+o%CC%88ffnen+-+schreiben+-+wussten+-+verbergen+-+wei%C3%9Ft.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689677013366-E7NROH1A5K1ZYNKLQCFZ/2023-07-06-2b-rascheln+-+zeichnen+-+wischen+-+winkeln+-+gedreht+-+gefu%CC%88llt+-+verlaufen+-+gedra%CC%88ngt+-+verzogen+-+abschlecken+-+bieten+-+verlieren+-+lo%CC%88sen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689676839057-VCMAHXFEEUVDIO4EZ8N3/2023-07-05-2b-knicken+-+schleifen+-+nimmt+-+packen+-+knistern+-+auflo%CC%88sen+-+stanzen+-+verteilen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Juli 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689676520639-L72QPTQOHPUUS47R96M0/2023-07-03-2b-beugen+-+nimmt+auf+-+einzahlen+-+verschlossen+-+sagen+-+spa%C3%9Fen+-+gewesen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Juli 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689676145665-T2VWTIGY1GPKII1R3I7W/2023-07-01-2a-riecht+-+auslegen+-+reichen+-+atme+tief+-+perlen+-+schwingen+-+zeigen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Juli 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1689676145948-UB38DHAQAPV0LU5GC0M4/2023-07-01-2b-zuru%CC%88ck+lehnen+-+schillern+-+rei%C3%9Ft+-+u%CC%88berzog+-+aufsteig%E2%80%99+-+austreiben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Juli 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Juni 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Mai 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Mai 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Mai 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Mai 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Mai 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Mai 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Mai 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Mai 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. April 2023</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1685444221310-3MBLK2WND8WY14VGMA9Y/2023-04-29-1a-wissen+-+verfehlen+-+aufziehen+-+verteilen+-+wei%C3%9F+nicht+-+sagt+-+verbracht.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1685444221526-I36BC1F4M3KA3O8O8ODR/2023-04-29-1b-schaukeln+-+flu%CC%88stern+-+zischen+-+reiben+-+zerkaut+-+bedrucken+-+kochen+-+sitzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. April 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1685444242612-RQ7Q11MQZBHOGOK00CLE/2023-04-29-2b-schaukeln+-+flu%CC%88stern+-+zischen+-+reiben+-+zerkaut+-+bedrucken+-+kochen+-+sitzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. April 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1685444071445-Q9LNVKJR8ZW0QX0W4J5D/2023-04-28-1b-abwenden+-+ducken+-+verbleiben+-+wachsen+-+gern+haben+-+einteilen+-+lachen+-+zurufen+-+betten+-+stunden.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1685443923828-3MKR7X8WDWBBI1WF5BW1/2023-04-27-1b-abperlen+-+formen+-+schmelzen+-+dachte+-+lieben+-+zittern+-+funkeln+-+sehen+-+hin+strecken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1685443947344-NITKKFXC1GRLGJS0AI2Z/2023-04-27-2b-abperlen+-+formen+-+schmelzen+-+dachte+-+lieben+-+zittern+-+funkeln+-+sehen+-+hin+strecken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1685443758395-HUT8BUCYPJ7YVNJ7VN8R/2023-04-26-1b-geh%E2%80%99+hinein+-+hinfu%CC%88hren+-+wandeln+-+singt+-+wirbelt+-+schlie%C3%9Fen+-+bilden+-+bluten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1685443780248-XI8GJEPU6R81XWIQMKYC/2023-04-26-2b-geh%E2%80%99+hinein+-+hinfu%CC%88hren+-+wandeln+-+singt+-+wirbelt+-+schlie%C3%9Fen+-+bilden+-+bluten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1685443593249-B2KRWJ3RAOTWG27KR1TF/2023-04-25-1b-zittern+-+heben+-+schwingt+auf+-+stehen+-+glu%CC%88ht+-+la%CC%88cheln+-+erhallen+-+lieben+-+beru%CC%88hren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1685443613697-RG1N014VXEUFUSPXKY7E/2023-04-25-2b-zittern+-+heben+-+schwingt+auf+-+stehen+-+glu%CC%88ht+-+la%CC%88cheln+-+erhallen+-+lieben+-+beru%CC%88hren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1685443406620-DRUHLPMFTDRG7175SZMX/2023-04-24-2b-folgen+-+kehren+-+wusst%E2%80%99+-+ergreifen+-+verehren+-+bestu%CC%88cken+-+lieben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. April 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. April 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. April 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. April 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683035216882-C14QWA6VAHIE5J3D99FL/2023-04-19-1a-flimmern+-+verbleiben+-+herab+rei%C3%9Fen+-+laufen+-+stapeln+-+wissen+-+ausgie%C3%9Fen+-+mo%CC%88chten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. April 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683035236212-TV3Q9N9TZJ6AGB985WPS/2023-04-19-2b-nennen+-+spalten+-+nehmen+-+schaukeln+-+gehen+-+riss+-+nahm+-+wollen+-+lieben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. April 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683034544656-N53W5K4T4B9QUH9NFUXY/2023-04-16-2b-za%CC%88hlen+-+zerdru%CC%88cken+-+zerrissen+-+verstummen+-+gewesen+-+rinnt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. April 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683033295590-KY9ME2QHQ59HKVIGKO54/2023-04-09-1a-kratzen+-+schaben+-+gleiten+-+erfu%CC%88llen+-+trennen+-+bilden+-+vermissen+-+eintauchen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. April 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683033295085-ZRO5NJUXCE5LI8WOE801/2023-04-09-1b-abrei%C3%9Ft+-+bellen+-+wedeln+-+teilen+-+bilden+-+keuchen+-+bringen+-+folgt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. April 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683033317117-WBHVXZ90YERHGVA0CVMM/2023-04-09-2a-kratzen+-+schaben+-+gleiten+-+erfu%CC%88llen+-+trennen+-+bilden+-+vermissen+-+eintauchen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. April 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683033316933-9PAVCWD5G9FLEFPCH8AW/2023-04-09-2b-abrei%C3%9Ft+-+bellen+-+wedeln+-+teilen+-+bilden+-+keuchen+-+bringen+-+folgt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. April 2023</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683033143108-NS3S5JUL386G5DC43SKC/2023-04-08-1a-streckt+hin+-+verkrochen+-+annehmen+-+schulden+-+wollen+-+leben+-+fragen+-+abdunkeln.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683033143425-4ZGYX9392SASRO8WPQPO/2023-04-08-1b-verschoben+-+la%CC%88cheln+-+entnehmen+-+fu%CC%88llen+-+bema%CC%88chtigen+-+verbergen+-+verschlie%C3%9Fen+-+flimmern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683033165454-HIK1A8Q5VT6FQWUKK81U/2023-04-08-2a-streckt+hin+-+verkrochen+-+annehmen+-+schulden+-+wollen+-+leben+-+fragen+-+abdunkeln.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. April 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683033165666-A959EWMZ1EMB995T70JE/2023-04-08-2b-verschoben+-+la%CC%88cheln+-+entnehmen+-+fu%CC%88llen+-+bema%CC%88chtigen+-+verbergen+-+verschlie%C3%9Fen+-+flimmern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. April 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683022400755-8T6AWECLLVFK42WFWARZ/2023-04-07-1a-bereinigen+-+aufwirbeln+-+reihen+-+entzweien+-+verlegen+-+schwellen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683022400668-GE2IJ2WC73M8UU21GR0R/2023-04-07-1b-verrecken+-+durchka%CC%88mmen+-+verfolgen+-+heulen+-+pressen+-+wimmern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683022421065-SARGC2PDIMAP2CQQMYNG/2023-04-07-2a-bereinigen+-+aufwirbeln+-+reihen+-+entzweien+-+verlegen+-+schwellen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. April 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683022420949-5F3R2G5G3I1534UR6IFK/2023-04-07-2b-verrecken+-+durchka%CC%88mmen+-+verfolgen+-+heulen+-+pressen+-+wimmern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. April 2023</image:title>
    </image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683022055987-7PXHME6XTYIZGDCZFNLJ/2023-04-06-1b-frieren+-+sto%C3%9Fen+-+pochen+-+bumsen+-+platzen+-+absetzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. April 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683022086998-D3O2FAJL8WICY8UGX7NJ/2023-04-06-2a-sehen+-+nehmen+-+ablegen+-+putzen+-+zerschlagen+-+trocknen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. April 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683022087219-ISNIUBBQRLWADUANSK1J/2023-04-06-2b-frieren+-+sto%C3%9Fen+-+pochen+-+bumsen+-+platzen+-+absetzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. April 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683021846398-YROFUYYCXGBUKZ6KXTB3/2023-04-05-1a-ausnehmen+-+knarren+-+erdichten+-+leben+-+wegschneiden+mu%CC%88ssen+-+ausrechnen+-+bleiben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683021845970-N0YSPE9DUP1NDWBHOF9W/2023-04-05-1b-schmerzen+-+stand+-+sagte+-+hin+nehmen+-+strecken+-+wusst%E2%80%99+-+flie%C3%9Fen+-+kra%CC%88useln+-+erdreisten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683021871507-ULK32FFJUVZ51B5X6NE9/2023-04-05-2a-ausnehmen+-+knarren+-+erdichten+-+leben+-+wegschneiden+mu%CC%88ssen+-+ausrechnen+-+bleiben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683021871364-U8JW5S5MX92X05IDX1DL/2023-04-05-2b-schmerzen+-+stand+-+sagte+-+hin+nehmen+-+strecken+-+wusst%E2%80%99+-+flie%C3%9Fen+-+kra%CC%88useln+-+erdreisten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. April 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683021661504-ZT8W9N8TSDKPYXI0CGM9/2023-04-04-1a-entfernen+-+beten+-+sotten+-+schelten+-+vergessen+-+beten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683021661611-OFZKITUDAZKI796F2VEO/2023-04-04-1b-geben+-+zeigen+-+wissen+-+schlie%C3%9Fen+-+schlagen+-+sitzen+-+weinen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683021683258-PITBFALOAYM0CABNF5VM/2023-04-04-2a-entfernen+-+beten+-+sotten+-+schelten+-+vergessen+-+beten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. April 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683021683259-EIUOOAKOR9XG4SX7GX11/2023-04-04-2b-geben+-+zeigen+-+wissen+-+schlie%C3%9Fen+-+schlagen+-+sitzen+-+weinen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. April 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683021484752-RJI5B3E6R4166983W6ET/2023-04-03-1a-sollen+-+befinden+-+selbst+versorgen+-+verwehen+-+dra%CC%88ngen+-+saugen+-+einstreichen+-++begrenzen+-+ausnehmen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683021527922-J96MP2GH9ZUOIBN2P70P/2023-04-03-2a-sollen+-+befinden+-+selbst+versorgen+-+verwehen+-+dra%CC%88ngen+-+saugen+-+einstreichen+-++begrenzen+-+ausnehmen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1683021527922-AMHE5CMXLZ79ZZ3OMTC6/2023-04-03-2b-herrschen+-+umtreiben+-+schlie%C3%9Fen+-+hinaus+ziehen+-+rasch+verteilen+-+ruft+-+fassen+-+bleiben+-+weisen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. April 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681302169539-7ZHSR06KWP198L0AIJAJ/2023-04-02-1a-u%CC%88berha%CC%88ngen+-+stapeln+-+hallt+-+ausgeben+-+verloren+gehen+-+einfu%CC%88gen+-+rauschen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. April 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681302192697-JLTSHRQKTF75ZNJNN8G8/2023-04-02-2b-ziehen+-+spiegeln+-+verstummen+-+erlo%CC%88schen+-+strudeln+-+rinnen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301991730-JVIGSVUVQJFWQZIDTZ7B/2023-04-01-1b-2023-04-01b-nehmen+-+wischen+-+verschlingen+-+entlang+streichen+-+singen+-+zutage+treten.pdf.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. April 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681302015645-00K91KNAIJ02M9TAMFY4/2023-04-01-2b-2023-04-01b-nehmen+-+wischen+-+verschlingen+-+entlang+streichen+-+singen+-+zutage+treten.pdf.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. April 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301611356-REK1GGMWZM737O5N734L/2023-03-30-2a-aneinander+legen+-+trocknen+-+erfunden+-+verlieren+-+offen+herum+liegen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301611341-6TLZ0SPEWLAPI1RH9H5H/2023-03-30-2b-nennen+-+verschlie%C3%9Fen+-+wurzeln+-+gehen+-+schwer+atmen+-+strecken+-+aufho%CC%88ren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. März 2023</image:title>
    </image:image>
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    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301420160-XZWGDAPE1GRT7DR2MF8A/2023-03-29-1a-brechen+-+wiederkehren+-+lach+nur+-+abbei%C3%9Fen+-+winken+-+beru%CC%88hren+-+kommen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301420404-X2JNVNUSRUFMDN1O207O/2023-03-29-1b-bewegen+-+schlie%C3%9Fen+-+einra%CC%88umen+-+genu%CC%88gen+-+hinreichen+-+aufgehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301440247-QNICIWMXR7CLZCT1DJXQ/2023-03-29-2a-brechen+-+wiederkehren+-+lach+nur+-+abbei%C3%9Fen+-+winken+-+beru%CC%88hren+-+kommen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301440514-UPA41UBGN28H12JXVST7/2023-03-29-2b-bewegen+-+schlie%C3%9Fen+-+einra%CC%88umen+-+genu%CC%88gen+-+hinreichen+-+aufgehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. März 2023</image:title>
    </image:image>
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    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301251122-GI8XKRMGQDSRLYQHBGSR/2023-03-28-1a-sagen+-+zu%CC%88cken+-+putzen+-+verflu%CC%88chtigen+-+verstehen+-+brennen+-+ausbrennen+-+vermehren+-+pru%CC%88geln.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301251250-6L1E34ZCS79K1V1TCWNG/2023-03-28-1b-glotzen+-+u%CC%88berstreifen+-+wiederholen+-+ficken+-+sagen+-+kehren+-+schlagen+-+greifen+-+erregen+-+zuru%CC%88ck+sto%C3%9Fen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301273462-8Y225VBN5YF6T6ZQ7TX8/2023-03-28-2a-sagen+-+zu%CC%88cken+-+putzen+-+verflu%CC%88chtigen+-+verstehen+-+brennen+-+ausbrennen+-+vermehren+-+pru%CC%88geln.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301273476-X64DRDGW1Q9H36MGKHTP/2023-03-28-2b-glotzen+-+u%CC%88berstreifen+-+wiederholen+-+ficken+-+sagen+-+kehren+-+schlagen+-+greifen+-+erregen+-+zuru%CC%88ck+sto%C3%9Fen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. März 2023</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301050674-SZ3II8EOWL9UXTQYH7AY/2023-03-27-1a-ziemen+-+weben+-+ordnen+-+umkehren+-+abziehen+-+leuchten+-+gehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301050695-UL4YO2U2OYPNNSI63DJD/2023-03-27-1b-ungewiss+bleiben+-+verfahren+-+such+-+press+aus+-+ess+-+eingebacken+sein.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301077602-71MPQYYKGB21PIMAMQUQ/2023-03-27-2a-ziemen+-+weben+-+ordnen+-+umkehren+-+abziehen+-+leuchten+-+gehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681301077753-5WL83AL4HQET0E31A0ZP/2023-03-27-2b-ungewiss+bleiben+-+verfahren+-+such+-+press+aus+-+ess+-+eingebacken+sein.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300858304-S2KDXT96XA2X1YUZ074Q/2023-03-26-1a-trinken+-+halten+-+lange+strecken+-+erwa%CC%88hnen+-+polieren+-+abscha%CC%88len+-+geltend+machen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300867437-LHE9BT45R0ESMBT8SIJP/2023-03-26-1a-trinken+-+halten+-+lange+strecken+-+erwa%CC%88hnen+-+polieren+-+abscha%CC%88len+-+geltend+machen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300860009-1QFK2UF8U9SZFHEX6BNE/2023-03-26-1b-fort+sto%C3%9Fen+-+zuru%CC%88ck+kommen+-+gesellen+-+bilden+-+bezeugen+-+zuneigen+-+pressen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300874677-X1OQ50PDVT5NCRT08U6B/2023-03-26-1b-fort+sto%C3%9Fen+-+zuru%CC%88ck+kommen+-+gesellen+-+bilden+-+bezeugen+-+zuneigen+-+pressen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300882547-I545NSGBX7N0YRMZMZQK/2023-03-26-2a-trinken+-+halten+-+lange+strecken+-+erwa%CC%88hnen+-+polieren+-+abscha%CC%88len+-+geltend+machen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300882677-IDX2689JRA3VO8ECNJIP/2023-03-26-2b-fort+sto%C3%9Fen+-+zuru%CC%88ck+kommen+-+gesellen+-+bilden+-+bezeugen+-+zuneigen+-+pressen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. März 2023</image:title>
    </image:image>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300604304-VI7TY5X0V9J6S7KP1LW4/2023-03-25-1a+teilen+-+spazieren+-+anschlie%C3%9Fen+-+fort+rei%C3%9Fen+-+sein+ko%CC%88nnen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300604030-P17KMQHO27V5J2XLNS6R/2023-03-25-1b-gewahren+-+fallen+lassen+-+bilden+-+ablesen+-+entwo%CC%88hnen+-+erfassen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300625199-L1WDMF5UGMLBXH96Y8IL/2023-03-25-2a+teilen+-+spazieren+-+anschlie%C3%9Fen+-+fort+rei%C3%9Fen+-+sein+ko%CC%88nnen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300625202-8UB1NLQSVMTBDKNMOE5I/2023-03-25-2b-gewahren+-+fallen+lassen+-+bilden+-+ablesen+-+entwo%CC%88hnen+-+erfassen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300429830-6XIV2WM33F48T5QDTXG9/2023-03-24-1a-erschrecken+-+ahnen+-+sorgen+-+berechtigen+-+verbieten+-+anzeigen+-+anvertrauen+-+laufen+-+lesen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300430060-IBQKVMO4XLDO7EL9X3FG/2023-03-24-1b-schreiben+-+u%CC%88berlassen+-+ausstrecken+-+zusammen+ziehen+-+verbrennen+-+u%CC%88bergehen+-+erschrecken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300460619-23C5TBT66OQUVGOL24SI/2023-03-24-2a-erschrecken+-+ahnen+-+sorgen+-+berechtigen+-+verbieten+-+anzeigen+-+anvertrauen+-+laufen+-+lesen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300460747-MP6325RTM8N24CWIUYAX/2023-03-24-2b-schreiben+-+u%CC%88berlassen+-+ausstrecken+-+zusammen+ziehen+-+verbrennen+-+u%CC%88bergehen+-+erschrecken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. März 2023</image:title>
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  <url>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681299894285-9HD776DBSTUO2P8PL0NN/2023-03-23-1b-auflo%CC%88sen+-+sehen+-+nachlagern+-+entfalten+-+imitieren+-+heraus+schneiden+-+bestehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. März 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681299920411-MPNXL0SPWTYWNH2HMO25/2023-03-23-2b-auflo%CC%88sen+-+sehen+-+nachlagern+-+entfalten+-+imitieren+-+heraus+schneiden+-+bestehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300253548-XWGIJE3X4N8J0WDHO13N/2023-03-22-1b-lachen+-+entkommen+-+verloren+-+schichten+-+sto%C3%9Fen+-+gleichen+-+flu%CC%88stern+-+geben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. März 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1681300283328-MPMKVUXJNI1MORIE91IX/2023-03-22-2b-lachen+-+entkommen+-+verloren+-+schichten+-+sto%C3%9Fen+-+gleichen+-+flu%CC%88stern+-+geben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. März 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. März 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679508758042-QPILM94RL32L0RLSD1R2/2023-03-21-2b-glimmen+-+sehen+-+zerrei%C3%9Fen+-+denken+-+gewinnen+-+zerbrechen+-+entfliehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679508548569-J26L3DZ757X4UE2TRMLX/2023-03-20-1b-gehen+-+lackieren+-+stehen+-+reichen+-+empor+streben+-+steht+-+spaziert.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679508572734-F5U1CL1H47X22FWD3GTV/2023-03-20-2a-hinzu+geben+-+erzeugen+-+bilden+-+wissen+-+folgen+-+tragen+-+ausbleichen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. März 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679508572609-FG9HLBVDLVEM3RVQ9K5R/2023-03-20-2b-gehen+-+lackieren+-+stehen+-+reichen+-+empor+streben+-+steht+-+spaziert.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. März 2023</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679313095868-8EHZ9HUUZ2YKR0A7K8MQ/2023-03-19-1a-ho%CC%88r+hin+-+rauschen+-+spiegeln+-+brennen+-+zittern+-+glitzern+-+verweben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679313096259-QZYL3C2QGSBULQYP4OXM/2023-03-19-1b-spu%CC%88len+-+einstimmen+-+flu%CC%88stern+-+wecken+-+bilden+-+sag+-+stocken+-+entborgen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679313117611-YR4QCT6HGB93B6QSGZXG/2023-03-19-2a-ho%CC%88r+hin+-+rauschen+-+spiegeln+-+brennen+-+zittern+-+glitzern+-+verweben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679313117740-QDJOM4NKSPMV275VJUS6/2023-03-19-2b-spu%CC%88len+-+einstimmen+-+flu%CC%88stern+-+wecken+-+bilden+-+sag+-+stocken+-+entborgen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312922925-E8HVEG579F7VYL5XCKU3/2023-03-18-1b-heraus+lesen+-+herab+fallen+-+falten+-+spritzen+-+perlen+-+schlagen+-+spannen+-+nehmen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312943555-9LXTKYI7XVJ2LBLCSYZ9/2023-03-18-2b-heraus+lesen+-+herab+fallen+-+falten+-+spritzen+-+perlen+-+schlagen+-+spannen+-+nehmen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312742197-7Z1DK0L91BB1KK85NFRS/2023-03-17-1a-verwelken+-+tra%CC%88nen+-+nehmen+-+tro%CC%88sten+-+stapeln+-+wachsen+-+pressen+-+bedenken+-+bleiben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312742406-SRPQX4VTYAY80IT68GR4/2023-03-17-1b-verstellen+-+zerbrochen+-+begriffen+-+befinden+-+tragen+-+folgen+-+verweigern+-+dringen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312766229-15HRWSUW5GSATWJ08Q0C/2023-03-17-2a-verwelken+-+tra%CC%88nen+-+nehmen+-+tro%CC%88sten+-+stapeln+-+wachsen+-+pressen+-+bedenken+-+bleiben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312766326-QY2FDDQM0URUS5SMSU2B/2023-03-17-2b-verstellen+-+zerbrochen+-+begriffen+-+befinden+-+tragen+-+folgen+-+verweigern+-+dringen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312571036-S9S0LZLJSGHA0LTRIPP7/2023-03-16-1a-schulden+-+wissen+-schwingen+-+flie%C3%9Ft+-+ergo%C3%9F+-+gewesen+-+bedacht+-+fern+bleiben+-+bedenken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312570860-0YKJJOJ7DXDMI6SW7PCE/2023-03-16-1b-entkernen+-+versprochen+-+ableiten+-+flackern+-+singen+-+spielen+-+springen+-+tanzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312597775-AR17G7GKR2T0QEWVF0V4/2023-03-16-2a-schulden+-+wissen+-schwingen+-+flie%C3%9Ft+-+ergo%C3%9F+-+gewesen+-+bedacht+-+fern+bleiben+-+bedenken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312597665-97EY7PMTPQ79SP9SUEF4/2023-03-16-2b-entkernen+-+versprochen+-+ableiten+-+flackern+-+singen+-+spielen+-+springen+-+tanzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. März 2023</image:title>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312311709-2THUWMTBBS7W85KEKYCS/2023-03-15-1a-einra%CC%88umen+-+fort+geschoben+-+ausnehmen+-+gehen+-+einsehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312312038-32DZGEVLFHC53C4BSI80/2023-03-15-1b-schieben+-+u%CC%88berziehen+-+verschwenden+-+klagen+-+spu%CC%88l+ab.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312335542-YPIAZQTC9R6D8GETAII1/2023-03-15-2a-einra%CC%88umen+-+fort+geschoben+-+ausnehmen+-+gehen+-+einsehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679312335782-IBZXUVGEF54MZ7R5VBRW/2023-03-15-2b-schieben+-+u%CC%88berziehen+-+verschwenden+-+klagen+-+spu%CC%88l+ab.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679309925878-GWLBZCGKOVRWU0ARVZXF/2023-03-14-1a-singen+-+herkommen+-+geschnitten+-+setzen+-+verfallen+-+trocknen+-+geh%E2%80%99n+-+bricht.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679309925966-661WU735YPQ970GRACZT/2023-03-14-1b-wohnen+-+bewohnen+-+einrei%C3%9Fen+-+u%CC%88bermannen+-+treiben+-+suchen+-+finden.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. März 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679309945463-W70KRDMOPCAJIBE2ULGQ/2023-03-14-2b-wohnen+-+bewohnen+-+einrei%C3%9Fen+-+u%CC%88bermannen+-+treiben+-+suchen+-+finden.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1679309795001-6NRCS7GHDLF7JBLKU264/2023-03-13-2b-folgen+-+entflogen+-+brennen+-+entfernen+-+wehen+-+verdecken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. März 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1678972991777-OBR1K1UPJSBAWZTSUJ57/2023-03-10-2b-fehlen+-+strecken+-+nahmen+-+laufen+-+anstarren+-+nehmen+-+schweigen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1678972789288-STQTE12ROO5YYDZ4KR2C/2023-03-09-1a-sei%E2%80%99s+gewesen+-+lehnen+-+streichen+-+spreche+-+fu%CC%88gen+-+bilden+-+zucken+-+zerkauen+-+springt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1678972789885-XU0WAT6JN0RJV6TO8QR2/2023-03-09-1b-tragen+-+abkratzen+-+heraus+brechen+-+schichten+-+versta%CC%88rken+-+schimmern+-+binden+-+zieh+-+stellen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1678972818372-H9M6WJS9W9HOO25AUZTI/2023-03-09-2a-sei%E2%80%99s+gewesen+-+lehnen+-+streichen+-+spreche+-+fu%CC%88gen+-+bilden+-+zucken+-+zerkauen+-+springt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. März 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1678971160883-X232AEKW8R6B6M1XWQ63/2023-03-07-1a-strecken+-+streichen+-+falten+-+verlieren+-+fragen+-+dra%CC%88ngen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1678971160971-QZF0OXIGWYD32IGE0A3Y/2023-03-07-1b-erfassen+-+besta%CC%88uben+-+sag%E2%80%99+-+verlieren+-+reden+-+gebu%CC%88hren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1678971181513-N3LECXCXSLYO00A7LUOH/2023-03-07-2b-erfassen+-+besta%CC%88uben+-+sag%E2%80%99+-+verlieren+-+reden+-+gebu%CC%88hren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. März 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1678970825640-304KGQ1R2I6IXZCJM1MU/2023-03-05-2b-gewinnen+-+vermo%CC%88gen+-+eintauchen+-+anmessen+-+einhalten+-+gelten+-+lass+zu+-+vereinen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. März 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Februar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1677743456264-4HJH6I5ZLMUH26TFAVQL/2023-02-27-1b-graben+-+kreiseln+-+belieben+-+brennen+-+fort+setzen+-+gelegen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Februar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1677743478135-GIFGO4TZ35Y9GSFHD1PK/2023-02-27-2a-teilen+-+fu%CC%88gen+-+aufeinander+schichten+-+erleichtern+-+strecken+-+wittern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Februar 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1677743477762-MMZOMPND6MADN78BKNGM/2023-02-27-2b-graben+-+kreiseln+-+belieben+-+brennen+-+fort+setzen+-+gelegen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Februar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1677743295235-Y23IDVFLUBM0T373RNCG/2023-02-26-1b-abheben+-+gebu%CC%88hren+-+zerbersten+-+nimm+-+entfliehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Februar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1677743316311-HXNY6XXS46718LKFWX7O/2023-02-26-2b-abheben+-+gebu%CC%88hren+-+zerbersten+-+nimm+-+entfliehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Februar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1677743144935-LOBHP78KMM84SDXXRE8T/2023-02-25-1a-lachen+-+entfernen+-+heraus+lo%CC%88sen+-+u%CC%88bersehen+-+schulden+-+aneinander+legen+-+einzeichnen+-+abweichen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Februar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1677742819426-SLNU57LWDDP6HVLQQY7P/2023-02-23-2b-hecheln+-+ragen+-+tropfen+-+folgen+-+gewesen+-+verdrehen+-+ringeln+-+nachbilden.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Februar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1677742652919-O49M3MPN2JMM3H90YL60/2023-02-22-2b-herunter+gerissen+-+hervor+gequollen+-+trachten+-+stu%CC%88nden+-+ziehen+-+neigen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Februar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676980381609-R14L7J4I5B2D2FTXKLT7/2023-02-07-1b-lassen+-+gefallen+-+ringeln+-+schlie%C3%9Fen+-+antun+-+verklingen+-+verbergen+-+eintauchen+-+widerstehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Februar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676980400359-TX6NRGV2J55LMYAL9IGA/2023-02-07-2a-betrachten+-+eingemeinden+-+ziemen+-+wissen+-+einscha%CC%88tzen+-+splittern+-+nimmt+-+wehren+-+einschieben+-+bluten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Februar 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676980400347-Y8SFSV3HLVXQ1IRMY3EE/2023-02-07-2b-lassen+-+gefallen+-+ringeln+-+schlie%C3%9Fen+-+antun+-+verklingen+-+verbergen+-+eintauchen+-+widerstehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Februar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676980231377-IU4VLMJBJI8I50JN17Q3/2023-02-06-1a-verbu%CC%88rgen+-+wa%CC%88ren+-+schlie%C3%9Fen+-+strahlt+-+aufsteigen+-+fallen+-+aufschlagen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Februar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676980230850-EZYBN2Q7T4F2WPMW4TPB/2023-02-06-1b-a%C3%9Fen+-+gla%CC%88nzen+-+zerplatzen+-+ha%CC%88tten+-+beru%CC%88hrt+-+buchstabiert.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Februar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676980252020-CC6N2IRQB8OGMSVITOW5/2023-02-06-2a-verbu%CC%88rgen+-+wa%CC%88ren+-+schlie%C3%9Fen+-+strahlt+-+aufsteigen+-+fallen+-+aufschlagen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Februar 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676980251607-WVUYYKX7LB7GJQSOOOXT/2023-02-06-2b-a%C3%9Fen+-+gla%CC%88nzen+-+zerplatzen+-+ha%CC%88tten+-+beru%CC%88hrt+-+buchstabiert.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Februar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Februar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676979455016-53DFR7VN6999YITSH233/2023-02-05-2b-ha%CC%88ngen+-+zimmern+-+stapeln+-+springen+-+gewesen+-+einst+gegeben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Februar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676979270131-WQDDM8H7DQ4QKA56KUMO/2023-02-04-1a-liegt+-+lassen+-+bleiben+-+schmelzen+-+flu%CC%88stern+-+aneinander+stie%C3%9Fen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Februar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676979270259-CGO4PQGR1KETU04F9FO7/2023-02-04-1b-brachen+ab+-+tief+beugen+-+u%CC%88berlassen+-+ziehen+-+abspreizen+-+anziehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Februar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676979292089-HK10EGTLOEDHTT1WPJ4D/2023-02-04-2b-brachen+ab+-+tief+beugen+-+u%CC%88berlassen+-+ziehen+-+abspreizen+-+anziehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Februar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676979101953-9HI1QF2XSBU71V36PGA6/2023-02-03-1a-nehmen+-+bestu%CC%88cken+-+betreffen+-+aufreiben+-+sagen+-+hinten+anstehen+-+aufhalten+-+gewesen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Februar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676979125658-18B43MQXDO866EQW9CEB/2023-02-03-2b-fort+setzen+-+werten+-+folgt+-+ausstrecken+-+vorenthalten+-+gezwungen+seh%E2%80%99n+-+schweig.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Februar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676977158844-ZJ8TLA75XMQW8BBNATDZ/2023-02-02-1b-ru%CC%88ckwa%CC%88rtig+richten+-+auffu%CC%88hren+-+ermu%CC%88den+-+schinden+-+aufrufen+-+verleugnen+-+drehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Februar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676977181295-QS3R9DKUQEGJCJTS6KC8/2023-02-02-2a-biegen+-+kla%CC%88ren+-+ausbluten+-+wissen+-+mangeln+-+haben+-+gewesen+-+betreffen+-+kommt+entgegen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Februar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1676977181354-SI0659YPQLWXPID6BEC9/2023-02-02-2b-ru%CC%88ckwa%CC%88rtig+richten+-+auffu%CC%88hren+-+ermu%CC%88den+-+schinden+-+aufrufen+-+verleugnen+-+drehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Februar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Januar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675237227152-QWWHO1FIR5MYALZT5OCW/2023-01-28-1b-beziehen+-+getreten+-+zurufen+-+verloren+gehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Januar 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675237249468-TI3JJXHCCQPLVSUPULC5/2023-01-28-2a-spielen+-+entgegen+stu%CC%88rmen+-+einander+dra%CC%88ngen+-+kamen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Januar 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675237249484-3ANB210CZPKJ1UUTEL9X/2023-01-28-2b-beziehen+-+getreten+-+zurufen+-+verloren+gehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Januar 2023</image:title>
    </image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Januar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675237047910-CST4UB4Z2HZDDUHBTPWE/2023-01-27-1b-annehmen+-+denken+-+gewo%CC%88hnen+-+mahnen+-+summen+-+angeben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Januar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675237066385-Y1EHJ7T9PN8Z7Z16K2T7/2023-01-27-2a-verweisen+-+werden+-+abzeichnen+-+nehmen+-+umspringen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Januar 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675237066436-R5N09TUETSOMCHLU87WK/2023-01-27-2b-annehmen+-+denken+-+gewo%CC%88hnen+-+mahnen+-+summen+-+angeben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Januar 2023</image:title>
    </image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Januar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236905680-TY9UIZTBZUVNR4TYIL55/2023-01-26-1b-gesehen+-+ausrufen+-+kommen+-+betrachtet+-+vergehen+-+verrieben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Januar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236924459-Q63PLCGO708PUO9MZ9NW/2023-01-26-2a-illustrieren+-+za%CC%88hlen+-+befunden+-+kaut+-+stiften+-+wesen+-+ziehen+-+dra%CC%88uen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Januar 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236924652-TY9IC1TU13RI6T16W121/2023-01-26-2b-gesehen+-+ausrufen+-+kommen+-+betrachtet+-+vergehen+-+verrieben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Januar 2023</image:title>
    </image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Januar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236759389-D992NOYODIM6GZEWNARR/2023-01-25-1b-schichten+-+vorstellen+-+wirf+-+zerbrechen+-+umfassen+-+aussuchen+-+ergriffen+-+za%CC%88hlen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Januar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Januar 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236779211-08CHGKVHZV1QHFJA66VI/2023-01-25-2b-schichten+-+vorstellen+-+wirf+-+zerbrechen+-+umfassen+-+aussuchen+-+ergriffen+-+za%CC%88hlen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Januar 2023</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236605960-J9SGYE5XPAMDIPCV6HOK/2023-01-24-1a-wesen+-+finden+-+annehmen+-+aussto%C3%9Fen+-+wissen+-+tragen+-+finden+-+erinnern+-+gewesen+-+fa%CC%88deln.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Januar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236625744-8HWFZF86FGRFTXWB0GWP/2023-01-24-2a-wesen+-+finden+-+annehmen+-+aussto%C3%9Fen+-+wissen+-+tragen+-+finden+-+erinnern+-+gewesen+-+fa%CC%88deln.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Januar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236626086-URBL9QJDJLD0CDVWKVXW/2023-01-24-2b-u%CC%88berwinden+-+ausspielen+-+liefern+-+anfragen+-+tunken+-+reiben+-+verbleiben+-+ausrichten+-+aufziehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Januar 2023</image:title>
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  <url>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Januar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Januar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Januar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236480582-TSJAXJPV1HWII7YVXMXA/2023-01-23-2b-perlen+-+sinken+-+treten+-+spitzen+-+erhoben+-+liegen+-+sagen+-+absterben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Januar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236302879-6HI48V5V7H0M12EZ868J/2023-01-22-1a-fu%CC%88llt+-+erscheint+-+la%CC%88cheln+-+zuneigen+-+blinzeln+-+erwachen+-+keuchen+-++greinen+-+o%CC%88ffnen+-+widersprechen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Januar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236303012-QRT3O9K0045KRYZKSNAM/2023-01-22-1b-spucken+-+unterstellt+-+aufrei%C3%9Fen+-+abweisen+-+beta%CC%88uben+-+glitzern+-+verlieren+-+ha%CC%88uten+-+mo%CC%88gen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Januar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Januar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236327176-7I1XXQJAW1JH1FUGW0EG/2023-01-22-2b-spucken+-+unterstellt+-+aufrei%C3%9Fen+-+abweisen+-+beta%CC%88uben+-+glitzern+-+verlieren+-+ha%CC%88uten+-+mo%CC%88gen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Januar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Januar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236160265-6YAJRTOH5FFDAWAK17ID/2023-01-21-2b-u%CC%88bertreiben+-+decken+-+hungern+-+kommen+-+ruft.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Januar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Januar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1675236001615-Y7N7X2ATN7W4KIHW9WUZ/2023-01-20-2b-fragen+-+ausrichten+-+sichern+-+salben+-+reiben+-+dulden+-+geba%CC%88ren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Januar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Januar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Januar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Januar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Januar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1674639609760-GTW6ZJH4RU54NQS5CIKR/2023-01-17-1b-nennen+-+erscheinen+-+entrei%C3%9Fen+-+fort+schreiben+-+spricht+-+besticken+-+fest+gezogen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Januar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Januar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1674637508506-JFOPC59DWAFQZ794FB4W/2023-01-07-1b-setze+auf++-+gelten+-+abwischen+-+ausspu%CC%88len+-+zubinden+-+fallen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Januar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Januar 2023</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1674637530101-AC6AMTSMZTJY481CZ7D0/2023-01-07-2b-setze+auf++-+gelten+-+abwischen+-+ausspu%CC%88len+-+zubinden+-+fallen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Januar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1674637239696-PYQAP49S1X9NYQI7XG2W/2023-01-06-1b-singt+-+gerissen+-+bluten+-+scha%CC%88umen+-+zerbrechen+-+wische+-+seh+zu+-+zollen+-+ergriffen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Januar 2023</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Januar 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1674637271533-03CAU1UQALGPPIHXWOXG/2023-01-06-2b-singt+-+gerissen+-+bluten+-+scha%CC%88umen+-+zerbrechen+-+wische+-+seh+zu+-+zollen+-+ergriffen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Januar 2023</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673680568341-SXJNI2VTYIMFGMO92UQA/2022-12-28-2a-gebrauchen+-+vermo%CC%88gen+-+gelegt+-+tragen+-+ausfransen+-+bleiben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673680568127-7FSUGYPQD5T8VLAPGWAP/2022-12-28-2b-verblieben+-+sprechen+-+vezeichnen+-+sag+mir+-+gewesen+-+verputzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Dezember 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673680289077-TZC93ZSCDGINGAM6L2OW/2022-12-27-1a-zerschnitten+-+tunken+-+kochen+-+brachen+auf+-+gewesen+-+hoffen+-+warten+-++flackern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673680288245-C1VCCD2I4CERWQWPCVWK/2022-12-27-1b-lichten+-+lachen+-+zittern+-+bricht+-+gelassen+-+verhei%C3%9Fen+-+klopfen+-+erbeten+-+tragen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673680320411-DMMJRNQV5JO1VH406J2R/2022-12-27-2a-zerschnitten+-+tunken+-+kochen+-+brachen+auf+-+gewesen+-+hoffen+-+warten+-++flackern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673680319961-NIN3WQSHTWLUCXR60NSQ/2022-12-27-2b-lichten+-+lachen+-+zittern+-+bricht+-+gelassen+-+verhei%C3%9Fen+-+klopfen+-+erbeten+-+tragen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Dezember 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673604863072-EW94LSLB3F8D1E0R265G/2022-12-27-1a-zerschnitten+-+tunken+-+kochen+-+brachen+auf+-+gewesen+-+hoffen+-+warten+-++flackern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673680053931-V88Z6OVZFYA6GXIF3IPJ/2022-12-26-2a-nehmen+-+tragen+-+schwemmen+-+neigen+-+strecken+-+wenden+-+ruf%E2%80%99+-+verbergen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673680054251-TV9VOXR73UMXVP2ENN53/2022-12-26-2b-verschnu%CC%88ren+-+gegossen+-+gelesen+-+zeigt+-+fallen+-+strecken+-+winkeln+-+drehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673539039753-3VBFAU6DERO0OU4LMP9R/2022-12-25-2b-zermahlen+-+beginnen+-+federn+-+bedecken+-+gemahnen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Dezember 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673538836896-GVPA3AAAE88O9HXR3KLA/2022-12-24-1a-gewartet+-+nimmt+-+sichern+-+hinstrecken+-+hoch+schnellen+-+zittert+-+sehen+-+wu%CC%88nschen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673538837108-DQAX2TM4SHDHRMURY0F7/2022-12-24-1b-pflegen+-+verlangen+-+denken+-+a%CC%88ngstigen+-+gelangen+-+kommen+-+warten+-+fu%CC%88llen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673538860344-GVTFOBUKC514Y3PVQR7F/2022-12-24-2b-pflegen+-+verlangen+-+denken+-+a%CC%88ngstigen+-+gelangen+-+kommen+-+warten+-+fu%CC%88llen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Dezember 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673538642070-D58QG29URB44SRULWXT3/2022-12-23-1b-gezogen+-+entleeren+-+segnen+-+einflie%C3%9Fen+lassen+-+schlie%C3%9Fen+-+bleiben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1673538665542-TSS2N7E7HD96EZO58697/2022-12-23-2b-gezogen+-+entleeren+-+segnen+-+einflie%C3%9Fen+lassen+-+schlie%C3%9Fen+-+bleiben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Dezember 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1671466273302-MFNGYFHRQ73USL7CCVHM/2022-12-18-2b-entwirren+-+verschlungen+-+knirschen+-+nichten+-+wischt+-+gekippt+-+gewesen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Dezember 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1671466090590-ZMIW2VR8X171XYHPS7Q0/2022-12-17-1b-kam+herab+-+reiben+-+frieren+-+schlie%C3%9Fen+-+wehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Dezember 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1671466110738-9QBGZ4EB37ZZKU0EFG9F/2022-12-17-2b-kam+herab+-+reiben+-+frieren+-+schlie%C3%9Fen+-+wehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670775979152-TKR49341OOULDHP9WJ5O/2022-12-07-1b-zieht+hin+-+geblieben+sind+-+umstreifend+-+geschieht.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670776007256-RB4VOBCUY2L4PN1MS62M/2022-12-07-2a-zuteil+werden+lassen+-+liegt+-+erwa%CC%88hnt+-+folgern+-+leckt+-+rinnen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670776007072-GP5SEV1TXRBIZ5ZDE9Q6/2022-12-07-2b-zieht+hin+-+geblieben+sind+-+umstreifend+-+geschieht.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. Dezember 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670775752734-D7BTE1GCDAUWXQP8VU9N/2022-12-06-1a-gestrichen+-+angesto%C3%9Fen+-+gewichen+-+gelo%CC%88ffelt+-+fort+tragen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670775753726-QTMSD8J5CTVDS2PD5M7L/2022-12-06-1b-verfestigen+-+fuhren+-+sa%C3%9Fen+-+besprachen+-+fa%CC%88llt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670775781409-X34LHAJ4V1P6EML51HAT/2022-12-06-2a-gestrichen+-+angesto%C3%9Fen+-+gewichen+-+gelo%CC%88ffelt+-+fort+tragen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670775781506-FC3MNWU0TWW2MCCK9L7H/2022-12-06-2b-verfestigen+-+fuhren+-+sa%C3%9Fen+-+besprachen+-+fa%CC%88llt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. Dezember 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670257397516-Y4LW0Q9Y9L2VDYVGI4MJ/2022-12-05-1a-ging+-+kamen+-+fegte+-+umschlagen+-+schob+.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670257397946-ZUP9KST0PMYSINNSGGS0/2022-12-05-1b-beugen+-+abstrecken+-+weisen+-+pressen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670257424746-8JFXANANIMMQW0TFPIPV/2022-12-05-2a-ging+-+kamen+-+fegte+-+umschlagen+-+schob+.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670257424913-6AKWZZTE5RJX6CGWYJRR/2022-12-05-2b-beugen+-+abstrecken+-+weisen+-+pressen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Dezember 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670158750302-O9AAETATR92HXITYRB1D/2022-12-04-1a-hing+-+flie%C3%9Fen+-+klammern+-+zu%CC%88cken+-+umweht+-+aufspringen+-+greifen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670158749140-3ADMD6NULKG5QZ709ZZ9/2022-12-04-1b-stand+auf+-+pressen+-+liegen+-+treten+-+springen+-+spannen+-+spiegeln.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670158771320-53WW7CR3DX8FB5H7PBPT/2022-12-04-2a-hing+-+flie%C3%9Fen+-+klammern+-+zu%CC%88cken+-+umweht+-+aufspringen+-+greifen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670158770850-7GPK9TC2Y36S6VJPKLFU/2022-12-04-2b-stand+auf+-+pressen+-+liegen+-+treten+-+springen+-+spannen+-+spiegeln.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Dezember 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670158518116-XF89FI0G0J9F438Z5GTU/2022-12-03-1a-sagt+-+wundern+-+gezogen+-+erinnern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670158519004-IS1PNGLMU2I1GSU2ALP3/2022-12-03-1b-genommen+-+beziehen+-+entstehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670158541031-6SZG3E7S9Y2UG2AKJJN4/2022-12-03-2a-sagt+-+wundern+-+gezogen+-+erinnern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670158541525-YB6JVTH39L4HH7FGY5DB/2022-12-03-2b-genommen+-+beziehen+-+entstehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Dezember 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670158312260-UPVQOUU91JDR32CUJ1EZ/2022-12-02-1a-entfesseln+-+flie%C3%9Fen+-+schichten+-+spalten+-+wenden+-+getragen+-+trinke+-+zittern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670158313191-MKETOXLNTE6GN2XJJV6L/2022-12-02-1b-umfassen+-+ruhen+-+sagte+-+verschlingen+-+trennen+-+verga%C3%9F+-+glu%CC%88hen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670158337413-5KB9W1P14ROU5PGBOF6H/2022-12-02-2a-entfesseln+-+flie%C3%9Fen+-+schichten+-+spalten+-+wenden+-+getragen+-+trinke+-+zittern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670158337356-EHH5UD4EXJ2BNJSM0EGM/2022-12-02-2b-umfassen+-+ruhen+-+sagte+-+verschlingen+-+trennen+-+verga%C3%9F+-+glu%CC%88hen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Dezember 2022</image:title>
    </image:image>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670157715512-F1E6FBTL25DCFARVJODW/2022-12-01-1a-anschwellen+-+rollen+-+la%CC%88cheln+-+versenkt+-+einsticken+-+wollen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670157715369-LJGKCTKGGBUHE7VPTT45/2022-12-01-1b-zittern+-+legen+-+frag+-+fa%CC%88llt+-+kamen+-+folgen+-+springen+-+voran+streben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Dezember 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670157744729-7CBJ5MMLGNLQCDXY5M23/2022-12-01-2a-anschwellen+-+rollen+-+la%CC%88cheln+-+versenkt+-+einsticken+-+wollen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Dezember 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1670157744527-L0KSUH8ML9K4PBW8YAGP/2022-12-01-2b-zittern+-+legen+-+frag+-+fa%CC%88llt+-+kamen+-+folgen+-+springen+-+voran+streben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Dezember 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669883960971-CKFD4AJR8X43CB0SJ1G6/2022-11-30-1b-zieh%E2%80%99n+-+ru%CC%88hren+-+schlingen+-+starrt+-+schlug+-+fiel+-+fallen+-+gescheh%27n.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. November 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669883980879-K44FKS3V7Y0NNQSCYD7I/2022-11-30-2b-zieh%E2%80%99n+-+ru%CC%88hren+-+schlingen+-+starrt+-+schlug+-+fiel+-+fallen+-+gescheh%27n.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669883800622-GIE9MFT00FZE6U4CX3FO/2022-11-29-1b-frag+mich+-+funkeln+-+warten+-+lo%CC%88sen+-+geschlagen+-+fragen+-+erlauben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669883821825-BT5G4DABVKPJ92CYOGEX/2022-11-29-2b-frag+mich+-+funkeln+-+warten+-+lo%CC%88sen+-+geschlagen+-+fragen+-+erlauben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669883627268-GHGCD66V7LL27GQOP0NV/2022-11-28-1b-spiel+auf+-+wir+hu%CC%88ten+-+streichen+-+gla%CC%88nzen+-+spiegeln+-+erreichen+-+geflossen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669883650432-EUNSYMO0ZUJ51JE1JR3M/2022-11-28-2a-hallen+-+abreiben+-+verkleiden+-+ach+komm+-+befragt+-+ablagern+-+geschlagen+-+ru%CC%88hren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. November 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. November 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560795369-6P9KB3DQK2SWYFTBUSPX/2022-11-27-1b-zerreiben+-+zerdru%CC%88cken+-+schreien+-+abwischen+-+bestreichen+-+bilden+-+verkanten+-+richten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560816626-E3ZB4PT2CLTU119OCB32/2022-11-27-2a-geben+-+sitzend+-+empfunden+-+schlagen+-+verrichten+-+zieh%E2%80%99n+-+hausen+-+ha%CC%88ngt+-+besetzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560816794-VZ4XAYQ51WMJHNOW8CHG/2022-11-27-2b-zerreiben+-+zerdru%CC%88cken+-+schreien+-+abwischen+-+bestreichen+-+bilden+-+verkanten+-+richten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. November 2022</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-11-26</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560589915-VMA9QILANIG2L56K97GT/2022-11-26-1a-liest+-+flie%C3%9Fen+-+entfalten+-+wiederholen+-+aussprechen+-+schimmern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560590947-P631VJWDIG6S80FIT4DH/2022-11-26-1b-gla%CC%88nzen+-+bespannen+-+gerechnet+-+verweben+-+abziehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560617501-VAX4U589T2T2QGAXNH6T/2022-11-26-2a-liest+-+flie%C3%9Fen+-+entfalten+-+wiederholen+-+aussprechen+-+schimmern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560617788-VX2WL7LY1333H39M79RF/2022-11-26-2b-gla%CC%88nzen+-+bespannen+-+gerechnet+-+verweben+-+abziehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. November 2022</image:title>
    </image:image>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560397659-JVTRQ91HFUP01GHMN0P3/2022-11-25-1a-u%CC%88bersehen+-+danken+-+zuru%CC%88ck+binden+-+strecken+-+werfen+-+angleichen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560397870-HH67P0QU63F9PAF72HWJ/2022-11-25-1b-ausschlie%C3%9Fen+-+hoffen+-+funktionieren+-+gebieten+-+gelesen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560418223-ZWJB7WLODAH3ZCLB3FA2/2022-11-25-2a-u%CC%88bersehen+-+danken+-+zuru%CC%88ck+binden+-+strecken+-+werfen+-+angleichen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560417829-8KTVJ2OTSCOCA38A09XW/2022-11-25-2b-ausschlie%C3%9Fen+-+hoffen+-+funktionieren+-+gebieten+-+gelesen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. November 2022</image:title>
    </image:image>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560194741-WC2AJG8097XR4S466DBF/2022-11-24-1a-reichen+-+rechnen+-+neiden+-+betten+-+verschieben+-+teilen+-+erschienen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560195970-0LYSINGFDJW1ZY0FPEQL/2022-11-24-1b-zergliedern+-+lachen+-+scheiden+-+gera%CC%88umt+-+klirren+-+verharren+-+klitzern+-+fu%CC%88gen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560219377-P0NX4ILNJI7QTCI14E9K/2022-11-24-2a-reichen+-+rechnen+-+neiden+-+betten+-+verschieben+-+teilen+-+erschienen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560219894-CFK44U0AN783ZUT515Z7/2022-11-24-2b-zergliedern+-+lachen+-+scheiden+-+gera%CC%88umt+-+klirren+-+verharren+-+klitzern+-+fu%CC%88gen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. November 2022</image:title>
    </image:image>
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  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-11-23</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669559989138-GC6J9HUUQK91QYUP3CUB/2022-11-23-1a-bedacht+-+gehen+-+verzichtet+-+pudern+-+sagt+-+verdenken+-+verweben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669559989517-OJMS9RPOG1PY0ODOJO1Q/2022-11-23-1b-schlugen+-+herausscha%CC%88len+-+mu%CC%88ssen+-+formen+-+schneiden+-+schu%CC%88rzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560011724-6K6H58G43LPH5OPUF5PE/2022-11-23-2a-bedacht+-+gehen+-+verzichtet+-+pudern+-+sagt+-+verdenken+-+verweben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669560011731-0BR6HZU0RA7Y1OXMBXP3/2022-11-23-2b-schlugen+-+herausscha%CC%88len+-+mu%CC%88ssen+-+formen+-+schneiden+-+schu%CC%88rzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. November 2022</image:title>
    </image:image>
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  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669559805446-F7HC4102SLA34K5JP5L0/2022-11-22-1a-bedecken+-+sagt+-+gelten+-+ausrollen+-+wollt%E2%80%99+nicht+-+geschritten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669559805896-SFOSBHURQ92MZ0TS9AKP/2022-11-22-1b-nahmen+-+ausleuchten+-+springen+-+tragen+-+spielt+-+schlie%C3%9Fen+-+einschlacken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669559830045-BHDS3HUZ94UWF4LF9V9H/2022-11-22-2a-bedecken+-+sagt+-+gelten+-+ausrollen+-+wollt%E2%80%99+nicht+-+geschritten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669559830306-JHPNC1EN7UH5X0P8IVVQ/2022-11-22-2b-nahmen+-+ausleuchten+-+springen+-+tragen+-+spielt+-+schlie%C3%9Fen+-+einschlacken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. November 2022</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-11-21</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669559540286-Q8SGR865RXEAOKZ5R7IY/2022-11-21-1a-ausspu%CC%88len+-+brfreien+-+hinan+stehen+-+durch+marschieren+-+laufen+-+u%CC%88berstrecken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669559540659-6JRSVYTLSPA7LM08VJY0/2022-11-21-1b-ausgelassen+-+gedru%CC%88ckt+-+zerschnitten+-+eingeschlagen+-+schiebt+-+sagt+-+geworfen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669559564009-1T2WIOSH124SCCQ92ADQ/2022-11-21-2a-ausspu%CC%88len+-+brfreien+-+hinan+stehen+-+durch+marschieren+-+laufen+-+u%CC%88berstrecken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669559565011-VK51KRSKUEY1EM14866E/2022-11-21-2b-ausgelassen+-+gedru%CC%88ckt+-+zerschnitten+-+eingeschlagen+-+schiebt+-+sagt+-+geworfen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. November 2022</image:title>
    </image:image>
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  <url>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669481476374-FRG12G9PZE52F8HOO1EI/2022-11-20-1a-u%CC%88berzogen+-+stand+auf+-+liegt+-+gehobelt+-+lassen+-+aufsteigen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669481478054-VMYYOLEEOVSB5E9HSQLB/2022-11-20-1b-nichts+sagend+-+gegolten+-+nahmen+-+verstecken+-+angesehen+-+klingend+-+zersprungen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669481500430-AEMGN0F5LK4DAZ709FGU/2022-11-20-2a-u%CC%88berzogen+-+stand+auf+-+liegt+-+gehobelt+-+lassen+-+aufsteigen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669481501832-RZTOS9EWYXWZ8AEOY4PK/2022-11-20-2b-nichts+sagend+-+gegolten+-+nahmen+-+verstecken+-+angesehen+-+klingend+-+zersprungen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. November 2022</image:title>
    </image:image>
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  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-11-19</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669481279540-Z8IYAMH8185EBI1AOPVS/2022-11-19-1a-geschuldet+-+verlor+-+erschossen+-+gefoltert+-+aufbru%CC%88hen+-+vernehmen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669481280150-SAE46QYOA7QG8OJEAOBB/2022-11-19-1b-ru%CC%88hren+-+leiden+-+blu%CC%88hen+-+verwerfen+-+geworfen+-+bilden+-+durchmessen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669481305386-0AKFDPQM0T2HQJMNOZ8S/2022-11-19-2a-geschuldet+-+verlor+-+erschossen+-+gefoltert+-+aufbru%CC%88hen+-+vernehmen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669481305220-AE4ZR9MCPU3NT3UI05N9/2022-11-19-2b-ru%CC%88hren+-+leiden+-+blu%CC%88hen+-+verwerfen+-+geworfen+-+bilden+-+durchmessen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. November 2022</image:title>
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  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-11-18</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669481040249-NAY1YVW4Z0TIWILLEJ73/2022-11-18-1a-gestanden+-+gedreht+-+entledigt+-+gekommen+-+erfasst+-+nimmt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669481040733-P6X93EJW2PIINRM6P8F3/2022-11-18-1b-fliehen+-+sammeln+-+jagen+-+verzieren+-+blinken+-+schwellen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669481065534-YF1U08K1NT6AE7YNEETJ/2022-11-18-2a-gestanden+-+gedreht+-+entledigt+-+gekommen+-+erfasst+-+nimmt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669481065451-KV300U4IPFQB29WAK9M9/2022-11-18-2b-fliehen+-+sammeln+-+jagen+-+verzieren+-+blinken+-+schwellen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. November 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480833757-TAUD0JDOBLN6C812OU9H/2022-11-17-1a-reichen+-+beginnen+-+geschlossen+-+gelobt+-+einstehen+-+anbrechen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480833442-S6RUWYD0UQ5HQK032QR3/2022-11-17-1b-wo%CC%88lben+-+verju%CC%88ngen+-+schreien+-+gedreht+-+ersonnen+-+verklingen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480855308-U3B8W7NXNXI79X5YONC2/2022-11-17-2a-reichen+-+beginnen+-+geschlossen+-+gelobt+-+einstehen+-+anbrechen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480855195-LGVWXVAE4XUC96HA75O6/2022-11-17-2b-wo%CC%88lben+-+verju%CC%88ngen+-+schreien+-+gedreht+-+ersonnen+-+verklingen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. November 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480639700-TOUPJQCMWSGZPLBNX7BR/2022-11-16-1a-gelegen+-+knarren+-+nieder+gelassen+-+zeigten+-+wussten+-+richten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480640116-FMNLD6QXTTO1F5803PL7/2022-11-16-1b-gehalten+-+erkalten+-+einknicken+-+sehen+-+schlagen+-+genommen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. November 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480662795-3ON94ICHE7X7GXYA0YR9/2022-11-16-2a-gelegen+-+knarren+-+nieder+gelassen+-+zeigten+-+wussten+-+richten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480663271-H6NK1XSDC96CWJTQ8Z8R/2022-11-16-2b-gehalten+-+erkalten+-+einknicken+-+sehen+-+schlagen+-+genommen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. November 2022</image:title>
    </image:image>
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  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-11-15</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480431537-CQNHCI2ACW1OE0NKIW6Y/2022-11-15-1a-achten+-+aufgeschnitten+-+ruft+aus+-+weint+-+versagt+-+schimmern+-+beru%CC%88hrt+-+gewesen+-+richten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480430577-862WQNSOZAR5RNH1I2HE/2022-11-15-1b-schu%CC%88tzen+-+bleib+-+ersonnen+-+erza%CC%88hlen+-+wiederholen+-+wechseln+-+weisen+-+erblu%CC%88hen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480454327-U0HPM0RSEMTQZHF23B5V/2022-11-15-2a-achten+-+aufgeschnitten+-+ruft+aus+-+weint+-+versagt+-+schimmern+-+beru%CC%88hrt+-+gewesen+-+richten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480453568-9T8D71E3AV57DDLBQSBW/2022-11-15-2b-schu%CC%88tzen+-+bleib+-+ersonnen+-+erza%CC%88hlen+-+wiederholen+-+wechseln+-+weisen+-+erblu%CC%88hen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. November 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480238073-JPI6XPFU8RG0ETJ33MM5/2022-11-14-1a-wart%E2%80%99+-+gebunden+-+erfahren+haben+-+bleiben+-+verfehlen+-+schimmern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480238986-SE565WTTA7DHSAKAKC9M/2022-11-14-1b-verzu%CC%88cken+-+strich%E2%80%99n+-+lie%C3%9F+-+gegriffen+-+ausbleichen+-+verfassen+-+geschoben+-+bluten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480260602-UFT7AUYHPZESTYJOB3M2/2022-11-14-2a-wart%E2%80%99+-+gebunden+-+erfahren+haben+-+bleiben+-+verfehlen+-+schimmern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480261431-DVURAQNIRLWOD6SFPZ23/2022-11-14-2b-verzu%CC%88cken+-+strich%E2%80%99n+-+lie%C3%9F+-+gegriffen+-+ausbleichen+-+verfassen+-+geschoben+-+bluten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. November 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480030988-2RLV7VKI721SX0WR24WU/2022-11-13-1a-steh%27+-+seh%E2%80%99+-+glitzern+-+aufscheinen+-+nimm+hinzu+-+genommen+-+gefu%CC%88llt+-+lag+wiederka%CC%88uend.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. November 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480053139-WR1UR8L2UJV84RJXSYOX/2022-11-13-2a-steh%27+-+seh%E2%80%99+-+glitzern+-+aufscheinen+-+nimm+hinzu+-+genommen+-+gefu%CC%88llt+-+lag+wiederka%CC%88uend.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669480053813-4GQXR38S65WEO9JC915N/2022-11-13-2b-geworden+-+gebrochen+-+schwappen+-+vergie%C3%9Fen+-+achten+-+zischen+-+schlu%CC%88rfen+-+halten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669479857479-X2BHPTWRGULYRPHTKUN9/2022-11-12-2b-gebla%CC%88ht+-+fallen+-+liegen+-+gewesen+-+zeigt+-+enta%CC%88u%C3%9Fern+-+spreizen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. November 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669479552800-T77DY1Q3XM6NSTG0IA2R/2022-11-11-1b-ausschlie%C3%9Fen+-+sprechen+-+stu%CC%88rzen+-+zittern+-+verbergen+-+aussto%C3%9Fen+-+fassen+-+abwischen+-+frag+mich.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. November 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669479576907-YYY3O6VCSAVJEP0DKRFY/2022-11-11-2a-auszukehren+-+anschicken+-+nahmen+-+sehend+-+beachten+-+hinterlassen+-+flie%C3%9Fen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669479577982-AC6MCWNLMVLWHPM51W0K/2022-11-11-2b-ausschlie%C3%9Fen+-+sprechen+-+stu%CC%88rzen+-+zittern+-+verbergen+-+aussto%C3%9Fen+-+fassen+-+abwischen+-+frag+mich.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669479373281-GDFYJVSC97L03JUXQCQL/2022-11-10-1b-schie%C3%9Fen+-+nachhallen+-+ausza%CC%88hlen+-+schleifen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. November 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669478622103-FELN97KA57E6QUL286RH/2022-11-06-2b-nimmt+-+ausweisen+-+neigen+-+verflechten+-+sagen+-+entfu%CC%88hren+-+stunden+-+dro%CC%88hnen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. November 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669478386527-2RO7DDXYBGYYIIWX3GAX/2022-11-05-1a-erscheinen+-+nachhallen+-+zeigen+-+verdient+-+abgespu%CC%88lt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669478386913-JFMTJ9XXMZOYOPWW2LMJ/2022-11-05-1b-schweifen+-+eingefunden+-+la%CC%88rmen+-+rufen+-+ausschmu%CC%88cken+-+belieben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669478410250-SOB425WP7BX4W939EWDI/2022-11-05-2a-erscheinen+-+nachhallen+-+zeigen+-+verdient+-+abgespu%CC%88lt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669478410755-7TZCWJPDP887GMAYCIMN/2022-11-05-2b-schweifen+-+eingefunden+-+la%CC%88rmen+-+rufen+-+ausschmu%CC%88cken+-+belieben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. November 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669478178275-XIRD2JKDNH3Z2LBVX9LI/2022-11-04-1a-verfu%CC%88gen+-+ausweiten+-+zeichnet+-+mo%CC%88gen+-+gelegen+-+einschlie%C3%9Fen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669478177392-D415FELWJJNHA739A4Q9/2022-11-04-1b-nennen+-+entziehen+-+wenden+-+wappnen+-+entgegen+treten+-+widersteh%27n.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669478204209-Z8CS7DNS4TH59SAGYHZA/2022-11-04-2a-verfu%CC%88gen+-+ausweiten+-+zeichnet+-+mo%CC%88gen+-+gelegen+-+einschlie%C3%9Fen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669478203275-51DHBC8SJDBG6LEIJ5TJ/2022-11-04-2b-nennen+-+entziehen+-+wenden+-+wappnen+-+entgegen+treten+-+widersteh%27n.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. November 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669476935815-0HTIF4A57JPPZP76XW61/2022-11-03-1a-hindern+-+fallen+-+auftreffen+-+glimmen+-+warten+-+zeichnen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669476934969-HANEAJMLIASR0A90FBYG/2022-11-03-1b-betrachtet-+gesetzt+-+verscharrt+-+umkehren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669476957333-5X8B2DCFKRISV3QJRDGF/2022-11-03-2a-hindern+-+fallen+-+auftreffen+-+glimmen+-+warten+-+zeichnen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. November 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669476957065-AZIDHI0TT5QZSJLDUTTI/2022-11-03-2b-betrachtet-+gesetzt+-+verscharrt+-+umkehren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. November 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669476751816-ZG27RFL04WFFCYAM00CV/2022-11-02-1a-geschichtet+-+lassen+-+fortsetzen+-+bluten+-+zittern+-+spreizen+-+gewesen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. November 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669476751582-ZOHO4O12JDK14H27QM20/2022-11-02-1b-verblu%CC%88hen+-+fallen+-+verlagern+-+entfernen+-+erza%CC%88hlt+-+erschien+-+erza%CC%88hlt+-+verheiraten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. November 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669476776141-EAWPIW1EME9FU1D80G84/2022-11-02-2b-verblu%CC%88hen+-+fallen+-+verlagern+-+entfernen+-+erza%CC%88hlt+-+erschien+-+erza%CC%88hlt+-+verheiraten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669476550785-N8TJ4MFISMF6BFZA7FQ7/2022-11-01-1b-annehmen+-+hallen+-+lachen+-+stapeln+-+wissen+-+rechnen+-+kratzen+-+verflu%CC%88chtigen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. November 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. November 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669476576716-TLQ5QT55NXRJI4NCPH2K/2022-11-01-2b-annehmen+-+hallen+-+lachen+-+stapeln+-+wissen+-+rechnen+-+kratzen+-+verflu%CC%88chtigen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. November 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Oktober 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669476376093-5CGKBGZ8VE8LS6X6KDUG/2022-10-31-2b-ha%CC%88ngen+-+gegeben+-+folgen+-+aufstellen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Oktober 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669475397045-B92RARPRMRRLFHWWOEOW/2022-10-26-2a-nahmen+-+schillern+-+schlugen+-+blu%CC%88hen+-+angenommen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Oktober 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669475396787-S7DPGAJSI3N1U923B90X/2022-10-26-2b-spart+auf+-+reihen+-+atmen+aus+-+einbinden+-+u%CC%88berlagern+-+weisen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Oktober 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669475160981-BXH9W443E3CWEJMT49KW/2022-10-25-1a-einsacken+-+geschlungen+-+nehmen+-+fallen+-+nahmen+ab+-+bleiben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Oktober 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669475161167-66OTE1E9MD24P5DIFBC8/2022-10-25-1b-bergen+-+geschnitten+-+gesellt+-+tanzt+-+vermessen+-+verschra%CC%88nken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Oktober 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1669475185185-WPV8CGK1BVG28N3XBIOF/2022-10-25-2b-bergen+-+geschnitten+-+gesellt+-+tanzt+-+vermessen+-+verschra%CC%88nken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Oktober 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1668687037153-RFDOFJSOLSLRCI9V91R7/2022-10-05-2a-tragens+-+verbleiben+-+vergleichen+-+springend+-+strebend+-+atmen+-+aufschneiden+.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Oktober 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1668687037266-AQCBEM6X5Z5ZBNP71XLN/2022-10-05-2b-tastend+-+zerborsten+-+ausgetreten+-+ausgebracht+-+abstu%CC%88tzend+-+gefasst.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. Oktober 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1668686808962-A0ZDXAAVP3HBKSEE3HDO/2022-10-04-1a-nehmen+-+gekreuzt+-+lodern+-+spiegeln+-+entstehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Oktober 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1668686809151-VJNLPAI8CXHI87M4A00E/2022-10-04-1b-verwachsen+-+setzen+-+klingen+-+sprechen+-+schlagen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Oktober 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1668686833478-EH4CAHGVBHQ6UAGBDYB5/2022-10-04-2b-verwachsen+-+setzen+-+klingen+-+sprechen+-+schlagen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Oktober 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1668686590120-MXQ5JUL5EQ3JV13HY65O/2022-10-03-2b-2022-10-03a-zeigen+-+sehen+-+bereitet+-+geha%CC%88ngt+-+verku%CC%88rzen+-+ausnehmen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. Oktober 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. September 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. September 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664113436157-R8Z89TGKJDN99TO12BGO/2022-09-25-2a-eingrenzen+-+umranden+-+kommen+-+zerschneiden+-+auftischen+-+gebracht.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. September 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664113436479-XGUYS4XDYF3L1CU61LYR/2022-09-25-2b-springen+-+hinwerfen+-+verfa%CC%88rben+-+ineinander+bewegen+-+schleifen+-+fassen+-+anna%CC%88hern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. September 2022</image:title>
    </image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664039476884-GDCHINGLDBSHK30PVO6X/2022-09-24-1b-durchqueren+-+entgegen+gestreckt+-+winkeln+-+erheben+-+fassen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. September 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664039504058-1EO40607BQL6WULACZ6L/2022-09-24-2a-wein%E2%80%99+-+sagst+-+lieben+-+gefu%CC%88hrt+-+setzt+an+-+erga%CC%88nzt+-+folgend.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. September 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664039504217-8GBKATN9G5TC5X6VBL0T/2022-09-24-2b-durchqueren+-+entgegen+gestreckt+-+winkeln+-+erheben+-+fassen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. September 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664039250564-KSEZBN1PVUGHGCAPUX54/2022-09-23-1a-halten+-+rasseln+-+sagt+-+trinken+-+fu%CC%88llen+-+durchdringen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664039251344-KS0ZQR9AYL02VYC1J1F9/2022-09-23-1b-beenden+-+behauptet+-+hinterlasse+-+ausstrecken+-+verschra%CC%88nken+-+lieben+-+bedenken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. September 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664039277389-ZWFRWXT6XY65EJGYMXAM/2022-09-23-2a-halten+-+rasseln+-+sagt+-+trinken+-+fu%CC%88llen+-+durchdringen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. September 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664039280582-KZGYW68P4CJTGSFKAVQV/2022-09-23-2b-beenden+-+behauptet+-+hinterlasse+-+ausstrecken+-+verschra%CC%88nken+-+lieben+-+bedenken.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. September 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664038898285-CZLG6XINUKHQSPDNRY4X/2022-09-22-1b-geleckt+-+fu%CC%88hren+-+bestiegen+-+begleiten+-+auszehren+-+aufstehen+-+drehen+-+schwanken+-+anheften.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664038923227-H4TI2FLXHGZQSCJHIZR0/2022-09-22-2b-geleckt+-+fu%CC%88hren+-+bestiegen+-+begleiten+-+auszehren+-+aufstehen+-+drehen+-+schwanken+-+anheften.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. September 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664038682182-UE24KAEEJ9GXKN64X3M5/2022-09-21-1a-verleugnen+-+kreischen+-+anschlagen++-+ausdu%CC%88nnen+-+geworden+-+nimmt+-+gestrichen+-+tragen+-+gebaut.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. September 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664038709000-1Q1LE3QKXBBE41L1SQEU/2022-09-21-2b-tra%CC%88gt+-+erheben+-+ticken+-+verwoben+-+gemacht+-+geloben+-+ausgerissen+-+bleiben+-+fort+geschrieben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. September 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664038258794-4WO8C3KAHT76FQ8DLT0P/2022-09-20-1b-dra%CC%88ngen+-+gegeben+-+rollen+-+erregen+-+schlagen+-+bleiben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664038289097-ML3CONGKQZCM0Y2N31A5/2022-09-20-2a-abspalten+-+geza%CC%88hlt+-+laufen+-+verdunkelnd+-+deckenlichtend+-+standen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1664038288353-8TI54VP0N8141ZP6TI9G/2022-09-20-2b-dra%CC%88ngen+-+gegeben+-+rollen+-+erregen+-+schlagen+-+bleiben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. September 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663925612439-I2EMAWA42CDVJJW83BOK/2022-09-14-1b-geblieben+-+ja%CC%88hren+-+nimm+-+denk+-+geho%CC%88hlt+-+geboten+-+gerufen+-+fa%CC%88llt+-+vertrocknen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. September 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663925666992-YB7CKDIH7M9T3UTCIJ2O/2022-09-14-2a-wuchernd+-+gebogen+-+gebissen+-+geklopft+-+genommen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. September 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663925667201-CA1G9LIWXZI7EK54ZACD/2022-09-14-2b-geblieben+-+ja%CC%88hren+-+nimm+-+denk+-+geho%CC%88hlt+-+geboten+-+gerufen+-+fa%CC%88llt+-+vertrocknen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. September 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663925406050-75FN83R7XTS6L8TPB3P9/2022-09-13-1a-spiegeln+-+ausgesetzt+-+senkt+-+geschehen+-+gerechnet.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663925406166-556BCN0AYFW55Q3JWBSJ/2022-09-13-1b-verglasen+-+schu%CC%88tteln+-+zittern+-+genommen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663925431484-87ENAHBTWLP88I8RW0ZO/2022-09-13-2a-spiegeln+-+ausgesetzt+-+senkt+-+geschehen+-+gerechnet.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. September 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663925431484-6FKFGQ6ZINA60PHLZ9R5/2022-09-13-2b-verglasen+-+schu%CC%88tteln+-+zittern+-+genommen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. September 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663917868035-96GQOMV6IRPMHZIMX1WV/2022-09-12-1a-gewusst+-+gestapelt+-+verziehen+-+entdeckt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. September 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663917888378-ESC6LDF5XF0SLH0OKRAY/2022-09-12-2a-gewusst+-+gestapelt+-+verziehen+-+entdeckt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. September 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663917888380-ZFRIGZZRJPS5GTIQK5Q4/2022-09-12-2b-polieren+-+verteilt+-+entsinnt+-+geschoben+-+verloren+ging.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663917684697-SYNHIL9RKZJHHBRF40TN/2022-09-11-2a-ausgewiesen+-+ha%CC%88ngen+-+deuten+-+ausgetreten+-+verfa%CC%88rben+-+aufbewahren+-+einschlie%C3%9Fen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663917684767-UNU2D20SXI8LK893YS04/2022-09-11-2b-zerdru%CC%88ckt+-+werfen+u%CC%88ber+-+schau+nur+-+ausbluten+-+folgen+-+gelaufen+-+geblieben+-+aufdra%CC%88ngen+-+erwehren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663917452769-LPNNLQI5NXNKG3B367A8/2022-09-10-1b-verstehen+-+bewegt+-+feststellen+-+bestimmen+-+entfalten+-+ringeln+-+geschliffen+-+entlang+glitt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. September 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663917476488-L0R3HEEVLGYA3WXU9W5F/2022-09-10-2b-verstehen+-+bewegt+-+feststellen+-+bestimmen+-+entfalten+-+ringeln+-+geschliffen+-+entlang+glitt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. September 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663917230046-9I8QYJVJLYT18UCA304M/2022-09-09-1a-kriechen+-+durchtra%CC%88nken+-+wu%CC%88nschte+-+spalten+-+gestanden+-+trennen+-+falten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663917230278-CV4VSF7KFQ5C1SVUFVBN/2022-09-09-1b-ausrichten+-+gesto%C3%9Fen+-+eingravieren+-+geschlungen+-+betrogen+-+seh%27n.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663917256647-CVTDK83WZKOOHFM3GNQ6/2022-09-09-2a-kriechen+-+durchtra%CC%88nken+-+wu%CC%88nschte+-+spalten+-+gestanden+-+trennen+-+falten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663917256768-J5URRYT3KED27TSP06EC/2022-09-09-2b-ausrichten+-+gesto%C3%9Fen+-+eingravieren+-+geschlungen+-+betrogen+-+seh%27n.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 09. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. September 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663916065496-OMLFJS2NNSVLLRAJJR0G/2022-09-08-2b-neigen+-+schweigen+-+erfasst+-+legen+-+winkend+-+angefressen+-+rollt+-+ga%CC%88ren+-+tra%CC%88nen+-+gezerrt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 08. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. September 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. September 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 07. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663864691110-7MW47M06XUZOUVM1PGP3/2022-09-06-2b-aufgeschrieben+-+scheiden+-+vollzogen+-+stirbt+-+nimmer+finden.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 06. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 05. September 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663864229836-03PVX95GN1NQ0U5OK9Q0/2022-09-04-1b-flattern+-+flu%CC%88stern+-+achten+-+zerteilt+-+enta%CC%88u%C3%9Fern+-+verwehren+-+vermehren+-+entgeh%27n.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. September 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663864251165-D7VB9JNQM28GJ60DZ5IM/2022-09-04-2b-flattern+-+flu%CC%88stern+-+achten+-+zerteilt+-+enta%CC%88u%C3%9Fern+-+verwehren+-+vermehren+-+entgeh%27n.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 04. September 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663861492387-9W14V2L122ISNA21Y5K8/2022-09-03-1a-zerteilt+-+ho%CC%88ren+-+spitzen+-+verwerfen+-+zerzaust+-+aufgerissen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663861492214-KC1BUU0RPZHY88A424NL/2022-09-03-1b-geschlossen+-+geschlagen+-+nehmen+-+greinen+-+sabbern+-+sichten+-+gestreckt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. September 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663861512673-A9ELAGGX7JOQVH0Y9UR5/2022-09-03-2a-zerteilt+-+ho%CC%88ren+-+spitzen+-+verwerfen+-+zerzaust+-+aufgerissen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. September 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663861512731-YTZRWZ83JJ52NTRO2G5O/2022-09-03-2b-geschlossen+-+geschlagen+-+nehmen+-+greinen+-+sabbern+-+sichten+-+gestreckt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 03. September 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663861282554-9JAOPWXJSTV2IFOMVCGZ/2022-09-02-1a-erinnern+-+sinken+-+fiel+zu+-+sahen+-+gestemmt+-+spricht.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663861282794-RMKJS05Z4YC3KGHAFL8O/2022-09-02-1b-+akzentuiert+-+such+-+ruh+aus+-+geschlossen+-+geworden.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663861305202-DLLSJAK6EHLJJ5DN6FQI/2022-09-02-2a-erinnern+-+sinken+-+fiel+zu+-+sahen+-+gestemmt+-+spricht.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663861305351-O3E6QOZPNWT1US0KHVSO/2022-09-02-2b-+akzentuiert+-+such+-+ruh+aus+-+geschlossen+-+geworden.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 02. September 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663861052025-FD8XWUNKXQPQVK1MJ7GP/2022-09-01-1a-entsprechen+-+bestehen+-+aufgespurt+-+eingerissen+-+sage+nur+-+zieh+mich+-+abwehren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663861052149-KLLDDIQAYUNAL4GHQ11L/2022-09-01-1b-gesponnen+-+nehmen+-+mischen+-+bemessen+-+hecheln+-+erliegt+-+gedacht+-+geschlag%27nen+-+nimm.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. September 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663861076817-88Y38E0WXH30CQ9JKL0S/2022-09-01-2a-entsprechen+-+bestehen+-+aufgespurt+-+eingerissen+-+sage+nur+-+zieh+mich+-+abwehren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. September 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663861076892-9WZ34P3QBEYRLKBP7LLJ/2022-09-01-2b-gesponnen+-+nehmen+-+mischen+-+bemessen+-+hecheln+-+erliegt+-+gedacht+-+geschlag%27nen+-+nimm.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 01. September 2022</image:title>
    </image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. August 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663860628028-BGA8SS57LQG72BD2S0Y1/2022-08-31-1b-regen+-+grimmen+-+summen+-+gehei%C3%9Fen+-+schmecken+-+genommen+-+eingewunden+-+gegeben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663860650028-NEQHLTTHPZAR2FTIAB43/2022-08-31-2a-wei%C3%9Ft+-+verschlingen+-+einbetten+-+wirf+-+wa%CC%88rmen+-+flackern+-+geschlagen+-+geritten+-+frieren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663860650073-HA2Q77QNUFPO646HMIN4/2022-08-31-2b-regen+-+grimmen+-+summen+-+gehei%C3%9Fen+-+schmecken+-+genommen+-+eingewunden+-+gegeben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663860383818-R0WC04OKWL98606USSL4/2022-08-30-1b-geschlagen+-+vertrocknen+-+wechseln+-+sprechen+-+geworfen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663860404793-QH1YZNA49PUG9RBNSG8H/2022-08-30-2a-geschlagen+-+vertrocknen+-+wechseln+-+sprechen+-+geworfen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1663860404896-EB0PV6GIHTHQXHDY7GAG/2022-08-30-2b-geschlagen+-+vertrocknen+-+wechseln+-+sprechen+-+geworfen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. August 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661805166877-O11VTRSLA16PP5HJO0Y0/2022-08-29-2b-gebildet+-+verstanden+-+abwenden+-+zerrissen+-+geordnet+-+kommen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. August 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. August 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. August 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661685079424-F6RWYUIUSY9TBIBIN9DP/2022-08-24-1b-sagten+-+dachten+-+einsetzen+-+ausgespielt+-+auf+gerissen+-+schlingern+-+einneigen+-+schreibt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. August 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661685101699-3GSBS7JEXHEUQV5ICG9R/2022-08-24-2a-erschien+-+meide+-+wart%E2%80%99+-+fu%CC%88llen+-+mu%CC%88de+gewesen+-+gehalten+-+nahm.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. August 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661685102220-98LXNBIQ6ANAPQLHY91S/2022-08-24-2b-sagten+-+dachten+-+einsetzen+-+ausgespielt+-+auf+gerissen+-+schlingern+-+einneigen+-+schreibt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. August 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661684852404-N61VOJCAEZDIPYALQ4A7/2022-08-23-1a-kam+-+voran+-+ragen+-+sagt+-+werden+-+fielen+-+gesichelt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. August 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661684853940-JVW675IJPU3959TT8KKA/2022-08-23-1b-erworben+-+fiel+-+abgeschnitten+-+versperren+-+schrie.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. August 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661684876466-YQUCFKKB2H78M2074X7P/2022-08-23-2a-kam+-+voran+-+ragen+-+sagt+-+werden+-+fielen+-+gesichelt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. August 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661684877394-XLRKJEZEPBW94QDTWAPW/2022-08-23-2b-erworben+-+fiel+-+abgeschnitten+-+versperren+-+schrie.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. August 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661684642815-8V2DX16FEQ7GEEDK9TKB/2022-08-22-1b-rauchen+-+entkleiden+-+verstellt+-+zerborchen+-+gekehrt+-+za%CC%88hlen+-+flu%CC%88stern+-+begehrt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661684666220-KAKEZT8V08J9ZFJNQFMB/2022-08-22-2a-nehmen+-+geneigt+-+spa%C3%9Fen+-+ziehen+-+gebeugt+-+gekommen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. August 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661684667353-WLTC47FWRXWQFWW0W8UL/2022-08-22-2b-rauchen+-+entkleiden+-+verstellt+-+zerborchen+-+gekehrt+-+za%CC%88hlen+-+flu%CC%88stern+-+begehrt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. August 2022</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661103552500-LZUKEK0L6IDSSGL9PYZ0/2022-08-21-1a-gestopft+-+gefu%CC%88llt+-+voraus+gesetzt+-+ranken+-+suchen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. August 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661103553132-7A2G1N2UYL0GGI0HOQRS/2022-08-21-1b-erblu%CC%88ht+-+verschlie%C3%9Fen+-+beta%CC%88ubt+-+gefasst+-+bilden+-+tasten+-+verloren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661103579183-B1Y0TXQWMOZ8N52COXEK/2022-08-21-2a-gestopft+-+gefu%CC%88llt+-+voraus+gesetzt+-+ranken+-+suchen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661103579824-DGBQF0UVXH1WGV6E8P8Q/2022-08-21-2b-erblu%CC%88ht+-+verschlie%C3%9Fen+-+beta%CC%88ubt+-+gefasst+-+bilden+-+tasten+-+verloren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661020805312-XLMDQS18V0FRVMRGOIRS/2022-08-20-1b-ausgesprochen+-+hinha%CC%88lt+-+verlor%E2%80%99n+gegeben+-+bereitet+-+gesto%C3%9Fen+-+brechen+-+vertaut+-+umschlungen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661020828614-K1384PDGJ6I5OR8Z9E6X/2022-08-20-2a-nimmt+-+hoch+reichend+-+geschlossen+-+betrachtet+-+wissend.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1661020829501-PANT5KEKGRPT9S0RDRR1/2022-08-20-2b-ausgesprochen+-+hinha%CC%88lt+-+verlor%E2%80%99n+gegeben+-+bereitet+-+gesto%C3%9Fen+-+brechen+-+vertaut+-+umschlungen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660943166158-GW7YSJZJ0LBCW5CUBZUW/2022-08-19-1b-warten+-+rotieren+-+schleifen+-+kra%CC%88chzen+-+singend+-+dra%CC%88ngen+-+gelassen+-+ergeben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660943189843-AKVM0WERA967ELVV9DI1/2022-08-19-2a-abspreizen+-+klingt+-+gestellt+-+gebrannt+-+entlang+gefahren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660943189871-M9OLSU3XDRPRENFNCOAA/2022-08-19-2b-warten+-+rotieren+-+schleifen+-+kra%CC%88chzen+-+singend+-+dra%CC%88ngen+-+gelassen+-+ergeben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. August 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660942946481-N7Z9KVSMVB3FEX5WHXG8/2022-08-18-2b-sag+nicht+-+zugewiesen+-+aufgerissen+-+geben+an+-+bezeichnet+-+schreiben.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. August 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. August 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. August 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660576577602-JY7SFCVCSF01FEGHI1IP/2022-08-14-2b-dra%CC%88ngen+-+gezogen+-+keuchen+-+lagern+-+singen+-+schla%CC%88ngeln+-+hu%CC%88llen+-+tropfen+-+fallen+-+beru%CC%88hren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660576328722-DGOCVYQTLJ3L1UYLCT0Q/2022-08-13-1b-ausnehmen+-+isoliert+-+zeigen+-+gelassen+-+brechen+auf+-+abweisen+-+flimmernd+verteilt+-+gefolgt+-+hegen+-+schichtet.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660576349862-GI35USBVM8X1COHXKD9W/2022-08-13-2a-zunehmen+-+geschuldet+-+geborgen+-+gegeben+.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660576350078-L9KDZHGU8B8LR4R1FTM5/2022-08-13-2b-ausnehmen+-+isoliert+-+zeigen+-+gelassen+-+brechen+auf+-+abweisen+-+flimmernd+verteilt+-+gefolgt+-+hegen+-+schichtet.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660560497181-6UABAYGHPEYSGCKQOFB8/2022-08-12-1b-erweisen+-+u%CC%88berziehen+-+beschnitten+-+vorbereiten+-+branden.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660560521031-VRWDZPVPY5NGNDA0JUJM/2022-08-12-2a-2022-08-11b-aufquellen+-+was+gesagt+-+eingedrungen+-+aufgerissen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660560521232-PBHDFD1S5GJ35JKPRWR7/2022-08-12-2b-erweisen+-+u%CC%88berziehen+-+beschnitten+-+vorbereiten+-+branden.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660560192304-N53OZFMOFYHMOAORLNZ1/2022-08-11-2a-ha%CC%88tten+aufgepfropft+-+gezupft+-+da+hin+gerollt+-+fliehn+-+nimmer+frage.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660560192380-N6J9MLOBMC0YLJL9ZE4P/2022-08-11-2b-angewendet+-+entlang+gefahren+-+raus+gerissen+-+gebu%CC%88hren+-+andienen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. August 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660559970110-NQOF0WN4A3BJ9Z9INOB0/2022-08-10-2b-gestarrt+-+gestolpert+-+ka%CC%88men+sie+-+verbirgt+-+heran+getragen+-+erwarten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. August 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660118258585-P0ITCQOQFF3MZS78UFKB/2022-08-09-1a-ausspielen+-+gegessen+-+stehen+-+gruppieren+-+spiegeln+-+abgerieben+-+weisen+-+gewinnen+.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 9. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 9. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 9. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 9. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 8. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1660118061916-AAA2WU3IC2PQRJEU35M6/2022-08-08-1b-konservieren+-+vergraben+-+auslegen+-+unbesprochen+-+gelegt+-+anzubinden+-+hoffen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 8. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 8. August 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 8. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 7. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 7. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 7. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1659888660690-25V70J7ZGGOTWUEMN7NK/2022-08-07-2b-beansprucht+-+verfa%CC%88rben+-+abdecken+-+zeigen+-+entflammen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 7. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 6. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 6. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 6. August 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 6. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 5. August 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 5. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1659888204898-4DNBL6FSQ3WHJ5W2DFJ1/2022-08-05-2a-rochen+-+zerflossen+-+geflochten+-+sa%C3%9Fen+-+hatten+entdeckt+-+wechselt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 5. August 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 5. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 4. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 4. August 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1659801184586-T1KA4BEZ5GRFSXOO51J4/2022-08-04-1b-zerspringen+-+ga%CC%88hnen+-+einsaugen+-+schmatzen+-+spreizen+-+klopfen+-+abgebunden+-+za%CC%88hlt+-+entledigt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 4. August 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 4. August 2022</image:title>
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    <image:image>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 4. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 4. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 3. August 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1659800880157-4Y3FE9HFTI0XA1ZQ3Z0D/2022-08-03-1b-hin+starren+-+sitzen+-+geschlossen+-+zugetan+-+aufgesto%C3%9Fen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 3. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 3. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 3. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 2. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 2. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 2. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 2. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 1. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 1. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 1. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 1. August 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Juli 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1658598854953-AFD6QUDKPYSNTWYTRJ09/2022-07-23-2b-gestrichen+-+sie+wei%C3%9F+-+regen+-+legen+-+ging+-+sammeln+-+mo%CC%88gen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Juli 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1656865658063-PIUFQN3AU8UDELQNTYG9/2022-07-02-1a-untersagt+-+brennt+-+gebeugt+-+gehangen+-+gesputet.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 2. Juli 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1656865708640-QADYY7Q19H4LLZN8WREU/2022-07-02-1b-schra%CC%88g+gelegt+-+gestanden+-+verteilt+-+angefressen+-+erwarten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 2. Juli 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1656865660029-MK1IO5OVSWKO8NKHWXSQ/2022-07-02-1b-schra%CC%88g+gelegt+-+gestanden+-+verteilt+-+angefressen+-+erwarten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 2. Juli 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1656865694684-JYH8T1K07CFL2B4QWDBA/2022-07-02-2a-untersagt+-+brennt+-+gebeugt+-+gehangen+-+gesputet.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 2. Juli 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1656865696065-IDPCCDJPN4095AENYC71/2022-07-02-2b-schra%CC%88g+gelegt+-+gestanden+-+verteilt+-+angefressen+-+erwarten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 2. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 1. Juli 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1656865377293-FTM4ILNNQS95B3NR9SXT/2022-07-01-1b-verschra%CC%88nken+-+berechnen+-+sagte+mir+-+kommen+-+stimmen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 1. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 1. Juli 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1656865409321-F4BSE5J11G73RZ73EL52/2022-07-01-2b-verschra%CC%88nken+-+berechnen+-+sagte+mir+-+kommen+-+stimmen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 1. Juli 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28 Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28 Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28 Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Juni 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1656250510339-YRKV44IARZQO7CT3E3OG/2022-06-21-1b-beugen+-+leicher+fallen+-+aufgerissen+-+schla%CC%88gt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Juni 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1656250538930-4UOHUL96WFURDH1JSALN/2022-06-21-2b-beugen+-+leicher+fallen+-+aufgerissen+-+schla%CC%88gt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Juni 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1655791371982-ILAYENFQJJLKJSZWD4G7/2022-06-20-1b-gemacht+-+vertagen+-+flu%CC%88stert+-+winkt+-+gerechnet+-+einklagen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Juni 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1655791409778-P2F6WMO4DLNLDUXDVQ2Z/2022-06-20-2b-gemacht+-+vertagen+-+flu%CC%88stert+-+winkt+-+gerechnet+-+einklagen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 19. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 18. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Juni 2022</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1655557887213-C20HGPICIV3JWOFRCV4U/2022-06-17-2b-mussten+-+werden+-+geworden+-+gewesen+-+vergangen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 17. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Juni 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1655557557639-XR8FQOWAK50SBAPRR890/2022-06-16-2b-brechen+-+keuchen+-+fluchen+-+beziehen+-+schweigen+-+geschlungen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 16. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 15. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 14. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 13. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 12. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 11. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 10. Juni 2022</image:title>
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      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/3391f52c-a3ef-43b1-b839-12f0ee604095/ava-logo.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 31. Mai 2022 - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-05-30</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1654105057749-STLFXY0EMCJNP6PSW38S/2022-05-30-1a-wissen+-+schlingen+-+spreizen+-+schauen+-+einschneiden+.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1654105058340-57VVUJ47RH5G1S3CZ0EO/2022-05-30-1b-ha%CC%88ngen+-+gegossen+-+geschu%CC%88ttelt+-+aufeinander+gestapelt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1654105094032-2RRA1MSJGAF56F8S8YBU/2022-05-30-2a-wissen+-+schlingen+-+spreizen+-+schauen+-+einschneiden+.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1654105094403-62PHB02KCE13C3ABM15Z/2022-05-30-2b-ha%CC%88ngen+-+gegossen+-+geschu%CC%88ttelt+-+aufeinander+gestapelt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/3391f52c-a3ef-43b1-b839-12f0ee604095/ava-logo.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 30. Mai 2022 - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
    </image:image>
  </url>
  <url>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1654104761557-KFJGP3T8IT1EYAUQTBKU/2022-05-29-1a-gesehen+-+flattern+-+verfolgen+-+kreischen+-+festlegen+-+hoffen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1654104761460-GR3G0Y8QX3SMZKXAY4FC/2022-05-29-1b-verbergen+-+gerissen+-+lagern+-+schwellen+-+verweisen+-+sagen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1654104799659-VHJ46B3F79U68XP8QD94/2022-05-29-2a-gesehen+-+flattern+-+verfolgen+-+kreischen+-+festlegen+-+hoffen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1654104799648-K81IERG46K4V01ZO4BJX/2022-05-29-2b-verbergen+-+gerissen+-+lagern+-+schwellen+-+verweisen+-+sagen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 29. Mai 2022</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-05-28</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653835550499-YVAJ4JQY6NH1KGIRG5Z3/2022-05-28-1a-ausgesondert-liegen-bedecken-gerinnen-waren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653835550998-JMJVI5N6WHDKFNCNWTQ6/2022-05-28-1b-zuspielen-scharf+schneiden-lachen-tanzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653835577176-FTQ326D6YHW8IJ5ASSQO/2022-05-28-2a-ausgesondert-liegen-bedecken-gerinnen-waren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653835577325-RP581632C75OT6BG8NN9/2022-05-28-2b-zuspielen-scharf+schneiden-lachen-tanzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 28. Mai 2022</image:title>
    </image:image>
  </url>
  <url>
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    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653835275806-ILBEMTKGPGGUU12G4Y0Q/2022-05-27-1a-hin+sieht-kru%CC%88mmen-wippen-aufgegessen-eingeteilt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653835276186-GB7PYUQNCS3IJHQZK6HX/2022-05-27-1b-verbergen-gezogen-singen-beeten-ausleeren-fasten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653835305416-0RNXTSFOYKJZE4RUNLRG/2022-05-27-2a-hin+sieht-kru%CC%88mmen-wippen-aufgegessen-eingeteilt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653835305303-1CGA5Q8F5IL7VSH49Y5L/2022-05-27-2b-verbergen-gezogen-singen-beeten-ausleeren-fasten.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 27. Mai 2022</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-05-26</loc>
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    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653835030519-DT4K4YLDT6Z31U1SHPDB/2022-05-26-1a-nahm-wagen-blind+gespielt-ausersehen+.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653835031170-ZEPIXKYE7LCP00VVJ3RQ/2022-05-26-1b-einstreuen-unbewegt+angeheftet-rechnen-lach.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653835061124-1FPD17D743RI7P65JDNS/2022-05-26-2a-nahm-wagen-blind+gespielt-ausersehen+.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653835061332-TB8DK5HN4F0E1D9OW7QK/2022-05-26-2b-einstreuen-unbewegt+angeheftet-rechnen-lach.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 26. Mai 2022</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-05-25</loc>
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    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653647241968-AZUQJ867YZ1EGY5ZFTQE/2022-05-25-1a-besagen-abrechnen+werden-zeigen+sich-za%CC%88hlen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653647242485-CYIL3YOE9GAYT9IKRCMU/2022-05-25-1b-za%CC%88hlen+zusammen-zahlt%E2%80%99s-schulden-verspiegeln-bergen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653647269316-HMBN7ZOA23M49JV1Y0BQ/2022-05-25-2a-besagen-abrechnen+werden-zeigen+sich-za%CC%88hlen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653647269620-XVNBLA7TNL04BB0BJOU9/2022-05-25-2b-za%CC%88hlen+zusammen-zahlt%E2%80%99s-schulden-verspiegeln-bergen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 25. Mai 2022</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-05-24</loc>
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    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653646983184-RLR101BYT968OKLG84MY/2022-05-24-1a-gelaufen-wartend-geschlungen-frag+nicht+nach.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653646983321-72T3ZTDE8PJTSJDHH93J/2022-05-24-1b-gebrochen-ausgeschlu%CC%88rft-umgesprungen-verwahren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653647009096-VWUDGQHZOS4NYBMRO4JQ/2022-05-24-2a-gelaufen-wartend-geschlungen-frag+nicht+nach.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653647009305-1L46DQA23X9PAVT7WDYR/2022-05-24-2b-gebrochen-ausgeschlu%CC%88rft-umgesprungen-verwahren.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 24. Mai 2022</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-05-23</loc>
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    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653646726211-9ER7145J63IKUTPGOBDI/2022-05-23-1a-angefasst-abstreifen-abreiben-absetzen-gepflanzt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653646726367-KWXX79PKT4E79QK5JGU4/2022-05-23-1b-bedecken-zogen-lagerten-heraus+gewachsen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653646754056-7UA2SOPTAMQ2LDIQ89N7/2022-05-23-2a-angefasst-abstreifen-abreiben-absetzen-gepflanzt.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653646754031-SKV6EURSM3M3X85UVPKI/2022-05-23-2b-bedecken-zogen-lagerten-heraus+gewachsen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 23. Mai 2022</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-05-22</loc>
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    <lastmod>2024-10-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653646509243-HGQCY5WYYEU4ENUDGNUD/2022-05-22-1a-gib+eine-stammelnd-gepresst-summend-glimmend.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653646509424-WFEPDIZ5BG23JI4BDT5Q/2022-05-22-1b-einsichtig+gegeben-bluten-bestu%CC%88cken-zogen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Mai 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653646545729-F1SCCVULDBJ37NKD0VTH/2022-05-22-2a-gib+eine-stammelnd-gepresst-summend-glimmend.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653646546059-OMRKTYYXON4G48T0XDVF/2022-05-22-2b-einsichtig+gegeben-bluten-bestu%CC%88cken-zogen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 22. Mai 2022</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-05-21</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653222761344-9UP59OEKIEHJE6HSXBSE/2022-05-21-1a-fa%CC%88llt+tiefer-entschulden-herausgerissen-begrenzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Mai 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653222761664-59TWF1P53B4QKTA8KQP2/2022-05-21-1b-verlaufen-wa%CC%88ren-runden-verweilen-kommen+und+gehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Mai 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653222794072-7TXMB286V0PHCF10FVGB/2022-05-21-2a-fa%CC%88llt+tiefer-entschulden-herausgerissen-begrenzen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653222793584-TSW5ES8WQJSIJJU78JKR/2022-05-21-2b-verlaufen-wa%CC%88ren-runden-verweilen-kommen+und+gehen.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 21. Mai 2022</image:title>
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  <url>
    <loc>https://www.tomasocarnetto.com/notation/2022-05-20</loc>
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    <lastmod>2024-10-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653221241979-LXN5HIFVQ362YO64LHJH/2022-05-20-1a-bestehen-bezeichnen-behaupten-sagen-auffordern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Mai 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653221242312-456TLSPIPZ649HI92SFF/2022-05-20-1b-unterbreiten-gemessen-entrollt-umflie%C3%9Fen-fassen-schreit.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Mai 2022</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1653221272254-DYTXRQA9KFGNYQ2NON97/2022-05-20-2a-bestehen-bezeichnen-behaupten-sagen-auffordern.jpg</image:loc>
      <image:title>Notation 01.05.2022 – 15.07.2023 - Ereignisnotation 20. Mai 2022</image:title>
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      <image:title>Casting - On the Table</image:title>
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      <image:title>Casting - On the Table</image:title>
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      <image:title>Casting - On the Table</image:title>
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      <image:title>Casting - On the Table</image:title>
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      <image:title>Casting - On the Table</image:title>
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      <image:title>Casting - On the Table</image:title>
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      <image:title>Casting - On the Table</image:title>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/casting/rahele-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-01</lastmod>
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      <image:title>Casting - Rahele, second attempt</image:title>
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      <image:title>Casting - Rahele, second attempt</image:title>
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      <image:title>Casting - Rahele, second attempt</image:title>
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      <image:title>Casting - Rahele, second attempt</image:title>
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      <image:title>Casting - Rahele, second attempt</image:title>
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      <image:title>Casting - Rahele, second attempt</image:title>
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      <image:title>Casting - Rahele, second attempt</image:title>
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      <image:title>Casting - Rahele, second attempt</image:title>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/casting/rahele-1</loc>
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    <lastmod>2025-09-10</lastmod>
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      <image:title>Casting - Rahele, first attempt</image:title>
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      <image:title>Casting - Rahele, first attempt</image:title>
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      <image:title>Casting - Rahele, first attempt</image:title>
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      <image:title>Casting - Rahele, first attempt</image:title>
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      <image:title>Casting - Rahele, first attempt</image:title>
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      <image:title>Casting - Rahele, first attempt - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/casting/category/making+of</loc>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/casting/category/scenery</loc>
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  <url>
    <loc>https://www.tomasocarnetto.com/casting/category/Rehearsal</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/archive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-04-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111218719-2FVUKO0JFY0GUXMXCFNI/Odoardo-Fialetti-01.jpg</image:loc>
      <image:title>Archive - Odoardo Fialetti, per disegnare tutte le parti 01</image:title>
      <image:caption>Odoardo Fialetti (1573 - 1638) was an Italian painter and printmaker during the late Renaissance. The Bolognese artist is a fascinating figure upon which curiously little work has been done. Though he is a rarely discussed pupil of Tintoretto, Fialetti’s oeuvre is vast (some 55 known paintings and approximately 450 prints) and incredibly diverse.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111215299-XOADQC9TSSI4LB4O7O1T/Odoardo-Fialetti-02.jpg</image:loc>
      <image:title>Archive - Odoardo Fialetti, per disegnare tutte le parti 02</image:title>
      <image:caption>His work encompasses religious subjects, portraits, books on drawing and sport, maps, and illustration for treatises on city defences, literary texts, and anatomy.  His work was influential for several hundred years after his death, not only in Venice and northern Italy, but also in France where his designs were used as decoration on faïence produced at Nevers, and England, where his paintings were much admired at court.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111917892-74WL2U03DQF6T8MHKRZP/Odoardo-Fialetti-anatomia.jpg</image:loc>
      <image:title>Archive - Odoardo Fialetti, per disegnare tutte le parti 03</image:title>
      <image:caption>In the realm of science, Fialetti’s influence can be deduced from his drawings of curiously animated cadavers in detailed landscapes to those of future generations of anatomists and illustrators throughout Europe.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111218709-XAVV9P551NKVAUDCXA1F/Odoardo-Fialetti-10.jpg</image:loc>
      <image:title>Archive - Odoardo Fialetti, per disegnare tutte le parti 04</image:title>
      <image:caption>Fialetti’s close association with Sir Henry Wotton, and the careful copy of his drawing book made by Alexander Browne in the mid-seventeenth century, attest to his impact on the formation of an Italianate sensibility in the appreciation of the visual arts in Early Modern England.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111220605-MFKCJIIDYB8ML63Z6D6C/Odoardo-Fialetti-11.jpg</image:loc>
      <image:title>Archive - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.1)</image:title>
      <image:caption>Maurice Merleau-Ponty, Phenomenology of Perception (Phénoménologie de la perception, Paris: Gallimard, 1945,trans., Colin Smith, London and New York: Routledge, 1962) 1.1 What is phenomenology? It may seem strange that this question has still to be asked half a century after the first works of Husserl. The fact remains that it has by no means been answered.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111223909-AJTYMUKWYOJT47B8GEAL/Odoardo-Fialetti-14.jpg</image:loc>
      <image:title>Archive - Cennino Cennini, The Book of the Art (CC1.1)</image:title>
      <image:caption>1.1 Made and composed by Cennino da Colle, in the reverence of God, and of the Virgin Mary, and of St. Eustachius, and of St. Francis, and of St. John the Baptist, and of St. Anthony of Padua, and generally of all the saints of God, and in the reverence of Giotto, of Taddeo, and of Agnolo the master of Cennino, and for the utility and good and advantage of those who would attain perfection in the art.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111223430-S52TNPKQLO43HCOAYVMO/Odoardo-Fialetti-17.jpg</image:loc>
      <image:title>Archive - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.2)</image:title>
      <image:caption>1.2 Phenomenology is the study of essences; and according to it, all problems amount to finding definitions of essences: the essence of perception, or the essence of consciousness, for example.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111227145-DWLT4ZFAS4EW815T3C2W/Odoardo-Fialetti-20.jpg</image:loc>
      <image:title>Archive - Cennino Cennini, The Book of the Art (CC1.2)</image:title>
      <image:caption>1.2 CHAP. 1–In the beginning, when the omnipotent God created the heaven and the earth, above all living creatures and plants for food, he created man and woman after his own image, endowing them with all virtues.  Afterwards came misfortune, through the envy of Lucifer towards Adam; who with malice and subtlety induced him to sin against the commandment of God, that is, first Eve, and then Eve deceived Adam; and God was angered against Adam, and caused him and his companion to be driven by an angel out of Paradise, saying to them, "Because you have dis-­obeyed the commandment which God gave to you, by your labour and exertions shall you support your­ selves."</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111228027-Z0KW21RE5NRXXUMBAEK1/Odoardo-Fialetti-23.jpg</image:loc>
      <image:title>Archive - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.3)</image:title>
      <image:caption>1.3 But phenomenology is also a philosophy which puts essences back into existence, and does not expect to arrive at an understanding of man and the world from any starting point other than that of their ‘facticity’.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111229726-AC3LIYQGENQ79HIKM307/Odoardo-Fialetti-24.jpg</image:loc>
      <image:title>Archive - Cennino Cennini, The Book of the Art (CC1.3)</image:title>
      <image:caption>1.3 Then Adam, knowing the sin he had committed, and being nobly endowed by God, as the root and origin and father of us all, discovered by his wisdom that it was necessary to find a way to live by his own manual exertions, and thus he began by digging and Eve by spinning. Afterwards be carried on many necessary arts, different each from the other, and each more scientific than the other; for they could not be all equally so.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111231765-U2X0AKB7E5FIBDW328BN/Odoardo-Fialetti-25.jpg</image:loc>
      <image:title>Archive - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.4)</image:title>
      <image:caption>1.4 It is a transcendental philosophy which places in abeyance the assertions arising out of the natural attitude, the better to understand them; but it is also a philosophy for which the world is always ‘already there’ before reflection begins—as ’an inalienable presence; and all its efforts are concentrated upon re-achieving a direct and primitive contact with the world, and endowing that contact with a philosophical status.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111232090-U6N1WJ5COMT8P9MQFHD7/Odoardo-Fialetti-27.jpg</image:loc>
      <image:title>Archive - Cennino Cennini, The Book of the Art (CC1.4)</image:title>
      <image:caption>1.4 Now, the most worthy is Science; after which comes an art derived from science and dependent on the operations of the hand, and this is called Painting (i.e. making pictures), for which we must be endowed with both imagination (fantasia) and skill in the hand, to discover unseen things concealed beneath the obscurity of natural objects, and to arrest them with the hand, presenting to the sight that which did not before appear to exist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111234578-0WA8KLXCBS40K36387AW/Odoardo-Fialetti-28.jpg</image:loc>
      <image:title>Archive - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.5)</image:title>
      <image:caption>1.5 It is the search for a philosophy which shall be a ‘rigorous science’, but it also offers an account of space, time and the world as we ‘live’ them. It tries to give a direct description of our experience as it is, without taking account of its psychological origin and the causal explanations which the scientist, the historian or the sociologist may be able to provide. Yet Husserl in his last works mentions a ‘genetic phenomenology’ (Méditations cartésiennes, pp. 120 ff.), and even a ‘constructive phenomenology’ (See the unpublished 6th Méditation cartésienne, edited by Eugen Fink, to which G. Berger has kindly referred us).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111236740-ZAW317Q7ESV9D3Q0BTMG/Odoardo-Fialetti-30.jpg</image:loc>
      <image:title>Archive - Cennino Cennini, The Book of the Art (CC1.5)</image:title>
      <image:caption>1.5 And well does it deserve to be placed in the rank next to science, and to be crowned by Poetry: and for this reason, that the poet, by the help of science, becomes worthy, and free, and able to compose and bind together, or not, at pleasure. So to the painter liberty is given to compose a figure, either upright or sitting, or half man, half horse, as he pleases, according to his fancy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111237673-AEM7J0G76BHTIE8MLM5P/Odoardo-Fialetti-31.jpg</image:loc>
      <image:title>Archive - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.6)</image:title>
      <image:caption>1.6 One may try to do away with these contradictions by making a distinction between Husserl’s and Heidegger’s phenomenologies; yet the whole of ‘Sein und Zeit’ springs from an indication given by Husserl and amounts to no more than an explicit account of the ‘natürlicher Weltbegriff’ or the ‘Lebenswelt’ which Husserl, towards the end of his life, identified as the central theme of phenomenology, with the result that the contradiction reappears in Husserl’s own philosophy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111239759-3ASEHBBOTL1HDO3UFML7/Odoardo-Fialetti-34.jpg</image:loc>
      <image:title>Archive - Cennino Cennini, The Book of the Art (CC1.6)</image:title>
      <image:caption>1.6 Therefore, whether through great reverence or love, let all those persons who feel in themselves any kind or manner of knowledge, or power to help and adorn these principal sciences with some jewel, put themselves forward without any bashfulness, offering to the above-named sciences this little knowledge which God has given them.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111241898-OJ8IH0FZN3Z45G1R3RXX/Odoardo-Fialetti-35.jpg</image:loc>
      <image:title>Archive - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.7)</image:title>
      <image:caption>1.7 The reader pressed for time will be inclined to give up the idea of covering a doctrine which says everything, and will wonder whether a philosophy which cannot define its scope deserves all the discussion which has gone on around it, and whether he is not faced rather by a myth or a fashion.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111242399-30G3S73T2XF2910QNOWK/Odoardo-Fialetti-37.jpg</image:loc>
      <image:title>Archive - Cennino Cennini, The Book of the Art (CC1.7)</image:title>
      <image:caption>1.7 A humble working member then of the art of painting, I, Cennino, born of Drea Cennino of the Colle de Valdelsa, was instructed in these arts for twelve years by Agnolo, son of Taddeo of Florence, my master, who learned the art from Taddeo his father, who was the godson of Giotto, and was his disciple for twenty-four years.  This Giotto changed the art of painting from the Greek to the Latin (manner), and brought it to the modern (style); and he possessed more perfect art than ever any one else had had.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111246050-A36Q2GY8Z9GWFHVBPKM8/Odoardo-Fialetti-39.jpg</image:loc>
      <image:title>Archive - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.8)</image:title>
      <image:caption>1.8 Even if this were the case, there would still be a need to understand the prestige of the myth and the origin of the fashion, and the opinion of the responsible philosopher must be that phenomenology can be practised and identified as a manner or style of thinking, that it existed as a movement before arriving at complete awareness of itself as a philosophy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1462111247365-K1KW4O94FESO6KDZ4ET2/Odoardo-Fialetti-40.jpg</image:loc>
      <image:title>Archive - Cennino Cennini, The Book of the Art (CC1.8)</image:title>
      <image:caption>1.8 In order to assist all those who would approach this art, I shall take note of all that was taught me by my master Agnolo, and of that which I have proved with my own hand; invoking first the high omnipotent God,-that is to say, the Father, Son, and Holy Spirit; secondly, that most delightful advocate of all sinners the Virgin Mary, and St. Luke the Evangelist, the first Christian painter, and my advocate St. Eustachius, and generally all the saints, male and female, of Paradise.</image:caption>
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      <image:title>Archive - Ho messo insieme tutti i pezzi...</image:title>
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      <image:title>Archive - La grammatica delle parti</image:title>
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      <image:title>Archive - 14th Century, Mandrake Man</image:title>
      <image:caption>Maurice Merleau-Ponty, Phenomenology of Perception 2.1 Merleau-Ponty: It has been long on the way, and its adherents have discovered it in every quarter, certainly in Hegel and Kierkegaard, but equally in Marx, Nietzsche and Freud. A purely linguistic examination of the texts in question would yield no proof; we find in texts only what we put into them, and if ever any kind of history has suggested the interpretations which should be put on it, it is the history of philosophy.</image:caption>
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      <image:caption>2.1 Cennini: CHAP. 2.–How some persons study the arts from nobleness of mind, and some for gain.  It is the impulse of a hoble mind which moves some towards this art, pleasing to them through their natural love. The intellect delights in invention; and nature alone draws them, without any guidance from a master, through nobleness of mind; and thus delighting themselves, they next wish to find a master, and with him they place themselves in love of obedience, being in servitude that they may carry their art to perfection.</image:caption>
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      <image:title>Archive - 1494 Johannes de Ketham, Fasiculo de medicina</image:title>
      <image:caption>2.2 Merleau-Ponty: We shall find in ourselves, and nowhere else, the unity and true meaning of phenomenology. It is less a question of counting up quotations than of determining and expressing in concrete form this phenomenology for ourselves which has given a number of present-day readers the impression, on reading Husserl or Heidegger, not so much of encountering a new philosophy as of recognizing what they had been waiting for.</image:caption>
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      <image:title>Archive - 1501 Magnus Hundt, Antropologium de hominis dignitate</image:title>
      <image:caption>2.2 Cennini: There are some who follow the arts from poverty and necessity, also for gain, and for love of the art; but those who pursue them from love of the art and true nobleness of mind are to be commended above all others.</image:caption>
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      <image:title>Archive - 1512, Hieronymus Brunschwig, Liber de arte distillandi de compositis</image:title>
      <image:caption>2.3 Merleau-Ponty: Phenomenology is accessible only through a phenomenological method. Let us, therefore, try systematically to bring together the celebrated phenomenological themes as they have grown spontaneously together in life. Perhaps we shall then understand why phenomenology has for so long remained at an initial stage, as a problem to be solved and a hope to be realized. It is a matter of describing, not of explaining or analyzing.</image:caption>
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      <image:title>Archive - 1512, Hieronymus Brunschwig, Liber de arte distillandi de compositis</image:title>
      <image:caption>2.3 Cennini: CHAP. 3.-What to do in the beginning of the pursuit of art. Now then, you of noble mind, who are lovers of this good, come at once to art and adorn yourselves with this vesture,-namely, love, reverence, obedience, and perseverance. And as soon as thou canst, begin to put thyself under the guidance of the master to learn, and delay as long as thou mayest thy parting from the master.</image:caption>
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      <image:title>Archive - 1528 Hans von Gersdorff, Feldtbuch der Wundartzney, newlich getruckt und gebessert</image:title>
      <image:caption>2.4 Merleau-Ponty: Husserl’s first directive to phenomenology, in its early stages, to be a ‘descriptive psychology’, or to return to the ‘things themselves’, is from the start a foreswearing of science. I am not the outcome or the meeting-point of numerous causal agencies which determine my bodily or psychological make-up. I cannot conceive myself as nothing but a bit of the world, a mere object of biological, psychological or sociological investigation. I cannot shut myself up within the realm of science.</image:caption>
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      <image:title>Archive - 1528 Hans von Gersdorff, Feldtbuch der Wundartzney</image:title>
      <image:caption>2.4 Cennini: CHAP. 4.-How the rule shows into what parts and members the arts are divided. The foundation of the art and the beginning of all these labours of the hand is drawing and colouring.</image:caption>
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      <image:caption>Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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      <image:caption>Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205357230-0BAM8W1NJ0SJ7DWQQN0C/lectures-winter-2013-015.jpg</image:loc>
      <image:title>Archive</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205357709-AW76Q3DQJZ527DVYM49D/lectures-winter-2013-016.jpg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205359868-5L2CJ2EXUIBN2NJBO72F/lectures-winter-2013-017.jpg</image:loc>
      <image:title>Archive</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205359451-V5EYYH0KD53UH86BYB1F/lectures-winter-2013-018.jpg</image:loc>
      <image:title>Archive - Inter-Position (Riot 1968 in Paris)</image:title>
      <image:caption>Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205362659-D7KUINJFKMIWTTAZ029R/lectures-winter-2013-019.jpg</image:loc>
      <image:title>Archive</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205361535-24JBC4POG7D8BMEWRJ8J/lectures-winter-2013-020.jpg</image:loc>
      <image:title>Archive - Inter-Position (Dürer, Adam und Eva)</image:title>
      <image:caption>Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205365793-WVQQM7CQQGV4ZWIEXCQT/lectures-winter-2013-021.jpg</image:loc>
      <image:title>Archive - Grammatical Movement (Expansion from Point to Point)</image:title>
      <image:caption>Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205365026-L5GL2QPBVG0M7DBDOJCV/lectures-winter-2013-022.jpg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205367225-2HBJHJNZF03EGZEZYDNF/lectures-winter-2013-023.jpg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205369633-K7XQEJAB52AI5Q6G5PH6/lectures-winter-2013-024.jpg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205369749-9JCFYVU0AEY92ULID3H8/lectures-winter-2013-025.jpg</image:loc>
      <image:title>Archive - Material Volume (by Movement and Light)</image:title>
      <image:caption>Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205371036-RTBOQJ1R8UB95YUM0YM2/lectures-winter-2013-026.jpg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205374221-LU339OGNZN4BZHI9WQ8Z/lectures-winter-2013-029.jpg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205371817-DLGYD9TFO026DN46MOBC/lectures-winter-2013-027.jpg</image:loc>
      <image:title>Archive - Inter-Position (Wrestler)</image:title>
      <image:caption>Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205374786-M26V9WZS2XH3MR8RC0H6/lectures-winter-2013-028.jpg</image:loc>
      <image:title>Archive</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448205376350-70YLH2WSWZRP054ZZ6NT/lectures-winter-2013-030.jpg</image:loc>
      <image:title>Archive</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448113398483-SEYSR20QVMTHZSW349GS/arthur-rimbaud.jpg</image:loc>
      <image:title>Archive - Arthur Rimbaud: "Something is thinking me.“</image:title>
      <image:caption>Arthur Rimbaud: „I am not thinking, something is thinking me.“</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448113401163-361V8RPX2858A3AZL3M1/david-bowie.jpg</image:loc>
      <image:title>Archive</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428091116-GHKC8TLHIJJ6DRSRXVLV/naked-women-01.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Naked Women</image:title>
      <image:caption>Nudo Sdraiato, 1896, Galleria Civica d'Arte Moderna e Contemporanea (Turin, Italy)</image:caption>
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      <image:title>Archive - Giacomo Grosso, Naked Women</image:title>
      <image:caption>Grammatical structure of the body.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428091811-FOXW4PTX4M4474M9307F/naked-women-03.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Naked Women</image:title>
      <image:caption>Grammatical structure of the body and the room.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428092689-QUKZTM1QURXZ07RFJTQU/naked-women-04.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Naked Women - Transformed</image:title>
      <image:caption>Grammatical structure of body and room without volume.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428093755-CODJCFNL74XZ9TWPSG9S/naked-women-transform01.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Naked Women - Transformed</image:title>
      <image:caption>Grammatical structure of body and room with volume of colours (the original picture was reduced in its shapes and in its colours).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428095056-OLR0HYWJWU2V3DLJ8SER/naked-women-transform02.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Naked Women - Transformed</image:title>
      <image:caption>Grammatical structure of body and room with volume of colours (the original picture was reduced in its shapes and in its colours), detail.  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428096847-FH8JXYGTK71V6JAADOM8/naked-women-transformation.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Naked Women - Transformed</image:title>
      <image:caption>Combination of the reduction and the original picture.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428100532-2LGQFOXCV7VJJQWU4YLI/the-cell-of-the-insane-01.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Cell of Insane</image:title>
      <image:caption>La cella delle pazze, 1884, private collection</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428100227-7UV5UGQQDFO1Q17YCQOR/the-cell-of-the-insane-02.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Cell of Insane</image:title>
      <image:caption>Grammatical structure of the bodies.   </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428103221-U6CSBD19WS80TJCGE8Q8/the-cell-of-the-insane-03.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Cell of Insane</image:title>
      <image:caption>Grammatical structure of the room.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428103212-8ITXXO71WA0NMJBZJ0JV/the-cell-of-the-insane-04.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Cell of Insane</image:title>
      <image:caption>Grammatical structure of the bodies and the room,</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428106940-EO9RDLSK0SMREGJKAON5/the-cell-of-the-insane-05-01.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Cell of Insane – transformed</image:title>
      <image:caption>Only the grammatical structure of the bodies and the room.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428106985-58INMYI1G30L23Y2ZC6Z/the-cell-of-the-insane-transform01.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Cell of Insane - transformed</image:title>
      <image:caption>Grammatical structure of bodies and room with volume of colours (the original picture was reduced in its shapes and in its colours).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428112820-HBO98VE8L8GSGBCC52PA/the-cell-of-the-insane-transform02.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Cell of Insane - transformed</image:title>
      <image:caption>Grammatical structure of bodies and room with volume of colours (the original picture was reduced in its shapes and in its colours), detail.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428112127-SR17ETLCQ1CY78AIAN0G/the-cell-of-the-insane-transformation.jpg</image:loc>
      <image:title>Archive - Giacomo Grosso, Cell of Insane - transformed</image:title>
      <image:caption>Combination of the reduction and the original picture.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450024535208-VCVWWF6W86YXIWNU4F4O/interpos-history007.jpg</image:loc>
      <image:title>Archive - Licio Gelli I</image:title>
      <image:caption>This is Licio Gelli, born in 1919.  During the 1930s, Licio Gelli volunteered for the “Black Shirts”, a force sent by Mussolini to Spain in support of Franco's rebellion.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450024553403-VN1OXWY2DK0TYG2TNF9R/interpos-history012.jpg</image:loc>
      <image:title>Archive - Licio Gelli II</image:title>
      <image:caption>Subsequently, Gelli became a liaison officer between the Italian government and the Third Reich, with contacts including Göring.  Gelli participated in the Italian Social Republic with Giorgio Almirante, founder of the Neo-Fascist Italian Social Movement (MSI).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450024556339-PQ03RQLHQ8ROU718Y47H/interpos-history013.jpg</image:loc>
      <image:title>Archive - Licio Gelli III</image:title>
      <image:caption>After the World War, Gelli founded his own textile and importing company. In 1981, Gelli was revealed as being the re-founder and so called “Venerable Master“ of the clandestine Masonic Lodge, Propaganda Due (P2).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450024559031-8IC7A90SAUXUMVNICTKV/interpos-history014.jpg</image:loc>
      <image:title>Archive - Hermann Göring</image:title>
      <image:caption>Gelli became a liaison officer between the Italian government and the Third Reich, with contacts including Göring.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450024548273-91TYXN0W10L4LFJ774KP/interpos-history010.jpg</image:loc>
      <image:title>Archive - Ronald Reagan</image:title>
      <image:caption>"Although Gelli's story is unknown to Americans, Italians and other Europeans understand his connections and power. It is story worth telling since he was seated and the right hand of Reagan, indicating the power he wielded even in the U.S." Greg Szymanski</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450024548149-U7HU5WEBSK4E27XVB3D0/interpos-history009.jpg</image:loc>
      <image:title>Archive - Silvio Berlusconi</image:title>
      <image:caption>P2 was (or still is, now named P4) a “state within a state” or – better to say – a “shadow government”. The lodge had among its members prominent journalists, members of parliament, industrialists, and military leaders –including Silvio Berlusconi, who later became Prime Minister of Italy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450026342864-SMCS2EOWKMX18NVCFXPS/interpos-history001.jpg</image:loc>
      <image:title>Archive - Della Tramutatione metallica I</image:title>
      <image:caption>In “Della Tramutatione metallica” appears the image of a mutilated Mercurius.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820871255-YNV9P9J7612QJTF9Y0ZZ/poems-lectures-2015-001.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.001</image:title>
      <image:caption>Look at the moon ! How strange the moon seems ! She is like a woman rising from a tomb.  She is like a dead woman. You would fancy she was looking for dead things.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820878981-U4SWR08RA38ECFYYPFY9/poems-lectures-2015-002.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.002</image:title>
      <image:caption>You are always looking at her. You look at her too much. It is dangerous to look at people in such fashion. Something terrible may happen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820876609-R3Y3TLQ230U5V2S0S3IB/poems-lectures-2015-003.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.003</image:title>
      <image:caption>She is like a woman who is dead. She moves very slowly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820891498-K1D1THAKWO5SLPSU7B3F/poems-lectures-2015-004.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.004</image:title>
      <image:caption>After me shall come another mightier than I.  I am not worthy so much as to unloose the latchet of his shoes. When he cometh, the solitary places shall be glad. They shall blossom like the lily.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820884849-6GOWNZTPAE714THJYX6F/poems-lectures-2015-005.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.005</image:title>
      <image:caption>The eyes of the blind shall see the day, and the ears of the deaf shall be opened. The new-born child shall put his hand upon the dragons' lair and shall lead the lions by their manes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820895707-WCGHH9KZ742T5YXRKF8Y/poems-lectures-2015-006.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.006</image:title>
      <image:caption>Sometimes he says terrible things, but it is impossible to understand what he says.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820914534-ODWN16W2F5YQUTLUK38G/poems-lectures-2015-009.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.009</image:title>
      <image:caption>"A secret organisation, a super-organisation with a network of communications, arms and explosives, and men trained to use them..."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820919073-RDECOKHMW5TAH86KWKGX/poems-lectures-2015-010.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.010</image:title>
      <image:caption>"A super-organisation which, lacking a Soviet military invasion which might not happen, took up the task, on NATO's behalf, of preventing a slip to the left in the political balance of the country."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820922120-65CG954SFGKUYF9PJ10B/poems-lectures-2015-011.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.011</image:title>
      <image:caption>"This they did, with the assistance of the official secret services and the political and military forces.“ Vincenzo Vinciguerra</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820902612-O2JVZ8B0JLCQMUW0H2TU/poems-lectures-2015-007.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.007</image:title>
      <image:caption>"With the massacre of Peteano, and with all those that have followed, the knowledge should by now be clear that there existed a real live structure, occult and hidden, with the capacity of giving a strategic direction to the outrages...[it] lies within the state itself... "</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820908201-ZE0037NUGBBG9BBTS0NJ/poems-lectures-2015-008.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.008</image:title>
      <image:caption>"There exists in Italy a secret force parallel to the armed forces, composed of civilians and military men, in an anti-Soviet capacity that is, to organise a resistance on Italian soil against a Russian army..."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820929417-312WCWIOKAXYKO40S8RR/poems-lectures-2015-013.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.013</image:title>
      <image:caption>You will do this thing for me, and to-morrow when I pass in my litter beneath the gateway of the idol-sellers I will let fall for you a little flower, a little green flower.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820926756-NXIUL8GHF58UBU5VPZ2W/poems-lectures-2015-012.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.012</image:title>
      <image:caption>The roses in the garden of the Queen of Arabia are not so white as thy body. Neither the roses in the garden of the Queen of Arabia, nor the feet of the dawn when they light on the leaves, nor the breast of the moon when she lies on the breast of the sea. . . .  There is nothing in the world so white as thy body. Let me touch thy body.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820941233-4X7T8UTGAYJSYFT33O1S/poems-lectures-2015-014.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.014</image:title>
      <image:caption>I repeat: After me shall come another mightier than I.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820943774-0WYA129CNOIUXLRZNPBE/poems-lectures-2015-015.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.015</image:title>
      <image:caption>I am amorous of thy body ! Thy body is white like the lilies of a field that the mower hath never mowed. Thy body is white like the snows that lie on the mountains, like the snows that lie on the mountains of Judaea, and come down into the valleys. Oscar Wilde, Salome</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448825787006-V3L0MGDFOWY6OTCR5J34/poems-lectures-2015-000a.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.015a</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448825787438-CHNRLIUCZOGBV440A8T6/poems-lectures-2015-000b.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.015b</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425750307-5KWFDGPXM1UB0YKBKM3X/guerra-italo-turca02.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.016</image:title>
      <image:caption>He was taken away, when he was five years old. He remembered his mother melted down to a tiny line where she stands, far away with her right arm outstretched, still waving, a little wave with her small hand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425750212-ZOD6659B7ACJ4LEB92RU/guerra-italo-turca.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.017</image:title>
      <image:caption>He was taken to Tripolitania shortly after this region was captured by Italy in the Italo-Turkish War.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425734669-57WOYZR8LMKBHAAIYXIG/Federico-Caprilli-02.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.018</image:title>
      <image:caption>The Italian famous equestrian Federico Caprilli examined horses free jumping (without tack or rider), using photographs to document their shape over fences, and found that they always landed on their forelegs. He then developed his theory on the position the rider should take while over a fence: one that would not interfere with the horse’s jumping movement and most importantly one that would not touch the horse’s mouth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425726989-UNLIVE4I01IUS7V3MZCI/Federico-Caprilli-01.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.019</image:title>
      <image:caption>The Italian Cavalry School was absolutely cutting edge, their style revolutionized military cavalry riding around the world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425771594-Y1B471NJW9Q550ZMYT03/Italian-Cavalry-School%2C-1906-%281%29.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.020</image:title>
      <image:caption>In the first decades of the 20th century the Italian Cavalry School at Tor di Quinto near Rome was – along with the French Cavalry School at Saumur – the leading institution for horsemanship in the world. Tor di Quinto was probably the foremost academy for advanced cross country riding.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425754708-7X8ZWN12LXO0OAOT1SEI/Italian-Cavalry-School%2C-1906-%282%29.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.021</image:title>
      <image:caption>The old jumping seat involved the rider using long stirrups, keeping his legs pushed out in front of him, and his body leaning back, pulling the reins, as the horse took the fence. This position had serious problems, first and foremost because the horse was uncomfortable being hit in the mouth over every obstacle. The position also kept the rider’s weight directly on the back of the horse, and pushed the rider behind the motion, sending his center of gravity behind the horse’s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425767439-V1EKYPED0XAVDQ5PBPQ0/Italian-Cavalry.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.022</image:title>
      <image:caption>Caprilli also wanted to train a horse that could think for itself, without needing the rider’s guidance, and did not like “spot” jumping, where the rider tried to add in or lengthen the stride of the horse before the fence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425741807-OXBMQELG2MVXRSQ7TTL6/atelier-arno-brecker.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.023</image:title>
      <image:caption>The first time the young officers rode that way in front of senior officers they were punished for showing their buttocks to the ladies in attendance. They continued though, and shattered every record up to that point, and were also very successful in teaching masses of soldiers how to ride well in short period of times.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449426991462-R9UBJW7R7M8TA8557MWF/women-naked-on-a-horse.jpg</image:loc>
      <image:title>Archive - Inter-Position of Historie, pict.024</image:title>
      <image:caption>Before, the dominant cavalry style was to ride erect, in a martial and rigid posture that negated all fluidity to the horse. Italian Cavalry School completely shaped their style around the horse, their leading officer studied how horses jumped without a rider and adapted to it, rather than the opposite.</image:caption>
    </image:image>
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      <image:caption>handmade woolen carpet by Philippe Baudelocque</image:caption>
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  <url>
    <loc>https://www.tomasocarnetto.com/about</loc>
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    <priority>0.75</priority>
    <lastmod>2025-08-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466339044782-4V1MS85JPZNLC9J0XLQS/honigpumpe01.jpg</image:loc>
      <image:title>About TC - *Joseph Beuys, Honigpumpe I</image:title>
      <image:caption>»The generation of energy means the production of warmth and hence the link with social sculpture.« Joseph Beuys In 1977, Beuys created a monumental installation for documenta 6, the international exhibition of contemporary art held every five years in Kassel, Germany. Entitled Honeypump in the Workplace, it pumped two tons of honey through plastic tubing, using motors lubricated with over 200 pounds of margarine. It was in action throughout the 100 days of the exhibition and Beuys intended it to be seen as a metaphorical circulation system, absorbing and distributing the energy generated by the lectures, discussions, and seminars that were happening during the exhibition.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466339044836-67PT8D4HCDAM8ZSJUVN9/honigpumpe02.jpg</image:loc>
      <image:title>About TC - *Joseph Beuys, Honigpumpe II</image:title>
      <image:caption>»With Honey pump I am expressing the principle of the Free International University working in the bloodstream of society. Flowing in and out of the   heart organ – the steel honey container – are the main arteries through which the honey is pumped out of the engine room with a pulsing sound, circulates round the Free International University area, and returns to the heart. The whole thing is only complete with people in the space round which the honey artery flows.« Joseph Beuys</image:caption>
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      <image:title>About TC - My Father I</image:title>
      <image:caption>The Second Italo-Abyssinian War was a colonial war that started in October 1935 and ended in May 1936.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466340543182-F6F9GZLG07IXFH0T6I3Q/my-father02.jpg</image:loc>
      <image:title>About TC - My Father II</image:title>
      <image:caption>The war was fought between the armed forces of the Kingdom of Italy and the armed forces of the Ethiopian Empire (also known at the time as Abyssinia). The war resulted in the military occupation of Ethiopia.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466340545310-IXD58XUQ1JPM162TML0W/my-father03.jpg</image:loc>
      <image:title>About TC - My Father III</image:title>
      <image:caption>On 5 May 1936, the Italian Marshal Pietro Badoglio moved into the capital of Abyssinia, Addis Ababa. My father was trained as a security officer and had to ensure the safety of the supreme commander.</image:caption>
    </image:image>
    <image:image>
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      <image:title>About TC - T.C., photographed by his mother, 1976</image:title>
      <image:caption>The visual language is a system of communication using visual elements.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466339046951-9FMET4CUPKCZJ41QJI5E/self01.jpg</image:loc>
      <image:title>About TC - T.C. Portrait, 1986</image:title>
      <image:caption>Speech as a means of communication cannot strictly be separated from the whole of human communicative activity which includes the visual.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466339050529-AAP37KV25VIJVF4LEUZH/self03.jpg</image:loc>
      <image:title>About TC - Self Portrait, Drawing 1986</image:title>
      <image:caption>The term Language in relation to vision is an extension of its use to describe the perception, comprehension and production of visible signs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466339049634-OAW4F467XVEPUS2QXQH1/self02.jpg</image:loc>
      <image:title>About TC - Self Portrait, Photography 1988</image:title>
      <image:caption>Visual units in the form of lines and marks are constructed into meaningful shapes and structures or signs. Different areas of the cortex respond to different elements such as colour and form.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466340975282-8O2T9KFJMFV5UAU6J8QC/self04.jpg</image:loc>
      <image:title>About TC - Self Portrait, Drawing 1987</image:title>
      <image:caption>Perception is not a passive recording of all that is in front of the eyes, but is a continuous judgement of scale and colour relationships.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466339053907-APNOF0TLYIHVTPIU2GEY/self05.png</image:loc>
      <image:title>About TC - Self Portrait I, Drawing 1988</image:title>
      <image:caption>The perception of a shape requires the grasping of the essential structural features, to produce a Gestalt.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466339056265-QPWMP8HYA5GMHQ2C4UYG/self06.png</image:loc>
      <image:title>About TC - Self Portrait II, Drawing 1988</image:title>
      <image:caption>Visual perception is what allows us to have a true understanding of experience because perception is identical to thinking.</image:caption>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/the-machines</loc>
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    <lastmod>2017-02-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483615488362-4WIP89AYWBWQPNYURUOQ/kraenzler-carnetto1.jpg</image:loc>
      <image:title>The Machines</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483615488362-4WIP89AYWBWQPNYURUOQ/kraenzler-carnetto1.jpg</image:loc>
      <image:title>The Machines</image:title>
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  <url>
    <loc>https://www.tomasocarnetto.com/we-are-the-machines</loc>
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    <lastmod>2026-03-01</lastmod>
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      <image:title>We are The Machines</image:title>
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  <url>
    <loc>https://www.tomasocarnetto.com/word-field-systematic</loc>
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    <lastmod>2026-03-03</lastmod>
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      <image:title>Word Field Systematic - Word-Field Structure (Copy) (Kopie) (Kopie)</image:title>
      <image:caption>Word-Field Structure</image:caption>
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      <image:title>Word Field Systematic - Word-Field Geometrical Shape (Copy) (Kopie) (Kopie)</image:title>
      <image:caption>Word-Field Geometrical Shape</image:caption>
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      <image:title>Word Field Systematic - Word-Field Organic Shape (Copy) (Kopie) (Kopie)</image:title>
      <image:caption>Word-Field Organic Shape</image:caption>
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      <image:title>Word Field Systematic - Word-Field Vocabulary (Elements ordered) (Copy) (Kopie) (Kopie)</image:title>
      <image:caption>Word-Field Vocabulary (Elements ordered)</image:caption>
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      <image:title>Word Field Systematic - Word-Field Elements (not ordered) (Copy) (Kopie) (Kopie)</image:title>
      <image:caption>Word-Field Elements (not ordered)</image:caption>
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      <image:title>Word Field Systematic</image:title>
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      <image:title>Word Field Systematic</image:title>
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      <image:title>Word Field Systematic</image:title>
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      <image:title>Word Field Systematic</image:title>
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      <image:title>Word Field Systematic</image:title>
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      <image:title>Word Field Systematic</image:title>
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      <image:title>Word Field Systematic</image:title>
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      <image:title>Word Field Systematic</image:title>
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      <image:title>Word Field Systematic</image:title>
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      <image:title>Word Field Systematic</image:title>
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      <image:title>Word Field Systematic</image:title>
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      <image:title>Word Field Systematic</image:title>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/notationen-pro-tag</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-02</lastmod>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/material-for-lectures-b</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448113398483-SEYSR20QVMTHZSW349GS/arthur-rimbaud.jpg</image:loc>
      <image:title>Material for Lectures B - Arthur Rimbaud: "Something is thinking me.“ (Copy)</image:title>
      <image:caption>Arthur Rimbaud: "Something is thinking me.“ Arthur Rimbaud: „I am not thinking, something is thinking me.“</image:caption>
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      <image:title>Material for Lectures B</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428091116-GHKC8TLHIJJ6DRSRXVLV/naked-women-01.jpg</image:loc>
      <image:title>Material for Lectures B - Giacomo Grosso, Naked Women (Copy)</image:title>
      <image:caption>Giacomo Grosso, Naked Women Nudo Sdraiato, 1896, Galleria Civica d'Arte Moderna e Contemporanea (Turin, Italy)</image:caption>
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      <image:title>Material for Lectures B - Giacomo Grosso, Naked Women (Copy)</image:title>
      <image:caption>Giacomo Grosso, Naked Women Grammatical structure of the body.</image:caption>
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      <image:title>Material for Lectures B - Giacomo Grosso, Naked Women (Copy)</image:title>
      <image:caption>Giacomo Grosso, Naked Women Grammatical structure of the body and the room.</image:caption>
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      <image:title>Material for Lectures B - Giacomo Grosso, Naked Women - Transformed (Copy)</image:title>
      <image:caption>Giacomo Grosso, Naked Women - Transformed Grammatical structure of body and room without volume.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428093755-CODJCFNL74XZ9TWPSG9S/naked-women-transform01.jpg</image:loc>
      <image:title>Material for Lectures B - Giacomo Grosso, Naked Women - Transformed (Copy)</image:title>
      <image:caption>Giacomo Grosso, Naked Women - Transformed Grammatical structure of body and room with volume of colours (the original picture was reduced in its shapes and in its colours).</image:caption>
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      <image:title>Material for Lectures B - Giacomo Grosso, Naked Women - Transformed (Copy)</image:title>
      <image:caption>Giacomo Grosso, Naked Women - Transformed Grammatical structure of body and room with volume of colours (the original picture was reduced in its shapes and in its colours), detail.  </image:caption>
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      <image:title>Material for Lectures B - Giacomo Grosso, Naked Women - Transformed (Copy)</image:title>
      <image:caption>Giacomo Grosso, Naked Women - Transformed Combination of the reduction and the original picture.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428100532-2LGQFOXCV7VJJQWU4YLI/the-cell-of-the-insane-01.jpg</image:loc>
      <image:title>Material for Lectures B - Giacomo Grosso, Cell of Insane (Copy)</image:title>
      <image:caption>Giacomo Grosso, Cell of Insane La cella delle pazze, 1884, private collection</image:caption>
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      <image:title>Material for Lectures B - Giacomo Grosso, Cell of Insane (Copy)</image:title>
      <image:caption>Giacomo Grosso, Cell of Insane Grammatical structure of the bodies.   </image:caption>
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      <image:title>Material for Lectures B - Giacomo Grosso, Cell of Insane (Copy)</image:title>
      <image:caption>Giacomo Grosso, Cell of Insane Grammatical structure of the room.</image:caption>
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      <image:title>Material for Lectures B - Giacomo Grosso, Cell of Insane (Copy)</image:title>
      <image:caption>Giacomo Grosso, Cell of Insane Grammatical structure of the bodies and the room,</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428106940-EO9RDLSK0SMREGJKAON5/the-cell-of-the-insane-05-01.jpg</image:loc>
      <image:title>Material for Lectures B - Giacomo Grosso, Cell of Insane – transformed (Copy)</image:title>
      <image:caption>Giacomo Grosso, Cell of Insane – transformed Only the grammatical structure of the bodies and the room.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428106985-58INMYI1G30L23Y2ZC6Z/the-cell-of-the-insane-transform01.jpg</image:loc>
      <image:title>Material for Lectures B - Giacomo Grosso, Cell of Insane - transformed (Copy)</image:title>
      <image:caption>Giacomo Grosso, Cell of Insane - transformed Grammatical structure of bodies and room with volume of colours (the original picture was reduced in its shapes and in its colours).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428112820-HBO98VE8L8GSGBCC52PA/the-cell-of-the-insane-transform02.jpg</image:loc>
      <image:title>Material for Lectures B - Giacomo Grosso, Cell of Insane - transformed (Copy)</image:title>
      <image:caption>Giacomo Grosso, Cell of Insane - transformed Grammatical structure of bodies and room with volume of colours (the original picture was reduced in its shapes and in its colours), detail.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449428112127-SR17ETLCQ1CY78AIAN0G/the-cell-of-the-insane-transformation.jpg</image:loc>
      <image:title>Material for Lectures B - Giacomo Grosso, Cell of Insane - transformed (Copy)</image:title>
      <image:caption>Giacomo Grosso, Cell of Insane - transformed Combination of the reduction and the original picture.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450024535208-VCVWWF6W86YXIWNU4F4O/interpos-history007.jpg</image:loc>
      <image:title>Material for Lectures B - Licio Gelli I (Copy)</image:title>
      <image:caption>Licio Gelli I This is Licio Gelli, born in 1919.  During the 1930s, Licio Gelli volunteered for the “Black Shirts”, a force sent by Mussolini to Spain in support of Franco's rebellion.</image:caption>
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      <image:title>Material for Lectures B - Licio Gelli II (Copy)</image:title>
      <image:caption>Licio Gelli II Subsequently, Gelli became a liaison officer between the Italian government and the Third Reich, with contacts including Göring.  Gelli participated in the Italian Social Republic with Giorgio Almirante, founder of the Neo-Fascist Italian Social Movement (MSI).</image:caption>
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      <image:title>Material for Lectures B - Licio Gelli III (Copy)</image:title>
      <image:caption>Licio Gelli III After the World War, Gelli founded his own textile and importing company. In 1981, Gelli was revealed as being the re-founder and so called “Venerable Master“ of the clandestine Masonic Lodge, Propaganda Due (P2).</image:caption>
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      <image:title>Material for Lectures B - Hermann Göring (Copy)</image:title>
      <image:caption>Hermann Göring Gelli became a liaison officer between the Italian government and the Third Reich, with contacts including Göring.</image:caption>
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      <image:title>Material for Lectures B - Ronald Reagan (Copy)</image:title>
      <image:caption>Ronald Reagan "Although Gelli's story is unknown to Americans, Italians and other Europeans understand his connections and power. It is story worth telling since he was seated and the right hand of Reagan, indicating the power he wielded even in the U.S." Greg Szymanski</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450024548149-U7HU5WEBSK4E27XVB3D0/interpos-history009.jpg</image:loc>
      <image:title>Material for Lectures B - Silvio Berlusconi (Copy)</image:title>
      <image:caption>Silvio Berlusconi P2 was (or still is, now named P4) a “state within a state” or – better to say – a “shadow government”. The lodge had among its members prominent journalists, members of parliament, industrialists, and military leaders –including Silvio Berlusconi, who later became Prime Minister of Italy.</image:caption>
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      <image:title>Material for Lectures B - Della Tramutatione metallica I (Copy)</image:title>
      <image:caption>Della Tramutatione metallica I In “Della Tramutatione metallica” appears the image of a mutilated Mercurius.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450024522727-XKMWUOP51WY6XPB44F1P/interpos-history002.jpg</image:loc>
      <image:title>Material for Lectures B - Della Tramutatione metallica II (Copy)</image:title>
      <image:caption>Della Tramutatione metallica II Mercurius is in the stage of a bath where the cutting off of hands is necessary for transformation to occur.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450024556658-1FP4OJN1G4H4BV6QWWV3/interpos-history011.jpg</image:loc>
      <image:title>Material for Lectures B - Juan Perón II (Copy)</image:title>
      <image:caption>Juan Perón II The victim of the vengeance was the dead body of Juan Perón. Peron was thrice elected President of Argentina, serving from June 1946 to September 1955, when he was overthrown in a coup d'état, and then from October 1973 until his death in July 1974. In July 1987, 13 years after his death, Perón's hands had been removed from his tomb along with his army cap, sword and a poem written to him by his last wife, Isabel. The dismemberment had been done with an electric saw.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450024525501-FB6J6DHQCVDWSMISM4CF/interpos-history003.jpg</image:loc>
      <image:title>Material for Lectures B - Della Tramutatione metallica III (Copy)</image:title>
      <image:caption>Della Tramutatione metallica III In alchemical theory (which has deeply influenced the rites of Free Masonry) it refers to the state of putrefaction or decomposition, which makes it equally applicable to describe a state of dismemberment and punishment for sins committed.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450024528272-CZ8SK2J1EL6VKUTVKY9R/interpos-history004.jpg</image:loc>
      <image:title>Material for Lectures B - Della Tramutatione metallica IV (Copy)</image:title>
      <image:caption>Della Tramutatione metallica IV This state of utter despair following death occurs prior to enlightenment at the point where cutting off the hands of Mercury is necessary.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1450024531917-7GLJT3FDOOU3WDKM76NW/interpos-history005.jpg</image:loc>
      <image:title>Material for Lectures B - Della Tramutatione metallica V (Copy)</image:title>
      <image:caption>Della Tramutatione metallica V The "state of utter despair" is what Jung called the moment of maximum despair before reaching personal development, also known as the “dark night of the soul”, of which Gelli admits having knowledge.</image:caption>
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      <image:title>Material for Lectures B - Della Tramutatione metallica VI (Copy)</image:title>
      <image:caption>Della Tramutatione metallica VI In “Della Tramutatione metallica” we have a pictorial representation of the mutilated Mercury as we would see in real life with Juan Peron and his mutilated hands.</image:caption>
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      <image:title>Material for Lectures B - Juan Peron I (Copy)</image:title>
      <image:caption>Juan Peron I Juan Peron's official biographer, Enrique Pavon Pereyra, claimed that in 1971 Gelli and the First Italian Prime Minister Guilio Andreotti visited Peron in Madrid and offered to carry out the necessary arrangements to recover Evita's body and promised him it would be with him in three days. The promise was fulfilled.</image:caption>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/wordfields201601</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460457108723-60T3EEYETA64C77COCAC/wordfield2016-01-disp-c.png</image:loc>
      <image:title>wordfields2016-01 - disposition I (Copy)</image:title>
      <image:caption>disposition I disposition for a stage space (in correlation between bodies on fields of sequential lineations)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460457112931-EZ6RXQ7IK1GJ9UQI9LIJ/wordfield2016-01-disp-c1.png</image:loc>
      <image:title>wordfields2016-01 - disposition I.I (Copy)</image:title>
      <image:caption>disposition I.I correlation between bodies / moving deeper into the cloth of coloured description</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460457111960-S9GL9Y6450V324J9YA63/wordfield2016-01-disp-c2.png</image:loc>
      <image:title>wordfields2016-01 - disposition I.II (Copy)</image:title>
      <image:caption>disposition I.II correlation between bodies / try to escape</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460457116989-XVQC7YVBET4TOZCLXXJQ/wordfield2016-01-disp-c4.png</image:loc>
      <image:title>wordfields2016-01 - disposition I.IV (Copy)</image:title>
      <image:caption>disposition I.IV correlation between bodies / thrown into a world of bones</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460458095455-7F2WPKM3RTQEF2SDHP7Y/wordfield2016-01-disp-c3.png</image:loc>
      <image:title>wordfields2016-01 - disposition I.III (Copy)</image:title>
      <image:caption>disposition I.III correlation between bodies / follow the rules of decency</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460457119141-23PRGYF6M4SA6ONB66BM/wordfield2016-01-disp-c5.png</image:loc>
      <image:title>wordfields2016-01 - disposition I.V (Copy)</image:title>
      <image:caption>disposition I.V correlation between bodies / no, no, Jim, you're kidding me</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460490423934-UUIWL2RVVA9RBVHVT0B7/wordfield2016-01a.jpg</image:loc>
      <image:title>wordfields2016-01 - The Goat Path, figure I (Copy)</image:title>
      <image:caption>The Goat Path, figure I Correlations between me (my body) and others, related to the question which path should we choose (to come closer or being separated) – principal scheme –</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460490424474-5W7KH77O2G7TE7HY16LT/wordfield2016-01b.jpg</image:loc>
      <image:title>wordfields2016-01 - The Goat Path, figure II (Copy)</image:title>
      <image:caption>The Goat Path, figure II A goat path (also known as a desire line, social trail or bootleg trail) can be a path created as a consequence of erosion caused by human or animal foot-fall or traffic.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460490427079-IN83OEDI5R39ECDJGQAB/wordfield2016-02-07.jpg</image:loc>
      <image:title>wordfields2016-01 - The Goat Path, figure III (Copy)</image:title>
      <image:caption>The Goat Path, figure III The goat path usually represents the shortest or most easily navigated route between an origin and destination.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460490427513-Z7X6ISE37SP2QAW4Z0QI/wordfield2016-02-13.jpg</image:loc>
      <image:title>wordfields2016-01 - The Goat Path, figure IV (Copy)</image:title>
      <image:caption>The Goat Path, figure IV Width and erosion severity can be indicators of how much traffic a path receives. Goat paths emerge as shortcuts where constructed ways take a circuitous route, have gaps, or are non-existent.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460490429534-UD80OXMHSIEXWGZ4B5LF/wordfield2016-02-14.jpg</image:loc>
      <image:title>wordfields2016-01 - The Goat Path, figure V (Copy)</image:title>
      <image:caption>The Goat Path, figure V »From sunrise to sunset, I was in the forest, sometimes far from the house, with my goat who watched me as a mother does a child. All the animals in the forest became my friends, even dangerous and poisonous ones. Thanks to my goat-mother and my Indian nurse, I have always enjoyed the trust of animals--a precious gift. I still love animals infinitely more than human beings.« Diego Rivera, My Art, My Life</image:caption>
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  <url>
    <loc>https://www.tomasocarnetto.com/lectures-summer-term-2017</loc>
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    <lastmod>2026-03-02</lastmod>
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      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1494242275171-THQYQZNR4L89PB2AFNXM/lecture-01-2017ss-12.jpg</image:loc>
      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1494242278229-72O6OU5UV4PXGXV6GQQR/lecture-01-2017ss-15.jpg</image:loc>
      <image:title>2017 Lecture Summer Term (excerpt)</image:title>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/material-for-lectures-a</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964391703-3JWLHL3Q623BK0952GHM/01.jpg</image:loc>
      <image:title>Material for Lectures A - rising or breakdown (Copy)</image:title>
      <image:caption>rising or breakdown But why Orion rushes to withdraw from the sky? And why does the night shorten its course? Why the dawning day (proclaimed by the morning star) has increased his radiant light faster than usual from the lightened sparkling water? Is it the rising or the breakdown of Orion?</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964391892-TRYER7NW1CL950CB54JW/02.jpg</image:loc>
      <image:title>Material for Lectures A - pathways of physical presence (Copy)</image:title>
      <image:caption>pathways of physical presence because of our being broken up from the night (the finished) + the day (just as lost) from one point to another (its reversal / pausing /): for only the selection of those who shine brighter are closer to us / touching each other, flowing towards each other, deeper in the pathways of our physical presence</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964392461-TV7MB99TWWAGJFOPB8T4/03.jpg</image:loc>
      <image:title>Material for Lectures A - translation of punctuate  (Copy)</image:title>
      <image:caption>translation of punctuate every truth is a point of perforation / punctuation punctuate / unterstreichen / interpunktieren / (mit Satzzeichen versehen)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964392748-OT8616617L3O9O745YF7/04.jpg</image:loc>
      <image:title>Material for Lectures A - those who will (Copy)</image:title>
      <image:caption>those who will like love the archers / are blind the archers / are those who will / perforates / set points / show truth punctuate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964393416-2BTWS8VNFQCVQYFXO0RW/05.jpg</image:loc>
      <image:title>Material for Lectures A - who moves (Copy)</image:title>
      <image:caption>who moves how to draw a line from one point to another point? the lover is the one / the singularity / who moves by himself</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964393686-A4CDC3DC25DHSGRALKBU/06.jpg</image:loc>
      <image:title>Material for Lectures A - on heaven’s surface (Copy)</image:title>
      <image:caption>on heaven’s surface just one always the same point / puncture but shifted in time by this space emerges / the grammatical structure arises: recognizable as Orion; a lifeless person on heaven’s surface (that's me!) punched in the pre-given truth of the divine space  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964394445-ZC3BCEGHR1LTKM3E8LNF/07.jpg</image:loc>
      <image:title>Material for Lectures A - truth of the Gods (Copy)</image:title>
      <image:caption>truth of the Gods we assume this is the given reality / in time and space no chance to escape but forced to fulfill in order to stay as long as possible / within the truth of the Gods / within the favour of the Gods  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964394859-3G5XAB7KKPGF9TGMR82N/08.jpg</image:loc>
      <image:title>Material for Lectures A - verbes / substantives / adjectives (Copy)</image:title>
      <image:caption>verbes / substantives / adjectives to do so / to stay in truth and favour we have to stay in the movement which are conscripted by the names / verbes / substantives / adjectives given by the highest power but about the / truth / favour / names</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964395265-AVP913RPLPV4Y5GERHG2/09.jpg</image:loc>
      <image:title>Material for Lectures A - the names (Copy)</image:title>
      <image:caption>the names like love the archers are / blind instead of thinking about / the truth / the favour / the names  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964395758-HEZD2LWB63SMYJ3UYJJT/10.jpg</image:loc>
      <image:title>Material for Lectures A - the infinite  inversion (Copy)</image:title>
      <image:caption>the infinite inversion they are throwing their arrowheads towards the heaven in order to learn that heavens surface is filled with an endless number of points (we only can recognize an endless number of the infinite  inversion from black to white / white to black; this is what the perforation sequentially shows) that every point of perforation is filled by the same truth we have to name anew again and again  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964396262-DKQSO0QMA926WOJERM0O/11.jpg</image:loc>
      <image:title>Material for Lectures A - our movements of love (Copy)</image:title>
      <image:caption>our movements of love the event of giving every truth anew its name is what we call sense so we have to draw a line from point to point in order to define what can be named by our movements of love</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1523964397047-ET39FB1UJKHZ2P6NPLWT/12.jpg</image:loc>
      <image:title>Material for Lectures A - maybe (Copy)</image:title>
      <image:caption>maybe the archers are    / the lovers / the poets             / the artists (otherwise they are something else…) maybe / the designers / the craftsmen anyhow all those / who are willing and able to move  / following the impulses of being moved by the unnamed truth towards a nameable sense</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015404826-5QEPC7T2Q7NC691KWUEC/lecture03-ss18-01.jpg</image:loc>
      <image:title>Material for Lectures A - different strategies (Copy)</image:title>
      <image:caption>different strategies we use different strategies to denude the grammatical structure in order to realize the signs of the alphabet are absolutely naked and the space between them equally empty</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015404435-QBBHG87AP5CPDN7VXTJH/lecture03-ss18-02.jpg</image:loc>
      <image:title>Material for Lectures A - (wordfields I) (Copy)</image:title>
      <image:caption>(wordfields I) the signs are building rows of pure emptiness which we cannot bear in not one case</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015407619-OZ0127VGA8HMCKGTN65S/lecture03-ss18-03.jpg</image:loc>
      <image:title>Material for Lectures A - name it (wordfields II) (Copy)</image:title>
      <image:caption>name it (wordfields II) the bare emptiness forces us to fill the space between in order to be able to name it to fill the nothingness with names</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015407734-9RTM3ENA22R84VXRHIYH/lecture03-ss18-04.jpg</image:loc>
      <image:title>Material for Lectures A - pure nakedness (Copy)</image:title>
      <image:caption>pure nakedness seeing both at the same time the pure nakedness of the grammatical structure and the names (inseparably interwoven with all the mater around us; the things – the spaces and the objects with which we are interacting) brings out pure sensuality</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015409720-64LI1Z4FCTFFTPCNNSBC/lecture03-ss18-05.jpg</image:loc>
      <image:title>Material for Lectures A - score (Copy)</image:title>
      <image:caption>score in this sense (in the sense of meaning) every work of art or design is both; a material thing and a score to make the sensuality of our moving from one to another point come alive</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015410366-4SXKOUJUN9ZMS9WFEY5Z/lecture03-ss18-06.jpg</image:loc>
      <image:title>Material for Lectures A - between the points (Copy)</image:title>
      <image:caption>between the points as those who want to be imbued by the endless connections between the self (of all of us) and the subjective being (of each of us) we have to accept the pure emptiness within the grammatical space between one point and another</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015412722-AW03XPMMXRIS5E4P79UL/lecture03-ss18-07.jpg</image:loc>
      <image:title>Material for Lectures A - ... (Copy)</image:title>
      <image:caption>... on the other hand only what is empty can be filled (oh my God! nothin but a ridiculous and useless calendar motto… we shouldn’t go on like this!)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015412804-ANMPXS4URCYVWIXNIIR6/lecture03-ss18-08.jpg</image:loc>
      <image:title>Material for Lectures A - in-between (Copy)</image:title>
      <image:caption>in-between / disconnect / divide the elements / points / perforations of the constellation of Orion (for example) in order to find the nothingness</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015414514-29CUKGYBLYSW7T49UBJC/lecture03-ss18-09.jpg</image:loc>
      <image:title>Material for Lectures A - the truth lies within the points (Copy)</image:title>
      <image:caption>the truth lies within the points the truth may lie within the points (by their undoubtable position to each other) but by the nothingness between the points we got the freedom to be independent of any sense</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015415585-F0BP5SN8DYJK3M6P8HJU/lecture03-ss18-10.jpg</image:loc>
      <image:title>Material for Lectures A - our own volition (Copy)</image:title>
      <image:caption>our own volition and so we did not got only the permission but much more the necessity to connect the perforated truth in order to create sense / sensuality (the affection of the senses we call aesthetics) only of your own volition</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015416645-2BLVRPXBEWGOOL2NEOPE/lecture03-ss18-11.jpg</image:loc>
      <image:title>Material for Lectures A - the same with names (Copy)</image:title>
      <image:caption>the same with names and we do the same with our names with every denotation / connotation in relation to our subjective manifestation of truth</image:caption>
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      <image:title>Material for Lectures A - sense / sensuality (Copy)</image:title>
      <image:caption>sense / sensuality so we see a name belongs to everything that is placed in a relation in order to produce a sense / sensuality</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015418767-DCISUKXXH7QL15AV02OT/lecture03-ss18-13.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>so names / words / sentences are parts of a score / a text done by ourselves to design the sense of our physical existence</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525015419296-2V6DC9S3RG16OY6AXHM7/lecture03-ss18-14.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>von Punkt zu Punkt – (beiderseits des Himmelsäquators) in der Nacht ein Liebender – Orion / der wie die Bogenschützen blind die Zeit in tausende Stiche zerteilt / dass er zugleich mit mir – der Sehnsucht erlag einen Namen zu tragen wüsste ich’s nicht besser hätte ich gedacht – dass Du mich gerufen hast</image:caption>
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      <image:title>Material for Lectures A - follow the traces (Copy)</image:title>
      <image:caption>follow the traces 1 follow the traces of what is between the one and the other thing – (every thing is made of the in-between between the points / perforations / coordinates (of the perforated nothingness)) – which are measured by the movement from one coordinate to the other by which the volume involuntarily occurs and will be visible and valid as a manifested movement for a longer or shorter period of time</image:caption>
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      <image:title>Material for Lectures A - identify the coordinates (Copy)</image:title>
      <image:caption>identify the coordinates 2 our first task is to identify the coordinates – the points / perforations / coordinates are always given – we have to make them visible – making the coordinates visible is identical with showing the basis of the grammatical structure and the associated rules of what we call truth identical with the unmovable positions of the identified coordinates / – (by the way: a truth without any sense)</image:caption>
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      <image:title>Material for Lectures A - connect the coordinates (Copy)</image:title>
      <image:caption>connect the coordinates 3 our second task is to connect the coordinates according the grammatical rules / by straight lines / technical lines without any hint to a movement but only by construction finite row of densely crowded points – so we can say also the line claims truth (because every point of the row is doubtless needed to connect the coordinates)</image:caption>
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      <image:title>Material for Lectures A - perforation of the invisible (Copy)</image:title>
      <image:caption>perforation of the invisible 4 you remember / what we said: the total black or the total white (of our sheet or the sky at night) is an inseparable connection of uncountable points seated unimaginable closely and that in some way every visible point is a perforation of the invisible / inseparable totality (of the nothingness in black/white)</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>write to perforate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698773089-AAXTPBOJPR0RGWUTRMIV/04-c.JPG</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>write to define the volume</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698780274-78TPUZRJQDIJAHHS60JL/05-knowledge-of-grammatical-structure.jpg</image:loc>
      <image:title>Material for Lectures A - knowledge of the grammatical structure (Copy)</image:title>
      <image:caption>knowledge of the grammatical structure 5 already for the first task we need the knowledge of the common grammatical structure i.e. the rules of the universal valid grammar (in the meaning of the Greek: [τέχνη] γραμματική [technē] grammatikē „[art/technique] of writing“) in order to identify the coordinates</image:caption>
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      <image:title>Material for Lectures A - movements of the human body (Copy)</image:title>
      <image:caption>movements of the human body 6 „art/technique of writing“ is to be understood as the technique of identifying and combining the coordinates / perforations according the possible movements of the human body in order to create a notation (a score) which will produce sense: the text of our existence written and told by the movements – from one body to another (from the body / the bodies with the things / within the space)</image:caption>
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      <image:title>Material for Lectures A - process of producing sense (Copy)</image:title>
      <image:caption>process of producing sense 7 in the / process of producing sense / the ext of our existence writing and reading take place in one – the sense which will be produced within this process is not meant to unveil a pre-given meaning by correctly defined coordinates (this will produce a common truth but neither an individual nor a collectively existential sense!)</image:caption>
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      <image:title>Material for Lectures A - the text of our existence (Copy)</image:title>
      <image:caption>the text of our existence</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525698786606-AC00267U99M7TUZP9ZMF/08-co-relations-between-thing-subject-and-observer.jpg</image:loc>
      <image:title>Material for Lectures A - co-relations between the thing / the subject and the observer (Copy)</image:title>
      <image:caption>co-relations between the thing / the subject and the observer 8 the process starts with the already defined co-relations between the thing / the subject and the observer (you, me, we) the co-relations can only be realized by the determination of the coordinates / – for example the co-relation between a chair and the one who wants to sit down / the coordinates of the grammatical structure of sit-down fixed by the movement of the body – for example the co-relation between a pencil, a sheet and the one who wants to draw or write / – the coordinates of the grammatical structure of drawing or writing are fixed by the movement of the body</image:caption>
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      <image:title>Material for Lectures A - defining individual rules (Copy)</image:title>
      <image:caption>defining individual rules 9 the first task has to be performed by a precise observation and documentation of what we have observed (the co-relations between the thing / the subject / and the observer) – the second task has to be performed by defining individual rules of combining the observed coordinates according the universally valid grammar</image:caption>
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      <image:title>Material for Lectures A - first the field of grammar (Copy)</image:title>
      <image:caption>first the field of grammar 10 the observation will take place on two fields / levels: / first the field of grammar / structure / formal coordinates / second the field of pre-given intentions / meanings / history – the pre-given (or strived) intentions are inscribed in the mode of meaning and history into the things / the subject as well as into the one who observes</image:caption>
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      <image:title>Material for Lectures A - second the field of pre-given intentions (Copy)</image:title>
      <image:caption>second the field of pre-given intentions</image:caption>
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      <image:title>Material for Lectures A - interact with the manifested elements (Copy)</image:title>
      <image:caption>interact with the manifested elements 11 so by fulfilling the second task (defining individual rules of combining the observed coordinates) the intentions / meanings / historical purposes will inevitable be erased on the surface of the things and the subjects / will be subdued a de-denotation or de-connotation / – but in the background of our perception they are still active as a set of references / now not decisive anymore but to be seen as possible parts of the text which we will write / design by following only the movements between the things by our ability to interact with the manifested elements (coordinates: shapes: volumes)</image:caption>
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      <image:title>Material for Lectures A - move ourselves in relation to (Copy)</image:title>
      <image:caption>move ourselves in relation to 12 the rule of interacting with the manifested elements (coordinates: shapes: volumes) which is named „method“ we have to define according our personal way to move ourselves in relation to the universal valid grammar</image:caption>
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      <image:title>Material for Lectures A - concept of Relational Art (Copy)</image:title>
      <image:caption>concept of Relational Art 1a our intention by making art / design is to produce desire / lust – to do so: define your own method / clarify the given conditions a concept of what is called Relational Art (also its social and cultural conditions) – written on a double-page A4</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>1b enlarged, segmented and reassembled segments in a size of 594 x 840 mm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302246616-NUZEO6FJ2A2HM8WCGWHR/02a-following-the-traces.jpg</image:loc>
      <image:title>Material for Lectures A - traces we have to follow (Copy)</image:title>
      <image:caption>traces we have to follow 2a our desire / lust is to remain in the tense / the tension / between our intention and the object (of our intentionality) – this tension has to be ordered in rows according the compositorial rules of grammar and volume (extent, degree, scale, magnitude (importance, meaning, significance, signification, concern)) - these traces we have to follow in order to let the poetical narration of our intentional lust become real by itself</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>2b / detail I</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302250034-717ADJVK01R4K9GFTGCJ/02c-following-the-traces.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>2c / detail II</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526302250395-EDJ56E1PSIM747SJ2VWH/03-building-rows.jpg</image:loc>
      <image:title>Material for Lectures A - building rows (Copy)</image:title>
      <image:caption>building rows 3 in order to achieve our intention (remaining in-tension) we are building rows of the elements (of the materialized intentions) – every element consists of perforations / points connected by straight and curved lines (straight according the shortest way from point to pont / curved according the movement of the body / eyes / head / chest / arm / hand-wrist / fingers – i.e. defining the topological space by deconstructing the Euclidian space and arrange the elements anew by building rows in a size of 840 x 1188 mm</image:caption>
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      <image:title>Material for Lectures A - repeating and scaling the movement (Copy)</image:title>
      <image:caption>repeating and scaling the movement 4 about how we have succeeded or failed with our intentions (mostly combined with stupid rhetorical conclusions about the reasons and matching / not less stupid moral considerations) this is the way we have learned to read the rows in a rhetorical or moral sense in other words as a fable, parable or allegory but now we reject the pre-given task and instead of fulfilling we define our own episode by stepping into an open process of designing - repeating and scaling the movement</image:caption>
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      <image:title>Material for Lectures A - adding volume / chiaroscuro (Copy)</image:title>
      <image:caption>adding volume / chiaroscuro 5a every element is a body (no matter how big or small it may be) / a hull, fuselage, trunk, hulk, torso (substance, essence, texture, gut) an element within a space / a space recognized by the chiaroscuro / light and dark – adding volume / chiaroscuro</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>5b adding volume / chiaroscuro detail I</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>5c adding volume / chiaroscuro detail II</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>5d adding volume / chiaroscuro detail III</image:caption>
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      <image:title>Material for Lectures A - repeating and scaling / second version (Copy)</image:title>
      <image:caption>repeating and scaling / second version 6 repeating and scaling second version – as soon as we are forced to leave our well known intentions (those of the Euclidean space which strive for a perfect ordering system) we get afraid to fall back into a childish or cosmic chaos</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>7a draw after the drawing</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>7b detail I / figure</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>7c detail II / interior</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>7d detail III / figure within interior</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>7e detail IV / maybe a landscape</image:caption>
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      <image:title>Material for Lectures A - draw after the drawing second version (Copy)</image:title>
      <image:caption>draw after the drawing second version 8a draw after the drawing second version – art / design = to arrange the childish / cosmic chaos again and again anew according the compositorial necessity of our desire</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>8b second version / detail I</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>8c second version / detail II</image:caption>
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      <image:title>Material for Lectures A - the drawing which I used (Copy)</image:title>
      <image:caption>the drawing which I used 9a the drawing which I used to draw after the drawing</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>9b the drawing detail in chiaroscuro I</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>9c the drawing detail in chiaroscuro II</image:caption>
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      <image:title>Material for Lectures A - facial expression in linear construction (Copy)</image:title>
      <image:caption>facial expression in linear construction 10a facial expression in linear construction by using only charcoal and liquid glue or lacquer – what happens within the face? in relation between / torso / arms / hands / legs / feet</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>10b facial expression II</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>10c facial expression III</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>10d facial expression IV</image:caption>
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      <image:title>Material for Lectures A - facial expression in chiaroscuro (Copy)</image:title>
      <image:caption>facial expression in chiaroscuro 11a facial expression in chiaroscuro by using charcoal liquid glue and paper collage</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1526306194100-7IX45V7ARGML21V94Q9V/face.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>11b the face / the range of facial expressions which may change from one second to the other is inseparably colligated to our intentions / that we could fail / that we'll maybe successful</image:caption>
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      <image:title>Material for Lectures A - how to proceed (Copy)</image:title>
      <image:caption>how to proceed 11c facial expression in relation to the memory (when I was a student) – how to proceed? – intention is / to follow the traces (for example Georges Jacques Danton / Gerog Büchner / Lenz) / to finish all the needed studies (for to extend the relational space between Ungaretti / Saba / Garcia Lorca / Celan the spaces in-between in their dimension of grammar and volume as well as of sexuality, society and politics) until the end of July – „Indifferently he moved on; the way did not matter to him, up or down.“ Georg Büchner, Lenz</image:caption>
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      <image:title>Material for Lectures A - colours of the narrative (Copy)</image:title>
      <image:caption>colours of the narrative 1 on my way back to Danton’s death / Georg Büchner / Lenz / walking on the head / along the highs of the woods the traces will involuntarily led to the colours of the narrative</image:caption>
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      <image:title>Material for Lectures A - stepping down the stairway (Copy)</image:title>
      <image:caption>stepping down the stairway 2 the head / the cold / the wind on her face the sound of her feet stepping down the stairway all this – and everything else – not only has its own colour it’s made of colours</image:caption>
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      <image:title>Material for Lectures A - relation to the light I (Copy)</image:title>
      <image:caption>relation to the light I 3 the colour is caused by the movement of the material in relation to the light</image:caption>
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      <image:title>Material for Lectures A - II (Copy)</image:title>
      <image:caption>II</image:caption>
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      <image:title>Material for Lectures A - III (Copy)</image:title>
      <image:caption>III</image:caption>
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      <image:title>Material for Lectures A - a shifting and transitory window (Copy)</image:title>
      <image:caption>a shifting and transitory window 4 Marcel Proust tells in „Swann’s Way“: „Someone had indeed had the happy idea of giving me, to distract me on evenings when I seemed abnormally wretched, a magic lantern, which used to be set on top of my lamp while we waited for dinner-time to come; and, after the fashion of the master-builders and glass-painters of Gothic days, it substituted for the opaqueness of my walls an impalpable iridescence, supernatural phenomena of many colours, in which legends were depicted as on a shifting and transitory window.“</image:caption>
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      <image:title>Material for Lectures A - an inappropriate extension I (Copy)</image:title>
      <image:caption>an inappropriate extension I 5 that something is coloured says it is swollen (from Old English geswollen / past participle of swellan) in the meaning of an inappropriate extension</image:caption>
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      <image:title>Material for Lectures A - II (Copy)</image:title>
      <image:caption>II</image:caption>
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      <image:title>Material for Lectures A - III (Copy)</image:title>
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      <image:title>Material for Lectures A - IV (Copy)</image:title>
      <image:caption>IV</image:caption>
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      <image:title>Material for Lectures A - following the colours I (Copy)</image:title>
      <image:caption>following the colours I 6 so every narrative is an inappropriate extension of what refuses its assigned coordinates by following the colours to become visible</image:caption>
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      <image:title>Material for Lectures A - II (Copy)</image:title>
      <image:caption>II</image:caption>
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      <image:title>Material for Lectures A - III (Copy)</image:title>
      <image:caption>III</image:caption>
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      <image:title>Material for Lectures A - nature inserts colour into the grammar I (Copy)</image:title>
      <image:caption>nature inserts colour into the grammar I 7 in nature every colour is related to lust or danger this is the way we use colour too or vice versa „Life imitates Art far more than Art imitates Life“ / says Oscar Wilde in „The Decay Of Lying – An Observation“ / in other words: nature inserts colour into the grammar of evolution by adapting directly to the art</image:caption>
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      <image:title>Material for Lectures A - II (Copy)</image:title>
      <image:caption>II</image:caption>
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      <image:title>Material for Lectures A - "untrue things is the proper aim of Art" I (Copy)</image:title>
      <image:caption>"untrue things is the proper aim of Art" I 8a Oscar Wilde: „Art / never expresses anything but itself. / All bad art comes from returning to Life and Nature and elevating them into ideals. / Life imitates Art far more than Art imitates Life It follows as a corollary that external Nature also imitates Art / Lying, the telling of beautiful untrue things is the proper aim of Art.“</image:caption>
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      <image:title>Material for Lectures A - II (Copy)</image:title>
      <image:caption>II</image:caption>
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      <image:title>Material for Lectures A - something else we cannot name (Copy)</image:title>
      <image:caption>something else we cannot name 8b The first and the last of all possible lies is colour – we assume there is a colour but in fact there is nothing but the reflection of something else we cannot name</image:caption>
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      <image:title>Material for Lectures A - only coordinates can be a subject of truth (Copy)</image:title>
      <image:caption>only coordinates can be a subject of truth 9 Wilde is talking about the lie in relation to what is right or false in its very basic dimension of the position of the points or perforations / as we have learned; only the points / the perforations, / the coordinates can be a subject of truth (by the way: therefore sciences alway try to refer to the relationship of points in a mathematical way – no matter which subject should be researched and systematically defined) – but in terms of the truth of the perforations the lines in between and the volume / the movements / the colours / the materials (which bloats itself from line to line) are always a lie</image:caption>
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      <image:title>Material for Lectures A - art is an event of extending (Copy)</image:title>
      <image:caption>art is an event of extending 10 so we see, neither colour nor narrative (which is not to be told without the volume (except the colour also the movement and the material of words)) own values that can be set as false or true (these values are only those of the mathematical dimension of the grammar) – rather art is an event of extending the present by writing signs and fulfill them with their respective volume</image:caption>
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      <image:title>Material for Lectures A - in front of our eyes (Copy)</image:title>
      <image:caption>in front of our eyes 11 an event (or incident) is something that’s taking place in front of our eyes (or better to say: in front of our face / recognizable by our senses) – incident = the relation between an edge (of the geometrical shape) / a line and one of its endpoints – incidence matrix = the incidence matrix of a graph is a matrix whose rows are indexed by vertices of the graph and whose columns are indexed by edges (seen from the logic of grammar; how the Euclidian static establishes within a topological space)</image:caption>
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      <image:title>Material for Lectures A - a product which produces desire (Copy)</image:title>
      <image:caption>a product which produces desire 12 all in all for to design an event / the process of design (whose result will be a product which produces desire / lust) we need the triad / the structure made of points and lines / the colour (and the related volumes of movement and material) / the names (captions / cutlines from words) – now we can think about giving a name to the subject / we are working on / to ourselves</image:caption>
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      <image:title>Material for Lectures A - we talked about a lot (Copy)</image:title>
      <image:caption>we talked about a lot 1 there are three fields (interconnected) we have to be aware of in terms of any kind of designing (it may be so called artistic work or in terms of scientific or social design) – 1st the field of grammar (which we talked about a lot) – 2nd the field of volume (we can’t talk about it without the knowledge of grammar)</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>1.1 – 3rd the field of intentions / relations / courses / history (like the subject takes its course from intention to history)</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>1.2</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>1.3</image:caption>
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      <image:title>Material for Lectures A - the whole web / texture (Copy)</image:title>
      <image:caption>the whole web / texture 2 if we combine these fields by directing the respective elements of each field to achieve a valid composition (of whatever kind) involuntarily the text / narration / notations / participation of what is (i.e. of the whole web / texture) will occur</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>2.2</image:caption>
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      <image:title>Material for Lectures A - the whole texture (Copy)</image:title>
      <image:caption>the whole texture 3 now let's take a closer look at the field of / intentions / relations / individual and common history – obviously our intension is focussed on social intercourse (or to say it from the perspective of designing there is a very natural desire of every author / artist / and so on to be published which has nothing to do with success fame or status it is much more about being a part of the whole texture by the text you have knotted)</image:caption>
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      <image:title>Material for Lectures A - knots / which are creating an inextricable web (Copy)</image:title>
      <image:caption>knots / which are creating an inextricable web 4 if you repeat the process of creating intersections by following the lines (which are building intersections by their way from point to point) by freehanded drawing knots / which are creating an inextricable web / will be the result – so we can say that the World Wide Web is an access to the two-dimensional surface of the multi-layered texture of our the presence and remembrance of our staging / for years we have seen how the Web will be adapted to the paradigm of a functionality that rules itself</image:caption>
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      <image:title>Material for Lectures A - the pressure of inner values (Copy)</image:title>
      <image:caption>the pressure of inner values 5.1 the functionalization of the www is a strategy that is very easy to observe it does not operate primarily with external restrictions but much more with the pressure of inner values of social intercourse – „In order to engage in social intercourse one must identify the other individual to be significant.“</image:caption>
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      <image:title>Material for Lectures A - significant as a prototype (Copy)</image:title>
      <image:caption>significant as a prototype 5.2 – significance is a value that results from competition be more significant means to be more successful – but success – in what way? be significant! but what is the function of being significant? significant as a prototype!</image:caption>
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      <image:title>Material for Lectures A - a more or less perfect prototype (Copy)</image:title>
      <image:caption>a more or less perfect prototype 6 we have only one possibility of being immortal by becoming an ideal signifier / that means a more or less perfect prototype of power / beauty / health = social success / status = prototypical significance of functionality</image:caption>
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      <image:title>Material for Lectures A - to do / to be (Copy)</image:title>
      <image:caption>to do / to be 7 let’s start with the pressure of functionality (or come back to it) in which everyone has its undeniable position / name / task (in relation to the ideal signifier / perfect prototype) and our desire is to find out the / the meaning of that to which we are forced / to do / to be</image:caption>
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      <image:title>Material for Lectures A - some kind of a point zero (Copy)</image:title>
      <image:caption>some kind of a point zero 8 by this let’s start to think about intercourse that we assume this kind of acting is beyond all functions but in fact it’s the core of it – I would say in the way we use to do it / just do it by being plugged in (into some kind of a point zero) we are constructing invisible threads around ourselves to ensure our position within the Euclidean grid of functionality</image:caption>
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      <image:title>Material for Lectures A - seducing the one which we pretend to love (Copy)</image:title>
      <image:caption>seducing the one which we pretend to love 9.1 every time by conquering / capturing / seducing the one which we pretend to love we fulfill the core of function: stay away from weakness and loneliness! proof to be / strong / beautiful / healthy to say it simple: to be the best choice so we have to decide / how to stick ourself into ourselves</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>9.1</image:caption>
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      <image:title>Material for Lectures A - take our course (Copy)</image:title>
      <image:caption>take our course 10.1 so we see how social and any other kind of intercourses are deeply interwoven / 1500, „acquaintance by frequent or customary intercourse“ from converse (v.). / 1610s as „conversation, familiar discourse“ / 1749, „intimate intercourse, fellowship“ from inter- „between“ „communion“ / „converse“ / 1771 a euphemistic shortening of sexual intercourse with / intercourse in its sense „social contact and relations“ – so we can say to become significant we have to take our course</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>10.2</image:caption>
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      <image:title>Material for Lectures A - in relation to ourselves (Copy)</image:title>
      <image:caption>in relation to ourselves 11.1 significant in the sense I am here in relation to you / seen from the position of the self (i.e. the position of designing) / of what we both are in relation to ourselves</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>11.2</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>11.3</image:caption>
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      <image:title>Material for Lectures A - writing / reading your own text (Copy)</image:title>
      <image:caption>writing / reading your own text 12.1 your significance is not bounded on any prototypical functionality of being significant but only on your will and ability to move by yourself in order to create the composition of our common texture / the topological itself by writing / reading your own text</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>12.2</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>12.3</image:caption>
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      <image:title>Material for Lectures A - the body of Christ is dead (Copy)</image:title>
      <image:caption>the body of Christ is dead 1 about a reference that we can not hide from in contradiction to the reference of functionality we examined in the last lecture 2 the body of Christ is dead what’s left is the grammatical structure of becoming a vivid extension again and again inseparably connected to a text / texture / of our narrative our perception is constantly changing</image:caption>
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      <image:title>Material for Lectures A - we have to step back (Copy)</image:title>
      <image:caption>we have to step back 3 so for a moment we have to step back to observe the structure of grammar and how the volume (in other words the vivid extension) is enclosed within</image:caption>
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      <image:title>Material for Lectures A - we are continuously switching (Copy)</image:title>
      <image:caption>we are continuously switching 4 as you can see we are continuously switching between / grammar / volume and / narrative this is how the process of composition is taking place</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528898554307-VZR584B9PDTL1K7X7ZU6/05-de-construct.jpg</image:loc>
      <image:title>Material for Lectures A - the elements of the respective topology (Copy)</image:title>
      <image:caption>the elements of the respective topology 5 to find a reference for what we are doing it is undeniable needed to compose the elements of the respective topology anew – to do so first we have to / de-compose / de-construct the elements according to the grammatical rules</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895759601-DBHPVEWH8YNCX85BMZBD/06-perforations.jpg</image:loc>
      <image:title>Material for Lectures A - composed by an „I“ (Copy)</image:title>
      <image:caption>composed by an „I“ 6 so to discover our reference we must examine the co-ordinates / perforations of the grammatical structure which will lead us to the narrative / of the relation between ourselves and the world which is to be found as a text / texture composed by an „I“ (for example Hans Holbein the Younger) in relation to a „You“ (for example Jesus of Nazareth)</image:caption>
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      <image:title>Material for Lectures A - 1st the bodies / 2nd the names (Copy)</image:title>
      <image:caption>1st the bodies / 2nd the names 7 the coordinates / perforations can only be extracted from only two topologies / 1st the bodies (natural as well as artificial ones) / 2nd the names (words, numbers and formulas which give an idea, how to count and name / the topological elements / the constellations / the respective topos)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895761138-1PANYX7SC05VBWE68PNM/08a-dissect.jpg</image:loc>
      <image:title>Material for Lectures A - we must make decisions (Copy)</image:title>
      <image:caption>we must make decisions 8a in order to read the grammatical structure we must make decisions about the question how to / dissect the structure (from point to point) / arrange the dissected elements anew</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>8b</image:caption>
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      <image:title>Material for Lectures A - systematic of perceptual construction (Copy)</image:title>
      <image:caption>systematic of perceptual construction 9a to be able to work this way we must have a closer look at the systematic of our perceptual construction / the ability to identify the coordinates of the interactions between the different objects</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>9b</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>9c</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895773519-VPP0QNKJZUSB5HN640BX/10-in-order.jpg</image:loc>
      <image:title>Material for Lectures A - to give a name to what happens (Copy)</image:title>
      <image:caption>to give a name to what happens 10 to perceive something generally means to transform the elements and their expectable movements into a score (row of signs / words / numbers) in order to give a name / formula to what happens – we never perceive a single topos but always a more or less complex topology (i.e. a grammatical combination of elements)</image:caption>
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      <image:title>Material for Lectures A - the shape consists of uncountable varieties (Copy)</image:title>
      <image:caption>the shape consists of uncountable varieties 11 our perception is divided into / the undeniable truth of perforations / the multiplicity of shapes / the shape consists of uncountable varieties (beyond true or false) of the volume- / the colour- expansions</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895780310-O36SIPVNAMC15YHM060U/12a-our.jpg</image:loc>
      <image:title>Material for Lectures A - the most important question (Copy)</image:title>
      <image:caption>the most important question 12a the most important question in designing is not related to / the true / the beautiful / the good but much more to the reality of what we are perceiving</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1528895779964-U6EZWTUAG82GJXLBLPHD/12b.jpg</image:loc>
      <image:title>Material for Lectures A - connections and knots of our notations (Copy)</image:title>
      <image:caption>connections and knots of our notations 12b and how our perception is constantly changing with every repetition of what we are realizing (with every depicting) and by this the connections and knots of our notations are inter-woven into the texture</image:caption>
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      <image:title>Material for Lectures A - Yes, make decisions! (Copy)</image:title>
      <image:caption>Yes, make decisions! 1 Yes, make decisions! sure, but in what context? compared to what? – it seems that we need a comparison about what's right and what's wrong to be able to make a decision</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532727558-I1EVQQ661KGAID2CQFAR/05c.jpg</image:loc>
      <image:title>Material for Lectures A - making decisions without values (Copy)</image:title>
      <image:caption>making decisions without values 2 designing is the art of making decisions without values of what is right or wrong as pre defined by the Euclidean classification system – otherwise we would only produce copies of what claims to be / the true / the beautiful / the good</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532709665-Y65QDQEZYVC7JGXIYUOC/03a-a-result-of-designing.jpg</image:loc>
      <image:title>Material for Lectures A - a result of designing (Copy)</image:title>
      <image:caption>a result of designing 3.1 this is the reason why we can not stick to any idea – a pre-given idea in the sense of a result of designing (what has to be achieved with the process of design) can not be anything else but a bad copy of a world imagined as a perfect one</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532713085-G5VV04HX115NQ6K1DZ84/03b.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>3.2</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532717217-A9ULHLHXIU9LBMYOBJC3/04a-an-active-part-of-the-text-of-the-world.jpg</image:loc>
      <image:title>Material for Lectures A - an active part of the text of the world (Copy)</image:title>
      <image:caption>an active part of the text of the world 4.1 instead of fulfilling the idea of a perfect word the process of designing is a journey in order to discover how the world actually is constructed (in it's grammatical dimension) – / by this we will be an active part of the text of the world (as Badiou says: „…being an active part of the consequences of a local event“) – / by this we produce the sense of what we call reality („Try to make it real - compared to what?“)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532723915-NEMVPGBJD985XA84C30B/05a-we-do-not-need.jpg</image:loc>
      <image:title>Material for Lectures A - we do not need a comparison of right or wrong (Copy)</image:title>
      <image:caption>we do not need a comparison of right or wrong 5.1 within the process of designing we do not need a comparison of right or wrong – what we need is the knowledge of how to proceed and of the possible relations in order to step ahead from one decision to the next</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>5.2</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532728057-UBJUZ7X5B6UQG57QA5EG/06a-the-necessity-of-the-text.jpg</image:loc>
      <image:title>Material for Lectures A - the necessity of the text (Copy)</image:title>
      <image:caption>the necessity of the text 6.1 every decision has its reason – the question is: is the reason given within functionality (whether we are aware of it or not) or is the reason to find within the necessity of / the text / the narrative / the language itself and by this / within the grammar?</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>6.2</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532738149-8EI324HQNTZFK7QXQGTX/07a-letting-our-perception-rule.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>7.1 what do we have to do to determine the difference? – Nothing else but to observe the perforations intersections and angle-points of the grammatical structure of the topology we can respectively identify</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532742843-2W9V66YBYICRNWNT6QMS/07b.jpg</image:loc>
      <image:title>Material for Lectures A - how movements and colour can be related to each other? (Copy)</image:title>
      <image:caption>how movements and colour can be related to each other? 7.2 then we have to trust this grammatical structure according to which every body (also ours) is build by letting our perception rule of how to connect the points of the structure: graphically fixed or simply in our memory that means the connections will be done by the involuntary movements of our bodily perception</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532742799-5XA0M82WERAXEY4SFHY6/08a-how-movements-and-colour.jpg</image:loc>
      <image:title>Material for Lectures A - how movements and colour can be related to each other? (Copy)</image:title>
      <image:caption>how movements and colour can be related to each other? 8.1 as soon as the points are connected and the geometrical construction is added by a volume of movements we are asked to decide: / how to proceed with the movements? / how movements and colour can be related to each other? / what colour to choose? / derived from what? / which shapes should become more concrete?</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532747786-EIW5FEARW0OU0BKSR9XH/08b-the-primacy-of-the-expansion-of-colours.jpg</image:loc>
      <image:title>Material for Lectures A - the primacy of the expansion of colours (Copy)</image:title>
      <image:caption>the primacy of the expansion of colours 8.2 we have also to decide / to continue with the primacy of elaboration the movements or / the primacy of elaboration the shapes or / the primacy of the expansion of colours</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532746768-J3RRLMGMYYJBN5M43HQV/09a-a-narrative-will-be-included.jpg</image:loc>
      <image:title>Material for Lectures A - a narrative will be included (Copy)</image:title>
      <image:caption>a narrative will be included 9.1 in any case a narrative will be included – explicit or implicit – in case of an explicit narrative inclusion we additionally have to decide / which narrative signs (of bodies, spaces, things) are to be found within the shapes?</image:caption>
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      <image:title>Material for Lectures A - the synapses of the individual narrative (Copy)</image:title>
      <image:caption>the synapses of the individual narrative 9.2 / which are the synapses of the individual narrative (synapses in terms of potential connections between the coordinates / perforations of the observed topology and the coordinates / perforations of personal experience) – / how to elaborate the shapes? maybe by delineating again and again until the narrative elements will occur?</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532751191-6TYKLMU3KAAL09PZHLQ5/09c.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>9.3</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532758426-2TFX9VYIYW40GW7I7UEQ/10a-how-the-personal-experience.jpg</image:loc>
      <image:title>Material for Lectures A - how the personal experience is to be objectified? (Copy)</image:title>
      <image:caption>how the personal experience is to be objectified? 10.1 also to define the needed reference we must make a lot of decisions: / how the personal experience is to be objectified intellectually? / according which referential object we have to proceed?</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>10.2</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532760567-BO7KEE7WGK3FLWB3JOHQ/10c.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>10.3</image:caption>
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      <image:title>Material for Lectures A - how to produce a topology (Copy)</image:title>
      <image:caption>how to produce a topology 11.1 how is the reference object to be identified in its historical / scientific / sociological / political dimension? – how to produce a topology in which everything / grammar / volume / narrative is interwoven?</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>11.2</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532766975-G74R7MHTYIGRCQ3VTIM6/11c.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>11.3</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>11.4</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532769358-D3Q4TVZQ3YNPC7XZKPG6/11e.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>11.5</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532773538-DOQGBJ4KU353K98P14E7/11f.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>11.6</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532776832-D55ELFAUZ4OZEL7IAM86/12a-there-is-just-one-reality.jpg</image:loc>
      <image:title>Material for Lectures A - there is just one reality: the incomparable real of the text (Copy)</image:title>
      <image:caption>there is just one reality: the incomparable real of the text 12.1 it seems that all the decisions will be made according functionality or narration – but actually functionality and narration are not comparable! – so our attempt to make it real - and the question given by this: "compared to what?" are telling us; there is just one reality: the incomparable real of the text / the texture / the narrative</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>12.2</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530532781609-TQYA0QUKWFFPQ75HGY27/12c.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>12.3 functionality is not an alternative reality (it’s not a reality at all!) but a part of the method to make the text / the texture a reality</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>12.4</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>12.5</image:caption>
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      <image:title>Material for Lectures A - question about a phenomenon (Copy)</image:title>
      <image:caption>question about a phenomenon 1.1 Topos / Object (= the object of the artistic exploration) = / object of daily use / space (or place) / person(s) the interacting of those – or already narratively manifested / notated in a cultural media: picture / literature / movie / theatre / music / dance and so on – both – the Topos / Object or its narrative manifestation / notation – are derived from a Meta-Theme; a question about a phenomenon / a process (of a social, political, economic, ecological, philosophical, religious or educational aspect / demand / problem)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535249262-O9EXDT9CTR5O2TRM0T1P/01-1a-noli-me-tangere.jpg</image:loc>
      <image:title>Material for Lectures A - noli me tangere (Copy)</image:title>
      <image:caption>noli me tangere 1.2 in relation to this lecture – / the Topos / Object is: „The constellation / composition of the object’s elements (of the topology) in general and how the user / viewer interacts with them / constitutes itself!“ – which – regarding to the existential conditions of each of us – can be shown very clearly by the tension between the text / depicting of „the dead christ“ and „noli me tangere“ and the narrative / poetical constellations (for example by Garcia Lorca) which deconvolve in between</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>1.3</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>1.4</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535254368-55XVM2YNW3KGBNKCCRHL/01-1e.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>1.5 – / the Meta-Theme is the question „How to teach art + design in an appropriate way according to the demands of our time!“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535254335-MD4WX22DH8F1BRJP3EZD/02-0a-elements-for-the-design-process.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>2.1 Structural Analysis (of the respective object / topos) / Impulses / will be fixed as / Coordinates / within which the / Volume (movement, colour, material) / will expand – the Structural Analysis delivers the elements for the design-process and the clues for the methodical proceeding to using the elements</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535257821-IWQB2J3OB6T5FZACQYGY/02-0c.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>2.3</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535258178-2IJEAVOBA18OQHX7HH08/02-0d.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>2.4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535258659-YM6CIQ4W1QCOLBYD6RYH/02-0e.jpg</image:loc>
      <image:title>Material for Lectures A - reveal the grammatical structure: (Copy)</image:title>
      <image:caption>reveal the grammatical structure: 2.5</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535261559-MY9LH00T8TIRD9A74XWN/02-1a-reveal-the-grammatical-structure.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>2.6 in relation to this lecture – / the Structural Analysis shows „There are only two possibilities to reveal the grammatical structure: – 1. extracting the coordinates from the two or three-dimensional object / topology by segmenting the angleand anchor-points and intersections and connecting them anew according the physiological or technical construction of the formation process of the object / the topos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535260893-LMEA5UB7YT1ASVZS6741/02-1b.jpg</image:loc>
      <image:title>Material for Lectures A - turne into so called „word-fields" (Copy)</image:title>
      <image:caption>turne into so called „word-fields" 2.7 – 2. extracting the coordinates and their already given connections from the grammatical construction of the written language / turned into so called „word-fields" / i.e. from the gestures and movements related to the grammatical structure of the human body as the primary language-tool“</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535263968-0SSSB1NSBXHZUYYFFT6P/02-1c-turned-into-so-called-word-fields.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>2.8</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535267281-FD1IE3VBVTTY2957K3TN/02-1d.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>2.9</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535265036-C6JHNL163W2SN11JV0OE/03-0a-here-is-the-connection.jpg</image:loc>
      <image:title>Material for Lectures A - movements / colours / materials (Copy)</image:title>
      <image:caption>movements / colours / materials 3.1 Intention = can only be defined by executing the process from exploring the grammatical coordinates in order to fill it with suitable volumes (movements, colours, materials) which leads involuntarily to the intentionality of the narrative</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535267110-MZCKM2VTJLUI4CS7Y31J/03-0b.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>3.2 – so we must distinguish between / the collective intention and / the individual intention and by the same time we have to define / how both fields of intention are connected to the generally valid references and relations / how both types of intentions interact in the design process</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535270428-JWBDS9A4QNANBSIC0IHQ/03-0d.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>3.3 – from this now we are able to derive our individual / Theme / Core-Question</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535277472-V0QCRRVNZG5KWLY1IN5B/03-0i.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>3.4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535278223-ZKB29EQK7MSNP6MVJUDK/03-1a-to-write-notations.jpg</image:loc>
      <image:title>Material for Lectures A - in order to be able to write notations (Copy)</image:title>
      <image:caption>in order to be able to write notations 3.5 in relation to this lecture – „my intention (as the one who is giving this lecture) is divided into three aspects 1. to show you how the process of creating design or art works and by this 2. to show it to myself in order to be able 3. to write notations / narrative / text which are parts of the whole texture of inter-related events / adventures (in sense of the definition Giorgio Agamben has given to the term)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535279911-1W1GG21P3E7DGIDXGBUQ/03-1d.jpg</image:loc>
      <image:title>Material for Lectures A - iteration and recursion (Copy)</image:title>
      <image:caption>iteration and recursion 3.6 – notations / narrative / text are not only interwoven into the different structures of time but also brings forth the notated time-structure again and again by which we are able – within the linear readable time – to participate again at the events / the adventures in repetitions and differentiations effected by the re-occurrence of the physically shifted iteration and recursion“</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535281189-AO22R46A79PPU5GP0T2H/04-0a-how-the-objectivization.jpg</image:loc>
      <image:title>Material for Lectures A - how the objectivization should be manifested (Copy)</image:title>
      <image:caption>how the objectivization should be manifested 4.1 Manifestation / Objectivization now we posses all the needed elements and informations to describe precisely how the objectivization should be manifested i.e. which object / topology (in its two or three-dimensional form / in its presentation within space and time) should be realized and how this has to be done – the object may be graphic-design, drawing, painting, photography, movies, interior-design, fashion-design and so on</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535283628-I8X4QINGAI5QZNGIOCHG/04-0b.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>4.2 – the object may be graphic-design, drawing, painting, photography, movies, interior-design, fashion-design and so on</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535286282-2N1RWSMCVY08M47XEOF9/04-0d.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>4.3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535285522-LTZ6MCLLGOG1PVJGN83G/04-1a-i-refer-both.jpg</image:loc>
      <image:title>Material for Lectures A - I refer both to Structuralism as well as to Mannerism (Copy)</image:title>
      <image:caption>I refer both to Structuralism as well as to Mannerism 4.4 in relation to this lecture – „What I am called upon to do because of my history (as part of the common history on all the different social, political and cultural levels) are so called panel paintings. – I refer both to Structuralism as well as to the Age of Mannerism – in its wide range of architecture / interior-design / fashion-design / sculpturing / drawing and painting.“</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535299628-L5Y82SYQ54B9LHSKDN1M/04-1k.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>4.5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535301241-KT18G3MYRHNK0OECP18O/05-0a-possibilities-of-an-individual-language.jpg</image:loc>
      <image:title>Material for Lectures A - Method (Copy)</image:title>
      <image:caption>Method 5.1 Method = how the intention by using of the results of the structural analysis is to be manifested / to transform into an object / topos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535302024-SGJBD6IAVCJWZHGS4S17/05-0b.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>5.2 – in order to use the visual / material elements which are the result of defining, separating and re-connecting the structural coordinates (i.e. to in order to realize the object / topos) a suitable method must be found individually</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535305975-9QEMNBSJ1IIMQPRCGQGG/05-0c.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>5.3 – / the methodical proceeding has to be derived from the exploration – of the grammar (construction of the shape) – of the volume bound in it – of materiality / by focussing on the instructions which are given by the performative dimension of the verbs and the descriptive material dimension of the adjectives</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535306259-6R2BWSI3TE70MEZWMYGJ/05-0d.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>5.4 – by a method which is individually developed the possibilities of an individual language / expression is becoming more and more noticeable</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535309116-IGV47Y0DCN0EDPS9KLVU/05-1a-all-measurement-systems.jpg</image:loc>
      <image:title>Material for Lectures A - all measurement-systems we are used to work with (Copy)</image:title>
      <image:caption>all measurement-systems we are used to work with 5.5 in relation to this lecture – „The method I started to elaborate eight years ago is based on circle matrix which includes and combines all measurement-systems we are used to work with / average body dimension 180 to 180 cm (with sideways outstretched arms) / / constellations of the stars (for example Orion at the winter sky) / / space (cardinal directions / longitude and latitude) / / time (morning, midday, evening, night / hours of the day) / / 24 basic letters of the alphabet / / musical structure of the twelve tone system / / different colour-circles (for example according to Itten) /… “</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535315127-NWY80109672DMEXMPXTH/05-1c.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>5.6</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535319044-K9WYEKMSYHETD5NHR9NY/05-1f.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>5.8</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1530535319522-EQPYBHK31FBPENY6V34L/05-1g.jpg</image:loc>
      <image:title>Material for Lectures A - Result (Copy)</image:title>
      <image:caption>Result 6 we are still working on it…</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909407898-6PPDZDT6DPA1FRY0KNOA/01-lines-of-the-linear-time-flow.jpg</image:loc>
      <image:title>Material for Lectures A - horizontal lines (Copy)</image:title>
      <image:caption>horizontal lines 1 the horizontal lines of the linear time flow which we describe as „finiteness“</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909407902-YQPLPTJWRQ2M2DVXML0A/02-lines-of-the-ideational-time.jpg</image:loc>
      <image:title>Material for Lectures A - vertical lines (Copy)</image:title>
      <image:caption>vertical lines 2 the vertical lines of the ideational time which we describe as „immortality“</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531914270564-7Y9JSRQZQN7UAIV09XAY/03-a-lines-of-the-circling-time.jpg</image:loc>
      <image:title>Material for Lectures A - curved lines (Copy)</image:title>
      <image:caption>curved lines 3a the curved lines of the circling time which we describe as „remembrance“</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531914303133-ET45ET9TRGO42H4LM3YP/03-b.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>3b</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531914348027-ONUIN8VBQWLGRXRCHBEZ/03-c.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>3c</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531914391596-GHT190NV5UGVAZTNYVWY/03-d.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>3d</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909425326-EOS0GRFM4CEZ8DVRV6SF/04-lines-of-the-rhizomorph.jpg</image:loc>
      <image:title>Material for Lectures A - interwoven horizontal and vertical lines (Copy)</image:title>
      <image:caption>interwoven horizontal and vertical lines 4 the interwoven horizontal and vertical lines of the rhizomorph time leaps which we describe as „narrative“ 5 in order to achieve immortality the finite time – moving in horizontal direction – must be adapted to a goal which exceeds the horizon to an infinite vertical</image:caption>
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      <image:title>Material for Lectures A - build by the lines between coordinates (Copy)</image:title>
      <image:caption>build by the lines between coordinates 6 actually the respective space of our reality is build by the lines between coordinates (according Jean-Luc Nancy the only thing we can call the truth) which do not own any horizontal or vertical orientation</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909429864-59IG51POG6UFD7TS7MY4/07-a-the-rhizomorph.jpg</image:loc>
      <image:title>Material for Lectures A - the rhizomorph structured topologies (Copy)</image:title>
      <image:caption>the rhizomorph structured topologies 7a we need the linear time flow to write and read the rhizomorph structured topologies of what can be read as the text of our narration</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909429865-GTMN42N55KT8FSX4MLY6/07-b.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>7b</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909437587-WJXZBCEMTN1NDU3651ZR/07-c.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>7c</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909437587-U24HPQ63XJQ6YLIZKL5D/08-a-writing-and-reading.jpg</image:loc>
      <image:title>Material for Lectures A - writing and reading (Copy)</image:title>
      <image:caption>writing and reading 8a writing and reading means the way we perceive ourselves / in between the coordinates / hold by the coordinates / creating with our movements the lines of the horizontal or vertical orientation</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>8b</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909448422-GDMFCYPXZZ7LS4Q2RO0P/09-a-creating-whatever.jpg</image:loc>
      <image:title>Material for Lectures A - creating whatever (Copy)</image:title>
      <image:caption>creating whatever 9a writing and reading (or in other words: creating whatever) is the way we try to let our intentions become real</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>9b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909453925-W89FRMBZCDKUXKZ4HASK/10-a-making-something-readable.jpg</image:loc>
      <image:title>Material for Lectures A - making something readable (Copy)</image:title>
      <image:caption>making something readable 10a writing is based on the functionality of making something readable and vice versa – so functionality is the tool to realize an intention within the linear time flow</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909457447-HJJ50H9FU65EJW2CNVOJ/10-b.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>10b</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909457455-9APMC8E19JZPGPVJQ6R5/10-c.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>10c</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909462009-NY5SVHCHUA0QRUSAN9K5/11-a-functionality.jpg</image:loc>
      <image:title>Material for Lectures A - functionality seems to be immortal per se (Copy)</image:title>
      <image:caption>functionality seems to be immortal per se 11a functionality does not possess any volume – so functionality for itself is / beyond living or dying / beyond the linear time flow or the rhizomorph time leaps – so functionality seems to be immortal per se</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>11b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909464043-K2SDHTLIJTXXE2U1K6VF/12-a-let-an-intention.jpg</image:loc>
      <image:title>Material for Lectures A - let an intention become real (Copy)</image:title>
      <image:caption>let an intention become real 12a the difference between / funktion and / grammar – we can say: grammar is the general valid programm in order to let an intention become real – functionality is the variable usage</image:caption>
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      <image:title>Material for Lectures A</image:title>
      <image:caption>12b</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909476455-68S7DN950P990NXTL8CU/12-c.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>12c</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1531909482595-SLOQZT1C5V70JRZEOJ2L/12-d.jpg</image:loc>
      <image:title>Material for Lectures A</image:title>
      <image:caption>12d</image:caption>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/drawings-2016</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-02</lastmod>
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      <image:title>Drawings 2016 - pressed body (Copy)</image:title>
      <image:caption>pressed body The way of drawing shows involuntarily the ideology (i.e. any kind of „higher-will“).  Conversely, the ideology determines the kind of drawing. The way we are drawing or writing shows what we  believe, no matter if we are aware of this or not.</image:caption>
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      <image:title>Drawings 2016 - sitting in the car (Copy)</image:title>
      <image:caption>sitting in the car Step by step from the 16th century to the beginning of the 20th century, we lost believing in God's will. We replaced the faith in God with the "Faith in Yourself" and in our own possibilities and forces to create a better future here on earth. By the middle of the 20th century, we start to lose the faith in ourselves.</image:caption>
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      <image:title>Drawings 2016</image:title>
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      <image:title>Drawings 2016</image:title>
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      <image:title>Drawings 2016</image:title>
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      <image:title>Drawings 2016 - waiting for the blossom of Marie (Copy)</image:title>
      <image:caption>waiting for the blossom of Marie »April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain.« With these words the poem "The Waste Land" begins, written by T.S. Eliot, published 1922.</image:caption>
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      <image:title>Drawings 2016</image:title>
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      <image:title>Drawings 2016</image:title>
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      <image:title>Drawings 2016 - Desire Lines I, Cover (Copy)</image:title>
      <image:caption>Desire Lines I, Cover The Sandman is a figure within a fairytale told by Hans Christian Andersen. The Sandman is said to sprinkle sand or dust on or into the eyes of the child at night to bring on dreams and sleep.</image:caption>
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      <image:title>Drawings 2016 - Desire Lines II, Ole-Luk-Oie (Copy)</image:title>
      <image:caption>Desire Lines II, Ole-Luk-Oie „There is nobody in the world who knows so many stories as Ole-Luk-Oie, or who can relate them so nicely.</image:caption>
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      <image:title>Drawings 2016 - Desire Lines III, He Walks in his Socks (Copy)</image:title>
      <image:caption>Desire Lines III, He Walks in his Socks In the evening, while the children are seated at the table or in their little chairs, he comes up the stairs very softly, for he walks in his socks, then he opens the doors without the slightest noise, and throws a small quantity of very fine dust into their eyes, just enough to prevent them from keeping them open, and so they do not see him.</image:caption>
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      <image:title>Drawings 2016 - Desire Lines IV, The Pretty Stories (Copy)</image:title>
      <image:caption>Desire Lines IV, The Pretty Stories Then he creeps behind them, and blows softly upon their necks, till their heads begin to droop. Ole-Luk-Oie does not wish to hurt them, for he is very fond of children, and only wants them to be quiet so that he may relate them pretty stories, and they are never quiet until they are in bed and asleep.</image:caption>
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      <image:title>Drawings 2016 - Desire Lines V, It Changes from Green to Red (Copy)</image:title>
      <image:caption>Desire Lines V, It Changes from Green to Red As soon as they are asleep, Ole-Luk-Oie seats himself upon the bed. He is nicely dressed; his coat is made of silken fabric; it is impossible to say of what color, for it changes from green to red, and from red to blue as he turns from side to side.</image:caption>
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      <image:title>Drawings 2016 - Desire Lines VI, The Whole Night (Copy)</image:title>
      <image:caption>Desire Lines VI, The Whole Night Under each arm he carries an umbrella; one of them, with pictures on the inside, he spreads over the good children, and then they dream the most beautiful stories the whole night.</image:caption>
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      <image:title>Drawings 2016 - Desire Lines VII, They sleep Heavily (Copy)</image:title>
      <image:caption>Desire Lines VII, They sleep Heavily The other umbrella has no pictures, and this he holds over the naughty children so that they sleep heavily, and wake in the morning without having dreams at all.“ Hans Christian Andersen, Ole Lukøje, 1841</image:caption>
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      <image:title>Drawings 2016 - Desire Lines VIII, He had lost Control (Copy)</image:title>
      <image:caption>Desire Lines VIII, He had lost Control I met my father on my way to the bathroom early in the morning. He looked like I had never seen him before. He looked as if he had lost control. He was staring at my feet but in a way as if they were something different, not feet, maybe two moving but separately existing armadillos.</image:caption>
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      <image:title>Drawings 2016 - Desire Lines IX, On a Sunday Morning (Copy)</image:title>
      <image:caption>Desire Lines IX, On a Sunday Morning My father never lost control. It was on a Sunday morning, approximately one year before he died.</image:caption>
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      <image:title>Drawings 2016 - Desire Lines X, In Front of Each Other (Copy)</image:title>
      <image:caption>Desire Lines X, In Front of Each Other We stood in front of each other and he started to speak to me in a way like that he never had spoken to me before, as if I were someone else.</image:caption>
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      <image:title>Drawings 2016 - Desire Lines XI, It Hurst (Copy)</image:title>
      <image:caption>Desire Lines XI, It Hurst He clutched at his head, fingered his skull and said: „It hurts, as if it had really happened“.</image:caption>
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      <image:title>Drawings 2016 - Desire Lines XII, I dared not Move (Copy)</image:title>
      <image:caption>Desire Lines XII, I dared not Move Then he was silent and stared at my armadillos again. I dared not move. The armadillos trembled. Then he fixed an imaginary point just above my right shoulder.</image:caption>
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      <image:title>Drawings 2016 - Mainfest 02 (Copy)</image:title>
      <image:caption>Mainfest 02 »Eidos originally designated the outward, visible appearance of an object; Plato, however, uses the word to mean the abstract, universal essence of that object: the "chaliceness" of the chalice is the eidos.«</image:caption>
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      <image:title>Drawings 2016 - Manifest 05 (Copy)</image:title>
      <image:caption>Manifest 05 »The "frame" metaphor in Heidegger's concept of "enframing" corresponds to these "boxes," but for Heidegger, all of us have a tendency to think in this way.«</image:caption>
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      <image:title>Drawings 2016 - Manifest 07 (Copy)</image:title>
      <image:caption>Manifest 07 »We should think of "nature" here in the broadest sense, as the entire realm of the non-human--but also including such things as our physical bodies, over which we have only limited control.</image:caption>
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      <image:title>Drawings 2016 - Manifest 09 (Copy)</image:title>
      <image:caption>Manifest 09 »When Heidegger states that "the essence of technology is by no means anything technological," he means that technology's driving force is not located in machines themselves, nor even in the various human activities that are associated with modern modes of production.«</image:caption>
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      <image:title>Drawings 2016 - Manifest 11 (Copy)</image:title>
      <image:caption>Manifest 11 »Heidegger's argument, however, is more far-reaching. He claims that enframing stems from the human drive for a "precise" and "scientific" knowledge of the world.</image:caption>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/talking-heads-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-02</lastmod>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/drawings-2017-part01</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721484283-YSSYV97GOKLBR7NVONYK/2016-08-17-01.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>couldn't believe she had said that</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721545536-17TJQ91RKBJ5NBFF9X8N/somebody-I.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>Someone loves me I quite casually</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721488065-0KROOSR6E4TKIA8NSRQ9/2016-08-17-34.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>during the last few month before the break down every evening I listened to what she has written</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721488404-JJ6X1SK2FYNAJ1XC4LO0/2016-08-17-35.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>I thought we came closer to each other this way</image:caption>
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      <image:title>Drawings 2017 part I</image:title>
      <image:caption>Someone loves me II never mind why</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721489990-CPZ8CM4TQS63ID42JPA0/2016-08-17-36.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>sometimes I discussed with myself about my fear to sleep alone in the big bed</image:caption>
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      <image:title>Drawings 2017 part I - after a grueling day (Copy)</image:title>
      <image:caption>after a grueling day after a grueling day sure, it was boring to listen to me</image:caption>
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      <image:title>Drawings 2017 part I</image:title>
      <image:caption>protected in the shadow of an endless walk up and down</image:caption>
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      <image:title>Drawings 2017 part I</image:title>
      <image:caption>with my hands and my feet I fought against the loss</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721516750-CEMCNJBWWND0DM8QACWJ/group02.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>in my inner being I was surrounded by constantly moving shapes</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721517491-XX75D1THQ8VJ6N3P67TM/group03.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>I cried a lot but it did not help until I understood: I just struggled with some demons which were middle class and tame</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721518233-MGHJ6X32WRYWVLZXBEAQ/group03a.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>there's a lover in the story but the story's still the same</image:caption>
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      <image:title>Drawings 2017 part I</image:title>
      <image:caption>demon I must vomit</image:caption>
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      <image:title>Drawings 2017 part I</image:title>
      <image:caption>demon II with obvious erectile dysfunction</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721545921-F5H4VVZM5GIRK1D1MV6K/der-unterleib.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>the outer figures break into the inside-space</image:caption>
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      <image:title>Drawings 2017 part I</image:title>
      <image:caption>I showed Nikolaila all the internal organs which have said yes, yes, yes</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721524496-03MOKVGBVC0W2DTBT4SQ/portrait01.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>day and night we walked and talked, not as an idle claim but to survive</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721524631-2CH40A0OS4C45MTR5482/portrait06.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>I have to repeat just to survive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721525561-2L93L59OWCG1P5T1OVMU/portrait07.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>again and again I fell back in my suffering</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721567491-O9BIYQD1YLCMXV534G7Q/01fritz.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>Fritz the cat is loved by our black soul</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721568146-KYDMMY5NJSOG6O03M0IM/02portrait-1.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>portrait of a lady I which I have met in Milano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721568850-YMYCTI5ZJXL7P6TTO1IS/03portrait-2.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>portrait of a lady II with her I spent two days in a closed room</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721569747-3P618GHHSFS0O6IU8WFR/04portrait-3.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>portrait of a lady III she knew Andy was shot</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721570357-Y8N04Y577HJ6L6JWAL2I/05portrait-4.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>portrait of a lady IV nevertheless she gave her lectures</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721571562-AUIZDSGMFY04JSWA42ZH/06portrait-5.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>portrait of a lady V I loved to listen to her</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721571503-KGQFEDPCFVLLVP9WBCBK/07portrait-6.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>portrait of a lady VI what she had to say about Foucault was extraordinary</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721572431-QHN2WXYVC4ZCM4H49E84/08portrait-7.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>portrait of a lady VII she told me, for him (Foucault) the rupture was Beckett's Waiting for Godot</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721573963-G1DZPU5F3UPJ9YVMPA3X/09portrait-8.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>portrait of a lady VIII she told me that he (Foucault) said: after all, we are all ruled, and as such, we are in solidarity</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721580786-NUQEEEMAHCYU9A1MIJKG/17selfportrait-b.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>self-portrait at the beginning of Winter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721581686-334RQL4EDIOEVG8VIAXP/18the-revealing-part3.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>deformed self-portrait I at the end of the year</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721582494-4WLM8C2VZT2PVSZ5G1JV/19the-revealing-part4.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>deformed self-portrait II while crossing the border</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721521907-DW0Y5COSL2KSAZSTW4EK/lisa-I-remember-your-face-very-well.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>believe me, Lisa, I remember your face very well</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721522677-LJSQOQFX8SDHSTFOT5KL/lisa-II-Pupille.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>I also remember the reptile-sharp pupil of yours</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721526462-RE924IRXSMGFGVEFBQWN/womb05.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>I had to accept the inside-space was hardly to limit</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721574316-SNPBXGPO6HF99QFW9P6V/10do-not-look-so-afraid.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>don't look so afraid there is no reason to suffer anymore</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721575139-OOKO9Q49JBKI2VVYOKPU/11the-prettiest-flowers.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>the prettiest flowers aren't they growing in Nicolai's garden?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721576033-2K5AENYWP1ZFQU9WN0OJ/12selfportrait-a.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>you will never believe me until you have lost your faith in the pretty things</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721577071-1YVHQM8FTF5EJ3NYRNDT/13someone-else-and-me.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>Nikolaila, let's do something absolutely wrong while we're waiting for the miracle to come</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721577974-FKW48GS2K3UY74YFKKQJ/14one-who-knowes.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>one, who knows where to go leads the one, who don't know</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721578950-AVPQR6G89OGIDXBVJFLE/15the-revealing-part1.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>the revealing the machine reveals the Jewish loss and with it our loss at all</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721580015-U0SMHNFL00CIR7COWHPA/16the-revealing-part2.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>the revealing part 14,7</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721707329-1RH7CMMN9AYXHH0D04VI/2016-12-04-03.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>an instruction how to get the trembling under control</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721708157-NQC77SP2FYB1VK8X4L03/2016-12-04-04.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>one way to carry your father (or was it Christopherus) on your shoulders?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721709522-1SGSFOC40MC7G0S7R1PN/2016-12-04-14.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>I held my head in my hands my head was terribly heavy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721708632-SA6HYPU1MLQ1ITPZ3SKK/2016-12-04-05.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>takes him roughly by his arm and leads him away</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721705735-99AONPZX8GYWMFZK31ND/2016-12-04-01.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>construction of the narrative I connection from point to point with trembling fingers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721707110-Q4L1CV36YDWDR7IZJRWB/2016-12-04-02.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>construction of the narrative II variation of the trembling all over my body</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721755109-LGR5FDTFJDRI8PTA598L/IMG_0404.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>carry God in the pocket of my mantle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721754975-6Z50LVOVID0YZAADT43S/IMG_0405.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>a brief elaboration of a worm crawling down the cross</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721756060-SLP4S3T45QXIY7MNZPGD/IMG_0406.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>the blood of our Savior collected in a fruit bowl</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721757230-L0E83AGQPZF1R2ERQ177/IMG_0407.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>the blood drips out someone should wip up</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1483721757950-DVPZVMB84I9BWANP3AIP/IMG_0408.jpg</image:loc>
      <image:title>Drawings 2017 part I</image:title>
      <image:caption>Coronation act on the day of my inauguration</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/at-the-beginning</loc>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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      <image:title>At the Beginning</image:title>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/aboutmaterial</loc>
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    <lastmod>2026-03-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466339044782-4V1MS85JPZNLC9J0XLQS/honigpumpe01.jpg</image:loc>
      <image:title>about-material - *Joseph Beuys, Honigpumpe I (Copy)</image:title>
      <image:caption>*Joseph Beuys, Honigpumpe I »The generation of energy means the production of warmth and hence the link with social sculpture.« Joseph Beuys In 1977, Beuys created a monumental installation for documenta 6, the international exhibition of contemporary art held every five years in Kassel, Germany. Entitled Honeypump in the Workplace, it pumped two tons of honey through plastic tubing, using motors lubricated with over 200 pounds of margarine. It was in action throughout the 100 days of the exhibition and Beuys intended it to be seen as a metaphorical circulation system, absorbing and distributing the energy generated by the lectures, discussions, and seminars that were happening during the exhibition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466339044836-67PT8D4HCDAM8ZSJUVN9/honigpumpe02.jpg</image:loc>
      <image:title>about-material - *Joseph Beuys, Honigpumpe II (Copy)</image:title>
      <image:caption>*Joseph Beuys, Honigpumpe II »With Honey pump I am expressing the principle of the Free International University working in the bloodstream of society. Flowing in and out of the   heart organ – the steel honey container – are the main arteries through which the honey is pumped out of the engine room with a pulsing sound, circulates round the Free International University area, and returns to the heart. The whole thing is only complete with people in the space round which the honey artery flows.« Joseph Beuys</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466340545607-21WE9R2BEDNN0YM733ZZ/my-father01.jpg</image:loc>
      <image:title>about-material - My Father I (Copy)</image:title>
      <image:caption>My Father I The Second Italo-Abyssinian War was a colonial war that started in October 1935 and ended in May 1936.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1466340543182-F6F9GZLG07IXFH0T6I3Q/my-father02.jpg</image:loc>
      <image:title>about-material - My Father II (Copy)</image:title>
      <image:caption>My Father II The war was fought between the armed forces of the Kingdom of Italy and the armed forces of the Ethiopian Empire (also known at the time as Abyssinia). The war resulted in the military occupation of Ethiopia.</image:caption>
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      <image:title>about-material - My Father III (Copy)</image:title>
      <image:caption>My Father III On 5 May 1936, the Italian Marshal Pietro Badoglio moved into the capital of Abyssinia, Addis Ababa. My father was trained as a security officer and had to ensure the safety of the supreme commander.</image:caption>
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      <image:title>about-material - T.C., photographed by his mother, 1976 (Copy)</image:title>
      <image:caption>T.C., photographed by his mother, 1976 The visual language is a system of communication using visual elements.</image:caption>
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      <image:title>about-material - T.C. Portrait, 1986 (Copy)</image:title>
      <image:caption>T.C. Portrait, 1986 Speech as a means of communication cannot strictly be separated from the whole of human communicative activity which includes the visual.</image:caption>
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      <image:title>about-material - Self Portrait, Drawing 1986 (Copy)</image:title>
      <image:caption>Self Portrait, Drawing 1986 The term Language in relation to vision is an extension of its use to describe the perception, comprehension and production of visible signs.</image:caption>
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      <image:title>about-material - Self Portrait, Photography 1988 (Copy)</image:title>
      <image:caption>Self Portrait, Photography 1988 Visual units in the form of lines and marks are constructed into meaningful shapes and structures or signs. Different areas of the cortex respond to different elements such as colour and form.</image:caption>
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      <image:title>about-material - Self Portrait, Drawing 1987 (Copy)</image:title>
      <image:caption>Self Portrait, Drawing 1987 Perception is not a passive recording of all that is in front of the eyes, but is a continuous judgement of scale and colour relationships.</image:caption>
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      <image:title>about-material - Self Portrait I, Drawing 1988 (Copy)</image:title>
      <image:caption>Self Portrait I, Drawing 1988 The perception of a shape requires the grasping of the essential structural features, to produce a Gestalt.</image:caption>
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      <image:title>about-material - Self Portrait II, Drawing 1988 (Copy)</image:title>
      <image:caption>Self Portrait II, Drawing 1988 Visual perception is what allows us to have a true understanding of experience because perception is identical to thinking.</image:caption>
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    <loc>https://www.tomasocarnetto.com/lectures-summer-term-2016</loc>
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    <lastmod>2026-03-02</lastmod>
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      <image:title>2016 Lectures Summer Term - Odoardo Fialetti, per disegnare tutte le parti 01 (Copy)</image:title>
      <image:caption>Odoardo Fialetti, per disegnare tutte le parti 01 Odoardo Fialetti (1573 - 1638) was an Italian painter and printmaker during the late Renaissance. The Bolognese artist is a fascinating figure upon which curiously little work has been done. Though he is a rarely discussed pupil of Tintoretto, Fialetti’s oeuvre is vast (some 55 known paintings and approximately 450 prints) and incredibly diverse.</image:caption>
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      <image:title>2016 Lectures Summer Term - Odoardo Fialetti, per disegnare tutte le parti 02 (Copy)</image:title>
      <image:caption>Odoardo Fialetti, per disegnare tutte le parti 02 His work encompasses religious subjects, portraits, books on drawing and sport, maps, and illustration for treatises on city defences, literary texts, and anatomy.  His work was influential for several hundred years after his death, not only in Venice and northern Italy, but also in France where his designs were used as decoration on faïence produced at Nevers, and England, where his paintings were much admired at court.</image:caption>
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      <image:title>2016 Lectures Summer Term - Odoardo Fialetti, per disegnare tutte le parti 03 (Copy)</image:title>
      <image:caption>Odoardo Fialetti, per disegnare tutte le parti 03 In the realm of science, Fialetti’s influence can be deduced from his drawings of curiously animated cadavers in detailed landscapes to those of future generations of anatomists and illustrators throughout Europe.</image:caption>
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      <image:title>2016 Lectures Summer Term - Odoardo Fialetti, per disegnare tutte le parti 04 (Copy)</image:title>
      <image:caption>Odoardo Fialetti, per disegnare tutte le parti 04 Fialetti’s close association with Sir Henry Wotton, and the careful copy of his drawing book made by Alexander Browne in the mid-seventeenth century, attest to his impact on the formation of an Italianate sensibility in the appreciation of the visual arts in Early Modern England.</image:caption>
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      <image:title>2016 Lectures Summer Term - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.1) (Copy)</image:title>
      <image:caption>Maurice Merleau-Ponty, Phenomenology of Perception (MP1.1) Maurice Merleau-Ponty, Phenomenology of Perception (Phénoménologie de la perception, Paris: Gallimard, 1945,trans., Colin Smith, London and New York: Routledge, 1962) 1.1 What is phenomenology? It may seem strange that this question has still to be asked half a century after the first works of Husserl. The fact remains that it has by no means been answered.</image:caption>
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      <image:title>2016 Lectures Summer Term - Cennino Cennini, The Book of the Art (CC1.1)  (Copy)</image:title>
      <image:caption>Cennino Cennini, The Book of the Art (CC1.1) 1.1 Made and composed by Cennino da Colle, in the reverence of God, and of the Virgin Mary, and of St. Eustachius, and of St. Francis, and of St. John the Baptist, and of St. Anthony of Padua, and generally of all the saints of God, and in the reverence of Giotto, of Taddeo, and of Agnolo the master of Cennino, and for the utility and good and advantage of those who would attain perfection in the art.</image:caption>
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      <image:title>2016 Lectures Summer Term - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.2) (Copy)</image:title>
      <image:caption>Maurice Merleau-Ponty, Phenomenology of Perception (MP1.2) 1.2 Phenomenology is the study of essences; and according to it, all problems amount to finding definitions of essences: the essence of perception, or the essence of consciousness, for example.</image:caption>
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      <image:title>2016 Lectures Summer Term - Cennino Cennini, The Book of the Art (CC1.2)  (Copy)</image:title>
      <image:caption>Cennino Cennini, The Book of the Art (CC1.2) 1.2 CHAP. 1–In the beginning, when the omnipotent God created the heaven and the earth, above all living creatures and plants for food, he created man and woman after his own image, endowing them with all virtues.  Afterwards came misfortune, through the envy of Lucifer towards Adam; who with malice and subtlety induced him to sin against the commandment of God, that is, first Eve, and then Eve deceived Adam; and God was angered against Adam, and caused him and his companion to be driven by an angel out of Paradise, saying to them, "Because you have dis-­obeyed the commandment which God gave to you, by your labour and exertions shall you support your­ selves."</image:caption>
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      <image:title>2016 Lectures Summer Term - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.3) (Copy)</image:title>
      <image:caption>Maurice Merleau-Ponty, Phenomenology of Perception (MP1.3) 1.3 But phenomenology is also a philosophy which puts essences back into existence, and does not expect to arrive at an understanding of man and the world from any starting point other than that of their ‘facticity’.</image:caption>
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      <image:title>2016 Lectures Summer Term - Cennino Cennini, The Book of the Art (CC1.3)  (Copy)</image:title>
      <image:caption>Cennino Cennini, The Book of the Art (CC1.3) 1.3 Then Adam, knowing the sin he had committed, and being nobly endowed by God, as the root and origin and father of us all, discovered by his wisdom that it was necessary to find a way to live by his own manual exertions, and thus he began by digging and Eve by spinning. Afterwards be carried on many necessary arts, different each from the other, and each more scientific than the other; for they could not be all equally so.</image:caption>
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      <image:title>2016 Lectures Summer Term - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.4) (Copy)</image:title>
      <image:caption>Maurice Merleau-Ponty, Phenomenology of Perception (MP1.4) 1.4 It is a transcendental philosophy which places in abeyance the assertions arising out of the natural attitude, the better to understand them; but it is also a philosophy for which the world is always ‘already there’ before reflection begins—as ’an inalienable presence; and all its efforts are concentrated upon re-achieving a direct and primitive contact with the world, and endowing that contact with a philosophical status.</image:caption>
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      <image:title>2016 Lectures Summer Term - Cennino Cennini, The Book of the Art (CC1.4)  (Copy)</image:title>
      <image:caption>Cennino Cennini, The Book of the Art (CC1.4) 1.4 Now, the most worthy is Science; after which comes an art derived from science and dependent on the operations of the hand, and this is called Painting (i.e. making pictures), for which we must be endowed with both imagination (fantasia) and skill in the hand, to discover unseen things concealed beneath the obscurity of natural objects, and to arrest them with the hand, presenting to the sight that which did not before appear to exist.</image:caption>
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      <image:title>2016 Lectures Summer Term - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.5) (Copy)</image:title>
      <image:caption>Maurice Merleau-Ponty, Phenomenology of Perception (MP1.5) 1.5 It is the search for a philosophy which shall be a ‘rigorous science’, but it also offers an account of space, time and the world as we ‘live’ them. It tries to give a direct description of our experience as it is, without taking account of its psychological origin and the causal explanations which the scientist, the historian or the sociologist may be able to provide. Yet Husserl in his last works mentions a ‘genetic phenomenology’ (Méditations cartésiennes, pp. 120 ff.), and even a ‘constructive phenomenology’ (See the unpublished 6th Méditation cartésienne, edited by Eugen Fink, to which G. Berger has kindly referred us).</image:caption>
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      <image:title>2016 Lectures Summer Term - Cennino Cennini, The Book of the Art (CC1.5) (Copy)</image:title>
      <image:caption>Cennino Cennini, The Book of the Art (CC1.5) 1.5 And well does it deserve to be placed in the rank next to science, and to be crowned by Poetry: and for this reason, that the poet, by the help of science, becomes worthy, and free, and able to compose and bind together, or not, at pleasure. So to the painter liberty is given to compose a figure, either upright or sitting, or half man, half horse, as he pleases, according to his fancy.</image:caption>
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      <image:title>2016 Lectures Summer Term - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.6) (Copy)</image:title>
      <image:caption>Maurice Merleau-Ponty, Phenomenology of Perception (MP1.6) 1.6 One may try to do away with these contradictions by making a distinction between Husserl’s and Heidegger’s phenomenologies; yet the whole of ‘Sein und Zeit’ springs from an indication given by Husserl and amounts to no more than an explicit account of the ‘natürlicher Weltbegriff’ or the ‘Lebenswelt’ which Husserl, towards the end of his life, identified as the central theme of phenomenology, with the result that the contradiction reappears in Husserl’s own philosophy.</image:caption>
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      <image:title>2016 Lectures Summer Term - Cennino Cennini, The Book of the Art (CC1.6) (Copy)</image:title>
      <image:caption>Cennino Cennini, The Book of the Art (CC1.6) 1.6 Therefore, whether through great reverence or love, let all those persons who feel in themselves any kind or manner of knowledge, or power to help and adorn these principal sciences with some jewel, put themselves forward without any bashfulness, offering to the above-named sciences this little knowledge which God has given them.</image:caption>
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      <image:title>2016 Lectures Summer Term - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.7) (Copy)</image:title>
      <image:caption>Maurice Merleau-Ponty, Phenomenology of Perception (MP1.7) 1.7 The reader pressed for time will be inclined to give up the idea of covering a doctrine which says everything, and will wonder whether a philosophy which cannot define its scope deserves all the discussion which has gone on around it, and whether he is not faced rather by a myth or a fashion.</image:caption>
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      <image:title>2016 Lectures Summer Term - Cennino Cennini, The Book of the Art (CC1.7) (Copy)</image:title>
      <image:caption>Cennino Cennini, The Book of the Art (CC1.7) 1.7 A humble working member then of the art of painting, I, Cennino, born of Drea Cennino of the Colle de Valdelsa, was instructed in these arts for twelve years by Agnolo, son of Taddeo of Florence, my master, who learned the art from Taddeo his father, who was the godson of Giotto, and was his disciple for twenty-four years.  This Giotto changed the art of painting from the Greek to the Latin (manner), and brought it to the modern (style); and he possessed more perfect art than ever any one else had had.</image:caption>
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      <image:title>2016 Lectures Summer Term - Maurice Merleau-Ponty, Phenomenology of Perception (MP1.8) (Copy)</image:title>
      <image:caption>Maurice Merleau-Ponty, Phenomenology of Perception (MP1.8) 1.8 Even if this were the case, there would still be a need to understand the prestige of the myth and the origin of the fashion, and the opinion of the responsible philosopher must be that phenomenology can be practised and identified as a manner or style of thinking, that it existed as a movement before arriving at complete awareness of itself as a philosophy.</image:caption>
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      <image:title>2016 Lectures Summer Term - Cennino Cennini, The Book of the Art (CC1.8) (Copy)</image:title>
      <image:caption>Cennino Cennini, The Book of the Art (CC1.8) 1.8 In order to assist all those who would approach this art, I shall take note of all that was taught me by my master Agnolo, and of that which I have proved with my own hand; invoking first the high omnipotent God,-that is to say, the Father, Son, and Holy Spirit; secondly, that most delightful advocate of all sinners the Virgin Mary, and St. Luke the Evangelist, the first Christian painter, and my advocate St. Eustachius, and generally all the saints, male and female, of Paradise.</image:caption>
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      <image:caption>Ho messo insieme tutti i pezzi...</image:caption>
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      <image:title>2016 Lectures Summer Term - La grammatica delle parti (Copy)</image:title>
      <image:caption>La grammatica delle parti</image:caption>
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      <image:caption>14th Century, Mandrake Man Maurice Merleau-Ponty, Phenomenology of Perception 2.1 Merleau-Ponty: It has been long on the way, and its adherents have discovered it in every quarter, certainly in Hegel and Kierkegaard, but equally in Marx, Nietzsche and Freud. A purely linguistic examination of the texts in question would yield no proof; we find in texts only what we put into them, and if ever any kind of history has suggested the interpretations which should be put on it, it is the history of philosophy.</image:caption>
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      <image:title>2016 Lectures Summer Term - 14th Century, Mandrake Woman (Copy)</image:title>
      <image:caption>14th Century, Mandrake Woman 2.1 Cennini: CHAP. 2.–How some persons study the arts from nobleness of mind, and some for gain.  It is the impulse of a hoble mind which moves some towards this art, pleasing to them through their natural love. The intellect delights in invention; and nature alone draws them, without any guidance from a master, through nobleness of mind; and thus delighting themselves, they next wish to find a master, and with him they place themselves in love of obedience, being in servitude that they may carry their art to perfection.</image:caption>
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      <image:title>2016 Lectures Summer Term - 1494 Johannes de Ketham, Fasiculo de medicina (Copy)</image:title>
      <image:caption>1494 Johannes de Ketham, Fasiculo de medicina 2.2 Merleau-Ponty: We shall find in ourselves, and nowhere else, the unity and true meaning of phenomenology. It is less a question of counting up quotations than of determining and expressing in concrete form this phenomenology for ourselves which has given a number of present-day readers the impression, on reading Husserl or Heidegger, not so much of encountering a new philosophy as of recognizing what they had been waiting for.</image:caption>
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      <image:title>2016 Lectures Summer Term - 1501 Magnus Hundt, Antropologium de hominis dignitate (Copy)</image:title>
      <image:caption>1501 Magnus Hundt, Antropologium de hominis dignitate 2.2 Cennini: There are some who follow the arts from poverty and necessity, also for gain, and for love of the art; but those who pursue them from love of the art and true nobleness of mind are to be commended above all others.</image:caption>
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      <image:title>2016 Lectures Summer Term - 1512, Hieronymus Brunschwig, Liber de arte distillandi de compositis  (Copy)</image:title>
      <image:caption>1512, Hieronymus Brunschwig, Liber de arte distillandi de compositis 2.3 Merleau-Ponty: Phenomenology is accessible only through a phenomenological method. Let us, therefore, try systematically to bring together the celebrated phenomenological themes as they have grown spontaneously together in life. Perhaps we shall then understand why phenomenology has for so long remained at an initial stage, as a problem to be solved and a hope to be realized. It is a matter of describing, not of explaining or analyzing.</image:caption>
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      <image:title>2016 Lectures Summer Term - 1512, Hieronymus Brunschwig, Liber de arte distillandi de compositis  (Copy)</image:title>
      <image:caption>1512, Hieronymus Brunschwig, Liber de arte distillandi de compositis 2.3 Cennini: CHAP. 3.-What to do in the beginning of the pursuit of art. Now then, you of noble mind, who are lovers of this good, come at once to art and adorn yourselves with this vesture,-namely, love, reverence, obedience, and perseverance. And as soon as thou canst, begin to put thyself under the guidance of the master to learn, and delay as long as thou mayest thy parting from the master.</image:caption>
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      <image:caption>1528 Hans von Gersdorff, Feldtbuch der Wundartzney, newlich getruckt und gebessert 2.4 Merleau-Ponty: Husserl’s first directive to phenomenology, in its early stages, to be a ‘descriptive psychology’, or to return to the ‘things themselves’, is from the start a foreswearing of science. I am not the outcome or the meeting-point of numerous causal agencies which determine my bodily or psychological make-up. I cannot conceive myself as nothing but a bit of the world, a mere object of biological, psychological or sociological investigation. I cannot shut myself up within the realm of science.</image:caption>
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      <image:title>2016 Lectures Summer Term - 1528 Hans von Gersdorff, Feldtbuch der Wundartzney (Copy)</image:title>
      <image:caption>1528 Hans von Gersdorff, Feldtbuch der Wundartzney 2.4 Cennini: CHAP. 4.-How the rule shows into what parts and members the arts are divided. The foundation of the art and the beginning of all these labours of the hand is drawing and colouring.</image:caption>
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      <image:caption>1528 Hans von Gersdorff, Feldtbuch der Wundartzney 2.5 Merleau-Ponty: All my knowledge of the world, even my scientific knowledge, is gained from my own particular point of view, or from some experience of the world without which the symbols of science would be meaningless. The whole universe of science is built upon the world as directly experienced, and if we want to subject science itself to rigorous scrutiny and arrive at a precise assessment of its meaning and scope, we must begin by reawakening the basic experience of the world of which science is the second-order expression.</image:caption>
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      <image:title>2016 Lectures Summer Term - 1528 Hans von Gersdorff, Feldtbuch der Wundartzney (Copy)</image:title>
      <image:caption>1528 Hans von Gersdorff, Feldtbuch der Wundartzney 2.5 Cennini: To these two parts these things are necessary; namely, to know how to grind colours; to use glue; to fasten the cloth on the panel; to prime with gesso, to scrape and smooth the gesso; to make relievos in gesso; to put on bole; to gild; to burnish ; to temper colours; to lay on ground colours; to trace by dusting powder; to engrave by lines and by stamps; to carve; to colour; to adorn and to varnish pictures.</image:caption>
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      <image:caption>Collage of Intentional Perception 2.6 Merleau-Ponty: Science has not and never will have, by its nature, the same significance qua form of being as the world which we perceive, for the simple reason that it is a rationale or explanation of that world.</image:caption>
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      <image:caption>Collage of Intentional Perception 2.6 Cennini: To paint on walls it is necessary to wet them; to cover them with mortar; to embellish them; to polish (smooth) them; to design, to colour in fresco and finish in secco; to temper the colours; adorn and retouch. And this is the rule of the above-named grades, as to which, with that little knowledge which I have learned, I will explain step by step.</image:caption>
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      <image:caption>Collage of Intentional Perception / Instance Let me give you a noteworthy instance. lt can happen that violence over-reaches the bounds of the taboo in some way. lt seems – it may seem – that once the law has become powerless there is nothing to keep violence firmly within bounds in the future.</image:caption>
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      <image:caption>Collage of Intentional Perception / Taboo Basically death contravenes the taboo against the violence which is supposedly its cause. Most frequently the subsequent sense of rupture brings in its wake a minor disturbance which funeral rites and festivities with their ordered ritual, setting bounds to disorderly urges, are able to absorb.</image:caption>
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      <image:caption>Collage of Intentional Perception / Guarantee But if death prevails over a sovereign whose exalted position might seem to be a guarantee against it, that sense of rupture gets the upper hand and disorder knows no bounds.</image:caption>
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      <image:caption>Collage of Intentional Perception / Behaviour Caillois has described the behaviour of certain oceanic peoples.  "When social and natural life" he says "are summed up in the sacred person of a king, the hour of his death deter­mines the critical instant and looses ritual licence. This licence corresponds closely with the importance of the cata­strophe.</image:caption>
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      <image:caption>Collage of Intentional Perception / Sacrilege The sacrilege has a social nature. It is committed at the expense of the kingship, the hierarchy and the established powers. No hint of resistance is ever offered to the frenzy of the people. This is considered as necessary as obedience to the dead man was.  In the Sandwich lslands the people on learning of the king's death commit all the acts looked on as criminal in ordinary times: they set buildings on fire, they loot and they murder, while women are expected to prostitute themselves publically ...</image:caption>
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      <image:caption>Collage of Intentional Perception / Consequences In the Fiji lslands the consequences are even more clearly defined. The death of the chief gives the signal for pillage, subject tribes invade the capital and indulge in every form of brigandage and depredation.“</image:caption>
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      <image:caption>Collage of Intentional Perception / Transgression George Bataille, Transgression</image:caption>
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      <image:caption>Trattao dell’arte della Pittura I Gian Paolo Lomazzo (26 April 1538 – 27 January 1592; his first name is sometimes also given as "Giovan" or "Giovanni") was an Italian painter, best remembered for his writings on art theory , belonging to the second generation that produced Mannerism in Italian art and architecture.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura II Paolo Lomazzo, Trattao dell’arte della Pittura, Milano 1584, translated by Richard Haydocke (1570 - 1642)</image:caption>
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      <image:caption>Trattao dell’arte della Pittura III The Division of the Work (1.1) There is a two-fold proceeding in all arts and sciences: The one is called the order of nature, and the other of teaching. Nature proceeded ordinarily, beginning with the imperfect, as the particulars, and ending with the perfect, as the universals.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura IV (1.2) Now if in searching out the nature of things, our understanding shall proceed after that order, by which they are brought forth by nature, doubtless it will be the most absolute and ready method that can be imagined.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura V (1.3) For we begin to know things by their first and immediate principles, which are well known unto us, not by mere idea, as separated from the particulars – (as some think) nor by bare imagination, as if they were seated only in our understanding (as others would have it) but as they do actually occur to the forming of the particulars which are subject to our sense, and may be pointed at with our finger.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura VI (1.4) And this is the most certain way of knowing, amongst all the rest: It is evident then that our understanding beginning his operations from the particular, beginneth to know them by their matter and form which are their first and immediate principles, being neither really abstracted from the particulars, not yet by mere conceit placed in our understanding, as in a subject, but do actually occur to the making of a compound.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura VII (1.5) SupposePeter or John: and may be sensible demonstrated to be in Peter or John; then the which what proof can be more evident? being drawn from the things before our eyes.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura VIII (1.6) And this is not only my opinion but Aristotle also, who wrote, that the first principles may be proved by sense: meaning that the sensible proof is more certain than the intellectual; whence a thing may then be said to be known by nature, when it is of such a nature, that it may be seen and perceived by the other senses.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura IX (1.7) And this is the reason why Aristotle in the beginning of his Physics said; that the particulars may be known by their own nature: all which if we could comprehend within our understanding, we should be most wise: but it is impossible, that whereas they are infinite in possibility, they should be comprehended of that which is finite in act.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura X (1.8) Wherefore although some heavenly creature, perchance, may be capable of the understanding of all those particulars, which are actually created, yet notwithstanding because there are not so many particulars actually in the world, but that there might be a greater number created, (in so much as they whole depend upon the will of God in his providence) therefore this possibility, or (to speak more plainly) all the particulars already created and made, together with those which shall be made, and brought into the world, may be known only unto God by his prescience.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura XI (1.9) And this Aristotle in part affirmed when he said that the particulars then may be known of their own nature, meaning, perchance, to the first mover of nature, which is God.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura XII (1.10) The particulars then may be known of their own nature: Because look how much actuality they have (as the philosophers speak) so much ability they have to know: but they have an actual being; Therefore there matter is not mere possibility, but is brought into Act, by their form, which do not rest idly in the matter, but is occupied in bringing it forth into Act.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura XIII (1.11) And look what is said of individual substance, is likewise meant of individual Accidents. It is evident therefore if we do not understand the particulars, it is not because they cannot be understood of their own nature, but by reason of our own defect: because we cannot comprehend the infinite multitude of them.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura XIV (1.12) Wherefore our understanding ought not know things by the order of nature, seeing it cannot comprehend all the particulars, which are infinite. But it must begin with the order of Teaching, whereof it is capable.  </image:caption>
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      <image:caption>Trattao dell’arte della Pittura XV (1.13) This method then proceeding from the universals to the particulars, may easily understood of us, because our understanding is of that nature that is properly understands universals , in so much as the power of our mind is spiritual, and therefore willingly embraced universal things separated from their matter, and made (after a sort) spiritual by the help of the active understanding.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura XVI (1.14) Whereupon I proposing to handle the art of painting in this present discourse, mean to follow the order of Teaching.</image:caption>
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      <image:caption>Trattao dell’arte della Pittura XVII (1.15) And because I might purchase, commit an absurdity, if in ripping it up to high I should begin to define unto the reader what manner of thing quality is, and how many kinds thereof thereby; to teach him what Habitus and Dispositio, what forma and figura is; and how painting by diverse confederations is comprehended under that species of Quality (which appertained rather to a Logician or a Philosopher as to a Painter).</image:caption>
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      <image:caption>Trattao dell’arte della Pittura XVIII (1.16) Therefore I (observing Horaces precept, who would not have a man begin the history of the Trojan War at the two eggs of Leda, that is, that in handling a matter he ought not to take the beginning too far of from the present matter in hand) means first to begin with the definition of painting, which is the first, most general, and immediate principle, as most properly offering itself to our confederation:</image:caption>
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      <image:caption>Trattao dell’arte della Pittura XIX (1.17) Wherein afterwards I propose to show the true genus thereof, which is the first part of the definition, and consequently all the differences occurring to the same, for the restraining of the genus which is a species of quality called Arte, and makes the most special kind of quality called painting: And because the differences which make painting a particular and distinct Arte from all others are few: viz. –    Proportion, –    Motion, –    Colour, –    Light &amp; Perspective.</image:caption>
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      <image:caption>Michelangelo Buonarroti, Bust of a Youth Maurice Merleau-Ponty: I am, not a ‘living creature’ nor even a ‘man’, nor again even ‘a consciousness’ endowed with all the characteristics which zoology, social anatomy or inductive psychology recognize in these various products of the natural or historical process—I am the absolute source, my existence does not stem from my antecedents, from my physical and social environment; instead it moves out towards them and sustains them, for I alone bring into being for myself (and therefore into being in the only sense that the word can have for me) the tradition which I elect to carry on, or the horizon whose distance from me would be abolished—since that distance is not one of its properties—if I were not there to scan it with my gaze. (Pict.:Michelangelo Buonarroti, Bust of a Youth, ca. 1530, Black chalk on tan paper</image:caption>
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      <image:caption>Style of Altichiero of Zevio, The Coronation of the Virgin Cennino Cennini: CHAP. 5.-In what manner to begin drawing on a small panel, and how to prepare it. As has been said, it is necessary that you should have the habit of beginning to draw correctly. First, have a small panel of boxwood a hand length wide each way, well smoothed and clean,-that is to say, washed with clean water, rubbed and polished with sepia (bone of the cuttle-fish), which the goldsmith uses for marking. (Pict.: Style of Altichiero (II) of Zevio, Italian, ca. 1320 - ca. 1385, The Coronation of the Virgin)</image:caption>
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      <image:caption>Vittore Carpaccio, Two Standing Egyptian Women Maurice Merleau-Ponty: Scientific points of view, according to which my existence is a moment of the world’s, are always both naïve and at the same time dishonest, because they take for granted, without explicitly mentioning, it, the other point of view, namely that of consciousness, through which from the outset a world forms itself round me and begins to exist for me. (Pict.:Vittore Carpaccio, Italian, 1460/66–1525/26, Two Standing Egyptian Women, pen and dark brown ink, brush and pale gray-brown wash heightened with white gouache over black chalk, 23.2 x 12.1 cm)</image:caption>
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      <image:caption>Marcantonio Raimondi, after Albrecht Duerer Cennino Cennini: When this panel is quite dry, take a sufficient quantity of bones well ground for two hours, and the finer they are ground, the better they will be. Then collect the powder, and put it into dry paper; and when you want to prime the panel, take less than half the size of a bean of this bone-dust or less, mix it up with saliva, and before it is dry spread it with the finger over the surface of the panel, and before it dries, hold the panel in the left band, and with the tip of the forefinger of the right band, beat upon the panel until you see that it is quite dry, and that the bone-dust is spread all over it equally. (Pict.: Marcantonio Raimondi, Italian, 1470/80–1527/34, after Albrecht Duerer, German, 1471–1528, Adam, c. 1501-08. Pen and brown ink on light tan laid paper, 19.5 x 10.9 cm)</image:caption>
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      <image:title>2016 Lectures Summer Term - Domenico Campagnola, Legendary or Mythological Scene (Copy)</image:title>
      <image:caption>Domenico Campagnola, Legendary or Mythological Scene Maurice Merleau-Ponty: To return to things themselves is to return to that world which precedes knowledge, of which knowledge always speaks, and in relation to which every scientific schematization is an abstract and derivative sign-language, as is geography in relation to the country-side in which we have learnt beforehand what a forest, a prairie or a river is. (Pict.: Domenico Campagnola, Italian, 1500–1564, Legendary or Mythological Scene, c. 1520. Pen and brown ink with brush and brown wash, 22.2 x 24.1 cm)</image:caption>
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      <image:title>2016 Lectures Summer Term - Baccio Bandinelli, Sketches of a Standing Male Nude (Copy)</image:title>
      <image:caption>Baccio Bandinelli, Sketches of a Standing Male Nude Cennino Cennini: CHAP. 6.–How drawing can be done on several kinds of panels. A tablet of old figwood is suitable (buona la tavoletta del figaro ben vecchio); also certain tablets used by merchants which are made of parchment prepared with gesso coated with white lead and oil, using the bone-dust as I have said. (Pict.: Baccio Bandinelli, Italian, 1493–1560, Sketches of a Standing Male Nude, Seated Male Nude, and Bust of a Woman, pen and brown ink on laid paper, 33.2 x 23.9 cm)</image:caption>
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      <image:title>2016 Lectures Summer Term - Domenico Beccafumi, Head of a Putto (Copy)</image:title>
      <image:caption>Domenico Beccafumi, Head of a Putto Maurice Merleau-Ponty: This move is absolutely distinct from the idealist return to consciousness, and the demand for a pure description excludes equally the procedure of analytical reflection on the one hand, and that of scientific explanation on the other. (Pict.: Domenico Beccafumi, Italian, 1484 - 1551, Head of a Putto, 1527–1537. Brush and oil paint on brown laid paper, 20.7 x 17.4 cm)</image:caption>
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      <image:title>2016 Lectures Summer Term - Domenico Beccafumi, Head of a Woman (Copy)</image:title>
      <image:caption>Domenico Beccafumi, Head of a Woman Cennino Cennini: CHAP. 7.–What kind of bones are proper for priming panels. You must now know what bones are proper. For this purpose take the bones of the thighs and wings of fowls or capons; and the older they are the better. When you find them under the table, put them in the fire, and when you see they are become whiter than ashes, take them out, and grind them well on a porphyry slab, and use it as I say above. (Pict.: Domenico Beccafumi, Italian, 1484 - 1551, Head of a Woman, ca. 1529-1535. Brush and oil paint on brown laid paper,22.7 x 16.3 cm)</image:caption>
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      <image:title>2016 Lectures Summer Term - Parmigianino, Torso of a man in armor (Copy)</image:title>
      <image:caption>Parmigianino, Torso of a man in armor Maurice Merleau-Ponty: Descartes and particularly Kant detached the subject, or consciousness, by showing that I could not possibly apprehend anything as existing unless I first of all experienced myself as existing in the act of apprehending it. They presented consciousness, the absolute certainty of my existence for myself, as the condition of there being anything at all; and the act of relating as the basis of relatedness. (Pict.: Parmigianino, Italian, 1503–1540, Torso of a man in armor, pen and brown ink, brown wash, highlighted with white ink on pink prepared paper, 21.1 x 10.6 cm)</image:caption>
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      <image:title>2016 Lectures Summer Term - Battista Franco, Dead Christ supported by an Angel (Copy)</image:title>
      <image:caption>Battista Franco, Dead Christ supported by an Angel Cennino Cennini: CHAP. 8.–In what manner you should begin to draw with a style, and with what light The bones also of the leg and shoulder of mutton are good, burnt as before directed. Then take a style of silver or brass, or anything else provided the point is silver, sufficiently fine (sharp) and polished and good. Then, to acquire command of hand in using the style, begin to draw with it from a copy as freely as you can, and so lightly that you can scarcely see what you have begun to do, deepening your strokes little by little, and going over them repeatedly to make the shadows. Where you would make it darkest go over it many times; and, on the contrary, make but few touches on the lights. (Pict.: Battista Franco, Italian, ca. 1510 - d. 1561, Dead Christ supported by an Angel, pen and brown ink on cream laid paper, 16.7 x 11.9 cm)</image:caption>
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      <image:title>2016 Lectures Summer Term - Pordenone, Standing Saint Roch (Copy)</image:title>
      <image:caption>Pordenone, Standing Saint Roch Cennino Cennini: CHAP. 8.–In what manner you should begin to draw with a style, and with what light The bones also of the leg and shoulder of mutton are good, burnt as before directed. Then take a style of silver or brass, or anything else provided the point is silver, sufficiently fine (sharp) and polished and good. Then, to acquire command of hand in using the style, begin to draw with it from a copy as freely as you can, and so lightly that you can scarcely see what you have begun to do, deepening your strokes little by little, and going over them repeatedly to make the shadows. Where you would make it darkest go over it many times; and, on the contrary, make but few touches on the lights. And you must be guided by the light of the sun, and the light of your eye, and your hand; and without these three things you can do nothing properly. Contrive always when you draw that the light is softened, and that the sun strikes on your left hand; and in this manner you should begin to practise drawing only a short time every day, that you may not become vexed or weary. (Pict.: Pordenone (Giovanni Antonio de Sacchis), Italian, 1483/4–1539, Standing Saint Roch, ca. 1525–26, red chalk on cream laid paper, squared in red chalk, 26.3 x 15.6 cm)</image:caption>
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      <image:title>2016 Lectures Summer Term - Giacomo Francia, Cleopatra (Copy)</image:title>
      <image:caption>Giacomo Francia, Cleopatra I am the absolute source the horizon to scan with my gaze – the habit of beginning – Scientific points of view are always both naive and at the same time dishonest – take a sufficient quantity of bones well ground for two hours – mix it up with salvia   (Pict.: Giacomo Francia, Italian, before 1486 - 1557, Cleopatra, pen and brown ink, with border in darker brown ink, 26.1 x 18.5 cm)</image:caption>
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      <image:title>2016 Lectures Summer Term - Luca Cambiaso, The Stigmatization of St. Francis (Copy)</image:title>
      <image:caption>Luca Cambiaso, The Stigmatization of St. Francis return to things themselves – made of parchment prepared with gesso – You must now know what bones are proper – the bases of relatedness   (Pict.: Luca Cambiaso, Italian, 1527–1585, The Stigmatization of St. Francis, pen and brown ink and brush and brown wash, 33.3 x 24.9 cm)</image:caption>
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      <image:title>2016 Lectures Summer Term - Luca Cambiaso, Female figure holding an oblong object  (Copy)</image:title>
      <image:caption>Luca Cambiaso, Female figure holding an oblong object begin to draw so lightly that you can scarcely see what you do your strokes little by little the light of the sun and the light of your eye and your hand you should begin to practise drawing only a short time every day that you may not become vexed or weary (Pict.: Luca Cambiaso, Italian, 1527–1585, Female figure holding an oblong object (Fortitude), pen and iron gall ink, 40 x 22.6 cm)</image:caption>
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      <image:title>2016 Lectures Summer Term - Jean Cousin the Younger I (Copy)</image:title>
      <image:caption>Jean Cousin the Younger I Jean Cousin the Younger (1522-1593), Livre de Portraiture (published in Paris 1608) Jean Cousin the Younger was born in Sens, France around 1522, the son of the famous painter and sculptor Jean Cousin the Elder (ca. 1490–ca. 1560) who was often compared to his noted contemporary, Albrecht Dürer. Having trained to become an artist under his father, Jean the Younger showed as much talent as his father, and their work is nearly indistinguishable even to the expert. Just before his death, Jean the Elder published his noted work Livre de Perspective in 1560 in which he noted that his son would soon be publishing a companion entitled, Livre de Pourtraicture.</image:caption>
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      <image:title>2016 Lectures Summer Term - Jean Cousin the Younger II (Copy)</image:title>
      <image:caption>Jean Cousin the Younger II Maurice Merleau-Ponty: It is true that the act of relating is nothing if divorced from the spectacle of the world in which relations are found; the unity of consciousness in Kant is achieved simultaneously with that of the world.</image:caption>
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      <image:title>2016 Lectures Summer Term - Jean Cousin the Younger III (Copy)</image:title>
      <image:caption>Jean Cousin the Younger III Cennino Cennini: CHAP. 9.–How to arrange the light, and give chiaroscuro and proper relief to your figures. If by accident it should happen, that when drawing or copying in chapels, or colouring in other unfavourable places, you cannot have the light on your left hand, or in your usual manner, be sure to give relief to your figures or design according to the arrangement of the windows which you find in these places, which have to give you light, and thus accommodating yourself to the light on which side soever it may be, give the proper lights and shadows.</image:caption>
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      <image:title>2016 Lectures Summer Term - Jean Cousin the Younger IV (Copy)</image:title>
      <image:caption>Jean Cousin the Younger IV Maurice Merleau-Ponty: In Descartes methodical doubt does not deprive us of anything, since the whole world, at least in so far as we experience it, is reinstated in the Cogito, enjoying equal certainty, and simply labelled ‘thought of . . . But the relations between subject and world are not strictly bilateral: if they were, the certainty of the world would, in Descartes, be immediately given with that of the Cogito, and Kant would not have talked about his ‘Copernican revolution’.</image:caption>
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      <image:title>2016 Lectures Summer Term - Jean Cousin the Younger V (Copy)</image:title>
      <image:caption>Jean Cousin the Younger V Cennino Cennini: Or if it were to happen that the light should enter or shine right opposite or full in your face, make your lights and shades accordingly; or if the light should be favourable at a window larger than the others in the above-mentioned places, adopt always the best light, and try to understand and follow it carefully, because, wanting this, your work would be without relief, a foolish thing, without mastery.</image:caption>
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      <image:title>2016 Lectures Summer Term - Jean Cousin the Younger VI (Copy)</image:title>
      <image:caption>Jean Cousin the Younger VI Maurice Merleau-Ponty: Analytical reflection starts from our experience of the world and goes back to the subject as to a condition of possibility distinct from that experience, revealing the all-embracing synthesis as that without which there would be no world. To this extent it ceases to remain part of our experience and offers, in place of an account, a reconstruction.</image:caption>
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      <image:title>2016 Lectures Summer Term - Jean Cousin the Younger VII (Copy)</image:title>
      <image:caption>Jean Cousin the Younger VII Cennino Cennini: CHAP. 10.–The manner and process of drawing on parchment and on paper, and how to shade with water-colours. Let us return to our subject. You may also draw upon parchment, and paper made of cotton.</image:caption>
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      <image:title>2016 Lectures Summer Term - Jean Cousin the Younger VIII (Copy)</image:title>
      <image:caption>Jean Cousin the Younger VIII Maurice Merleau-Ponty: It is understandable, in view of this, that Husserl, having accused Kant of adopting a ‘faculty psychologism’ (Logische Untersuchungen, Prolegomena zur reinen Logik, p. 93.), should have urged, in place of a noetic analysis which bases the world on the synthesizing activity of the subject, his own ‘noematic reflection’ which remains within the object and, instead of begetting it, brings to light it is fundamental unity.</image:caption>
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      <image:title>2016 Lectures Summer Term - Jean Cousin the Younger IX (Copy)</image:title>
      <image:caption>Jean Cousin the Younger IX Cennino Cennini: On parchment you may draw or sketch with the above named style, first rubbing and spreading some of the powdered bone-dust over the parchment, scattered thinly and brushed off with a hare's foot, and powdered like writing-powder or resin (i.e. pounce, or powdered resin).</image:caption>
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      <image:title>2016 Lectures Summer Term - Jean Cousin the Younger X (Copy)</image:title>
      <image:caption>Jean Cousin the Younger X Maurice Merleau-Ponty: The world is there before any possible analysis of mine, and it would be artificial to make it the outcome of a series of syntheses which link, in the first place sensations, then aspects of the object corresponding to different perspectives, when both are nothing but products of analysis, with no sort of prior reality.</image:caption>
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      <image:title>2016 Lectures Summer Term - Jean Cousin the Younger XI (Copy)</image:title>
      <image:caption>Jean Cousin the Younger XI Cennino Cennini: If you like, when you have completed your drawing with the style, in order to make it clearer, you may fix the outlines and necessary touches with ink, then shade the folds with water-colour made of ink, that is, water about as much as a nutshell will hold, into which are put two drops of ink, and shade with a brush made of tails of the minever, blunt and nearly always dry.</image:caption>
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      <image:title>2016 Lectures Summer Term - Jean Cousin the Younger XII (Copy)</image:title>
      <image:caption>Jean Cousin the Younger XII Maurice Merleau-Ponty: Analytical reflection believes that it can trace back the course followed by a prior constituting act and arrive, in the ‘inner man’—to use Saint Augustine’s expression—at a constituting power which has always been identical with that inner self. Thus reflection is carried off by itself and installs itself in an impregnable subjectivity, as yet untouched by being and time. But this is very ingenuous, or at least it is an incomplete form of reflection which loses sight of its own beginning.</image:caption>
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      <image:caption>Jean Cousin the Younger XIII Cennino Cennini: And then, according to the shades required, you must blacken the water with a few drops of ink. In the same manner you may shade with colours and clothlet tints (Bits of rag were stained with transparent pigments to be extracted in water as required /pezzuole), such as miniature painters use; mix your colours with gum, or with the clear or albumen of an egg well beaten and liquefied.</image:caption>
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      <image:caption>Jean Cousin the Younger XIV the spectacle of the world when drawing the relation between subject and the world because, wanting this, your work would be a foolish thing it ceases to remain part of our experience Let us return to our subject in place of a noetic analysis* you may draw or sketch with powdered bone-dust the object corresponding to different perspectives When you have completed you drawing identical with that inner self mix your colours with the clear of an egg</image:caption>
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      <image:caption>Jean Cousin the Younger XV * „In a peak experience, the presence of divinity became almost palpable and I knew that life in the universe was not just an accident based on random processes. The knowledge came to me directly — noetically. It was not a matter of discursive reasoning or logical abstraction. It was an experiential cognition.“ Edgar Dean „Ed“ Mitchell (1930 – 2016); as the Lunar Module Pilot of Apollo 14, he spent nine hours working on the lunar surface, making him the sixth person to walk on the Moon.</image:caption>
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      <image:caption>Hokusai Brush Drawing I Maurice Merleau-Ponty: When I begin to reflect my reflection bears upon an unreflective experience; moreover my reflection cannot be unaware of itself as an event, and so it appears to itself in the light of a truly creative act, of a changed structure of consciousness, and yet it has to recognize, as having priority over its own operations, the world which is given to the subject because the subject is given to himself.</image:caption>
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      <image:caption>Hokusai Brush Drawing II Cennino Cennini: CHAP. 11.–How to draw with a leaden style. It is possible also to draw on parchment without bone-dust with a style of lead; that is, with two parts of lead, and one of tin, well beaten with a hammer.</image:caption>
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      <image:title>2016 Lectures Summer Term - Hokusai’s Educational Book I (Copy)</image:title>
      <image:caption>Hokusai’s Educational Book I Maurice Merleau-Ponty: The real has to be described, not constructed or formed. Which means that I cannot put perception into the same category as the syntheses represented by judgements, acts or predications.</image:caption>
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      <image:caption>Hokusai’s Educational Book II Cennino Cennini: CHAP. 12. How, when drawing with a leaden style, an error may be corrected. You may draw on paper also with the above mentioned leaden style,' either with or without bone dust; and if at any time you make an error, or you wish to remove any marks made by the leaden style, take a little crumb of bread, rub it over the paper, and efface whatever you please. And on this kind of paper, in the same manner, you may shade with ink, or colours, or clothlet tints (pezzuole), with the before mentioned vehicle.</image:caption>
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      <image:caption>Hokusai’s Educational Book III Maurice Merleau-Ponty: My field of perception is constantly filled with a play of colours, noises and fleeting tactile sensations which I cannot relate precisely to the context of my clearly perceived world, yet which I nevertheless immediately ‘place’ in the world, without ever confusing them with my daydreams.</image:caption>
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      <image:title>2016 Lectures Summer Term - Hokusai’s Educational Book IV (Copy)</image:title>
      <image:caption>Hokusai’s Educational Book IV Cennino Cennini: CHAP. 13.–How drawing with the pen should be practised. When you have practised drawing in this manner one year, either more or less, according to the pleasure you take in it, you may sometimes draw on paper with a fine-pointed pen.</image:caption>
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      <image:title>2016 Lectures Summer Term - Hokusai’s Manga I (Copy)</image:title>
      <image:caption>Hokusai’s Manga I Maurice Merleau-Ponty: Equally constantly I weave dreams round things. I imagine people and things whose presence is not incompatible with the context, yet who are not in fact involved in it: they are ahead of reality, in the realm of the imaginary.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465725796553-Q2ZIRACIUXP7TT75ALCG/hokusai06.png</image:loc>
      <image:title>2016 Lectures Summer Term - Hokusai’s Manga II (Copy)</image:title>
      <image:caption>Hokusai’s Manga II Cennino Cennini: Draw lightly, working up your lights and your half-lights and your shades gradually, retouching many lines with your pen. And if you would have your drawing more highly finished use a little water-colour, as before directed, with a blunt-pointed mineever brush.</image:caption>
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      <image:title>2016 Lectures Summer Term - Hokusai’s Manga III (Copy)</image:title>
      <image:caption>Hokusai’s Manga III Maurice Merleau-Ponty: If the reality of my perception were based solely on the intrinsic coherence of ‘representations’, it ought to be for ever hesitant and, being wrapped up in my conjectures on probabilities.</image:caption>
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      <image:title>2016 Lectures Summer Term - Hokusai’s Manga IV (Copy)</image:title>
      <image:caption>Hokusai’s Manga IV Cennino Cennini: Do you know what will be the consequence of this practice of drawing with the pen ? It will make you expert, skilfull, and capable of making original designs.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465725801145-VL7UQ3ERK8GAPJYU68GH/hokusai09.png</image:loc>
      <image:title>2016 Lectures Summer Term - Hokusai’s Manga V (Copy)</image:title>
      <image:caption>Hokusai’s Manga V Maurice Merleau-Ponty: I ought to be ceaselessly taking apart misleading synthesis, and reinstating in reality stray phenomena which I had excluded in the first place. But this does not happen.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465725802749-YDXDN9NYU28LXU8FB867/hokusai10.png</image:loc>
      <image:title>2016 Lectures Summer Term - Hokusai’s Manga VI (Copy)</image:title>
      <image:caption>Hokusai’s Manga VI Cennino Cennini: CHAP. 14.–How to make a pen for the purpose of drawing. If you would know how to make a pen of a goosequill, take a firm quill, place it on the two fingers of the left hand, the under side of the quill upwards; take a good sharp penknife, and cut away about the width of a finger along the length of the quill, and cut it drawing the penknife towards you, taking care that the cut should be even and in the middle of the pen.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465725803551-ACEVR9YW8JHSDHBED6KD/hokusai11.png</image:loc>
      <image:title>2016 Lectures Summer Term - Hokusai’s Manga VII (Copy)</image:title>
      <image:caption>Hokusai’s Manga VII Katsushika Hokusai (1760 – 1849) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. Hokusai is best known as author of several woodblock print series.</image:caption>
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      <image:title>2016 Lectures Summer Term - Hokusai’s Manga VIII (Copy)</image:title>
      <image:caption>Hokusai’s Manga VIII About: Katsushika Hokusai, Ryakuga haya-oshie, Quick Guide to Drawing, 1 volume 1812 In one of his educational book, Hokusai taught student to “evolve pictorial forms out of calligraphic pictograms.” The other interesting example in this book is the technique of using circles and straight lines drafting the shape. Here we can see the “rudimentary kind of cubism avant la letter“.</image:caption>
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  </url>
  <url>
    <loc>https://www.tomasocarnetto.com/drawings-2018</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519228894681-GRXPX4PLRXUH7D0WSYEZ/01-was-ich-sagen-wollte.jpg</image:loc>
      <image:title>Drawings 2018 - was ich sagen wollte / what I want to say (Copy)</image:title>
      <image:caption>was ich sagen wollte / what I want to say was ich sagen wollte aber nicht sagen konnte wie sehr Du mir fehlst wie sehr what I want to say but wasn’t able to say it how much I miss you how much  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519228943170-YOT6FO9V02N8JWCGVMV4/02-Grammatik-der.jpg</image:loc>
      <image:title>Drawings 2018 - Grammatik / Grammar  (Copy)</image:title>
      <image:caption>Grammatik / Grammar Grammatik der inneren Organe Grammar of the internal organs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1518973574609-AM50TYTP3ZWIGDV3FYP9/03-leckt-die-Goetterspeise.jpg</image:loc>
      <image:title>Drawings 2018 - zwischen ihren Lippen / between her lips (Copy)</image:title>
      <image:caption>zwischen ihren Lippen / between her lips zwischen ihren Lippen leckt er die Götterspeise ab between her lips he licks off the Jell-O  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1518973574431-H2OY0K1K4R56UKB9U1IV/04-etwas-tritt-aus.jpg</image:loc>
      <image:title>Drawings 2018 - etwas / something (Copy)</image:title>
      <image:caption>etwas / something etwas tritt aus Harnröhre und Anus aus something leaks out of urethra and anus</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229008310-7JW3UQDXRYFVM7L2N75F/05-philosophische-Betrachtung.jpg</image:loc>
      <image:title>Drawings 2018 - philosophische Betrachtung / philosophical considerations (Copy)</image:title>
      <image:caption>philosophische Betrachtung / philosophical considerations philosophische Betrachtung über das Verhältnis von Sexualität und Gottesglaube philosophical considerations about the relation between sexuality and belief in God</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229034556-W9O24FHNHF8DFA5Y41RR/06-war-nicht-obgleichs.jpg</image:loc>
      <image:title>Drawings 2018 - war nicht / it wasn't (Copy)</image:title>
      <image:caption>war nicht / it wasn't war nicht obgleich’s so aussah für Dich ausgesucht although it seems so it wasn't chosen for you</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1518973578427-TMT6U4AYPITHK2XH390A/07-hat-eine-Person.jpg</image:loc>
      <image:title>Drawings 2018 - berührt / touched (Copy)</image:title>
      <image:caption>berührt / touched hat eine Person des anderen Geschlechts berührt has touched a person of the other sex</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1518973580592-IHC944XAF0MAHIR8I5DG/08-oh-Gott-Du-hast-mich-gefragt.jpg</image:loc>
      <image:title>Drawings 2018 - oh Gott / oh God (Copy)</image:title>
      <image:caption>oh Gott / oh God oh Gott Du hast mich gefragt was los ist oh God you asked me what’s going on</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229090462-MYR0KTJ3YVY0MT8T5QT8/09-ist-auf-dem-einen-Auge.jpg</image:loc>
      <image:title>Drawings 2018 - = blind (Copy)</image:title>
      <image:caption>= blind = auf dem einen Auge blind der Sohn des kleinen Königs = blind on the one eye the son of the little king</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1518973581491-5COV9JSS8DOWQEZLN1CX/10-haelt-meinen-Kopf.jpg</image:loc>
      <image:title>Drawings 2018 - mein Kopf / my head (Copy)</image:title>
      <image:caption>mein Kopf / my head hält meinen Kopf in beiden Händen hold my head with both of her hands</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229129782-ME2JCCHAHH2V34D3TSUF/11-nur-eine-unabweisbare.jpg</image:loc>
      <image:title>Drawings 2018 - Sehnsucht / Longing (Copy)</image:title>
      <image:caption>Sehnsucht / Longing eine unabweisbare Sehnsucht an unavoidable longing  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229156770-MXEL7DMO739MCD1Y0ZMC/12-the-text-machine.jpg</image:loc>
      <image:title>Drawings 2018 - = orion (Copy)</image:title>
      <image:caption>= orion = orion die Text-Machine = orion the text-machine</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152908745-NJIH25GCXEKQWVI38NPS/13-die-inneren-Organe.jpg</image:loc>
      <image:title>Drawings 2018 - Topos (Copy)</image:title>
      <image:caption>Topos die inneren Organe tragen etwas bei zum äußeren Topos the inner organs are adding something to the external topos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229213001-YJYOX3O7KRUF6BHLJ2SP/14-wartet-mit-halb-geoeffnetem-Mund.jpg</image:loc>
      <image:title>Drawings 2018 - wartet / is waiting (Copy)</image:title>
      <image:caption>wartet / is waiting wartet mit halb geöffnetem Mund auf eine Nachricht von Beryl is waiting with half opened mouth for news about Beryl</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229241494-CQCCFB3E26SB625W576K/15-jemand-denkt-mich.jpg</image:loc>
      <image:title>Drawings 2018 - jemand / someone (Copy)</image:title>
      <image:caption>jemand / someone jemand denkt mich - hast Du gesagt someone is thinking me – you said</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229301490-N6XG84EHLUYNN2BQ5DGD/16-der-der-weiss-wohin.jpg</image:loc>
      <image:title>Drawings 2018 - der / the one (Copy)</image:title>
      <image:caption>der / the one der der weiß wohin es geht führt den der es nicht weiß the one who knows where to go leads the one who does not know</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229342224-AHHA24LYDEF06JZ5X0AX/17-schliesst-die-Lippen.jpg</image:loc>
      <image:title>Drawings 2018 - schließt / closes  (Copy)</image:title>
      <image:caption>schließt / closes schließt ihre Lippen um die Lippen closes her lips around the lips</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229376195-XZB02WC76XUPWIH0LYMN/18-und-dabei-die-Augen.jpg</image:loc>
      <image:title>Drawings 2018 - währenddessen / meanwhile (Copy)</image:title>
      <image:caption>währenddessen / meanwhile und während dessen die Augen weit aufgerissen and meanwhile tear open the eyes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229403033-ZJ4QPQRDHOG4FNUAFVOA/19-eine-gewisse-Form.jpg</image:loc>
      <image:title>Drawings 2018 - Selbstmitleid / self-pity (Copy)</image:title>
      <image:caption>Selbstmitleid / self-pity eine gewisse Form von Selbstmitleid die sich da gezeigt hat a special kind of self-pity that has shown itself here</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229430741-QW5UC6KQK6CQYDZU5X4D/20-da-ihm.jpg</image:loc>
      <image:title>Drawings 2018 - eine Frage / a question (Copy)</image:title>
      <image:caption>eine Frage / a question da ihm wie er behauptet schwer eine Frage auf den Schultern lastet because as he claims a question like a heavy burden rests on his shoulders</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229482641-5LNUJUMNEHCKMNQOTCRU/21-ein-Gedanke.jpg</image:loc>
      <image:title>Drawings 2018 - ein Gedanke / a thought (Copy)</image:title>
      <image:caption>ein Gedanke / a thought ein Gedanke der die Leere umschließt – wie soll der überleben? a thought which encloses the emptiness – how could he survive?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152912321-0W85MO1CM13H4CFKJC3Z/22-die-in-mir-herrschende.jpg</image:loc>
      <image:title>Drawings 2018 - ausmerzen / eradicating (Copy)</image:title>
      <image:caption>ausmerzen / eradicating die in mir herrschende Furcht ausmerzen (Tomasino liegt in seinem Bett) eradicating the fear that reigns inside me (Tomasino lies in his bed)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229509018-JIVU1JATMO6WOPRCX3P1/23-schau-nicht-so.jpg</image:loc>
      <image:title>Drawings 2018 - ängstlich / scared (Copy)</image:title>
      <image:caption>ängstlich / scared schau nicht so ängstlich don't look so scared</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229532952-UF5ES9G984LXJWC1BQ0V/24-habe-meine-feuerrot.jpg</image:loc>
      <image:title>Drawings 2018 - feuerrot / fire-red (Copy)</image:title>
      <image:caption>feuerrot / fire-red habe meine feuerrot angemalten Lippen fest aufeinander gepresst have strongly compressed my fire-red painted lips</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152914028-QSLCRG63RYQZIYSHR4FB/25-als-ich-traurig.jpg</image:loc>
      <image:title>Drawings 2018 - traurig / sadly (Copy)</image:title>
      <image:caption>traurig / sadly als ich traurig neben dir saß as I sat sadly by your side</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152914455-YKD0E5X772YQJPMH1GEK/26-mich-dir-voller.jpg</image:loc>
      <image:title>Drawings 2018 - Sehnsucht / longing (Copy)</image:title>
      <image:caption>Sehnsucht / longing mich Dir voller Sehnsucht zugewendet habe had turned towards you full of longing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152914980-9217ST1CQ29NPM8FIHOD/27-mich-Dich.jpg</image:loc>
      <image:title>Drawings 2018 - mich Dich ich / me you I (Copy)</image:title>
      <image:caption>mich Dich ich / me you I</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152915122-OGVVWL8D676P8AYT1WHN/28-etwas-beruehrt.jpg</image:loc>
      <image:title>Drawings 2018 - etwas berührt / something touched (Copy)</image:title>
      <image:caption>etwas berührt / something touched etwas berührt was mir mit Dir verbunden erschien something touched that seemed to me connected to you</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229577791-Q9KZ173I6XEUTT5Y2UM7/29-ja-beruehrt.jpg</image:loc>
      <image:title>Drawings 2018 - ja, berührt  / yes, touched (Copy)</image:title>
      <image:caption>ja, berührt / yes, touched</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229652949-5J8D72HONOX3GLCPKS28/30-ich-versuchte-Dir.jpg</image:loc>
      <image:title>Drawings 2018 - ich versuchte / I tried (Copy)</image:title>
      <image:caption>ich versuchte / I tried ich versuchte Dir etwas in mir zu zeigen was ich nicht beschreiben kann I tried to show you something inside me which I cannot describe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152917019-TLXJ6JWXRM0JZIXW1CLB/31-ja-ich-hab-es.jpg</image:loc>
      <image:title>Drawings 2018 - ja / yes (Copy)</image:title>
      <image:caption>ja / yes ja - ich hab's versucht yes – I’ve tried</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229685901-LH2BNCFV0HEAKLNZGEIJ/32-Du-hast-den-gesammten.jpg</image:loc>
      <image:title>Drawings 2018 - verloren / lost (Copy)</image:title>
      <image:caption>verloren / lost Du hast den gesamten Text Deines Verlangens verloren darum hab ich mich wieder verloren gefühlt you have lost the whole text   of your yearning that’s why I felt lost again  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229713344-LF0EB1H4DDM3YLF8ZPZE/33-ja-das-ist-der.jpg</image:loc>
      <image:title>Drawings 2018 - ja / yes (Copy)</image:title>
      <image:caption>ja / yes ja - das ist der Grund yes – that’s the reason</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519152918178-1OZRBOTOBHQIP7CSXELK/34-ja-das-ist-es-was.jpg</image:loc>
      <image:title>Drawings 2018 - das ist's / that's it (Copy)</image:title>
      <image:caption>das ist's / that's it ja – das ist's was ich fühle yes – that's it what I am feeling</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229744515-MGNQU1Q9AU231UK3VOMA/35-entlang-der-Wirbelsaeule.jpg</image:loc>
      <image:title>Drawings 2018 - Steißbein / tailbone (Copy)</image:title>
      <image:caption>Steißbein / tailbone entlang der Wirbelsäule bis zum Steißbein hinab along the spine down to the tailbone</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519229608091-F3AS4T5O14DAAZUHTEKP/36-was-ein-erhebliches.jpg</image:loc>
      <image:title>Drawings 2018 - Durcheinander / confusion (Copy)</image:title>
      <image:caption>Durcheinander / confusion was ein erhebliches Durcheinander verursacht which causes a significant confusion</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673374745-U5PEYFWMJ5M2HBQ0THJP/37-in-jeder-Hinsicht.jpg</image:loc>
      <image:title>Drawings 2018 - unsortiert / unsorted (Copy)</image:title>
      <image:caption>unsortiert / unsorted in jeder Hinsicht unsortiert und nicht weil's nur zufällig durcheinander geraten wäre unsorted in every sense and not only because it would be muddled up by chance</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673376148-3C9SDIA6CFKUL3QD9SA0/39-Du-musst-nicht.jpg</image:loc>
      <image:title>Drawings 2018 - Tränen / tears (Copy)</image:title>
      <image:caption>Tränen / tears Du musst nicht versuchen Deine Tränen zurück zu halten you don’t have to try to keep your tears back  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673374903-JS4978AWUQCGSR9NLXHI/38-Seyyal-ich.jpg</image:loc>
      <image:title>Drawings 2018 - innerlich / inside me (Copy)</image:title>
      <image:caption>innerlich / inside me Beryl, ich verblute innerlich Beryl, inside me I am bleeding to death</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673376337-G6BU6N98M0DBI254M1J8/40-ueber-dem-versuch.jpg</image:loc>
      <image:title>Drawings 2018 - eingeschlafen / fell asleep (Copy)</image:title>
      <image:caption>eingeschlafen / fell asleep über dem Versuch ist er eingeschlafen in the attempt he fell asleep</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673385886-ZD4YTWPSCXNV88Y1ZL5V/48-Lisa-liest.jpg</image:loc>
      <image:title>Drawings 2018</image:title>
      <image:caption>Lisa liest mir vor Lisa is reading to me  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673377250-1BGKJQC4AY9YRHFKB52U/41-ganz-unwillkuerlich.jpg</image:loc>
      <image:title>Drawings 2018 - unwillkürlich / involuntary (Copy)</image:title>
      <image:caption>unwillkürlich / involuntary ganz unwillkürlich eingeschlafen involuntary falling into sleep</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673380031-1F0AW3GU91TDR9KEPIHT/42-Atmen-Atmen.jpg</image:loc>
      <image:title>Drawings 2018 - Atmen / breathing (Copy)</image:title>
      <image:caption>Atmen / breathing Atmen, Atmen sagt er sich im Schlaf ist der Text unserer Wirklichkeit breathing, breathing he tells himself while sleeping is the text of our reality</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673379616-9L9WTSS0OBRDA05GE770/43-wieder-und-wieder.jpg</image:loc>
      <image:title>Drawings 2018 - halbnackt / almost naked (Copy)</image:title>
      <image:caption>halbnackt / almost naked wieder und wieder sah ich mich halbnackt mit nur einem Bein die Treppe hinab steigen again and again I saw myself almost naked with only one leg walking down the staircase</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673381202-X041CUE3JSVAMFJZY4HN/44-nein-das-wollte-ich-nicht.jpg</image:loc>
      <image:title>Drawings 2018 - nein! / no! (Copy)</image:title>
      <image:caption>nein! / no! nein! das wollte ich nicht sehen auf gar keinen Fall no! I didn't want to see this no way  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673381838-WAHVKJBCYC0OOSYW751Y/45-Portrait-dessen01.jpg</image:loc>
      <image:title>Drawings 2018 - „Schau hin!“ / „Look at!“ (Copy)</image:title>
      <image:caption>„Schau hin!“ / „Look at!“ Portrait dessen, der nicht sehen will (I) „Schau hin!“ sage ich mir portrait of the one who doesn't want to see (I) „Look at!“ I say to myself</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673383988-ZIGJM3OVAO5BX5OJ9RNO/46-Portrait-dessen02.jpg</image:loc>
      <image:title>Drawings 2018 - Deine Nase / your nose (Copy)</image:title>
      <image:caption>Deine Nase / your nose Portrait dessen, der nicht sehen will (II) „Steck Deine Nase ins frische Gras!“ portrait of the one who doesn't want to see (II) „Put your nose into the fresh grass!"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1519673385007-3OQFG9V5BXX0SE6N1XL3/47-Portrait-dessen03.jpg</image:loc>
      <image:title>Drawings 2018 - saure Drops / acid drops (Copy)</image:title>
      <image:caption>saure Drops / acid drops Portrait dessen, der nicht sehen will (III) „Nimm die sauren Drops aus Deinen Nasenlöchern!“ portrait of the one who doesn't want to see (III) „Take the acid drops out of your nostrils!“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782327800-OYM8HY3A1C38G88CHLR9/49-derweil-halte-ich.jpg</image:loc>
      <image:title>Drawings 2018 - der tote Hase / the dead rabbit (Copy)</image:title>
      <image:caption>der tote Hase / the dead rabbit derweil halte ich den toten Hasen fest mit einer Hand meanwhile I am keeping the dead rabbit only with one hand</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782328206-CX2977UHA4WYC8YTBTS5/50-spaeter-liegt-er.jpg</image:loc>
      <image:title>Drawings 2018 - später / later (Copy)</image:title>
      <image:caption>später / later später liegt er ganz alleine in seinem Bett und lauscht auf das Klagen der rammelnden Gemeinde later he lies lonely in his bed and listens to the complaint of the mating parish</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782328996-431KNDNZREI1MQBE8KDX/51-Portrait.jpg</image:loc>
      <image:title>Drawings 2018 - Portrait (Copy)</image:title>
      <image:caption>Portrait Portrait das zurückreicht in die Zeit und über jeden Zeitwinkel hinaus portrait that reaches back in time and beyond every time angle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782330598-9QS2NQ6BQR6QE0PC8YYS/52-irgend-ein-Gefuehl.jpg</image:loc>
      <image:title>Drawings 2018 - nicht valide / not valid (Copy)</image:title>
      <image:caption>nicht valide / not valid irgend ein Gefühl das sich nicht als valide erwies riss mich aus dem Schlaf any feeling recognizable as not valid tore my out of sleep</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782330947-EA884617DMFTRYX3Y6BG/53-irgend-etwas-hindert-es.jpg</image:loc>
      <image:title>Drawings 2018 - etwas / something (Copy)</image:title>
      <image:caption>etwas / something irgend etwas hindert's doch dass ich spüre was du sagst sagt sie there is something that makes it impossible I may feel what you are saying she says</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782331685-5CVFAO3AHVKAB0E59IMV/54-stelle-fest.jpg</image:loc>
      <image:title>Drawings 2018 - wer stellt fest? / who ascertains? (Copy)</image:title>
      <image:caption>wer stellt fest? / who ascertains? stelle fest dass er eingeschlafen ist der ich bin wer nun frage ich mich ist der der feststellt ascertain that he fell into sleep the one who I am who I’m asking myself is the one who ascertains</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782332498-G3YSDLQE804SFDHESAS0/55-die-schoensten-Blumen.jpg</image:loc>
      <image:title>Drawings 2018 - Nicolais Garten / Nicolais garden (Copy)</image:title>
      <image:caption>Nicolais Garten / Nicolais garden die schönsten Blumen wachsen in Nicolais Garten the prettiest flowers are growing in Nicolais garden</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782333011-FH8JCF9WHVLUMZ0ARHZ0/56-das-Datum-ist-violett.jpg</image:loc>
      <image:title>Drawings 2018 - Tagtraum / daydream (Copy)</image:title>
      <image:caption>Tagtraum / daydream das Datum ist violett und gelb an einer Ecke aus dem Tagtraum gerissen the date is violet and yellow  at one edge torn out of the daydream</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782334463-RJRXA33UY7Z0W23XOJ5K/57-in-der-Himmelsblase.jpg</image:loc>
      <image:title>Drawings 2018 - Vergnügen / enjoyment (Copy)</image:title>
      <image:caption>Vergnügen / enjoyment in der Himmelsblase strampelt sie vor Vergnügen mit den Beinen within the heaven's-bubble she kicks with the legs for enjoyment</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782334942-2AXMK0BJJWXLS14BPFID/58-version+2+%28did+I+told+you%2C+I+live+in+the+woods%29.jpg</image:loc>
      <image:title>Drawings 2018 - hohe Fichten / high spruces (Copy)</image:title>
      <image:caption>hohe Fichten / high spruces hatte mich im Wald zwischen den hohen Fichten verloren als Pan mein Hand ergriff had lost myself in the woods between the high spruces when Pan grasped my hand</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782338492-59FA486WEP2KHLV5D4US/59-mit-geschlossenen-Augen.jpg</image:loc>
      <image:title>Drawings 2018 - ich träumte / I dreamed (Copy)</image:title>
      <image:caption>ich träumte / I dreamed mit geschlossenen Augen träume ich davon Benedetta in meinen Armen zu halten with my eyes closed I dreamed to hold Benedetta in my arms</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520782338415-UWICF6T8RHSH03OICZBX/60-natuerlich-bestand-der-Wald.jpg</image:loc>
      <image:title>Drawings 2018 - Lack und Metall /  lacquer and metal (Copy)</image:title>
      <image:caption>Lack und Metall / lacquer and metal ganz sicher bestand der Wald aus Holz zudem aus Lack und Metall for sure the woods consist of wood but also of lacquer and metal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967865762-WJDKK16JS9JZ72RWPIHE/61-Kameradschaft.jpg</image:loc>
      <image:title>Drawings 2018 - Kameradschaft / camaraderie (Copy)</image:title>
      <image:caption>Kameradschaft / camaraderie Kameradschaft in der Art dass wir einander nicht unterscheiden konnten camaraderie in the way that we couldn’t differentiate each other</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967865548-WB2V3GUNETAASPQKZR3T/62-neige-mich.jpg</image:loc>
      <image:title>Drawings 2018 - mein rechtes Auge / my right eye (Copy)</image:title>
      <image:caption>mein rechtes Auge / my right eye neige mich den Göttern zu, dass mir's rechte Auge übergelaufen ist incline myself towards the Gods that my right eye is flowing over</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967866674-7Y3NP1M79JTWSH9SLZX9/63-hab-blind-ins-Rever.jpg</image:loc>
      <image:title>Drawings 2018 - trage Gott / carrying God (Copy)</image:title>
      <image:caption>trage Gott / carrying God hab blind ins Revers gegriffen – trage Gott in der Manteltasche spazieren grabbed half blind into the lapel – carrying God for a walk in the pocket of my coat</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967867551-PZWBGVU6VGB6V2SSDM8U/64-was-in-Folge-geschah.jpg</image:loc>
      <image:title>Drawings 2018 - unwillkürlich fortsehen / involuntarily turn away (Copy)</image:title>
      <image:caption>unwillkürlich fortsehen / involuntarily turn away was in Folge geschah kann ich unmöglich beschreiben ich musste unwillkürlich fortsehen impossible to describe what happened next involuntarily I must turn away from what I saw  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967868850-4EHFQRTDV281N2NJ003T/64b-aufs-Gesicht.jpg</image:loc>
      <image:title>Drawings 2018</image:title>
      <image:caption>aufs Gesicht konzentriert concentrated on the face</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967869126-SGBMW9F9QJDVERXMT6Y1/65-die-Frau.jpg</image:loc>
      <image:title>Drawings 2018 - neben mir / beside my (Copy)</image:title>
      <image:caption>neben mir / beside my die Frau die ich neben mir liegen sah war nicht die meine ich wollte sie unter keinen Umständen berühren the woman I saw lying beside my was not mine I did not want to touch her under no circumstances  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967869924-QZ31G0Y8SA9Y0LSYX0V9/66-du-wirst-verstehen.jpg</image:loc>
      <image:title>Drawings 2018</image:title>
      <image:caption>du wirst verstehen – zog meine Hand mit Schrecken zurück you will understand – pulled away my hand with fear</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967870882-T604K5WOCR663I46JO8H/67-habe-dabei-den-Schmetterling.jpg</image:loc>
      <image:title>Drawings 2018 - Schmetterlingsflügel /  (Copy)</image:title>
      <image:caption>Schmetterlingsflügel / habe dabei den Schmetterlingsflügel nur flüchtig gestreift while this I only brushed fleetingly the butterfly wings</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967871656-15EYE0IWJ2Q5AIEQ05F1/68-in-der-Bewegung.jpg</image:loc>
      <image:title>Drawings 2018 - ihr Gesicht / her face (Copy)</image:title>
      <image:caption>ihr Gesicht / her face in der Bewegung erkannte ich ihr Gesicht – jedoch nur zur Hälfte within the movement I recognized her face – but only half</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967872361-IWKYBCGZ0AYE2F8X9WK4/69-eine-Reihe-anderer.jpg</image:loc>
      <image:title>Drawings 2018</image:title>
      <image:caption>eine Reihe anderer Gesichter erschien a row of other faces appeared</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967873350-9GGQ82K3QI2Y0TL3VGHY/70-ich-weiss-nicht.jpg</image:loc>
      <image:title>Drawings 2018 - woran / by what (Copy)</image:title>
      <image:caption>woran / by what ich weiß nicht woran ich sie erkannte I don’t know by what I recognized her</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967892649-UHOTQ3ZIYNSMRSNE86LH/71-aller-erschienen-sie-mir-fremd.jpg</image:loc>
      <image:title>Drawings 2018 - Schattenspiel / shadow play (Copy)</image:title>
      <image:caption>Schattenspiel / shadow play alle erschienen sie mir fremd wie in einem sich überlagernden Schattenspiel they all seemed foreign to me like in an overlapping shadow play</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1520967877091-K03MC0ARFXS5GE0UPJQ7/72-mir-erschien.jpg</image:loc>
      <image:title>Drawings 2018 - Silberfäden / silver strings (Copy)</image:title>
      <image:caption>Silberfäden / silver strings mir erschien als würde sie an mir vorbeischauen entlang der Silberfäden die in der Zimmerflucht baumelten it seemed as they would look beside me along the silver strings which dangled in the rooms vanishing point</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547405398-K10HBT8Q3ED3BBAFNEB8/73-betrachtete-eingehend.jpg</image:loc>
      <image:title>Drawings 2018 - Übergang / passage (Copy)</image:title>
      <image:caption>Übergang / passage betrachtete eingehend den Übergang wie er sich im rechten Winkel zwischen der grob gefügten Mauer und den Deckenbalken bildet intensively looked at the passage as it is build together in the right angle between the roughly joined wall and the ceilings beams</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547405360-I14DBS7T437NK6MRWM78/74-hat-schliesslich.jpg</image:loc>
      <image:title>Drawings 2018 - verdunkelte Grenze / darkened border (Copy)</image:title>
      <image:caption>verdunkelte Grenze / darkened border hat schließlich ihren Blick abgewendet hin auf die in verdunkelter Grenze gefasste Zeichnung had finally turned away her view from the drawing framed in a darkened border</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547407571-WCSF2323I7XCQ7W5POU7/75-wie-streng-sie-aussieht.jpg</image:loc>
      <image:title>Drawings 2018 - kleiner König II / little king II (Copy)</image:title>
      <image:caption>kleiner König II / little king II wie streng sie aussieht auf dieser Zeichnung und erst jetzt den kleinen König entdeckt der ihr in großen Tränen über die Wange rinnt how seriously she is looking at this drawing and only now discovers the little king who trickles along her cheek in big tears</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547407307-27YM3DVMDE375PQJCT3V/76-einer-halben-Drehung.jpg</image:loc>
      <image:title>Drawings 2018 - sich selbst / herself (Copy)</image:title>
      <image:caption>sich selbst / herself einer halben Drehung folgend wie sie ins Blau hinein glitt erkennt sie sich kaum wieder following a half turn-around like she slides into the blue she hardly recognizes herself</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547408661-2ETI64Q9K867THQZQJLL/77-ist-der-Uebergang.jpg</image:loc>
      <image:title>Drawings 2018 - Maschinencode I / machine code I (Copy)</image:title>
      <image:caption>Maschinencode I / machine code I ist der Übergang zum Maschinencode des in Worten Sagbaren it’s the crossing towards the machine code of what can be said with words</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547409415-9NVRAAIVTQQUEWME96V3/78-wie-er-der-Code.jpg</image:loc>
      <image:title>Drawings 2018 - verschwommen / blurred (Copy)</image:title>
      <image:caption>verschwommen / blurred wie er der Code vor unseren Augen verschwimmt like he the code becomes blurred in our eyes</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547414724-P5NQ6IZ9PI40GAL2GGBD/79-sie-sich-das-in-Worten.jpg</image:loc>
      <image:title>Drawings 2018 - Topologien / topologies (Copy)</image:title>
      <image:caption>Topologien / topologies sie sich das in Worten Sagbare tatsächlich aus körperimmanenten Topologien zueinander fügt she combined for herself what can be actually said in words from body-immanently topologies</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547414694-3NX11CMTAQJ1DE8SH3X6/80-wozu-ich-nur.jpg</image:loc>
      <image:title>Drawings 2018 - linker Fuß / left foot (Copy)</image:title>
      <image:caption>linker Fuß / left foot wozu ich nur meine linken Fuß hin zu Dir auszustrecken brauche for this I only have to stretch out my left foot towards you</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547416027-TYX1YRXG71H577A30L0Y/81-als-wir-die-Treppe.jpg</image:loc>
      <image:title>Drawings 2018 - die Treppe hinab / down the staircase (Copy)</image:title>
      <image:caption>die Treppe hinab / down the staircase als wir die Treppe hinab gingen habe ich den linken Fuß nach Dir ausgestreckt as we climbed down the staircase I stretched out my left feet at you</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547419351-H61O55UIYW768HGJATSM/82-ich-sagte-mir.jpg</image:loc>
      <image:title>Drawings 2018</image:title>
      <image:caption>ich sagte mir diese Maschine ist die Orion-Maschine I said to myself this machine is the Orion-machine</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547420327-NO4ITCCJTX44NS44YJGT/83-in-der-Art.jpg</image:loc>
      <image:title>Drawings 2018 - Herzmuskel / myocardial (Copy)</image:title>
      <image:caption>Herzmuskel / myocardial in der Art wie Arme Beine Brüste und Herzmuskel ein offenes Gezweig bilden in the way like arms legs breasts and myocardial let emerge open branches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547421266-B488KN9B8PZUOP418PHB/84-also-in-der-Art-wie-sie.jpg</image:loc>
      <image:title>Drawings 2018 - Porträt des Künstlers / portrait of the artist (Copy)</image:title>
      <image:caption>Porträt des Künstlers / portrait of the artist also in der Art wie das Porträt des Künstlers entsteht therefore in the way like the portrait of the artist is emerging</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1521547421907-7G4Z3XTFOETPZDIBVX71/84-b-Selbstportrait.jpg</image:loc>
      <image:title>Drawings 2018</image:title>
      <image:caption>Selbstportrait als ein alternder Künstler self-portrait as an aging artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484543199-YAYJL2UFO2U32H71VE41/85-an-der-Funktion.jpg</image:loc>
      <image:title>Drawings 2018 - linke Niere / left kidney (Copy)</image:title>
      <image:caption>linke Niere / left kidney an der Funktion der linken Niere gemessen measured by the function of the left kidney</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484544374-7EXHCXH4M7YFFSAPCSLL/86-oder-die-vom-Geschmack.jpg</image:loc>
      <image:title>Drawings 2018 - Schlehen / sloes (Copy)</image:title>
      <image:caption>Schlehen / sloes oder die vom Geschmack der Schlehen angeregte Gehirntätigkeit or the activity of the brain provoked by the taste of sloes</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484546200-0KEDKP8QRYY3BGT64DUB/87-folglich-habe-ich-mir.jpg</image:loc>
      <image:title>Drawings 2018 - ja, ja, ja / yes, yes, yes (Copy)</image:title>
      <image:caption>ja, ja, ja / yes, yes, yes folglich habe ich mir selbst Nicolaila, alle Organe angezeigt die ja gesagt haben ja, ja, ja thus I pointed out to me Nicolaila all the organs which have said yes, yes, yes</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484547799-MV9VOMMPOAEYI59OAB1L/88-dabei-den-Mund.jpg</image:loc>
      <image:title>Drawings 2018 - Lippen / lips (Copy)</image:title>
      <image:caption>Lippen / lips dabei den Mund weit aufgerissen so weit dass Lippen und Zungenspitze sich verdoppelt haben opened the mouth wide by this this far that lips and the tip of the tongue have become double</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484549102-XHX79N8NMF9X5LUEQ5JF/89-so-meiner-Organe.jpg</image:loc>
      <image:title>Drawings 2018 - enthoben / deposed (Copy)</image:title>
      <image:caption>enthoben / deposed so meiner Organe minutenweise enthoben sagte mir Wilfried ich sei ganz leicht geworden so for minutes deposed from my organs Wilfried said to me that I became quite light weighted</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484549760-YRKOXEESYRHS2QBZVF2N/90-nein-nicht-ich.jpg</image:loc>
      <image:title>Drawings 2018 - nicht Ich / not me (Copy)</image:title>
      <image:caption>nicht Ich / not me nein nicht Ich vielmehr die Grenze an der die halbierte Leber und der himmelblaue Bergsee sich ineinander verschoben no not me but the border on which the halved liver and the heaven-blue mountain lake shifted into each other</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484552257-GSAO1U0IOVPLZPYM26CT/91-oder-das-stumme.jpg</image:loc>
      <image:title>Drawings 2018 - stummes Lächeln / silent smile (Copy)</image:title>
      <image:caption>stummes Lächeln / silent smile oder das stumme Lächeln der kleinen Isabella (ach ja meiner Tochter) das mir zwischen den Zahnreihen ausgebrochen ist or the silent smile of little Isabella (oh yes my daughter) that breaks out from the row of my teeth</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484551787-X0HWDTI4XN4D0E4JW0Z9/92-er-blutet-aus-jedem-Teil.jpg</image:loc>
      <image:title>Drawings 2018 - er blutet / he is bleeding (Copy)</image:title>
      <image:caption>er blutet / he is bleeding er blutet aus jedem Teil des Körpers nicht unbedingt der Preis den ich zu zahlen habe aber doch eine gegebene Möglichkeit he is bleeding from every part of the body not the price which I have to pay inevitable but a given possibility</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484553497-0V3L5HK00X6TMOT954QU/93-das-alleine.jpg</image:loc>
      <image:title>Drawings 2018 - nicht nur die Kälte / not only the cold (Copy)</image:title>
      <image:caption>nicht nur die Kälte / not only the cold das alleine (nicht nur die Kälte) ist der Grund warum ich versuche die Hoden möglichst dicht am Körper zu halten alone that (not only the cold) is the reason why I try to hold my testicles as close to my body as possible</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484554916-FXSDLEOYKYY7PZZI39IO/94-darauf-muss-ich.jpg</image:loc>
      <image:title>Drawings 2018 - das ganze Unglück / the whole misfortune (Copy)</image:title>
      <image:caption>das ganze Unglück / the whole misfortune ich muss darauf zurück kommen – im Ablecken der Götterspeise vergessen wir das ganze Unglück I have to come back to that – by licking up the Jell-O we forget the whole misfortune</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484556600-QJM9DVOFDW4J1Y89QRVM/95-offensichtlich.jpg</image:loc>
      <image:title>Drawings 2018 - fataler Irrglaube / dire misbelief (Copy)</image:title>
      <image:caption>fataler Irrglaube / dire misbelief offensichtlich ein fataler Irrglaube wie sich im eitergelben Auswurf der Lebensblase zeigt obviously a dire misbelief as seen in the pus-yellow sputum of the life-blister</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1522484558646-QHW8EJCAYDAWHAP9PZJ0/96-aus-dieser-nun.jpg</image:loc>
      <image:title>Drawings 2018 - schaumgeboren / foam-born (Copy)</image:title>
      <image:caption>schaumgeboren / foam-born aus dieser nun – der Lebensblase – steigt schaumgeboren die Jungfrau empor now out of this – the life-blister – a maiden will rise up foam-born</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017935249-E9FY79ZYLUDDG10FC5ER/97-a-die-Geschichte.jpg</image:loc>
      <image:title>Drawings 2018 - mangelnder Kondition / lack of condition (Copy)</image:title>
      <image:caption>mangelnder Kondition / lack of condition die Geschichte beginnt mit der Umrundung des Sportplatz der ich aufgrund mangelnder Kondition nicht gewachsen war the story starts with a circumnavigation around the sporting field which I could not be up to because of a lack of condition</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017935804-POOZPINA80BS09BLI4QA/98-a-deutlich-zu-erkennen.jpg</image:loc>
      <image:title>Drawings 2018 - faseriger Überwurf / fibrous throw (Copy)</image:title>
      <image:caption>faseriger Überwurf / fibrous throw deutlich zu erkennen am faserigen Überwurf den ich mir zum Schutz vor der Kälte um die Brust schlang pretty good to realize by the fibrous throw which I twined around my chest to be protected from the cold</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017936456-ZPH9UWYNYGFU6N3K2N8G/98-b-ich-wuerde-nicht-sagen.jpg</image:loc>
      <image:title>Drawings 2018 - gegenseitig / mutually (Copy)</image:title>
      <image:caption>gegenseitig / mutually ich würde nicht sagen dass die Abwendung gegenseitig erfolgte I would not say that the averting took place mutually</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017937204-P2OYOO0GW0SVNHMB2XRJ/99-noch-am-zweiten-Maerz.jpg</image:loc>
      <image:title>Drawings 2018 - eisige Kälte / freezing (Copy)</image:title>
      <image:caption>eisige Kälte / freezing noch am zweiten März herrschte eisige Kälte on the second of March it was still freezing</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017937901-40KSWFB429YUVU5MRSL6/100-wir-lagen-dicht-beieinander.jpg</image:loc>
      <image:title>Drawings 2018 - dicht beieinander / cheek by jowl (Copy)</image:title>
      <image:caption>dicht beieinander / cheek by jowl wir lagen dicht beieinander und ich erzählte die Geschichte von dem der nein sagen muss we lay cheek by jowl and I told you the story about the one who must say no</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017939809-D96VTSRLCBVNQB78SCCO/101-nur-einer-brauchts-zu-sein.jpg</image:loc>
      <image:title>Drawings 2018 - nur einer / only one (Copy)</image:title>
      <image:caption>nur einer / only one nur einer braucht's zu sein der nein sagt nur ein einziger only one is needed who says no only one</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017939809-P1ET9WH25L19YSHHOSF5/102-a-waehrend-ich-erzaehlte.jpg</image:loc>
      <image:title>Drawings 2018 - wackeln / waggling (Copy)</image:title>
      <image:caption>wackeln / waggling während ich erzählte erkannte ich sie an meiner wackelnden Fußspitzen wieder while I was telling I recognized her again by the waggling tip of my foot</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017941459-IIM79PDK91I8PFURUX1Z/102-b-das-gruene-Kleid.jpg</image:loc>
      <image:title>Drawings 2018</image:title>
      <image:caption>das grüne Kleid offenbart ihre Angst the green dress reveals her fear</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017942154-FF4C8MY0LUQ7K6811R2Q/103-ich-bin-der.jpg</image:loc>
      <image:title>Drawings 2018 - abseits / at the side  (Copy)</image:title>
      <image:caption>abseits / at the side ich bin der mit den abstehenden Ohren der abseits steht den die kleine Prinzessin umarmt hat I am the one with protruding ears who is standing at the side the one who was hugged by the little princess</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017945647-7A4378GPELOXC7PQKE1A/104-a-also-der-Zeichner.jpg</image:loc>
      <image:title>Drawings 2018 - der Zeichner / the draftsman (Copy)</image:title>
      <image:caption>der Zeichner / the draftsman also der Zeichner sagte ich ihr was nicht sie noch irgend ein anderer zu verantworten habe – fortgesetzt ins Leere gegriffen thus the draftsman I told her neither she is not responsible for that nor anybody else – ongoing grabbed into nothingness</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017947342-XR8D8VKI199V9PQ7GO95/105-im-Detail-betrachtet.jpg</image:loc>
      <image:title>Drawings 2018 - Blindheit / blindness (Copy)</image:title>
      <image:caption>Blindheit / blindness im Detail betrachtet geht es immer um eine Blindheit bei der wir auf dem einem Auge sehend bleiben dem wir nicht vertrauen observed in detail it is always about a blindness by which we stay seeing with the one eye the one we do not trust</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525017948273-4AQW5W1J0WST3ONA6DQ6/106-um-das-zu-verstehen.jpg</image:loc>
      <image:title>Drawings 2018</image:title>
      <image:caption>um das zu verstehen muss man schon ziemlich dicht ran gehen to understand this ones has to come very close</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525019673500-NM3PCH4HN63I4GNREU56/107-a-und-mich-mit.jpg</image:loc>
      <image:title>Drawings 2018 - Mittelpunkt / middle-point (Copy)</image:title>
      <image:caption>Mittelpunkt / middle-point und mich mit offener Handfläche zum Mittelpunkt hin tasten and myself with open palm groping towards the middle-point</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525019675599-PCFLETCSX3SQT7Y8LHQM/108-der-Mittelpunkt-selbst.jpg</image:loc>
      <image:title>Drawings 2018</image:title>
      <image:caption>der Mittelpunkt selbst besteht aus verschiedenen Schichten oder Lineationen the middle-point itself consist of different levels or lineations</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727982200-QD7JPTJDLPC0PVJ592FF/109-woraus-sich-allerlei.jpg</image:loc>
      <image:title>Drawings 2018 - Verschiebungen / shiftings (Copy)</image:title>
      <image:caption>Verschiebungen / shiftings woraus sich allerlei Verschiebungen der innerhalb und außerhalb des Körpers verteilten Sinnesorgane ergeben from this a lot of shiftings of the sensory-organs allocated inside and outside the body will be caused</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727982431-95NYV6OQMWYYZM00GN0J/110-wie-es-geschah.jpg</image:loc>
      <image:title>Drawings 2018 - unabweisbares Verlangen / ineluctable longing (Copy)</image:title>
      <image:caption>unabweisbares Verlangen / ineluctable longing wie es geschah als wir auf der Couch saßen und ein unabweisbares Verlangen Dich zu berühren mich überkam as it happened as we were sitting on the couch and an ineluctable longing overwhelmed me to touch you</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727982960-140GVRJS3LLXFJ3Z38EE/111-ja-da.jpg</image:loc>
      <image:title>Drawings 2018 - das Prinzip / the principle (Copy)</image:title>
      <image:caption>das Prinzip / the principle ja da ließ sich das Prinzip der Verschiebung deutlich beobachten yes there the principle of shifting clearly could be observed</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727983778-YS0UU98LKNJY3KOQCY3K/112-ein-phaenomen.jpg</image:loc>
      <image:title>Drawings 2018 - Zeitstruktur / structure of time (Copy)</image:title>
      <image:caption>Zeitstruktur / structure of time ein Phänomen das Bewegung / Berührung deren unausgesetzte Wiederholung und die Zeitstruktur die diese einschließt gleichermaßen betrifft a phenomenon which affects both the movement / touch, their incessantly repetitions and the structure of time which includes these</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727983729-SI3JE8YO2BXGXSONE6CF/113-eine-Sprecher.jpg</image:loc>
      <image:title>Drawings 2018 - Anweisungen / advices (Copy)</image:title>
      <image:caption>Anweisungen / advices eine Sprecher / Sprecher wies darauf hin (tatsächlich war's eine weibliche Stimme) dass diese Anweisungen nicht allzu ernst genommen werden sollten a speaker / speaker hinted (in fact it was a female voice) that one should not take these advices too seriously</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727984666-OZMAFR5VV4S1X1GMPDT2/114-ein-unsinniger-Hinweis.jpg</image:loc>
      <image:title>Drawings 2018 - dasselbe Problem  / the same problem (Copy)</image:title>
      <image:caption>dasselbe Problem / the same problem ein unsinniger Hinweis unschwer ist zu erkennen dass auch die Stimme dasselbe Problem aufwirft das der Mittelpunktverschiebung a pointless hint not difficult to realize that also the voice shows the same problem those of middle-point-shifting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727984608-JTXJKMBALU5A46H09V0Q/115-auch-die.jpg</image:loc>
      <image:title>Drawings 2018 - Absonderungen / secretions (Copy)</image:title>
      <image:caption>Absonderungen / secretions auch die aus der Verschiebung resultierenden Absonderungen oder Ausflüsse als wär's aus dem Körperinneren ausgetreten also the secretions or outflows caused by the shiftings as if it would have been leaked from the inner of the body</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727985542-CCWD7KXPMDGP0FZNQ3Y3/116-a-solange-wir.jpg</image:loc>
      <image:title>Drawings 2018 - Körpermittelpunkt / middle-point of the body (Copy)</image:title>
      <image:caption>Körpermittelpunkt / middle-point of the body solange wir den Körpermittelpunkt nicht identifizieren geschieht es leicht dass wir nicht wissen was wir tun as long as we do not identify the middle-point of the body it happens easily that we do not know what we are doing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727985824-7NQBLCCENFKPULMEXPCK/116-b-eine-unmaessige.jpg</image:loc>
      <image:title>Drawings 2018 - Vermischung / mingling (Copy)</image:title>
      <image:caption>Vermischung / mingling eine unmäßige Vermischung der Organe an immoderate mingling of the organs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727986032-SX07A92TNC5K7SG9ZG8T/117-was-jeden-betrifft.jpg</image:loc>
      <image:title>Drawings 2018 - der Autor / the author (Copy)</image:title>
      <image:caption>der Autor / the author was jeden betrifft auch wenn er hier der Autor als junger Mann angesprochen wird what everyone affects also if in this case the author as a young man is addressed</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727986909-YEYVIGSY7JN9W277X6L0/118-a-wir-tasten.jpg</image:loc>
      <image:title>Drawings 2018 - Magen / stomach (Copy)</image:title>
      <image:caption>Magen / stomach wir tasten entlang der Ausdehnung (des Magens) finden aber nicht wonach wir suchen we grope along the extension (of the stomach) but do not find what we are looking for</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727986900-2L4M2A0ST93J6XU833KR/118-b-offensichtlich.jpg</image:loc>
      <image:title>Drawings 2018</image:title>
      <image:caption>offensichtlich weiß er nicht was er tut obviously he does not know what he’s doing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727988618-JAJRC5641BR78LYWL3XW/119-bewegen-uns.jpg</image:loc>
      <image:title>Drawings 2018 - zum Geschlecht / the genital (Copy)</image:title>
      <image:caption>zum Geschlecht / the genital bewegen uns mit zwei Fingern rotierend hinab bis zum Geschlecht moving ourselves rotating with two fingers down to the genital</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1525727988779-I2H0WG6WPVSD4527MJRK/120-beschreiben.jpg</image:loc>
      <image:title>Drawings 2018 - Hilflosigkeit / helplessness (Copy)</image:title>
      <image:caption>Hilflosigkeit / helplessness beschreiben zuletzt als äußerstes Zeichen der Hilflosigkeit einen Halbkreis mit linkem Arm describe at last as a maximum sign of helplessness with left arm a half circle</image:caption>
    </image:image>
  </url>
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    <loc>https://www.tomasocarnetto.com/notations201601</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2026-03-01</lastmod>
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      <image:title>notations2016-01 - Paris Street Art (Copy)</image:title>
      <image:caption>Paris Street Art March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, left figure</image:caption>
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      <image:title>notations2016-01 - Paris Street Art (Copy)</image:title>
      <image:caption>Paris Street Art March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, both figures</image:caption>
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      <image:title>notations2016-01 - Paris Street Art (Copy)</image:title>
      <image:caption>Paris Street Art March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, face and moving lines (of typography)</image:caption>
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      <image:title>notations2016-01 - Paris Street Art (Copy)</image:title>
      <image:caption>Paris Street Art March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, Clodia and Lorelei (edit or remove)</image:caption>
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      <image:title>notations2016-01 - Paris Street Art (Copy)</image:title>
      <image:caption>Paris Street Art March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask</image:caption>
    </image:image>
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      <image:title>notations2016-01 - Paris Street Art (Copy)</image:title>
      <image:caption>Paris Street Art March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask detail I</image:caption>
    </image:image>
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      <image:title>notations2016-01 - Paris Street Art (Copy)</image:title>
      <image:caption>Paris Street Art March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask detail II</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459383008-SWERWELO2WEGQZRMHNWI/2016-03-Paris-street-art04c.jpg</image:loc>
      <image:title>notations2016-01 - Paris Street Art (Copy)</image:title>
      <image:caption>Paris Street Art March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask detail III</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459383149-U8ZCNIGEATTUIHDIVEQV/2016-03-Paris-street-art04d.jpg</image:loc>
      <image:title>notations2016-01 - Paris Street Art (Copy)</image:title>
      <image:caption>Paris Street Art March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask detail IV</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459387697-NI5XJLTHJUQZK3Z5E8Z1/2016-03-Paris-street-art04e.jpg</image:loc>
      <image:title>notations2016-01 - Paris Street Art (Copy)</image:title>
      <image:caption>Paris Street Art March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask detail V</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460459384464-6YJW11B4FVHB5LCXDDZS/2016-03-Paris-street-art04f.jpg</image:loc>
      <image:title>notations2016-01 - Paris Street Art (Copy)</image:title>
      <image:caption>Paris Street Art March 24, 2016, Paris, Rue Saint-Martin / Rue du Cloitre Sanit-Merri, mask detail VI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460781803-MW383RLS4BH6B2K8DPS9/2016-03-Paris01.jpg</image:loc>
      <image:title>notations2016-01 - Perceptual-Identity of Street and Stage II (Copy)</image:title>
      <image:caption>Perceptual-Identity of Street and Stage II What we see is the simultaneity of perception – fixed on a stage (the stage of remembrance).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460781692-5EPP2OMY3LSGFT92O38Q/2016-03-Paris02.jpg</image:loc>
      <image:title>notations2016-01 - Perceptual-Identity of Street and Stage III (Copy)</image:title>
      <image:caption>Perceptual-Identity of Street and Stage III The aim is to fix the moving simultaneity as a line in the presence (a line which is constantly available). The fixing should be done as a poetical construction, i.e. as a poem or a notation of lyrical order.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460784489-2M0B0HNU2G5S8YUYNQCK/2016-03-Paris03.jpg</image:loc>
      <image:title>notations2016-01 - Perceptual-Identity of Street and Stage VI (Copy)</image:title>
      <image:caption>Perceptual-Identity of Street and Stage VI Reading is to put the vivid movement back into our perception. This is Moving Poetry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460783988-JE5NY3KWJO50GMX0UT8Z/2016-03-Paris04.jpg</image:loc>
      <image:title>notations2016-01 - Perceptual-Identity of Street and Stage I (Copy)</image:title>
      <image:caption>Perceptual-Identity of Street and Stage I The perceptual-identity of a street and a stage (for example, the street corner Rue Rue André Mazet / Saint-André des Arts) while you are watching out of a coffee shop window what happens outside...</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460785616-99TBGB0QWKIBO8174WCZ/2016-03-Paris05.jpg</image:loc>
      <image:title>notations2016-01 - Perceptual-Identity of Street and Stage V (Copy)</image:title>
      <image:caption>Perceptual-Identity of Street and Stage V Lineation dictates when a line of poetry stops and a new lines begins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460786789-F5LHPNYHOVFKHGDH46BH/2016-03-Paris06.jpg</image:loc>
      <image:title>notations2016-01 - Perceptual-Identity of Street and Stage VI (Copy)</image:title>
      <image:caption>Perceptual-Identity of Street and Stage VI Lineation also dictates when the walk along the line has to be stopped and when the participant has to jump to another lines (directly to one of the crossing points, he has to decide which he will choose).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460787935-7LPNOZBPCN45BN84JIWZ/2016-03-Paris07.jpg</image:loc>
      <image:title>notations2016-01 - Perceptual-Identity of Street and Stage VII (Copy)</image:title>
      <image:caption>Perceptual-Identity of Street and Stage VII »Two roads diverged in a wood, and I - I took the one less traveled by, And that has made all the difference.«  The Road Not Taken by Robert Frost</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460789641-XUBOXJZ5AMNBQBMM6FR0/2016-03-Paris08.jpg</image:loc>
      <image:title>notations2016-01 - Perceptual-Identity of Street and Stage VIII (Copy)</image:title>
      <image:caption>Perceptual-Identity of Street and Stage VIII The poem moves from lineation to lineation, the poetry itself is moving us in a physical sense, while we are reading. Moving poetry is, to move and to be moved by reading, with no other aim than to stay in movement.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460794730-DNB6B8ZAKW4NE72L9PDC/2016-03-Paris09.jpg</image:loc>
      <image:title>notations2016-01 - Perceptual-Identity of Street and Stage IX (Copy)</image:title>
      <image:caption>Perceptual-Identity of Street and Stage IX We are reading what happens on stage: on the stage of our mind as well as on the stage of the streets, the rooms, the spaces between the interacting people, things, and thoughts...</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1460460793233-XUG4E2SA1XU29671UGBF/2016-03-Paris10.jpg</image:loc>
      <image:title>notations2016-01 - Leaving the Audience Room (Copy)</image:title>
      <image:caption>Leaving the Audience Room »At twenty I tried to die And get back, back, back to you.  I thought even the bones would do.  But they pulled me out of the sack, And they stuck me together with glue.«  Daddy by Sylvia Plath</image:caption>
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      <image:title>notations2016-01 - Mandrake – Beliefs and Practices I (Copy)</image:title>
      <image:caption>Mandrake – Beliefs and Practices I Many superstitious beliefs and practices are connected with temporary blindness and the perception of foreign sounds which remembers at a vivid voice: Close your eyes and listen to the whisper of the wind in the trees or murmur of the roots under the ground.</image:caption>
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      <image:title>notations2016-01 - Mandrake – Beliefs and Practices II (Copy)</image:title>
      <image:caption>Mandrake – Beliefs and Practices II Reports of the effects of consumption of mandrake are blurred vision, dilation of the pupils, dryness of the mouth, difficulty in urinating, dizziness, headache, vomiting, blushing and a rapid heart rate as well as hyperactivity and hallucinations.</image:caption>
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      <image:title>notations2016-01 - Mandrake – the Bible , Genesis 30:14,15 (Copy)</image:title>
      <image:caption>Mandrake – the Bible , Genesis 30:14,15 „And Reuben went in the days of wheat harvest, and found mandrakes in the field, and brought them unto his mother Leah. Then Rachel said to Leah, Give me, I pray thee, of thy son's mandrakes. And she said unto her, Is it a small matter that thou hast taken my husband? and wouldest thou take away my son's mandrakes also? And Rachel said, Therefore he shall lie with thee to night for thy son's mandrakes."</image:caption>
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      <image:title>notations2016-01 - Mandrake – the Bible , Genesis 30:16 (Copy)</image:title>
      <image:caption>Mandrake – the Bible , Genesis 30:16 "And Jacob came out of the field in the evening, and Leah went out to meet him, and said, Thou must come in unto me; for surely I have hired thee with my son's mandrakes. And he lay with her that night.“</image:caption>
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      <image:title>notations2016-01 - Pulling the Mandrakes (Copy)</image:title>
      <image:caption>Pulling the Mandrakes Josephus (circa 37–100 AD) of Jerusalem gives the practical directions for pulling the mandrakes up: „A furrow must be dug around the root until its lower part is exposed, then a dog is tied to it, after which the person tying the dog must get away. The dog then endeavours to follow him, and so easily pulls up the root, but dies suddenly instead of his master. After this, the root can be handled without fear.“</image:caption>
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      <image:title>notations2016-01 - "Let's hang ourselves immediately!" (Copy)</image:title>
      <image:caption>"Let's hang ourselves immediately!"</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer (Copy)</image:title>
      <image:caption>Anselm Kiefer Anselm Kiefer (born 1945) is a German painter and sculptor. In 1999 the Japan Art Association awarded him the Praemium Imperiale for his lifetime achievements. In the explanatory statement it reads: » Only a few contemporary artists have such a pronounced sense of art's duty to engage the past and the ethical questions of the present, and are in the position to express the possibility of the absolution of guilt through human effort.«</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou, Paris I (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou, Paris I From December 2015 to April 2016 the Centre Pompidou had staged a retrospective of Anselm Kiefer’s work, the first in France for 30 years.</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou II (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou II The exhibition consisted of close to 150 works, with a selection of approximately 60 paintings, including iconic works from the 1970s and ‘80s.</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou III (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou III »Kiefer’s Paris Retrospective Is Testament to the Regenerative Power of Art – « Emily Nathan, artsy.net, 2015  </image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou IV (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou IV »Like all those of his generation struggling with their parents’ Nazi pasts, Kiefer was unsure of his responsibility as a German artist—but a room full of massive architectural paintings from the 1980s marks the reintroduction of history into his work.«</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou V (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou V »Because most Nazi buildings were leveled by the Allied bombings, Germany lacked ruins—an absence that aided the country in its will to forget.«</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou VI (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou VI »Kiefer addressed these omissions by imagining the destroyed Neo-Classical edifices built by Nazi architects like Albert Speer as ruins.«</image:caption>
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      <image:title>notations2016-01</image:title>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou VIII (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou VIII »The sumptuous Innenraum [Interior] (1981) envisions the empty interior of the New Reich Chancellery as both gold-tinged and deeply scarred, its water-stained walls seeming to sag with the weight of history.«</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou IX (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou IX Anselm Kiefer is a German Painter, Sculptor, Photographer, and Installation Artist, he is considered as one of the movement of Neo-Expressionism.</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou X (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou X Anselm Kiefer's monumental, often confrontational canvases were groundbreaking at a time when painting was considered all but dead as a medium.</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou XI (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou XI The artist is most known for his subject matter dealing with German history and myth, particularly as it relates to the Holocaust.</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou XII (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou XII These works forced his contemporaries to deal with Germany's past in an era when acknowledgment of Nazism was taboo. Kiefer incorporates heavy impasto and uncommon materials into his pieces, such as lead, glass shards, dried flowers, and strands of hay, many of which reference various aspects of history and myth, German and otherwise.</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou XIII (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou XIII Influenced by his contemporaries Joseph Beuys and Georg Baselitz, as well as by postwar tendencies in Abstract Expressionism and Conceptual art, Kiefer is considered part of the Neo-Expressionist movement, which diverged from Minimalism and abstraction to develop new representational and symbolic languages.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942432008-CGLCNMPG3UD7EZ8E6MY1/centre-kiefer12.JPG</image:loc>
      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou XIV (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou XIV Anselm Kiefer is a history painter in a traditional sense. His art often deals with themes related to German history and national identity, including Norse legend, Wagnerian opera, and the Holocaust.</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou XV (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou XV The relation to the Holocaust was an attempt to bring the Nazi period to the forefront of national and international conversations, often causing controversy in Germany.</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou XVI (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou XVI Kiefer's repertoire of imagery is wide ranging, incorporating representational and symbolic motifs, such as sigils, occult icons, architectural interiors, and landscape elements to provoke an emotional and psychological effect on the viewer.</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou XVII (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou XVII Many of his themes makes direct references to aspects of Germany's past, such as the forests that evoke famous battles or the fairytales of the Grimm Brothers.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1463942443730-E37AHEXLZNCW65RQSSMS/centre-kiefer18.JPG</image:loc>
      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou XVIII (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou XVIII Kiefer is drawn to various and often unusual media for their symbolic potency. Natural materials such as straw, earth, and tree roots reference both time and patterns of life, death, and decay. Lead also has resonance for the artist both as a medium and a subject matter.</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou XIX (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou XIX Lead was the base material used in alchemy. He considers that lead is the only material heavy enough to bear the burden of history.</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou XX (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou XX Derived from his interest in mythology, history, and knowledge, Kiefer often uses books as subject matter representing knowledge and civilization.</image:caption>
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      <image:title>notations2016-01 - Anselm Kiefer at Centre Pompidou XXI (Copy)</image:title>
      <image:caption>Anselm Kiefer at Centre Pompidou XXI He frequently incorporates text into his paintings, including excerpts from poems, novels, and nationalist slogans as well as names of seminal figures, written in a scrawling script.</image:caption>
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      <image:title>notations2016-01</image:title>
      <image:caption>»As an architect you are a builder. You are of course more than a builder. You need to be a militant, you have to be a poet, you have to be a visionary, you have to be an artist. But certainly you have to be a builder. Everything starts from there.« Renzo Piano</image:caption>
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      <image:title>notations2016-01</image:title>
      <image:caption>»One of the great beauties of architecture is that each time, it is like life starting all over again.« Renzo Piano</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465242346200-KLCBFCZA416S848BBSK9/centre-pompidou03.jpg</image:loc>
      <image:title>notations2016-01</image:title>
      <image:caption>»Architects spend an entire life with this unreasonable idea that you can fight against gravity.« Renzo Piano</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465242346400-78EU145DL9MBYK2LTEC8/centre-pompidou04.jpg</image:loc>
      <image:title>notations2016-01</image:title>
      <image:caption>»Light has not just intensity, but also a vibration, which is capable of roughening a smooth material, of giving a three-dimensional quality to a flat surface.« Renzo Piano</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1465242348853-V10MWN3G4V9WAX3P9TJO/centre-pompidou05.jpg</image:loc>
      <image:title>notations2016-01</image:title>
      <image:caption>»If you have total freedom, then you are in trouble. It's much better when you have some obligation, some discipline, some rules. When you have no rules, then you start to build your own rules.« Renzo Piano</image:caption>
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      <image:title>notations2016-01</image:title>
      <image:caption>»Architects have to dream, we have to search for our Atlantises, to be explorers, adventurers, and yet to build responsibly and well.« Renzo Piano</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1474026447841-F4TO2UO7KDYIN7KGXBQR/pressebild-lk-tc-d.jpg</image:loc>
      <image:title>notations2016-01 - Körpermaschine 01 (Copy)</image:title>
      <image:caption>Körpermaschine 01 Das »Manifest« grenzt die Körpermaschine ein, stellt sie aus und wird sie in physischem Sinn verwirklichen; in Konstruktion und Bau einer externalisierten Körpermaschine (Riesenschreibmaschine, vitruvianischen Maschine etc.).</image:caption>
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      <image:title>notations2016-01 - Körpermaschine 02 (Copy)</image:title>
      <image:caption>Körpermaschine 02 Die Körpermaschine = eine Verlustmaschine. Der Verlust = elementare Bedingung jeder Sprache.</image:caption>
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  </url>
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    <loc>https://www.tomasocarnetto.com/lectures-winter-term-2014</loc>
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    <lastmod>2026-03-02</lastmod>
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      <image:title>2014 Lectures Winter Term</image:title>
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      <image:title>2014 Lectures Winter Term</image:title>
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      <image:title>2014 Lectures Winter Term</image:title>
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      <image:title>2014 Lectures Winter Term</image:title>
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      <image:title>2014 Lectures Winter Term</image:title>
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      <image:title>2014 Lectures Winter Term</image:title>
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      <image:title>2014 Lectures Winter Term</image:title>
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      <image:title>Material for Lectures C - Inter-Position of Historie, pict.001  (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.001 Look at the moon ! How strange the moon seems ! She is like a woman rising from a tomb.  She is like a dead woman. You would fancy she was looking for dead things.</image:caption>
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      <image:title>Material for Lectures C - Inter-Position of Historie, pict.002 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.002 You are always looking at her. You look at her too much. It is dangerous to look at people in such fashion. Something terrible may happen.</image:caption>
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      <image:caption>Inter-Position of Historie, pict.003 She is like a woman who is dead. She moves very slowly.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820891498-K1D1THAKWO5SLPSU7B3F/poems-lectures-2015-004.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.004 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.004 After me shall come another mightier than I.  I am not worthy so much as to unloose the latchet of his shoes. When he cometh, the solitary places shall be glad. They shall blossom like the lily.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820884849-6GOWNZTPAE714THJYX6F/poems-lectures-2015-005.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.005 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.005 The eyes of the blind shall see the day, and the ears of the deaf shall be opened. The new-born child shall put his hand upon the dragons' lair and shall lead the lions by their manes.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820895707-WCGHH9KZ742T5YXRKF8Y/poems-lectures-2015-006.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.006 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.006 Sometimes he says terrible things, but it is impossible to understand what he says.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820914534-ODWN16W2F5YQUTLUK38G/poems-lectures-2015-009.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.009 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.009 "A secret organisation, a super-organisation with a network of communications, arms and explosives, and men trained to use them..."</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820919073-RDECOKHMW5TAH86KWKGX/poems-lectures-2015-010.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.010 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.010 "A super-organisation which, lacking a Soviet military invasion which might not happen, took up the task, on NATO's behalf, of preventing a slip to the left in the political balance of the country."</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820922120-65CG954SFGKUYF9PJ10B/poems-lectures-2015-011.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.011 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.011 "This they did, with the assistance of the official secret services and the political and military forces.“ Vincenzo Vinciguerra</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820902612-O2JVZ8B0JLCQMUW0H2TU/poems-lectures-2015-007.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.007 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.007 "With the massacre of Peteano, and with all those that have followed, the knowledge should by now be clear that there existed a real live structure, occult and hidden, with the capacity of giving a strategic direction to the outrages...[it] lies within the state itself... "</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820908201-ZE0037NUGBBG9BBTS0NJ/poems-lectures-2015-008.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.008 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.008 "There exists in Italy a secret force parallel to the armed forces, composed of civilians and military men, in an anti-Soviet capacity that is, to organise a resistance on Italian soil against a Russian army..."</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820929417-312WCWIOKAXYKO40S8RR/poems-lectures-2015-013.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.013 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.013 You will do this thing for me, and to-morrow when I pass in my litter beneath the gateway of the idol-sellers I will let fall for you a little flower, a little green flower.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820926756-NXIUL8GHF58UBU5VPZ2W/poems-lectures-2015-012.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.012 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.012 The roses in the garden of the Queen of Arabia are not so white as thy body. Neither the roses in the garden of the Queen of Arabia, nor the feet of the dawn when they light on the leaves, nor the breast of the moon when she lies on the breast of the sea. . . .  There is nothing in the world so white as thy body. Let me touch thy body.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820941233-4X7T8UTGAYJSYFT33O1S/poems-lectures-2015-014.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.014 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.014 I repeat: After me shall come another mightier than I.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448820943774-0WYA129CNOIUXLRZNPBE/poems-lectures-2015-015.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.015 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.015 I am amorous of thy body ! Thy body is white like the lilies of a field that the mower hath never mowed. Thy body is white like the snows that lie on the mountains, like the snows that lie on the mountains of Judaea, and come down into the valleys. Oscar Wilde, Salome</image:caption>
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      <image:title>Material for Lectures C - Inter-Position of Historie, pict.015a (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.015a</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1448825787438-CHNRLIUCZOGBV440A8T6/poems-lectures-2015-000b.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.015b (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.015b</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425750307-5KWFDGPXM1UB0YKBKM3X/guerra-italo-turca02.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.016 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.016 He was taken away, when he was five years old. He remembered his mother melted down to a tiny line where she stands, far away with her right arm outstretched, still waving, a little wave with her small hand.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425750212-ZOD6659B7ACJ4LEB92RU/guerra-italo-turca.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.017 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.017 He was taken to Tripolitania shortly after this region was captured by Italy in the Italo-Turkish War.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425734669-57WOYZR8LMKBHAAIYXIG/Federico-Caprilli-02.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.018 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.018 The Italian famous equestrian Federico Caprilli examined horses free jumping (without tack or rider), using photographs to document their shape over fences, and found that they always landed on their forelegs. He then developed his theory on the position the rider should take while over a fence: one that would not interfere with the horse’s jumping movement and most importantly one that would not touch the horse’s mouth.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425726989-UNLIVE4I01IUS7V3MZCI/Federico-Caprilli-01.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.019 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.019 The Italian Cavalry School was absolutely cutting edge, their style revolutionized military cavalry riding around the world.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425771594-Y1B471NJW9Q550ZMYT03/Italian-Cavalry-School%2C-1906-%281%29.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.020 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.020 In the first decades of the 20th century the Italian Cavalry School at Tor di Quinto near Rome was – along with the French Cavalry School at Saumur – the leading institution for horsemanship in the world. Tor di Quinto was probably the foremost academy for advanced cross country riding.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425754708-7X8ZWN12LXO0OAOT1SEI/Italian-Cavalry-School%2C-1906-%282%29.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.021 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.021 The old jumping seat involved the rider using long stirrups, keeping his legs pushed out in front of him, and his body leaning back, pulling the reins, as the horse took the fence. This position had serious problems, first and foremost because the horse was uncomfortable being hit in the mouth over every obstacle. The position also kept the rider’s weight directly on the back of the horse, and pushed the rider behind the motion, sending his center of gravity behind the horse’s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425767439-V1EKYPED0XAVDQ5PBPQ0/Italian-Cavalry.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.022 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.022 Caprilli also wanted to train a horse that could think for itself, without needing the rider’s guidance, and did not like “spot” jumping, where the rider tried to add in or lengthen the stride of the horse before the fence.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449425741807-OXBMQELG2MVXRSQ7TTL6/atelier-arno-brecker.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.023 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.023 The first time the young officers rode that way in front of senior officers they were punished for showing their buttocks to the ladies in attendance. They continued though, and shattered every record up to that point, and were also very successful in teaching masses of soldiers how to ride well in short period of times.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5622d169e4b006ea8cec05cf/1449426991462-R9UBJW7R7M8TA8557MWF/women-naked-on-a-horse.jpg</image:loc>
      <image:title>Material for Lectures C - Inter-Position of Historie, pict.024 (Copy)</image:title>
      <image:caption>Inter-Position of Historie, pict.024 Before, the dominant cavalry style was to ride erect, in a martial and rigid posture that negated all fluidity to the horse. Italian Cavalry School completely shaped their style around the horse, their leading officer studied how horses jumped without a rider and adapted to it, rather than the opposite.</image:caption>
    </image:image>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term - grammatical structure (Time Loop) (Copy)</image:title>
      <image:caption>grammatical structure (Time Loop) Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term - Organic Volume (Beetroot) (Copy)</image:title>
      <image:caption>Organic Volume (Beetroot) Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term - Grammatical Structure (in Relation to the Human Body) (Copy)</image:title>
      <image:caption>Grammatical Structure (in Relation to the Human Body)</image:caption>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term - Inter-Position (Riot 1968 in Paris) (Copy)</image:title>
      <image:caption>Inter-Position (Riot 1968 in Paris) Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term - Inter-Position (Dürer, Adam und Eva) (Copy)</image:title>
      <image:caption>Inter-Position (Dürer, Adam und Eva) Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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      <image:title>2013 Lectures Winter Term - Grammatical Movement (Expansion from Point to Point) (Copy)</image:title>
      <image:caption>Grammatical Movement (Expansion from Point to Point) Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term - Material Volume (by Movement and Light) (Copy)</image:title>
      <image:caption>Material Volume (by Movement and Light) Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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      <image:title>2013 Lectures Winter Term</image:title>
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      <image:title>2013 Lectures Winter Term - Inter-Position (Wrestler) (Copy)</image:title>
      <image:caption>Inter-Position (Wrestler) Tomaso Carnetto, Lectures Formative Design, Academy of Visual Arts, Frankfurt, Winter Term 2013</image:caption>
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